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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A nice little take on the "city symphony" mode that was big in American music a few decades back – served up by the Wynton Marsalis Septet of the early 90s, with decidedly modern touches! The double-length album's a three-tiered affair – with part one standing out as Wynton's ... CD
Wynton Marsalis, Marcus Printup, Riley Mullins, Roger Ingram, Russell Gunn, Ryan Kisor, and Seneca Black on trumpet, Wess Anderson on clarinet, alto and soprano saxophone, James Carter on clarinet, bass clarinet, and baritone saxophone, Victor Goines on clarinet, tenor and soprano saxophone and ... CD
Wynton Marsalis is working in lean quartet formation here – no sax from brother Branford, whose own star was rising – and instead lots more room to really stretch out on his own languid lines on trumpet! The rest of the quartet features Marcus Roberts on piano, Robert Hurst on bass, ... CD
Bold tones from the Music Revelation Ensemble – a group that's heavy on guitar work from James Blood Ulmer, but which also features some great guest reeds from Arthur Blythe, Sam Rivers, and Hamiett Bluiett! The core trio features Amin Ali on electric bass and Cornell Rochester on drums ... CD
A key recording from one of our favorite tenor talents of the 80s – the amazing Ralph Moore, a player who really carries on a strong legacy from the 60s work of Hank Mobley! Like Mobley, Moore's got a very rich-voiced sound that's steeped in tradition, but which is also never afraid to take ... CD
A wonderful return to form for the Great Jazz Trio of Hank Jones, Richard Davis, and Elvin Jones – a recent session, but one recorded with the warmth and imagination of their best 70s Japanese sets! The album's done in the ultra-high fidelity style of the 88's label – and features the ... CD
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is ... CD
Titles include "Manteca", "The Man With A Horn", "My Funny Valentine", "Round Midnight", "I Can't Get Started", "Up Jumped Spring", and "Concerto For Cootie" – 19 tracks total. CD
One of Ornette Coleman's most groundbreaking albums – a set that takes his best free jazz energy of the 60s, and expands it out into the space of a longer suite – all originally designed as a film soundtrack, then never used in the movie at all! Yet even without the film placement, the ... CD
Dark genius from the always-amazing Miles Davis Quintet of the 60s – a set that's a bit more subtle than some of the group's other efforts, but no less powerful – and virtually a blueprint for countless changes to come in jazz during the next few decades! The interplay of Davis' ... CD