... LP, Vinyl record album

A previously unissued album from Indian guitarist Amancio D'Silva – recorded during his legendary run of work at Lansdowne Studios, but making its first-ever appearance here! The work on the set is every bit as far-reaching and progressive as some of D'Silva's official releases – and like those sides, this one does a tremendous job of blending complicated guitar lines, unusual rhythms, and some super-hip instrumentation! Amancio has a way of playing guitar that's a bit like Gabor Szabo – airy and exotic at times, with a free-flowing quality that's really explored nicely here on the longish tunes on the set. Players include Don Rendell on saxophone, Stan Tracey on piano, and Alan Branscombe on flute, vibes, and electric piano – but best of all is the use of sitar and tabla on the record – often employed sparingly, but in a way that adds some great echoes of Indian music. Titles include "A Street In Bombay", "What Maria Sees", "A Song For Francesca", and "Konkan Dance". LP, Vinyl record album

Never-heard lost work from Indian guitarist Amancio D'Silva – a musician who created one of the most legendary albums in the Lansdowne Series at the start of the 70s, still turning out incredible sounds over a decade later! The album's very much out of time – with currents of jazz and Indian music balanced equally, and at a level that's so much different than other experiments of this nature – very organic, and really taking the time to find the right vibe on each of the album's long, beautiful tracks! In addition to D'Silva on guitar, the group also includes Lyn Dobson on flute, Clem Alford on sitar, and Jahlib Millar on tablas – flowing beautifully with Amancio on tracks that include "Raag Bhairagi", "Song For Francesca", "Sapana", and "Raag Kafi". LP, Vinyl record album

That's London, Ontario – not London, England – which means that the group have an even more far-flung sound than you might expect! The album's a brilliant and overlooked gem from the Canadian scene of the 70s – really mindblowing music by a group who are equally great at grooving, and at taking things very far outside – mixing together modes that are sometimes highly rhythmic, other times very loose and freewheeling! We're really not familiar with any of the players from later projects at all – but they're clearly a very hip batch of younger musicians who come together and sparkle brilliantly for this rare set – with a mix of soprano and alto sax, wood flute, cello, piano, bass, funky drums, vibes, and even some other cool effects that really make the record a treat throughout! Titles include the funky gem "Destroy The Nihilist Picnic", plus much more outside material that includes "Time Is Of The Essence", "Edible Wallpaper", "Ron Martin Special With Mustard", "Spain Is For Old Ladies", and "Jazz Widow Waltz". LP, Vinyl record album

A fantastically frenetic electric combo from the Norwegian scene of the 70s – one who clearly draw inspiration from some of the more dynamic prog acts on the UK scene from a few years before, but who deliver the goods with a vibe that really returns the instrumental energy to jazz overall! There's some very sharp reed work on the record – served up by Svend Undseth on saxes, flutes, and even a bit of clarinet – matched with really dynamic work on piano and keyboards from Frode Holm – a player with the best energy of the Scandia scene of the time. Thorsten Dulsrud plays some mighty heavy drums, Harald Salater bangs it on bass, and Undset also adds in a bit of guitar work too – on long titles that include "Fragmomentum", "Street Talk", "Summer Poem", and "Sun Walk". LP, Vinyl record album

A really great look at a scene that was incredibly strong in the 70s, but almost a secret to the rest of the world – given that most of the records here got wide distribution in Australia, but on labels who had no connection to the rest of the global market! Australian jazz had already gotten going well into the 50s – but during the time in this stretch, local musicians were really coming into their own – embracing modal jazz and more open-ended soloing – but also in a way that wasn't slavish to American or European trends either – which makes so much of the work here such an amazingly fresh discovery! There's a majesty to this music that you wouldn't expect if you didn't know the scene that well – a sense of pride and power that's amazing, and which makes this collection stand together wonderfully as a testament to this great moment in music. Titles include "Circles" by Allan Zavod, "Valley Of The Tweed" by Bob Bertles Moontrane, "Kuri Monga Nuie" by Bruce Cale, "Whirlpool" by Charlie Munro, "What The Thunder Said" by Out To Lunch, and "Number One" by Ted Vining. LP, Vinyl record album

The cover feature pays tribute to the great Pharoah Sanders – one of our all-time favorite jazz musicians, and someone who gave the world so much wonderful music during his time on the planet! But that's just the tip of the iceberg – as there's all sorts of weird and wonderful features here – a look at downer garage psych, photos from Leni Sinclair, a jazz roundtable with Makaya McCraven and others, ambient composer Ernest Hood, The Hi Rhythm Section, and lots lots more! As always, Maggot Brain has a great way of criss-crossing different scenes and styles – opening things up tin so many great ways. Heck there's even a great feature on a Louisville band reunion – served up by our old pal Ken Katkin! Magazine

The pinnacle of Blue Note's "new thing" era! This amazing album was led by drummer Tony Williams (then just a wee lad, playing with Miles Davis, in his legendary 60s quintet) – but it's more of a "roundtable" session that features equal contributions by some of Blue Note's best avant garde players from the time, all of them young fiery geniuses like Williams. The configurations of the players change drastically from track to track – and some feature Sam Rivers, Richard Davis, and Gary Peacock playing in a 2-bass and tenor lineup with Williams; others feature Bobby Hutcherson and Herbie Hancock playing heavily percussive vibes and piano solos next to Williams' assorted percussion playing; and one track doesn't even feature Williams at all, but has Herbie Hancock and Ron Carter in a beautifully moody bass and piano duet! The record is a treasure – and it's a landmark recording that's probably one of the greatest that Blue Note (or any other label) released during the 60s! Titles include "Barb's Song to The Wizard", "Memory", and "Two Pieces Of One: Red & Green". LP, Vinyl record album

The pinnacle of Blue Note's "new thing" era! This amazing album was led by drummer Tony Williams (then just a wee lad, playing with Miles Davis, in his legendary 60s quintet) – but it's more of a "roundtable" session that features equal contributions by some of Blue Note's best avant garde players from the time, all of them young firey geniuses like Williams. The configurations of the players change drastically from track to track – and some feature Sam Rivers, Richard Davis, and Gary Peacock playing in a 2-bass and tenor lineup with Williams; others feature Bobby Hutcherson and Herbie Hancock playing heavily percussive vibes and piano solos next to Williams' assorted percussion playing; and one track doesn't even feature Williams at all, but has Herbie Hancock and Ron Carter in a beautifully moody bass and piano duet! The record is a treasure – and it's a landmark recording that's probably one of the greatest that Blue Note (or any other label) released during the 60s! Titles include "Barb's Song to The Wizard", "Memory", and "Two Pieces Of One: Red & Green". LP, Vinyl record album

Two early classics from drummer Tony Williams – back to back on a single CD! First up is Life Time – a record that represents the pinnacle of Blue Note's "new thing" era! This amazing album was led by drummer Tony Williams (then just a wee lad, playing with Miles Davis, in his legendary 60s quintet) – but it's more of a "roundtable" session that features equal contributions by some of Blue Note's best avant garde players from the time, all of them young firey geniuses like Williams. The configurations of the players change drastically from track to track – and some feature Sam Rivers, Richard Davis, and Gary Peacock playing in a 2-bass and tenor lineup with Williams; others feature Bobby Hutcherson and Herbie Hancock playing heavily percussive vibes and piano solos next to Williams' assorted percussion playing; and one track doesn't even feature Williams at all, but has Herbie Hancock and Ron Carter in a beautifully moody bass and piano duet! The record is a treasure – and it's a landmark recording that's probably one of the greatest that Blue Note (or any other label) released during the 60s! Titles include "Barb's Song to The Wizard", "Memory", and "Two Pieces Of One: Red & Green". Spring is another gem – cut for Blue Note, back when he was just hitting the age of 20, and when he was already blowing the minds of masters like Jackie McLean (who first hired him) and Miles Davis (who stole him from Jackie for his own group!) with an approach to drumming that was freed from usual time constraints. Williams conception was so unique, other young modernists – like the album's Wayne Shorter and Sam Rivers on tenor, Herbie Hancock on piano, and Gary Peacock on bass – quickly benefited from his presence, as you'll hear in this amazing session that sounds very little like any other Blue Note release. Williams wrote all of the tracks, but the style is much freer than any sense of composition might imply – and the group is shaken up differently from track to track. Titles include "From Before", "Echo", and "Extras". CD

The pinnacle of Blue Note's "new thing" era! This amazing album was led by drummer Tony Williams (then just a wee lad, playing with Miles Davis, in his legendary 60s quintet) – but it's more of a "roundtable" session that features equal contributions by some of Blue Note's best avant garde players from the time, all of them young firey geniuses like Williams. The configurations of the players change drastically from track to track – and some feature Sam Rivers, Richard Davis, and Gary Peacock playing in a 2-bass and tenor lineup with Williams; others feature Bobby Hutcherson and Herbie Hancock playing heavily percussive vibes and piano solos next to Williams' assorted percussion playing; and one track doesn't even feature Williams at all, but has Herbie Hancock and Ron Carter in a beautifully moody bass and piano duet! The record is a treasure – and it's a landmark recording that's probably one of the greatest that Blue Note (or any other label) released during the 60s! Titles include "Barb's Song to The Wizard", "Memory", and "Two Pieces Of One: Red & Green". CD