with Pepper Adams, Art Blakey, Donald Byrd, Paul Chambers, John Coltrane, Johnny Griffin, Coleman Hawkins, Roy Haynes, Billy Higgins, Philly Joe Jones, Sam Jones, Thad Jones, Harold Land, Gerry Mulligan, Max Roach, Sonny Rollins, Charlie Rouse, and others. CD

Blue Mitchell with Art Blakey, Roy Brooks, Paul Chambers, Jimmy Cleaveland, Junior Cook, Tommy Flannigan, Curtis Fuller, Urbie Green, Johnny Griffin, Albert Tootie Heath, Jimmy Heath, Philly Joe Jones, Sam Jones, Wynton Kelly, Charlie Persip, Julian Priester, Jerome Richardson, Gene Taylor, Clark Terry, Cedar Walton, Wilbur Ware, Julius Watkins, Britt Woodman, and others. CD

An excellent collection – with rare work by Johnny Dollar, George Jones, Willie Nelson, Fitz Morris, Neal Jones, Glen Barber, Gene Tabor, and others! LP, Vinyl record album

An early Northern Soul collection from the UK, done before Charly and Ace really started hitting the record racks – and with a great batch of 16 tracks from American soul singers, including work from Barbara Mills, The Showstoppers, Dobie Gray, Johnny Bragg, Gloria Jones, Sandy Wynns, The Carstairs, Ann Sexton, Eloise Jaws, The Jelly Beans, and others! LP, Vinyl record album

Johnny Guitar Watson at the top of his game – working here in a sublime mix of funk, blues, and soul – all crafted into a groove that was uniquely Watson's own! Johnny may have started the 70s in relative obscurity – down from some hit work in the 50s and 60s – but by the time of this set, he was back on top, and working in a confident groove that few others from his older era could ever hope to achieve! There's a youthful sense of sex and soul that run through the entire set – an effortlessly slinky groove that never goes too over the top in the funk department, and which makes just the right use of electric instrumentation and tripped-out production, but never gets too wrapped up in either – and often comes off with some great jazzy touches as well. Titles include the anthemic "Real Mother For Ya", plus "Your Love Is My Love", "The Real Deal", "Tarzan", "I Wanna Thank You", and "Lover Jones". LP, Vinyl record album

Johnny Guitar Watson at the top of his game – working here in a sublime mix of funk, blues, and soul – all crafted into a groove that was uniquely Watson's own! Johnny may have started the 70s in relative obscurity – down from some hit work in the 50s and 60s – but by the time of this set, he was back on top, and working in a confident groove that few others from his older era could ever hope to achieve! There's a youthful sense of sex and soul that run through the entire set – an effortlessly slinky groove that never goes too over the top in the funk department, and which makes just the right use of electric instrumentation and tripped-out production, but never gets too wrapped up in either – and often comes off with some great jazzy touches as well. Titles include the anthemic "Real Mother For Ya", plus "Your Love Is My Love", "The Real Deal", "Tarzan", "I Wanna Thank You", and "Lover Jones". CD

With selections by Osborne Brothers, Merle Travis, Bluegrass Cardinals, Lester Flatt & The Nashville Grass, Buddy Spicher, Josh Graves, Jim & Jesse & The Virginia Boys, Mac Wiseman, Grandpa Jones, Johnny Gimble & The Texas Swing Pioneers, and others. LP, Vinyl record album

An incredible look at the format of vinyl – put together by a guy who's got one of the hippest record collections we've ever seen! John Corbett's been writing about music, art, and other formats for decades – but his real labor of love is vinyl records – a format he continued to embrace even at the height of the CD era – so much so that he talked Downbeat magazine into letting him write a special column on musical delights that had never made it to the digital format! Corbett helped plenty of music get reissued on CD himself – thanks to countless label projects – but he also always held a special place in his heart for the kinds of records that never got reissued – and those are the sorts of titles featured here – a massive run of music that runs from jazz to funk, American and European, totally obscure to completely common – presented beautifully together in this massive book! The volume doesn't just bring together Corbett's columns, but also offers up full color reproductions of all the record covers, along with a few other details too – to support efforts on dozens of artists – a huge list that includes Melvin Jackson, Bill Leslie, Black Grass, Night Blooming Jazzmen, Phil Seamen, Khan Jamal, Klaus Doldinger, The Mad-Hatters, Tommy Jones, Guy Warren, The Three Souls, United Front, Johnny Lytle, London Experimental Jazz Quartet, Paul Smoker, AK Salim, Noah Howard, Jack Wilson, and many others – a good number of whom have yet to be reissued. The book is wonderful – and Corbett's longtime declaration of being a vinyl freak is more important than ever, given the rebirth of the medium! Book is 250 pages, softcover, with color images. Book

A treasure trove of rare postwar blues from the west coast – material cut for Dootsie Williams, best known as the head of the seminal Dootone label in LA! The set offers both tracks from Dootone and Williams' rarer imprint Blue – the latter of which existed from the late 40s into the early 50s, and featured a fair bit of excellent material done in the more laidback bluesy mode of LA after the war – styles popularized by Charles Brown, Cecil Gant, and others – echoed strongly in many of the performances here. As the set rolls on into the later 50s, some of the tracks pick up a bit more of an R&B sound – but the work is still relatively unified here, thanks to a good focus on the more blues-based work on Dootone. 30 tracks in all, plus some really great notes – all at the usual high Ace level! Titles include "Rent Day" by Stormy Herman, "Richmond Blues" by Betty Hall Jones, "West Coast Baby" by Johnny Taylor & His Mellow 5, "I Got A Country Girl" by Bobby Nunn, "Everybody's Jumpin Tonight" by Dootsie Williams & His Rhythm Kings with Joe Turner, "You'd Better Come Home Baby" by Violet Hall, "The Hole In The Wall" by Cleo Brown, "Are You Ready To Go Steady" by Paul Monday, and "Katy Lee" by Fats Gaines. CD

A whole host of rare cuts from the original Kent Records label in LA – the 60s follow-up to the famous Crown/Modern/RPM imprint of the postwar years – a set of labels that gave the world plenty of amazing R&B tracks in the 50s! Here, Kent is going more for a 60s groove overall, but with qualities that still echo the nice edge of their older material – all in a package that pays tribute to a famous collection of Kent songs done by Ace Records forty years before – the start of a long love affair that's had Ace issuing plenty of tracks that never saw the light of day back in the 50s and 60s! That's definitely the case here – as rare cuts stand next to others making their vinyl debut – and NOTE that this CD version features a different track list than the vinyl – only 3 of the 24 tracks within are included on the LP version. Titles include "You'd Be Good For Me" by Jeanette Jones, "Gonna Put It On Your Mind" by Arthur Adams, "Jealous Woman" by T Bone Walker, "You Changed Me" by Teddy Reynolds, "Wanting You" by Jimmy Bee, "Satisfied Feeling" by Mary Love, "Tramp" by Foxfire with Johnny Adams, "Freedom & Justice" by The Pace Setters, "Remove My Doubts" by Stacy Johnson, "Here Comes the Judge" by Larry & Tommy, "Push Me" by Lowell Fulson, "On My Way Back Home" by Flash Terry, "No More Tears" by The Sweethearts, "Help Me" by Beatrice Lee, and "Mr Bad Luck" by King Solomon. CD