Eddie Lockjaw Davis with Shirley Scott : Jaws (XRCD pressing) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Jaws (XRCD pressing)

CD (Item 174867) Prestige/JVC (Japan), 1958 — Condition: Used
Out Of Stock

CD

✈
Also available
Eddie Lockjaw Davis with Shirley Scott — Jaws ... CD 9.99
Bluesy quartet material by Lockjaw, with his combo that featured Shirley Scott on organ and Arthur Edgehill on drums. The tracks are standards, but Davis plays them with a nice deep soulful sound, reaching deeply into his tenor, wrenching out hard-edged notes that drip with a deep rich emotion. Titles include "I'll Never Be The Same", "Old Devil Moon", "Too Close For Comfort", "Tangerine", and "But Not For Me".  © 1996-2024, Dusty Groove, Inc.
(1997 XRCD pressing – still sealed with obi!)

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Eddie Lockjaw Davis with Shirley Scott

Jaws
Prestige/OJC, 1958. Used
Bluesy quartet material by Lockjaw, with his combo that featured Shirley Scott on organ and Arthur Edgehill on drums. The tracks are standards, but Davis plays them with a nice deep soulful sound, reaching deeply into his tenor, wrenching out hard-edged notes that drip with a deep rich emotion. ... CD

Eddie Lockjaw Davis with Shirley Scott

Jaws
Prestige/OJC, 1958. Used
Bluesy quartet material by Lockjaw, with his combo that featured Shirley Scott on organ and Arthur Edgehill on drums. The tracks are standards, but Davis plays them with a nice deep soulful sound, reaching deeply into his tenor, wrenching out hard-edged notes that drip with a deep rich emotion. ... CD

Sadao Watanabe with The Great Jazz Trio

Bird Of Paradise
Flying Disk/JVC (Japan), 1977. Used
A fantastic album from saxophonist Sadao Watanabe – and one that stands at a real back-to-basics effort at a time when he was often recording in a more electric mode! The set has Sadao on alto, playing with the Great Jazz Trio of Hank Jones on piano, Ron Carter on bass, and Tony Williams on ... CD

Sadao Watanabe with The Great Jazz Trio

Bird Of Paradise
Flying Disk/JVC (Japan), 1977. Used
A fantastic album from saxophonist Sadao Watanabe – and one that stands at a real back-to-basics effort at a time when he was often recording in a more electric mode! The set has Sadao on alto, playing with the Great Jazz Trio of Hank Jones on piano, Ron Carter on bass, and Tony Williams on ... CD
Prestige/OJC, 1964. Used
One of the greatest records ever from pianist Jaki Byard – a razor-sharp set that features some tremendous work from tenorist Booker Ervin and trumpeter Richard Williams! Byard starts out the set in trio formation for the first two numbers – echoing the great qualities of his earlier ... CD
Prestige/OJC, 1964. Used
One of the greatest records ever from pianist Jaki Byard – a razor-sharp set that features some tremendous work from tenorist Booker Ervin and trumpeter Richard Williams! Byard starts out the set in trio formation for the first two numbers – echoing the great qualities of his earlier ... CD

Kenny Burrell

All Day Long
Prestige/OJC, 1957. Used
One of the best blowing sessions on Prestige – and proof that Kenny Burrell could hit a nice groove when he wanted to! The record is a very open-ended set, and players include Burrell, Donald Byrd, Frank Foster, Tommy Flanagan, Doug Watkins, and Art Taylor. Side one features a great long ... CD

Kenny Burrell

All Day Long
Prestige/OJC, 1957. Used
One of the best blowing sessions on Prestige – and proof that Kenny Burrell could hit a nice groove when he wanted to! The record is a very open-ended set, and players include Burrell, Donald Byrd, Frank Foster, Tommy Flanagan, Doug Watkins, and Art Taylor. Side one features a great long ... CD
Prestige, 1958. Used
A mellow soulful classic by John Coltrane – and one of his best-remembered early albums for Prestige! The session has all the gentle glow that you might guess from the title – a laidback, open-ended approach that has Coltrane blowing long solos over rhythms from the trio of Red Garland ... CD
Prestige, 1957. Used
A seminal set from the young Miles Davis – working here on one of his legendary pairings with tenorist John Coltrane, who's equally important to the sound of the session as Miles! Tracks are long, and mix up some modern modes with remade ballads – both sublime expressions of the new ... CD
Prestige/OJC, 1956. Used
Ahhhh . . . The Jam Session years of Gene Ammons! This album was one of a number that Jug cut for Prestige during the mid 50s, all excellent examples of how perfectly the label's "blowing session" style could work when it wanted to. The set takes Ammons' tenor, and groups it with an ... CD
Prestige/OJC, 1956. Used
Ahhhh . . . The Jam Session years of Gene Ammons! This album was one of a number that Jug cut for Prestige during the mid 50s, all excellent examples of how perfectly the label's "blowing session" style could work when it wanted to. The set takes Ammons' tenor, and groups it with an ... CD
 



⇑ Top