The US release of 3 soundtracks to films produced by Dino De Laurentis – the best of which is Roy Budd's Stone Killer. The soundtrack is one of the darkest Budd scores ever, designed to accompany a brutal police film starring Charles Bronson. The main theme has a nice electronic sound that's kind of like the "Mystery Movie" theme from the 70s, then the score moves into some nicely turgid regions that feature spare Fender Rhodes riffs underpinned by dark orchestral scoring. Occasional beats and jazzy rhythms move into the picture from time to time, and the overall sound is excellent! The other two soundtracks aren't as great, but they're both combined on one side of the record, and don't take up as much space as Stone Killers, which gest all of side two! LP, Vinyl record album
(Cover has light wear, aging, and bumped corners.)
Maybe the heaviest set of sound library grooves you'll ever hear – but that's probably no surprise, given that the package features some key Heliocentrics elements in the mix – including lots of psychedelic production next to fierce work on drums from Malcolm Catto and Jake Ferguson! There's plenty of breaks on the record, but settled in nicely amidst keyboards and other electronics from the great Jessica Lauren – an artist we've loved for years – plus bass and lots of other instruments from Jake, and bits of flute and trumpet too. Tracks are mostly instrumental, and while the record follows the sound library style of tight funky grooves, there's also some of the darker, more brooding Heliocentrics elements in the mix too. Titles include "Dune", "M For Drums", "Emotions Run Dry", "Freestyling", "Well Well Well", "String Fantasy", "Train A Coming", and "I Wonder". LP, Vinyl record album
Great early work from Vangelis – recorded years before his new age drippy stretch, at a time when he was fresh off work in the amazing Aphrodite's Child, where he really learned to make some amazing sounds on his keyboards! There's a nicely spacey vibe to the set, and some really dark currents too – as Vangelis plays lots of Fender Rhodes, plus a bit of percussion and mellotron – often in offbeat ways, and with contributions from Laurent De Gasperis on flute, percussion, and mandolin. Although a soundtrack, the music is plenty visual on its own away from the film – and titles include "Giudecca", "Venezia", "Ruga Do Pozlic", "Marina", "La Contessina", and "Ma Dove Sei". LP, Vinyl record album
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