One of the most memorable Esquivel albums, and perhaps the first record that really let him hit his fantastic mix of off-beat orchestrations and spacey electronicized production! The arrangements are splendid, with echoey piano lines in the front that seem to trail off into the stratosphere. Behind them, the orchestra swings in a tight rocket-fueled way, soaring and dipping to match the oddly arranged piano lines. Titles include "Playfully", "That Old Black Magic", "Speak Low", "It Had To Be You", and "Night & Day". Plus, the cover's got a groovily attired model, hanging out in a very green lunar scene! LP, Vinyl record album
(Living Stereo pressing with deep groove. Cover has half split top & bottom seams, some surface wear, name in pen on the back.)
Groovy stuff! After paying tribute to Stevie Wonder and Bob Dylan on other LPs, Hugo Montenegro turns his talents to the groovy compositions of Elton John in this nice album of moogy instrumentals – a set that's got some upbeat material that almost hits a funky club style – graced with loads of work on Arp by John Montenegro! The tune are all big ones by Elton, mostly – and the presentation here is pretty cool, with a very different vibe than the big hits. There's also a few solos by trumpeters Chuck Findley and Gary Barone – and titles include "Rocket Man", "Bitch Is Back", "Daniel", "Take Me To The Pilot", "Philadelphia Freedom", and "Goodbye Yellow Brick Road" – plus the originals "Splashdown" and "Blastoff", which bracket the album in a "rocket" theme. LP, Vinyl record album
(Japanese pressing RCA-5238. Cover has light wear and a small trace of a price sticker.)
An amazing soundtrack from German maestro Peter Thomas – even weirder and more electric than some of his famous 60s recordings! Thomas scored the music for a spooky 70s film about the possibility of aliens on earth – and did so with a bit more tension than some of his other records – mixing in some dark tones, weird sounds, and other odd elements amidst some more familiar space age-styled themes. Instrumentation often mixes conventional orchestrations with electronics and offbeat percussion – the latter of which brings an earthy, organic undercurrent that you might not expect, and which really sets the record apart from anything else at the time. A few key cuts have the trademark groovy feel you'd expect from Thomas – including the classic "Stars & Rockets" – and other titles include "Reminiscences Of The Future", "Popular Myth & The Destruction Of Sodom", "The Red Sea", "Gods From Strange Planets", "Returning To The Stars", "Rocket Science", and "Easter Island". LP, Vinyl record album
Didn't find what you're looking for? You can set a product alert and we'll notify you of new matches.