This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Paris was always a great city for Lionel Hampton – but it seemed like in the mid 50s, it was also a place where he cut some of his best work, too! The French New Sound pair of albums are both classics in Hamp's book – records that take off from the looser, longer-form style that he'd ... CD
Rare French jazz from the late 50s and early 60s – previously issued only as 7" eps, and finally properly issued for the first time! The standout material here is by Sonny Criss – pulled from 2 different eps issued in 1963, recorded when he'd dropped out of the LA scene, and was ... CD
Later work by this famous French jazz violinist – recorded in two sessions, one with Eddy Louiss on organ, plus piano by Maurice Vander, drums by Daniel Humair, and bass by Luigi Trussardi; and another with a similar lineup, plus guitar by Jimmy Gourley, and Guy Pederson on bass instead of ... CD
Lester Young joins the Oscar Peterson trio – and the result is a classic meeting of the minds from early 50s Verve! Young's tone is tremendous throughout – that sharp-yet-cool style that had such a big influence on other 50s players, and which gets some great support here from Peterson' ... CD
Belgian guitarist Rene Thomas was one of the few players to break out of the postwar Paris jazz scene and actually get to record in America – and on this classic set from 1960, he's grooving with a very hip group that includes JR Monterose on tenor, Hod O'Brien on piano, and the rhythm ... CD
2 lost sessions from early 60s tenor titan Wild Bill Moore – an R&B inflected player who only cut a few sides on his own, all of them a unique mix of jazz with some of the more screaming R&B saxophone tendencies! This set brings together two albums that feature Bill rocking with a ... CD
Way more than the simple Charlie Parker tribute promised in the title! For starters, the set's got two of the best cuts by Gillespie's mid 60s group with James Moody – "Um-Hmmm" and "Groovin High" – both of which have Moody playing in an incredibly unbridled tone ... CD
Go Power indeed – as the album's a really stripped down groover, and one that has the tenor of Illinois Jacquet working in spare trio formation with Milt Bucker on Hammond and Alan Dawson on drums! The record's got a sound that's even earthier than some of Jacquet's other work for Argo ... CD
One of the slickest of Dave Matthews' funk records from the 70s – but still pretty darn nice! Matthews was the mainman behind the legendary funk group The Grodeck Whipperjenny, and a key arranger in James Brown's sound of the Polydor years – but by this time, he moved into smoother ... CD