Massive lost work from the Butterfield Blues Band – recorded in 1964, quite early in the group's career – but a set that already has them hitting hard with a really powerful sound! The recording quality and overall sound is nice and rough – a gritty groove that's more closely linked with the Chicago roots of the group than some of their later recordings – and the harmonica work of Paul Butterfield is really amazing – nicely distorted at times, almost in a fuzzy psych way – and matched by some excellent work on guitar from both Elvin Bishop and Mike Bloomfield – the latter of whom also handles Hammond and piano too. Titles include "Nut Popper 1", "Lovin Cup", "Our Love Is Driftin", "Take Me Back Baby", "Help Me", "Just To Be With You", "Everything's Gonna Be Alright", and "Goin Down Slow". CD

A great chapter in the career of trumpeter Donald Byrd – his post-Blue Note work with the group 125th Street NYC – which is kind of a second chapter to the jazzy fusion style he developed at the start of the 70s! This time around, there's an equal emphasis on soul and jazz – often with some strong vocals in the lead, but also plenty of room for Donald to stretch out and serve up the kind of perfect solos he worked out with the Mizell Brothers in the years before – modes that are continued here with some great guest help from singers and musicians who include Syreeta, Isaac Hayes, Jim Gilstrap, Wah Wah Watson, and Greg Phillinganes! If you like Donald Byrd albums like Places & Spaces or Stepping Into Tomorrow, you'll find that the sound here is a continuation of that mode – taken into the leaner funk territory that would come to play in the 80s. 2CD set features almost all the best tracks from those years, including some single mixes too – and titles include "Thank You For Funking Up My Life (12" disco version)", "Marilyn", "Butterfly", "Gold The Moon White The Sun", "Sexy Dancer", "Love Has Come Around", "Loving You", "Love For Sale", "Star Trippin", "I Love You", "Midnight", "Your Love Is My Ecstasy", "Have You Heard The News", "People Suppose To Be Free", "Morning", "I'm Coming Home", "Sunning In Your Love Shine", "Everyday", "Falling", "So Much In Love", and "Forbidden Love". CD

Includes the albums Have A Marijuana and The American Revolution. CD

A really great collection – five full albums from keyboard giant Patrice Rushen, plus bonus tracks too! First up is Patrice – her first album for Elektra, and a stunning blend of funky jazz and soul! The record really has Patrice stepping out from her earlier years at Prestige – working in some surprisingly great vocals next to tight lines on Fender Rhodes, synth, and clavinet, handled with a smooth and soulful quality that's wonderful all the way through – a blend of soul and jazz that few other players could do this well – no matter how many others tried to copy her style over the years! Rhythms are as hard and heavy as on the Prestige years, and the keyboards have a great sort of focus too – just the right mix of jazz to offset the vocals – which themselves are a wonderful discovery. The whole album's a gem – and tracks include the great funky classic "Hang It Up", plus "Changes (In Your Life)", "When I Found You", "Play", "Didn't You Know?", and "Music Of The Earth". Pizzazz is one of the records that not only helped break her out of the jazz funk ghetto, and right into the mainstream – but a set that also had a pretty profound influence on the progression of soul in the early 80s! Rushen sings as well as plays keyboards – and really pushes the use of jazzy elements that would take R&B to the next level – almost inventing the 80s groove sound in the process! The whole thing's a totally sweet mix of funk and soul, tightened up to get everything in the door at the same time – and titles include "Givin It Up Is Givin Up", "Call On Me", "Haven't You Heard", and "Let The Music Take Me". Posh is an all-out, all-access affair – a great way for anyone to get into the grooves of the mighty Patrice Rushen! Patrice is at the height of her powers here – equally magic on keyboards and vocals, and coming up with groove after groove in a sublime blend of 70s jazz funk and Minnie Riperton-esque soul! The whole album's a winner – real magic that never gets old, and the kind of LP that makes you understand why you'll find Patrice's records in just about any soul collection from the time! Tracks include "I Need Your Love", "Time Will Tell", "The Dream", "Never Gonna Give You Up", and "Don't Blame Me". Straight From The Heart is one of those albums that completely cemented her standing in the world of jazz, funk, and soul – and a wonderful summation of everything she'd done in the years before! The young Patrice was already a breakout keyboardist on the west coast scene of the mid 70s – turning out great work on her own, and adding her talents to plenty of others – but here, she emerges as a soaring soul star in her own right – a talent who's really worked her way up, with a quality level that's head and shoulders above most of her peers! Rushen produced the set with Charles Mims, and there's a righteous blend of jazz and soul that's at the level of Minnie Riperton, so that even the catchiest cuts come off with a sense of sophistication and warmth that's so different than so much other 80s soul and fusion. Titles include the classic "Forget Me Nots", plus "Number One", "I Was Tired Of Being Alone", "Where There Is Love", "Breakout", "If Only", and "Remind Me". The album Now is a masterpiece of 80s groove with lots of jazzy touches! The keyboard sound has evolved a bit here – compressed with more electronic percussion than on Patrice's earlier records, but still done with a degree of soul that sets it apart from work by most of her contemporaries – and the music has this warm flow that really sets Rushen apart from the rest – a sublime mix of soul, funk, and fusion that holds together perfectly throughout! Titles include "Gotta Find It", "Gone With The Night", "My Love's Not Going Anywhere", "High In Me", "To Each His Own", "Heartache Heartbreak", and "Feels So Real". 5CD set features bonus tracks from original 12" singles – and other remixes too! CD

Three classic albums from Shoes, plus bonus tracks, and a full CD worth of rare material too! First up is Present Tense – a power-pop classic from Shoes – their first full length for Elektra Records, and a set that stands with all the best end of 70s gems from either coast! The songs are impeccable, and the group do a fantastic job of blending sharper guitars with really great lyricism – a mode that maybe makes the Illinois group a strong precursor for territory that The Replacements wouldn't hit until many years later – and which makes just about every track on the album a precious nugget that just gets better and better with time! Titles include "Now & Then", "Every Girl", "I Don't Wanna Hear It", "Three Times", "In My Arms Again", and "Too Late". On Tongue Twister, Shoes continue the brilliance of their first album for Elektra – serving up the kind of music that was so well-done, so subtle, it was maybe missed by most of the world at the time – even though it's gone onto the status of classic, thanks to legions of fans and critics! Shoes have a way with a tune that's unlike anyone else – maybe that compressed charm of Big Star, but fused into the sharper modes of the power pop years – but without any of the too commercial modes of some of the bigger groups of the time. Instead, the whole thing feels like you've just stumbled upon a brilliant band, playing in a backroom bar – which, unfortunately, is how Shoes spent too much of their career. Titles include "Only In My Sleep", "She Satisfies", "Found A Girl", "Hate To Run", "When It Hits", "Yes Or No", "Your Imagination", and "Girls Of Today". On Boomerang, Shoes maybe look a bit too new wave on the cover, but still sound perfect within – very much in charge of that perfect yet understated approach to a tune that has gone on to make them legends in all the many years since this album was released! The group were never out to change the world, and maybe that held them back at the time – but they were also never trying for big chart success, or too-slick modes – and there's a wonderfully honest, down to earth approach to the songwriting and production that clearly sets the stage for all the bigger late 80s groups that would follow in their wake. Nearly every tune is a completely catchy mofo – and titles include "Curiosity", "In Her Shadow", "Double Talk", "The Summer Rain", "Under The Gun", "The Tube", and "What Love Means". 4CD set features a huge amount of bonus material – 8 track demo versions of all three albums, added to their discs – and a bonus CD of 18 more rare tracks – all in a box, with a big booklet of notes! CD

A really massive package – one that features six full albums from Starpoint, plus 34 bonus tracks as well! The group began as a more conventional funk outfit, but by the time of these records, they'd really found a sound that was strongly their own – a way of taking older ensemble modes forward to the 80s generation, yet without losing any of the warmth and beating heart that made them so great in the first place! There's so many different elements that come into play that make these records great – including key lead vocal performances from Renee Diggs, and well-crafted production that kept things fresh from record to record. The package features loads of classics amidst the full albums within – including the cuts "It's So Delicious", "Don't Be So Serious", "Breakout", "Am I Still The One", "Let Go", "Restless", "Object Of My Desire", "He Wants My Body", "DYBO", "Another Night", "Touch Of Your Love", "Say You Will", "I Want You You Want Me", "Midnight Love", and "One Step Closer To Your Love" – and each album is expanded with bonus tracks that include all the rare single mixes issued at the time. CD

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A great portrait of an under-recorded artist – Joe Albany's last album ever, recorded for Elektra records during their early 80s run of straight jazz sides! The record's got a spare, personal quality that's similar to Albany's other late work – but it's a bit more professionally put together too – not slick or commercial, but recorded quite thoughtfully, with clearly a lot of care in getting all of Joe's charms through on the record. There's a tentativeness to his keyboard work that's great – a sort of hesitation, then quick move forward with surprising grace – balancing beautifully in ways that warm us to his music even more than before. Other players include Al Gafa on guitar, George Duvivier on bass, and Charlie Persip on drums – but the record really has a main focus on Albany's piano lines. Titles include "Ruby My Dear", "Guess I'll Hang My Tears Out To Dry", "Autumn In New York", "They Say It's Wonderful", "For The Little Guy", and "Too Late Now". CD

A key comeback moment for Arthur Alexander – arguably one of the first great soul talents to rise from the south at the start of the 60s, but an artist who'd fallen far from fame by the time of this early 90s set! The record was cut at a time when Alexander had all but given up music, and was driving a bus in Cleveland – but it shows a singer who's lost none of his power over the years, and who's very much at home with his own songs. Production is by Ben Vaughn, and while it's possibly not as "authentic" as some of that done on soul revival sets in recent years, we actually like it all that much more for that. Instrumentation is mostly small combo, and features plenty of piano and organ from Spooner Oldham, guitar from Dan Penn, and work by other soul studio luminaries – on titles that include "If It's Really Got To Be This Way", "Go Home Girl", "Every Day I Have To Cry", "Lonely Just Like Me", "All The Time", "There Is A Road", and "Mr John". CD

A gem of a record from the mid 70s west coast scene – a really overlooked set from vocalist Laura Allen, recorded with a wonderfully breezy, soulful sound! Laura's got a voice that's perfect if you dig singers like Linda Lewis or Maria Muldaur, particularly the former – a bit jazzy at points, but usually focused straight ahead – but with a gentle flow that's completely seductive. Production is nicely laidback – never too studio slick – but the instrumentation's also nice and tight, and Laura plays some cool instruments on the record – a bit of clay drums, zither, and dulcimer – which bring in some folksy touches to her music, especially alongside some of the electricity in the keyboards and guitar. Most songs are originals by Laura – and titles include "Opening Up To You", "Sunny Day", "Stairway", "Promises", "Love Can Be", "Come As You Are", and "Hole In My Bucket". CD also features enough bonus tracks for a full extra album – including "Looking At You", "Sweet Lovemaker", "Looking For The Right One", "Slip & Slide", "Back Door", and "Radio". CD

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The pinnacle of classy crossover soul at the end of the 80s – and a landmark album that's probably still helping Anita pay her bills! The feel is mellow and laidback without being too cheesy or too adult contemporary – drawing from mellow soul traditions of the 70s, and filtering it through production styles of the 80s without losing too much of the warmth. Titles include "Talk To Me", "Fairy Tales", "Lonely", "No One To Blame", "More Than You Know", and "Whatever It Takes". CD

A mega-hit, but for good reason – as the record brought sophistication back to chart soul at the end of the 80s – proof that well-done, deeply-voiced records could still beat the schmaltz of the geri-curl generation! Anita's working here in territory that draws from the classics, but is certainly all her own – a space between jazz and soul that was hardly ever handled this well by other artists at the time. Titles include "Priceless", "Lead Me Into Love", "Giving You The Best That I Got", "Good Love", "Rules", "Good Enough", and "You Belong To Me". CD

A classic album of classy vocals – one that helped set a whole new tone in 80s soul music! Anita had already gained a bit of experience on the soul scene before this set, but with this record she emerged as a full-formed diva who could effortlessly blend jazz and soul into a magnificent new sound. The production has a few touches that date the record a bit, but there's a timelessness to the set that was apparent to listeners the moment it was released. Titles include "Mystery", "No One In The World", "Sweet Love", "You Bring Me Joy", and "Caught Up In The Rapture". CD

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From the female singer in the obscure group Chapter 8, Anita went onto become one of the biggest selling soul music acts during the 80s – and this album's her first effort as a solo act. The record's a smooth sophisticated batch of soul tunes, with lots of nice jazzy touches, and a classy sound that was quite refreshing in the face of some of the overly-synthesized soul work of the time. Patrick Moten produced and wrote most of the cuts – but it's Anita's deep vocals that make the record work so well. Titles include "You're The Best Thing Yet", "Feel The Need", "No More Tears", "Will You Be Mine", and "Do You Believe Me". CD

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