An excellent double-length set from Horace Tapscott's Pan-Afrikan Peoples Arkestra – an extremely righteous ensemble that was one of the hippest things going on the LA jazz scene of the 70s! The vibe is free and spiritual, but it also has a wonderful groove pulsating underneath many of the tracks – that heir to the Impulse Records style that Tapscott and other Nimbus Records artists carried on well into the early 80s. The group here features some of Tapscott's Nimbus labelmates – including Sabir Matteen and Billy Harris on tenor saxes, Linda Hill on piano, Adele Sebastian on flute, Roberto Miranda on bass, and Jesse Sharps on soprano sax – and in a way, the album's almost a live summation of all the mighty talents brewing on the Nimbus label at the time! Tracks are all quite long, and titles include a great version of Sebastian's "Desert Fairy Princess", plus "Macrame", "Future Sally's Time", "Noissessprahs", "Village Dance", "LTT", and "Lift Every Voice". CD

... LP, Vinyl record album

... 7-inch, Vinyl record

2 landmark Archie Shepp albums in one package! Blase is filled with long, spiritual tracks that comprise some of his best European recordings of the decade, and the titles include "There is a Balm in Gilead", "Touareg", and "My Angel". The group includes Jeanne Lee on vocals, plus Lester Bowie, Malachi Favors, Dave Burrell, and Philly Joe Jones – and the whole thing has that great Paris spiritual free jazz party feel to it! Live At The Pan-African Festival was recorded in Algiers during the Pan-African Festival in 1969. The recording is a very unique one, and features Shepp's group with Grachan Moncur, Clifford Thorton, and Dave Burrell – plus lots of Algerian musicians! The sound is haunting, and the record really stands apart from Shepp's other BYG albums. Titles include "We Have Come Back" and "Brotherhood at Ketchaoua". CD

Man, Lew Tabackin looks pretty darn freaky on the cover image for this one – and although we're tempted to bill the record as his stag-like satyric fling away from his wife, Toshiko Akioshi is very much a key part of the session – contributing some wonderful songs and piano lines to the album's small combo groove! Lew plays flute throughout – blowing in these hauntingly snakey lines that are almost more in the spirit of music by cats like Chris Hinze or Jeremy Steig, than Tabackin's usual groove with his big band – a great change from the usual, recorded here with Toshiko on piano, Shelly Manne on drums, and either John Heard or Bob Daugherty on bass. Titles include "Rites Of Pan", "Autumn Sea", "Be Bop", "Jitterbug Waltz", "Elusive Dream", and "Night Nymph". LP, Vinyl record album

Marc Mac knocks it out of the park once again – serving up just four songs, but with a sense of soaring power that beats most other full length records in this territory! The album's the last in Mac's series of global efforts, and although Japan is the focus this time around, it's mostly in the titles of the tunes – as the record continues that really strong evolution past 4Hero roots that have made Marc's recent releases so wonderful, and which have us hoping that he'll soon be giving us lots more full length records too! Titles include "Tokyo Nightlife", "Kambei", "Electric City Don't Sleep", and "Yasuke Soul". 12-inch, Vinyl record

... LP, Vinyl record album

... 78 RPM, Vinyl record

Wonderfully jazzy work from Tito Rodriguez – and further proof that his live albums are often some of the best he ever recorded! The set's got an earthy feel that's quite different than some of Tito's studio albums – still that tight groove he brought to Latin music at the end of the 50s, but a looser, freer quality too – one that comes through not only in the great horn passages in the group, but also in the way the rhythms cascade and open up – in a groove that must have been very appealing to Palladium dancers. Titles include "Double Talk", "Te Comiste Un Pan", "Satin & Lace", "Mama Guela", "El Mundo De Las Locas", and "El Sabio". LP, Vinyl record album

A gem of a record from the legendary Nino Rota – one of his best scores for director Federico Fellini – a bit later than some of their 60s classics, but equally great! The music is filled with Rota's trademark interweaving of dominant themes and lighter moments – the kind of tight chamber scoring that makes his compositions work so well – bouncey, but never silly, moody, but never too serious. The narrative takes Rota to more pan-historic territory, but his approach here is similar to Fellini films set in contemporary Rome – and dominant instrumentation includes bits of accordion, piano, horns, and gentle strings. Wonderful stuff all around – with loads of short little tracks that have some nice hooks – titles that include "La Fogaraccia", "La Gradisca E Il Principe", "Gary Cooper", "Lo Struscio", "Amarcord", and "Ti Ricordi Siboney". LP, Vinyl record album

An unreleased set of solo performances from trumpeter Wadada Leo Smith – one that we'd rank right up there with his most adventurous work of the 70s! Smith comes across wonderfully on the record – full of soul and imagination, and easily as impressive on his solo instruments as scenemate Roscoe Mitchell could be in a similar setting – always moving around with thoughtful shifts in timing and purpose, in ways that always make the whole performance feel very organic, especially as Smith moves between other instruments that include flute, percussion, gongs, and steelophone. Titles include "Jupiter's Astro Waves", "Blue Green Gardens Of The Indigenous People", and "Pan Sonic Fire Rhythms/Red Chrysanthemums/Dark Purple Night On Crater Lake With A Clear View Of Saturn's Rings & Moons". CD

A very hip Japanese group from the 70s – one based in Tokyo, but a combo who also featured Japanese/American members too – and who soar out nicely here on one of their best-remembered albums! The set's got this cool, compressed style that's a bit like glam – but it's also never too over the top either, so that there's a hard rock style that dominates many of the tracks, with guitar lines that really benefit a lot from the compression – as do the vocals when they are folded nicely down into the grooves! Lyrics are both in English and Japanese, and titles include "Billy Mars", "Automatic Pilot", "Vacuum Girl", "Scratchin", and "Pontiac Pan". LP, Vinyl record album

Incredible third coast salsa from the late 70s – amazing stuff from the orquestras of Carlos Ruiz and his Ebirac label – made by singers and players in Chicago's Puerto Rican community of the period that stands up just as well today! Chicago salsa, unlike more nationally popular styles, was rooted in the city's rich Puerto Rican community. They cover material adapted from traditionals and more, done with less pan-Caribbean derived sounds than the Cuban-rooted salseros of NYC and Miami. As fondly remembered as the players of the Chicago salsa scene are by the older Puerto Rican community, records by Orquestas La Justicia, La Solucion, Juventad Tipica '78, Tipica Leal '79 and others are terribly hard to find. Not only has Numero managed to compile a terrific batch of songs, the sound quality is impeccable, too! Titles include "Plena Matrimonial" by Ebirac All-Stars featuring La Calandria & Ramito, "Stone Flower", "Alegre Jibarito", "Guaguanco Coroco" and more by La Justicia, "Afro Theme" and "Ano Nuevo Y Reyes" by Juventud Tipica '78, "A Bailar Son Montuno", "El Gordo Y El Flaco" and "Mini Minoso" by La Solucion, "Mozambique" by La Solucion featuring Mongo Santamaria, "Donde Estabas" by Tipica Leal '79 and more, plus the bonus "Ebirac Radio Spot". The booklet is lavish, too – full of notes and photos that that make it all the more revelatory – providing a historical perspective that can't be overpraised! CD

The second set of rare international work from this great Groove Club series – rare material from Cambodia, and even more unusual and obscure than the French material we loved in volume one! The package here is equally strong – detailed notes on all the music, to really get at the unusual blend of Anglo rock elements and more regional elements – the latter of which definitely come across in some of the phrasing and instrumental inflections – both of which make this "rock" very different than you might expect! 19 tracks in all, in a cool book-style cover – with tracks that include "Do You No Wrong Again" by Thra Kha Band, "Khnyom Jah Karake" by Tet Somnang and Meas Samon, "Pros Chang Reiy" and "Pail Loung Rom" by Pan Ron, "Jet Snaeh Theang Nov" and "Yuvachon Yuvatey Samai Tmai" by Sinn Sisamouth & Ros Dereysothea, "Duang Netra" and "Satt Thee Thuy" by Sinn Sisamouth, "Bong Rau Roub Khnyom" by Ros Sereysothea, and "Youm Os Tirk Pnake" by Pov Vannary. CD

Mad sounds from Cambodia – rock and roll at the core, but with a delivery that's unlike anything you'd hear in the Anglo world! There's plenty of Eastern elements going down in the music – not just the local lyrics, but other ways of putting together a rhythm, tuning a guitar, and hypnotically delivering a melody. Yet all the sounds are focused with an ear towards crossover pop as well – not really the stuff of chart hits, but tuneful, catchy modes that really make us dig the whole thing – even though we can't understand a word of the lyrics! The package features very detailed notes – plenty to help you figure out the music as you're digging the tunes – and the double-length set features 18 tracks that include "Kchol Kdot Tirk John" and "Prous Teh Oun" by Sinn Sisamouth, "Pros Reang Yeh Yeh" and "Chnam Oun 31" by Pan Ron, "Sora" by Yos Alarong, "Kom Nirk Oun Euy" by Ros Sereysothea, "Berk Tvea Auy Bong" by Im Sonserm, and "Jah Joh Aem" by Ros Sereysothea. CD

ZZ Top at the height of their powers – proudly stating their Texas roots on the cover, but also transforming them strongly with their music too! The trio's completely on fire – Dusty Hill on vocals and bass, Frank Beard on drums, and the legendary Billy Gibbons on vocals, guitar, harmonica, and even a bit of fiddle – on titles that include "El Diablo", "It's Only Love", "Arrested For Driving", "Ten Dollar Man", "She's A Heartbreaker", "Asleep In The Desert", "Pan Am Highway Blues", "Avalon Hideaway", and "Snappy Kakkie". LP, Vinyl record album

A lean take on the double-length self-titled set from this mighty funky combo – one that brings together a range of great funky 45s, plus a few other hefty nuggets! If you don't know the group, they're totally great – as Bacao Rhythm & Steel Band go back to the funkiest moments of the 70s steel pan scene from the Caribbean – but also have a harder edge that comes from the group's ties to the Mighty Mocambos, and other corners of the deep funk universe! These cuts are funk first, steel drums second – and have a wicked groove that's actually hipper than most of the original steel drum records from back in the day. Titles include "Queen Of Cheeba", "Port Of Spain Hustle", "Tender Trap", "Dog Was A Doughnut", "Beetham Highway Ride", "Pimp", "Bacao Suave", "Jungle Fever", and "Tropical Heat". LP, Vinyl record album

Michael Moore on alto saxophone, clarinet, melodica, and pan flute, Ernst Reijseger on cello, and Han Bennink on drums, percussion, piano, and voice. CD

Part western, part Latin American – yet also filled with lots of weird and groovy touches – a compelling set from 60s Italy that goes way way way past the obvious! The set begins with an acoustic guitar over dramatic scoring, but then moves into modes that include mod rhythms, pan flute, spacey organ, and more – all spun out with a very different flavor on every different track – so much so, you might actually think the whole album's a collection of tunes from different movies, rather than a soundtrack in itself! Gianni Ferrio really knocked it out of the park with this one – and the reissue features 15 tracks in all, remastered with great sound! CD

Adam Rudolph works here with a whole host of instruments of his own, then opens the door for a huge amount of guests – all of whom help the proceedings come across with an organic, earthy blend of both acoustic and electric instrumental elements! Rudolph himself handles kalimba, keyboards, and a global mix of reeds and percussion instruments – and the set features guitar from Eivin Aarset, Fender Rhodes and organ from Alexis Marcelo, and drums from Hamid Drake – plus more contributions on sitar, tablas, wood flute, and other instruments that really echo the post-jazz, pan-global approach that Rudolph has brought to his work, both as Hu Vibrational and in other settings too. Titles include "Psychic", "Hittin", "Space", "Timeless", "Honey Honey", and "Proto Zoa Gogo". LP, Vinyl record album

An excellent batch of funky Latin tunes from Irakere – and one of the group's best albums! It's got a mix of rolling bass and electric keyboards on the best cuts – sounding a lot like the funky sound of LA Latin groups like War or El Chicano, but with more of the Afro-Cuban groove of their homeland of Havana in the mix. The quality of the work is excellent – better than on any of the group's American releases in later years – and this one time Cuban-only release is the kind of gem that's was unjustly hard to track down in earlier years – all the while deserving of worldwide love! Titles include "Iya", "Moja El Pan", "Juana 1600", "En Nosotros", "38 1/2", and "Xiomara" and "Este Camino Largo". LP, Vinyl record album

Piano blues from the legendary Curtis Jones – a Texas player who first rose to fame in the late 30s, and who here still has a way with the keys and a vocal style that nobody else can touch! It's a bit hard to put the distinctness of Jones in words, but it definitely comes through on the record – piano lines that often feel as if two different musicians are playing the instrument at the same time, mixed with these casual and confident vocals that almost feel like Curtis is also standing off to the side, making commentary on the proceedings! There's no other instrumentation on the record at all – none is needed, either – and titles include "Evil Curse Blues", "Highway 51", "Curtis Jones Boogie Woogie", "Tin Pan Alley", "Black Magic Blues", and "Lonesome Bedroom Blues". LP, Vinyl record album

Piano blues from the legendary Curtis Jones – a Texas player who first rose to fame in the late 30s, and who here still has a way with the keys and a vocal style that nobody else can touch! It's a bit hard to put the distinctness of Jones in words, but it definitely comes through on the record – piano lines that often feel as if two different musicians are playing the instrument at the same time, mixed with these casual and confident vocals that almost feel like Curtis is also standing off to the side, making commentary on the proceedings! There's no other instrumentation on the record at all – none is needed, either – and titles include "Evil Curse Blues", "Highway 51", "Curtis Jones Boogie Woogie", "Tin Pan Alley", "Black Magic Blues", and "Lonesome Bedroom Blues". CD features two different alternate takes, too! CD

A set that's brimming over with improvising jazz talent – but one that's an especially great reminder of the guitar genius of the great Arto Lindsay! Lindsay is amazing here – playing with energy to match the brilliance of Ken Vandermark and Joe McPhee – which is really saying a lot, and which has us almost feeling like a younger version of Arto's self stepped forward straight from the New York no wave scene, in order to create a pan-historical bridge with the improvising strengths of the Corbett Vs Dempsey universe! Drummer Phil Sudderberg is wonderful too – a master of sounds and moments – and the short tracks allow for plenty of sharp changes, and shifts in energy between each selection. McPhee blows alto, tenor, and pocket trumpet – and Vandermark is on tenor, baritone, and clarinet – on titles that include "The Push & Pull Beneath The Surface", "She Must Have Known", "Whether You Were There Or Not", "When I Lose Any Sense Of Perspective", and "The World's Longest Afternoon". CD

One of Sun Ra's greatest albums of the 70s – recording during the same sessions that yielded the famous Space Is The Place record for Blue Thumb, and done with a very similar feel – an expansive configuration of the Arkestra in peak form! The range of expression is really incredible – from the spiritual soul jazz of "Pan Afro", to the lightly grooving June Tyson vocals of "Neptune", to the extended suite "Discipline 27-II", a stretched-out spacey number with vocal "dramatizing" by Ra, Tyson, Ruth Wright, and Judith Holton. That track's a particularly great one, with the kind of spiritual resonance behind the spacey approach that rarely comes through as strongly on other albums – but the whole set is wonderful, and judging how reminscient of it some of the best, similarly-minded underground jazz is decades later – the whole thing is an amazing testament to how strong Ra's influence is today. LP, Vinyl record album

Beautiful Appalachian Americana from the late 20s & early 30s in a pretty broad pastiche of string band styles – from furiously sawed hillbilly numbers, to banjo & fiddle flavored vocal tunes, to popular tin pan alley songs of the time – the complete recordings of The Red Fox Chasers! The Chasers hailed from northwest North Carolina, and brought a more widely appealing style to the regional American music sounds of the period. It's pretty exciting and energetic stuff, exceptionally well packaged by Tompkins Square. 40 recordings on 2CDs: "Arkansas Traveler", "Honeysuckle Time", "Jim & Me", "Wreck On The Mountain Road", "Girl I Loved In Sunny Tennessee", "Mississippi Sawers", "May I Sleep In Your Barn Tonight Mister?", "Pretty Polly", "The Blind Man & His Child", "Virginia Bootleggers", "Turkey In The Straw", "Something Wrong With My Gal", "Two False Lovers", "Tell My Mother I'll Meet Her", "Devilish Mary", "Making Licker In North Carolina" (Pts 1, 2, 3 & 4) and more. CD

Tower Of Power move down to Memphis for the recording of this great second album – and almost pick up a bit of Stax Records vibe in the process! The Memphis location is a key hint to the groove going on down here – a sound that's steeped in southern elements, even though the group themselves hail from the Bay Area – carried off with a quality that's a wonderful blend of funky rhythms, jazzier horns, and even a bit of fuller touches from the Memphis Strings. Legendary guitarist Steve Cropper helps the group out a bit on the session – and the album's got a sweet southern funky groove that sits nicely with the Bay Area groove of the group. Titles include "You Got To Funkifize", "Flash In The Pan", "Down To The Nightclub", "You Strike My Main Nerve", and "Of The Earth". LP, Vinyl record album

Cambodian rock, pop and psychedelia from the 60s & 70s – compiled by the members of Dengue Fever, LA's modern torchbearers of rare prime rock era rarities from Cambodia! It's wonderful stuff – like a lot of the sounds from the pulpy garage rock era Asian underground, most tunes have love female vocals, but the instrumentation varies from raw r&b & kind of moddish influenced sounds, to more psychedelic electric guitar and hazy melodies, bits of funk, and strains that come closer to traditional Cambodian sounds. The tracks were culled for rare cassette tapes, and the sound quality is top notch! Titles include "Give Me One Kiss" by Dara Chom Chan, "Don't Speak", "Jombang Jet", "I Will Marry You" and more by Pan Ron, "Shave Your Beard", "Flowers In The Pond", "I Will Starve Myself To Death", "Cold Sky" and more by Ros Sereysothea. 12 tracks in all. LP, Vinyl record album

Almost a continuation of music made a few decades before by the team of Darol Anger and Mike Marshall – but recorded with a depth and sensitivity that goes beyond their greater fame in the 80s instrumental acoustic years! The woodshop in the title is a good reference – as the rich tones of Angers violin and Marshall's mandolin and guitar are captured beautifully here – an American acoustic mode that has traces of jazz and folksier elements, all supported by light rhythm on most numbers. Titles include "Peter Pan", "Borealis", "Who Had Whom", "Slip & Slide", "The Creep", "Hearts Wait", and "The Unbearable Gift". CD

One of the greatest Roy Brooks albums of all time – an a set that rivals the spiritual genius of his classics released on the Imo-Hotep label! The tracks here are long, live, and feature stunning performances from George Coleman on tenor, Woody Shaw on trumpet, Hugh Lawson on piano, and Cecil McBee on bass – a group who are really on fire throughout, as they take on tunes that include "Understanding", "The Free Slave", "Five For Max", and "Will Pan's Walk". LP, Vinyl record album

With Bill Smith on clarinet, Joe Morello on drums, and Gene Wright on bass. Titles include "By Jupiter", "The Unihorn", "Pan's Pipes", "Siren Song", and "Baggin The Dragon". LP, Vinyl record album

Includes the songs "Now's The Time", "Jeru", "Compulsion", "Tempus Fugit", "Walkin'", "'Round Midnight", "Bye Bye Blackbird", "New Rhumba", "Generique", "Summertime", "So What", "The Pan Piper", "Someday My Prince Will Come", "My Funny Valentine", "E.S.P.", "Nefertiti", "Petits Machins (Little Stuff)", "Miles Runs The Voodoo Down", "Little Church", "Black Satin", "Jean Pierre", "Time After Time", and "Portia" CD

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". CD

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". CD

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". CD

A really funked-up batch of dancefloor tunes – produced with a uniquely cross-cultural approach! Ze Records diva Lizzy Mercier Descloux works here with influential post-disco, post-punk producer Steve Stanely – on a set of tunes cut in Nassau, with some great backing by a combo that includes Wally Badarou on keyboards. The resulting groove takes the skittish pan-club sound of the early 80s Ze Records scene, and infuses it with the hippest take on Jamaican rhythms of the time – resulting in a groundbreaking batch of tunes that were years ahead of their time! Titles include "Room Mate", "Sports Spootnicks", "Payola", "Funky Stuff", "Slipped Disc", "Lady O K'Pete", and "Bim Bam Boum". CD features bonus tracks "Maita", "Mister Soweto", "Sun Is Shining", "Don't You Try To Stop Me", and "Corpo Molli Pau Duro". CD

Somehow, someway, Bob Dylan and Columbia Records can keep returning to the well of unreleased material – and draw jaw droppingly brilliant recordings that are mostly unheard to the general population of non Dylan diehard archaeologists! Here lies the fabled Witmark Demos – early recordings of treasured Dylan classics and rarities alike recorded raw and unencumbered, just Dylan's voice, guitar and occasional harmonica or piano – recorded in 1962 for Leeds Music (a few) and M. Witmark & Sons (most of 'em) in the early-to-mid 60s. Dylan was one of the first wave of 60s folk songwriters brought into the Tin Pan Alley machinations, a pretty amazing moment considering that this gruff, nasal voiced figure was soon to revolutionize popular music and there's no way Witmark could have known it. Hey, maybe this kid will make us a few bucks in the urban folk racket, eh? Wow. Of course many of these songs would be recorded by a who's who of 60s & 70s singers of all stripes, but it's always great to here Dylan's own early, raw sketches. Some of the performances come somewhat close to the way Dylan would cut them for his own landmark albums with just a bit more polish, others are close(ish) to how they sounded in earlier Dylan "bootlegs" (officially and not so official), and most of it has never been officially released commercially. Columbia continues the terrific Official Bootleg Series with a thick booklet of rare photos and notes by Colin Escott. Includes versions of "Hard Times In New York Town", "A Hard Rain's Gonna Fall", "Ballad Of Hollis Brown, "Long Time Gone", "Farewell", "Don't Think Twice, It's Alright", "Girl From North Country", "Only A Hobo", "Guess I'm Doing Fine", "Mr Tamborine Man", "I'll Keep It With Mine" and many more. 47 tracks on 2 CDs. CD

Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and arranged by the great Eddie Sauter, with whom Stan worked on the Mickey One soundtrack. The album's a surprisingly refreshing one, and shows yet another complex side of Getz's endlessly compelling career. Titles include "I'm Late, I'm Late", "I Remember When", "Pan", "Her", "Night Rider", and "Once Upon A Time", plus bonus single versions of "I'm Late, I'm Late" and "I Remember When"! CD

Gilberto Gil's still got a nicely sharp edge here on this great set from the late 80s – a record that broke bigger than most of his others from the decade, at least on a global scale – and an album that showed the world that Gil still had plenty of energy and new ideas to offer! There's a nice current of funk going on here, but at a level that's toned down a bit from some of Gilberto's late 70s work – almost pan-global in its approach to some of the rhythms, which seem to take a samba soul mode a few steps further – and the production by Liminha avoids any of the creeping world music cliches of the time, and allows for a great focus on Gil's wonderful vocals. Titles include "Neve Na Bahia", "De Onde Vem O Baiao", "Madalena", "Parabolicamara", "Um Sonho", and "O Ser Teu Funk". CD

One of the hippest albums that Rahsaan Roland Kirk ever recorded – a perfect realization of his "black classical music" ethos, and a pan-generational jazz album that's all held together by one unique musical vision! Side one features the extended suite "The Seeker", which mixes together bop, avant garde, and New Orleans styles – and side two features more of the same in an extended medley of tracks, plus the titles "Baby Let Me Shake Your Tree" and "Sweet Fire". The album's got a few cool passages that feature recitations by Rahsaan – stating his musical philosophy, and tracing the development of the styles of work – and other players include Leroy Jenkins on violin, Dick Griffin on trombone, Ron Burton on piano, and Sonelius Smith on celeste! LP, Vinyl record album

A tremendous bit of jazz history – 2 classic Archie Shepp albums on 1 CD! Yasmina features Archie Shepp at his spiritual best – recording in Paris in 1969, and absorbing a heck of a lot of pan-African influences! The centerpiece of the album is the amazing "Yasmina" – a long track that builds with passion and fire, pulsing with an intensity that you'd expect more from Pharoah Sanders than Shepp himself. Next up is "Sonny's Back", a wonderful straight jazz groover with Archie and Hank Mobley on twin tenors upfront – making a rare and memorable recorded appearance together! The set's capped off by a mellow version of "Body & Soul", one that points towards the more soulful side of Shepp's work in the 70s. Poem For Malcolm is one of Shepp's most memorable LPs for BYG. Side one has him playing with Burton Greene, Alan Silva, Philly Joe Jones, and Claude Delcloo on the extended Mamarose/Poem For Malcolm. The track starts out with very free playing, then moves into a more subdued passage, with Shepp's recitation of his "Poem For Malcolm". Side two has a great lineup that includes Grachan Moncour III, Malachi Favors, and Hank Mobley, who gives one of the wildest performances of his life! The group runs through the 20 minute track Rain Forest/Oleo, and begins with a dark, spare performance, then leaps into a reading of "Oleo" that's filled with fire. CD

A long-overdue moment of exposure for pianist Horace Tapscott – one of the greatest creative forces in west coast jazz in the 60s, 70s, and 80s – but an artist whose genius was often kept away from the limelight! That hardly seemed to matter to Tapscott, though – as his legacy is tremendous, finally given full exposure by this autobiography, which then paved the way for new presentations of his music in years to come – a surprisingly large legacy of reissues that we wish Horace could have seen in his too-short life! Yet despite that, it's clear that the man himself took a lot of pride in his music – as you'll read in this live story, which documents Tapscott's move to LA as a young child, his creation of the Pan Afrikan Peoples Arkestra, and all his many other projects – which were often tied to cultural and political developments in south LA. The book is 272 pages, softcover, and as beautifully written as Tapscott's music! Book

A killer live set from Eddie Taylor – recorded in Japan, but with a core Chicago combo that really keeps things tight! The vibe here is maybe more like a Delmark live album than you'd expect from any overseas session – with Eddie on great guitar and vocals, and additional vocals from Louis Myers, who handles second guitar and harmonica – in a combo with Odie Payne Jr on drums and Dave Myers on bass. Titles include "Hoy Hoy", "Goin Down Slow", "I Don't Know", "Tin Pan Alley", "Blow Wind Blow", "Kind Hearted Woman", "You're Gonna Look For Me", "Crossroads", and "Bad Boy". 2CD version features 32 tracks in all – all the material recorded on two different live nights, with a lot of variety in the songs! CD

Two classic albums from the big free jazz explosion in Paris in 1969! First up is Ketchaoua, an early gem from the great Clifford Thornton – maybe his best-known album over the years, thanks to its placement on the post-68 series of French free jazz releases on the BYG/Actuel label – but a set that's got a much more New York vibe overall, and stands as a key precursor to so many loft jazz recordings of the 70s! The style is very open and organic – not nearly as bombastic as some of the other Actuel sets of the period – with an earthy energy that really allows the players to come together naturally, collaboratively, and not combatively. The lineup of players shifts from track to track – again echoing some loftish modes – and the lineup includes Thornton on cornet and percussion, with Grachan Moncur on trombone, Archie Shepp on soprano sax, Arthur Jones on alto, Beb Guerin and Earl Freeman on bass, Sunny Murray on drums, and Dave Burrell on piano. Titles include "Pan African Festival", "Brotherhood", and "Ketchaoua" – plus "Speak With Your Echo", a cool track that has Clifford's cornet playing in a spare setting with only 2 basses! Next up is Scorpio, one of our favorite albums in the legendary run of BYG/Actuel free jazz sessions from 1969, and one of the most obscure as well – one of the few albums as a leader from alto player Arthur Jones, a musician who's really incredible throughout this freewheeling set! The vibe is almost more ESP than BYG – as there's a rhythmic pulse to most of the tracks, provided by Beb Guerin on bass and Claude Delcloo on drums – working with Jones in a mode that really evolves past the saxophone trio style first pushed by Sonny Rollins, with incredible solos from the leader throughout the whole set – which also seem to open up new territory for the alto sax as well! Titles include "CRM", "BT", "Sad Eyes", and "Brother B". CD

Music from Raven, Paralex, Def Leppard, Weapon, Samson, Hollow Ground, Girlschool, Witchfynde, Iron Maiden, Jaguar, Tygers Of Pan Tang, Gaskin, Sledgehammer, and more. CD

With tracks by Them, Just Five, Ian Whitcomb, Pan Pipers, The Jacobites and many others. CD

Includes performances by Pan Am Jet North Stars Orchestra, City Syncopaters Steel Orchestra, Guiness Cavaliers Steel Orchestra, Angostura Starlift Steel Orchestra, and Chase Manhattan Savoys Steel Orchestra. LP, Vinyl record album

Trumpeter Ted Daniel takes on the music of jazz founder King Oliver – but as you'd expect from all of Daniel's other groundbreaking work, the result here is something quite unique! True, the tunes are older numbers from the Oliver songbook of the 20s – but the approach is maybe a bit more freewheeling and pan-historic – a bit like the mode you'd expect if this project was handled by some of the artists on the Black Saint/Soul Note label in the early 80s. As with their work, the immediate approach is historically respectful, but the individual currents in the music really update the sound – thanks to a lineup that includes Daniel on cornet, Charlie Burnham on violin, Newman Baker on percussion, Joe Daley on tuba, and Marvin Sewell on guitar. Titles include "Tears", "Working Man's Blues", "Riverside Blues", "Mabel's Dream", "Just Gone", and "Zulu's Ball" – most taken in much longer readings than recordings from the 78rpm generation. CD

Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and arranged by the great Eddie Sauter, with whom Stan worked on the Mickey One soundtrack. The album's a surprisingly refreshing one, and shows yet another complex side of Getz's endlessly compelling career. Titles include "I'm Late, I'm Late", "I Remember When", "Pan", "Her", "Night Rider", and "Once Upon A Time", plus bonus single versions of "I'm Late, I'm Late" and "I Remember When"! CD

Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and arranged by the great Eddie Sauter, with whom Stan worked on the Mickey One soundtrack. The album's a surprisingly refreshing one, and shows yet another complex side of Getz's endlessly compelling career. Titles include "Pan", "Her", "Night Rider", and "Once Upon A Time". LP, Vinyl record album

One of the greatest spy soundtracks of the 60s – a very groovy batch of tracks written for Stefanie Powers' brief TV show, The Girl From UNCLE! The music here is better than the male version of the UNCLE franchise – hip 60s spy themes, done in a groovy style for the television audience – often a cool blend of swirling strings, jazzy orchestrations, and some very hip rhythms! Dave Grusin penned the music, and Teddy Randazzo arranged – bringing his 60s soul background into the work in a really great way – emphasizing the grooves even more than on other records of this nature, in a way that's made the set very sought after in the crate-digging scene. There's plenty of nice 60s elements – keyboards, wordless vocals, funky flute, and other hip effects – and titles include "Movin On", "Out Of The Frying Pan", "The Girl From UNCLE", "Sneaky Search", "The Countess", and "Bomb Scare". LP, Vinyl record album

Slinky Hammond organ grooves and feverish boogaloo soul from Kansas City combo Chris Hazlelton's Boogaloo 7 – their first full length studio set after a series of great singles and live album – totally living up to our high expectations! Hazelton is on the Hammond at the center of the sound, giving it a classic jazz funk foundation – but he's a generous bandleader, giving the group plenty of space to shine – with Pat Conway on conga & percussion, Brett Jackson, Nick Rowland & Zak Pischonotte on saxes, Matt Hopper on guitar, Danny Rojas on drums and others. Titles include a nice take on Melvin Sparks's "Bambu", the Hazleton originals "Fryin' Pan", "Turnin' Up The Burner", "The Basement Beat", "Tru-Galu" plus killer cover of Sharon Jones & The Dap-King's modern classic "100 Days, 100 Nights". CD