This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of the great albums that Red Rodney recorded during his comeback in the late 50's, and one that features the great Philadelphia tenor player Billy Root! Root's playing is one of the highlights of this LP, and he wails with a soulful intensity that maks the whole album crackle. Tracks include ... CD
An amazing record – bold, proud, and soulful – a set that we'd easily rank with any classic early 60s session on Blue Note – and for good reason too! This rare date is the debut as a leader for trumpeter Gene Shaw – also known as Clarence Shaw in an earlier history of work ... CD
A sweet little quartet session from the mid 50s – recorded in Paris, with backing by Gerard Gustin on piano, Jimmy Bond on bass, and Bert Dahlander on drums. Chet's playing in a simple open-ended style – working some lyrical magic on a series of standards that include "I'll ... CD
One of the most unique albums from Ramsey Lewis' early years at Chess Records – a spare set of bossa groovers that has the Lewis trio with Eldee Young and Redd Holt augmented by added Brazilian percussion and guitar! The sound is spare, sharp, and soulful – and the record's one of the ... CD
Killer set of bop tracks recorded by Max and other NY bop heavy hitters – like Hank Mobley and Kenny Dorham – plus a guest appearance by Ramsey Lewis on piano, in one of his few non-Chicago, non-trio sides! The record's got that great kind of energy that Roach could hit when he really ... CD
Way more than the simple Charlie Parker tribute promised in the title! For starters, the set's got two of the best cuts by Gillespie's mid 60s group with James Moody – "Um-Hmmm" and "Groovin High" – both of which have Moody playing in an incredibly unbridled tone ... CD
An excellent live set by the Jazz Messengers – recorded in Paris in 1958, but with a hard heavy groove that's right up there with their best Blue Note work. The group at this time – Blakey, Bobby Timmons, Lee Morgan, Benny Golson, and Jymie Merritt – plays hard, heavy, and ... CD
Great early work by jazz vibes guru Bobby Hutcherson – recorded early in his tenure in NYC in the early 60s – backed up by trombonist Al Grey and tenor sax man Billy Mitchell! Of course Hutcherson would go on to spin out all those great records for Blue Note, and these early recordings ... CD
Go Power indeed – as the album's a really stripped down groover, and one that has the tenor of Illinois Jacquet working in spare trio formation with Milt Bucker on Hammond and Alan Dawson on drums! The record's got a sound that's even earthier than some of Jacquet's other work for Argo ... CD
An incredibly strong set by McCoy Tyner – one of his best late 60s sides for Blue Note – and a record that really hints at the majesty he'd attain on record in the 70s! The album features Tyner's piano at the head of a large group that includes Lee Morgan on trumpet, Julian Priester on ... CD
With Wes Anderson on alto sax, Todd Williams on tenor sax, Marcus Roberts on piano, Reginald Veal and Robert Hurst on bass, and Herlin Riley and Jeff Watts on drums. CD
Beautifully laidback blowing from the great Ben Webster – captured here in perfect late 50s formation, with wonderful rhythm support from the Oscar Peterson Trio! The tunes aren't super-long, but still have a relatively open feel – possibly improvised in the studio, with a mellow but ... CD