As you can probably guess from the title, Carol Sloane and Clark Terry recreate some of the vocal magic of Ella Fitzgerald and Louis Armstrong on Verve back in the 50s – but all in ways that are still quite fresh overall! The album's got a much more contemporary feel than you might expect – not in a modern way, but more in the way the trio's used behind the vocals, and the way the whole set's recorded – very much in the manner of some of the best Japanese sessions like this from the same time. Sloane's vocals really seem at the head of the set on most numbers, as Terry only vocalizes part of the time – and plays trumpet or flugelhorn at others, but not on every track. Other players include Bill Charlap on piano, Marcus McLaurine on bass, and Dennis Mackrel on drums – and titles include "Can't We Be Friends", "I Won't Dance", "Tenderly", "Blueberry Hill", "Moonlight In Vermont", "Stars Fell On Alabama", and "Autumn In New York". CD

A well-titled set, given that the album is Soulive's first away from the Blue Note label – a surprisingly tight outing done for the mostly-mellow Concord imprint, and a real back-to-basics outing that we totally love! The group's in fine fine form for the record – working with that core classic intensity that we first loved way back in their indie years – an approach that's gotten a bit too overly jamming or muddled up on other records, and which is presented here in a nicely stripped-down approach that only adds in a bit of extra guest work from time to time. Reggie Watts, Chaka Khan, and Ivan Neville all make appearances on the record – but honestly, what we still love best is the record's core grooving from the trio of Evans, Krasno, and Evans. Hate the cover, though – but whaddayagonnado? Titles include some great short "Interlude" tracks, plus "Got Soul", "Reverb", "Break Out", "She's Hooked", "Freedom", "What Can You Do", "Vapor", and "Take It Easy". CD

Esperanza Spaulding looks more striking than ever on this album cover, but not as striking as the music inside – co-produced by Spaulding with Tony Visconti – the longtime David Bowie collaborator who really brings a sharp sort of focus to the set! Although Esperanza began as a jazz bassist who also happened to sing, by the point of this album she's a fully-formed soul star in her own right – bold, powerful, and progressive – with a vision that's even more moving, almost with a future soul or cosmic crackle at points, instead of some of the warmer, gentler modes from previous recordings. The album's a stunner, and shows that Esperanza Spaulding will be surprising us plenty in years to come – as you'll hear on tracks that include "Earth To Heaven", "Rest In Pleasure", "Elevate Or Operate", "Unconditional Love", "Funk The Fear", "I Want It Now", and "Ebony & Ivy". Deluxe edition features the bonus track "Change Us", plus an extended version of "Unconditional Love", an expanded booklet, and poster too! CD

One of the hippest records we've ever heard from Esperanza Spalding – a set that almost feels as if she's stepping back into some of the more experimental, individual qualities that made her so different at the start! There's definitely some appealing, catchy songs here – but the record is one to definitely be taken as a whole – this really lovely tapestry of voice and music that shimmers and glistens throughout – tunes that work together as a single suite that really keeps the album sounding fantastic all the way through, in this blend of jazz and soul that comes not just from Esperanza's vocals and work on bass, but also from the piano of Leo Genovese, who co-wrote most of the material on the album. Wayne Shorter plays on one track, the record features guest vocals from Corey King and Ganavya, and the set features 13 tracks, all numerically titled "Formwela". CD

Backed by the Gene Harris Quartet! CD

With Monty Alexander on piano, Ben Wolfe on bass, and Clyde Lucas on drums – plus special guests Hendrik Meurkens on harmonica and vibes, and Dick Oatts on flute and soprano sax. CD

With Gerry Wiggins on piano, Ron Eschete on guitar, Andy Simpkins on bass, Paul Humphrey on drums, Harry Sweets Edison on trumpet, and Rickey Woodard on saxophone. CD

Jeff Lorber Fusion meets guitarist Mike Stern. Tracks include "Nu Som", "Jones Street", "Slow Change", "Righteous", "Tell Me", and "Rhumba Pagan". CD

Curtis Stigers on tenor sax and vocals, Larry Goldings on piano and organ, David Tronzo on guitar, Ben Allison on bass, and Matt Wilson on drums. CD

An overlooked moment of genius from Canadian bassist Neil Swainson – maybe the only album of his we've seen as a leader, and a tremendous showcase for the talents of Joe Henderson on tenor and Woody Shaw on trumpet! The album's a beautiful burner – filled with original songs by Neil, and handled by the group with some of the soulful flow you'd find on the best Woody Shaw albums for Muse Records in the 70s – a mode that's very much out of time, especially as the whole thing was issued on the Concord label, which isn't usually such a strong showcase for material as soulful and expressive as this! The rest of the combo features Jerry Fuller on drums and Gary Williamson on piano – and titles include "Don't Hurt Yourself", "49th Parallel", "Port Of Spain", "On The Lam", "Labyrinth", and "Southern Exposure". CD

An overlooked moment of genius from Canadian bassist Neil Swainson – maybe the only album of his we've seen as a leader, and a tremendous showcase for the talents of Joe Henderson on tenor and Woody Shaw on trumpet! The album's a beautiful burner – filled with original songs by Neil, and handled by the group with some of the soulful flow you'd find on the best Woody Shaw albums for Muse Records in the 70s – a mode that's very much out of time, especially as the whole thing was issued on the Concord label, which isn't usually such a strong showcase for material as soulful and expressive as this! The rest of the combo features Jerry Fuller on drums and Gary Williamson on piano – and titles include "Don't Hurt Yourself", "49th Parallel", "Port Of Spain", "On The Lam", "Labyrinth", and "Southern Exposure". CD

Lew Tabackin on flute and tenor sax, Hank Jones on piano, Dave Holland on bass, and Victor Lewis on drums. CD

Featuring Lew Tabackin on flute and tenor sax, Benny Green on piano, Peter Washington on bass, and Lewis Nash on drums. CD

Akira Tana on drums, Rufus Reid on bass, Jesse Davis on alto saxophone, Ralph Moore on tenor and soprano saxophone, and Rob Schneiderman on piano. CD

A studio album and live concert – both recorded with the Marty Paich Dek-tette. CD

Warm ballad work from Mel Torme – a sampling of his gentler moments on the Concord Records label during the 80s and early 90s – all of which are a nice contrast to some of his overblown medley work for the company! The album features Mel in a variety of settings, all of which come off pretty darn nicely – and the CD's a great reminder that while we love Torme on an upbeat, swinging tune, he can also be equally great on a sadder, mellower one. Titles include "My Foolish Heart", "Moonlight Becomes You", "Angel Eyes", "A House Is Not A Home", "I'll Be Seeing You", "I'll Be Around",a nd "After The Waltz Is Over". CD

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Warren Vache on cornet, Ben Aronov on piano, Lincol Milliman on bass, and Giampaolo Biagi on drums – accompanied by the Beaux-Arts String Quartet. CD

A warm, wonderful set by Sarah Vaughan – and a later one, closing the Monterey Jazz Festival in 1971 – released for the first time ever! Sarah is backed for most of the set by the trio of Billy Mays on piano, Bob Magnusson on bass and Jimmy Cobb on drums – with Sarah managing to both portray heavy emotion and mood and also an easygoing, playful charm – joking with the audience and obviously having a wonderful time. Very nice! Includes the Norman Granz intro, plus "I Remember You", "The Lamp Is Low", "'Round Midnight", "There Will Never Be Another You", "And I Love Him", "Scattin' The Blues", and "Tenderly" – plus a 14 plus minute jam with the Jazz At The Philharmonic All-Stars – Bill Harris, Roy Eldridge, Clark Terry, Eddie Lockjaw Davis, Benny Carter and others! CD

Ray Vega on trumpet, flugelhorn and percussion, Bernie Minoso on bass, Wilson "Chembo" Corniel on congas and percussion, Vince Cherico on drums and percussion, Steve Khan on electric and acoustic guitar, Nick Phillips on keyboards, Igor Atalita on piano, Roger Byam on tenor, alto and soprano saxophone, and Joe Locke on vibraphone. CD

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Features Tom Harrell on trumpet and flugelhorn. CD

Solo piano recital – titles include "Roberta Moon", "Someday My Prince Will Come", "Autumn Leaves", "Guru", and "In Your Own Sweet Way/Naima". CD

Kenny Werner on piano, Ratzo Harris on bass, and Tom Rainey on drums. CD

The title's a bit of a joke, given the image of money on the cover – but the album's a tight little set from this classic Basie tenorist, recorded with a largeish group that would have made his old boss proud! Frank keeps things upbeat and soulful on most tracks – mostly blowing tenor, but also some of his famous flute, and some alto sax too – in the company of players who include Cecil Bridgewater and Greg Gisbert on trumpet, Scott Robinson on saxes, Steve Turre on trombone, and Richard Wyands on piano. The best numbers are actually some of the more laidback ones – and the album features originals by Wess and Robinson that stand out from the rest of the tunes. Titles include "Little Esther", "Short Circuit", "And So It Is", "Listen To The Dawn", "Tryin To Make My Blues Turn Green", "Blues In The Car", "Surprise Surprise", and "Small Talk". CD

A massive 2 CD package – one that set a whole new standard for 70s live albums! The group's at their rocking best – a bit rawer here than in the studio – and the set includes some overlooked gems from albums, plus renditions of a few Beatles tunes too. CD

Special guests include Ben Webster, Coleman Hawkins, Earl Hines, and Woody Herman. CD

Rickey Woodard on tenor and alto saxophone, Ray Brown on trumpet, Cedar Walton on piano, Jeff Littleton on bass, and Ralph Penland on drums. CD

Phil Woods on alto sax and clarinet – with Hal Galper on piano, Steve Gilmore on bass, Bill Goodwin on drums, and Tom Harrell on trumpet and flugelhorn. CD

Phil Woods on alto sax and clarinet – with Tom Harrell on trumpet and flugelhorn, Nick Brignola on baritone sax, Hal Crook on trombone, Nelson Hill on tenor sax, Hal Galper on piano, Steve Gilmore on bass, and Bill Goodwin on drums. CD

Features Phil Woods on alto sax and clarinet, Tom Harrell on trumpet, Hal Crook on trombone, Hal Galper on piano, Steve Gilmore on bass, and Bill Goodwin on drums. CD

Phil Woods on alto and and soprano sax, clarinet, and bass clarinet and Jim McNeely on piano and synthesizer. CD

With Chick Corea, Arturo Sandoval, Poncho Sanchez, Pete Escovedo, Ed Calle, Steve Turre, Hilton Ruiz, and many more. CD

Includes tracks by Gene Harris, Jack McDuff, Stanely Turrentine, Kenny Burrell, and others. CD

Features Toshiko Akiyoshi, Kenny Burrell, Charlie Byrd, Bill Charlap, Herb Ellis, Scott Hamilton, Gene Harris, Jack McDuff, Chris Potter, Poncho Sanchez, Mel Torme, Frank Wess, Denny Zeitlin, and more! CD