A wonderful follow up to one of our favorite compilations in recent years! London Is The Place For Me compiles the stylistically varied music coming from the emergent West Indian and African communities of 50s and 60s London – far more than just the topical, and often quite whimsical calypso tunes of the era! Calypso is well represented, but the set includes strains of jazz, percussive instrumentals that veer towards native Trinidad and Nigeria, and loads of Caribbean grooves! It's all exceptionally bright – with some lovingly, and knowingly, naive vocals that are as sweet as they are wise. A truly wonderful compilation. Essential! 20 tracks in all: "Calypso Be" by Young Tiger, "Yolanda" by Ambrose Campbell, "Calypso Blues" by Mona Baptiste, "My Wife's Nightie" by Lord Kitchener, "Ominara" by West African Rhythm Brothers, "Gerrard Street" by King Timothy, "ET Mensah's Rolling Ball" by West African Swing Stars, "West Indian Drums" by Russ Henderson, "Gbonimawo" by Rans Boi's Ghana Highlife Band and more! LP, Vinyl record album

A really beautiful collection of music – and work from a scene that we've hardly heard from before – given that all these tracks were taken from the 60s catalog of the Caife Records label in Ecuador! The music is often an unusual hybrid of modes – older folkloric styles mixes with more contemporary expressions – often driven by an urban interest in the nation's traditions, which involve many different cultural strains spread out over its diverse terrain. Caife was an imprint that sought to capture music that might have fallen through the cracks otherwise – and in terms of sound and style, most of this work feels much older than what you might have heard coming from Colombia, Mexico, or Cuba in the 60s – with a fair bit of acoustic instrumentation, and often a strong current of sentiment, as is hinted at in the title. The package is a very well-done resurrection of this near-lost legacy – with a beautiful booklet of notes and rare images – including a shot of the hoarder's office in a high rise, where most of the tapes had been sitting for decades. Titles include "Sendero Del Dolor" by Segundo Bautista, "Ingratitud" by Hermanas Mendoza Suasti, "Cotopaxi" by Biluka Y Los Canibales, "Desesperacion" by Bentiez Y Valencia, "Lejos De Ti" by Los Tres Ases, "Vaca Lechera" by Conjunto Caife, "Pasional" by Lucho Munoz, "El Anacu De Mi Guambra" by Biluka Y Los Canibales, and "Ensonacion" by Los Inaquingas. LP, Vinyl record album

An insanely fantastic look at the strong legacy of gospel music from Savoy Records – a company who were initially a powerhouse in the fields of jazz and R&B, but who moved into the gospel world and dominated that market for decades! Savoy is a bit like Chess Records – a company who really learned how to record blues singers and soulful styles from the secular world, then used that same ability to work some real magic on songs from the more spiritual side of the spectrum – an approach that really made for top-shelf music, even as the decades moved on! Savoy's gospel legacy has always been a bit underground – not nearly as reissued for larger audiences as their jazz and blues material – but this collection does a great job of correcting that lack, by presenting their music in a wonderful format – all in a mix of rare cuts and classics from the gospel underground. This second volume features work from Savoy's prime 70s gospel years – 20 tracks by artists who include The Metro Tones, Betty Hollins, Gene Martin, Swan Silvertones, Artistic Sounds, James Moore, Holy Lights Of Baltimore, Brooklyn Skyways, World Wonders, Myrna Summers, Brockingham Ensemble, Prof Charles Taylor, Exciting Supreme Highlights, and Highway QCs. LP, Vinyl record album

Unity Sounds was one of the top, if not the top sound system in London throughout the 80s, and like so many Jamaican greats, went on to start cutting their own rhythms. In the post Jammy's era, this meant stripped down digital beats – round, bouncing basslines and tinny Casio drums, the reggae equivalent to the nascent electro sound of early hip hop. Each of the tracks here is followed by it's version, and they're all voiced by singers, no deejays, twenty one tracks in all, over seven mighty rhythms, including Selah Collins' "Pick A Sound", Richie Davis "You Ha Fe Cool", Kenny Knots "Ring My Number", "Run Come Call Me" and "Watch How The People Dancing", Peter Bouncer "Ready For The Dancehall Tonight" and Mikey Murka "Ride The Rhythm". Plus there's a nice fold out with photos and an extensive interview with Ribs of Unity Sounds. LP, Vinyl record album

An insanely fantastic look at the strong legacy of gospel music from Savoy Records – a company who were initially a powerhouse in the fields of jazz and R&B, but who moved into the gospel world and dominated that market for decades! Savoy is a bit like Chess Records – a company who really learned how to record blues singers and soulful styles from the secular world, then used that same ability to work some real magic on songs from the more spiritual side of the spectrum – an approach that really made for top-shelf music, even as the decades moved on! Savoy's gospel legacy has always been a bit underground – not nearly as reissued for larger audiences as their jazz and blues material – but this collection does a great job of correcting that lack, by presenting their music in a wonderful format – all in a mix of rare cuts and classics from the gospel underground. Savoy kept going strong into the 80s, in a mix of styles that includes some funk and boogie – served up here on 17 tracks by artists that include Solomon Burke, Genobia Jeter, World Wonders, Edith Moreno, Glenn Jones & The Modulations, Hollywood Stars, James Cleveland, Holy Lights Of Baltimore, Sensational Williams Brothers, Gospelaires Of Dayton, Helen Hollins Singers, Edith Moreno, and The 4th Of May. LP, Vinyl record album

A legendary meeting of free jazz talents – and one of those records that completely changed the game during the 70s! Both guitarist Derek Bailey and drummer Han Bennink work here at a level that seems completely divorced from American roots in jazz – about as strongly in the post-68 freedoms of the European scene as possible – with both musicians opening up an incredible range of sonic elements on their instruments! And while the sometimes-bold drum work of Bennink might be seen as a challenge to the more intricate guitar sounds of Bailey, both players really find a way to work together perfectly – which also makes the record a key illustration of that spontaneous understanding that can arise between the best of the free jazz scene. Titles include "Call That A Balance", "Misty", "The Girl With The Concrete Tongue", and "Who Is That". 2LP version features unreleased bonus tracks on the full second album! LP, Vinyl record album

Other-worldly sounds from a leaf-playing musician from the South American scene – an artist who takes the leaf of a ficus tree, holds it in his mouth, and creates all these unusual sounds that are very much in the territory of some sort of exotic reed instrument! The leaf solos are mixed here with work on acoustic guitar, percussion, and often a bit of organ – all at a level that's completely hypnotic, and which almost feels more like music from the East African scene than the sorts of sounds you'd expect from the city of Quito in Ecuador! And while you might think of these recordings as some sort of sonic novelty, they've got a great amount of feeling and power – a really unexpected depth that comes across right away – maybe even more so if you don't stop to think about the source of the sounds. These vintage recordings are presented here in the best tradition of the Honest Jons label – and titles include "Tondero", "Arbol Frondoso", "Pujili", "Marcu Pungo", "La Naranja", "Negra Piedad", "Simiatu", and "Huashca De Corales". LP, Vinyl record album

An amazing bit of music – and an incredible document of generations of creative jazz energy as well! The legendary Phil Cohran teams up here with Hypnotic Brass Ensemble – a collective made up of Cohran's sons, who follow strongly in the rich legacy of his own Artistic Heritage group – yet in a very different way! Hypnotic Brass have caught the ear of many during their bright rise to fame – with a fluid, horn-heavy groove that's really amazing – echoes of Sun Ra and other Chicago creative legends – yet played almost entirely on brass instruments, which gives them an even bolder vibe. Here, working with their progenitor brings the group even more depth than before – an excellent sound that really spins things out wonderfully – percussion layered underneath the horns, solos taking jazzy flight, and an overall righteous vibe that holds things together beautifully. The album's way more than the sum of its parts – and those parts are already rich indeed – and titles include "Stateville", "Cuernavaca", "Ancestral", "Spin", "Zincali", "Apsara", and "Frankincense & Myrrh". LP, Vinyl record album

The amazing full length debut of Hypnotic Brass Ensemble – a cool combo from the Chicago scene who've been making some big waves around the world over the past few years! The brass-heavy group have a family legacy that links them to the Artistic Heritage Ensemble of Phil Cohran – and an approach to their music that mixes spiritual jazz, deep funk, and elements of New Orleans music too – a really unique style that has earned the group's rare singles some tremendous praise – and which is finally ready to step out fully in this wonderful album! The horns are even harder and heavier than before – honed through some touring around the globe, and brought into focus here beautifully – bristling with energy from the very first note. The set features guest appearances from Malcolm Catto, Tony Allen, Flea, and Damon Albarn – but the real strength of the record lies in the group's amazing horns and rhythms – on titles that include "War", "Gibbous", "Alyo", "Ballicki Bone", "Jupiter", "Marcus Garvey", "Party Started", "Sankofa", "Satin Sheets", "Hypnotic", and 2 versions of "Rabbit Hop". LP, Vinyl record album

A really really beautiful little compilation – one with a sound that's every bit as powerful as the image on its cover! The music here all comes from the Gospel Roots label of Miami soul powerhouse TK Records – a key force in mainstream soul in the 70s, but also a company who issued some excellent spiritual material at the time! The work here isn't rootsy gospel – and instead reflects all the hip, righteous changes that were coming into the music during the 70s – bits of blacksploitation funk in the rhythms, powerful lead singers upfront, and an impeccable production style that often mixed deep soul vocals with modern soul presentation. This side of the TK legacy has been crucially ignored over the years – but this wonderful package more than corrects that fault – by offering up some of the key tracks from the Gospel Roots label, alongside a lavish booklet that's filled with notes, photos, and record images – all recounting the overdue tale of this great music. Not all artists are southern – there's a number from up north, and even a few from Chicago – and titles include "Tell Me" by The Fantastic Family Aires, "After The Rain" by Pastor TL Barrett, "Will You Save Me" by The Jordan Singers, "Never Say What You Want" by The Phillipians, "Help Me To Carry On" by The Fabulous Luckett Brothers, "I've Got To Make A Change" by Bright Clouds, "Wake Up Everybody" by The O'Neal Twins, "On Jesus Program" by The Original Sunset Travelers, "Blessed Be The Name Of God" by The Brooklyn All Stars, and "Christians Catch Hell" by Reverend Edna Isaac & The Greene Sisters. CD

A fascinating collection of West African music recorded in England during the late 20s – material done for the Zonophone label as part of a big wave of colonial immigration to London at the time! The package is one of the deepest-digging we've seen so far on the Honest Jon's label – and the music, although quite old, is really incredible – done in a range of African styles and languages, and presented with surprising clarity, given the age of the originals. There's a feel here that's almost like ethnographic recordings done in the homelands many years later – and the package is supported by some wonderful notes that paint a vivid picture of the lives and struggles of African immigrants in the UK during the period. Titles include "Garse Yer Fido" by Oni Johnson, "Nitsi Koko Ko Ko" by Isaac Jackson, "Bukay" by John Mugat, "Asin Asin (part 2)" by Kumasi Trio, "Rue Bai Rue Bai" by James Tucker, "Obu Kofi" by Ben Simmons, "Abowe Dsane Nmaka Tso" by The Ga Quartet, and "Wasiu Dowu" by Nicholas De Heer. LP, Vinyl record album

The 4th entry in the amazing London Is The Place For Me – a collection of incredible work from the postwar, post-colonial years in the UK! As with other volumes, there's an array of Caribbean and African influences at work here – often highly rhythmic and performed with lots of percussion, but also served up in ways that has the original modes coming into contact with more contemporary UK styles! Most of the work here was recorded in London, but overflowing with global styles that include mentos, high life, calypso, Latin, and even a bit of jazz – played by an array of artists who all found new means of expression in the capital. Titles include "Mambo Indio" by Shake Keane, "Alphonso In Town" by Lord Kitchener, "Give Her The No 1" by Eric Hayden, "Khauleza" by Dorothy Masuka, "Chicken & Rice" by Young Tiger, "Egyptian Bint Al Cha Cha" by Ginger Johnson, "Don't You Go Away" by Cab Kaye, "Highlife Piccadilly" by The African Messengers, "Darling Don't Say No" by Nat Akins, "African Jazz Cha Cha" by Ginger Johnson, "Piccadilly Folk" by Lord Kitchener, and "Ilu Oyinbo Dara" by Victor Coker. LP, Vinyl record album

London's always been one of the hippest cities in the world – but back during the postwar years, there was an especially wonderful outpouring of music on the scene – a rich array of new sounds and styles pulled from around the globe – as so many residents from crumbling British empire came to live in the UK! Musicians and listeners arrived in London with plenty of cultural baggage on hand – influences from the Caribbean, West Africa, and India too – plus other smaller scenes that once fell under the British banner, all now the fuel for the cultural fire that was happening in England! The title here tells plenty about the music being made in this newly-formed scene – bits of African highlife, Jamaican calypso, American jazz, Cuban Latin, and more – all filtered into the modernism of the 50s, and given a new twist that was decidedly urban as well. The package may well be the most impressive so far in this legendary series – and is certainly the one that moves the farthest past any sort of easy expectations or cultural conventions. Titles include "Women Police In England" by Mighty Terror, "My Sorrow" by West African Swing Stars, "Cricket Umpires" by Lord Kitchener, "Jordhu" by Caribbean Swing Band, "Trumpet Highlife" by Shake Keane, "Calypso Mambo" by George Browne, "Cuban Nightingale" by Buddy Pipp's Highlifers, "Kitch" by The Quavers, "Tabu" by Mona Baptiste, and "King Jimmy Foo Foo" by Tejan Sie with The West African Rhythm Brothers. LP, Vinyl record album

A fascinating look at musical modes in London during the big years of postwar immigration – a time when former residents of the crumbling British Empire were flooding to London for jobs and a better way of life – often bringing along a huge amount of cultural experience in the process! This set follows wonderfully in the spirit of previous volumes of the series – bringing together a range of different sonic styles that were originally recorded in London as 78rpm singles – where a new wave of Caribbean and West African immigrants were fusing older styles with a newly modern sensibility, and often a fair bit of jazz as well! The set list is wonderful – a great array of well-chosen material – and titles include "Wa Sise" by Willie Payne & The Starlite Tempos, "The Emperor Of Africa" by The Mighty Terror, "Royal Wedding" by The Lion, "Modern Telephone" by Dai Dai Simba, "Sons & Daughters Of Africa" by Lord Beginner, "Caroline" by Trinidad Steel Band, "Ema Foju Ana Woku" by West African Rhythm Brothers, "Kana Kana" by Billy Sholanke, "Boul Ve Se" by Calypso Rhythm Kings, and "My Handy Man" by Marie Bryant. LP, Vinyl record album

The first two volumes in this legendary series – back to back in one set! Volume 1 is an amazing collection – and one that really helped completely revise our understanding of Caribbean music! The collection features a fair bit of artists with roots in the West Indies, but who made a huge impact on London's postwar immigrant population – the new rise of non-native residents who were swelling the ranks of the city in the years after the way – bringing with them new cultures, new sounds, and new traditions – with all the requisite ideas and politics that might imply! The work here often has a subtle social agenda – working through themes important to these new Londoners, yet still echoing modes of the homeland as well – often with great musical backings that's heavy on percussion, jazzy instrumentation, and very upbeat rhythms. Titles include "London Is The Place For Me" by Lord Kitchener, "I Was There" by Young Tiger, "Some Girl Something" by The Lion, "No Carnival In Britain" by Mighty Terror, "Jamaica Hurricane" by Lord Beginner, "Birth Of Ghana" by Lord Kitchener, "Victory Test Match" by Lord Beginner, "Spanish Calypso" by The Lion, "Bulldog Don't Bite Me" by Timothy, "My Landlady" by Lord Kitchener, "If You're Not White You're Black" by Lord Kitchener, and "Aguiti" by Lord Invader. Volume 2 compiles the stylistically varied music coming from the emergent West Indian and African communities of 50s and 60s London – far more than just the topical, and often quite whimsical calypso tunes of the era! Calypso is well represented, but the set includes strains of jazz, percussive instrumentals that veer towards native Trinidad and Nigeria, and loads of Caribbean grooves! It's all exceptionally bright – with some lovingly, and knowingly, naive vocals that are as sweet as they are wise. A truly wonderful compilation. Essential! 20 tracks in all: "Calypso Be" by Young Tiger, "Yolanda" by Ambrose Campbell, "Calypso Blues" by Mona Baptiste, "My Wife's Nightie" by Lord Kitchener, "Ominara" by West African Rhythm Brothers, "Gerrard Street" by King Timothy, "ET Mensah's Rolling Ball" by West African Swing Stars, "West Indian Drums" by Russ Henderson, "Gbonimawo" by Rans Boi's Ghana Highlife Band and more! CD

Two groundbreaking collections in one cool package! Volume 3 is one of our favorite volumes in the London Is The Place For Me collection – and a brilliant batch of work that criss-crosses West African, West Indian, and postwar jazz styles! Most of the recordings here were done under the leadership of Ambrose Adekoya Campbell – a transplant to London from Lagos in the postwar year, and an artist who had a huge influence on the changing rhythms of his scene. Campbell mixed styles of his roots with those of the larger London community around him – in a way that let in more Latin and Caribbean influences to more traditional African styles – often using guitar in a high-life styled way, but also bringing in some key jazz phrasings as well. Titles include "We Have It In Africa", "Iku Koni Payin", "I Am A Stranger", "Lagos Mambo", "Ela Da Awa", "and "Calabar-O" by West African Rhythm Brothers; "The Wind In A Frolic" and "Unity" by Nigerian Union Rhythm Group; "Ibikunle Alakija" by Ayinde Bakare & His Meranda Orchestra; and "Late Ojo Davies" and "Geneva Conference" by West African Rhythm Stars. Volume 4 features a collection of incredible work from the postwar, post-colonial years in the UK! As with other volumes, there's an array of Carribean and African influences at work here – often highly rhythmic and performed with lots of percussion, but also served up in ways that has the original modes coming into contact with more contemporary UK styles! Most of the work here was recorded in London, but overflowing with global styles that include mentos, high life, calypso, Latin, and even a bit of jazz – played by an array of artists who all found new means of expression in the capital. Titles include "Mambo Indio" by Shake Keane, "Alphonso In Town" by Lord Kitchener, "Give Her The No 1" by Eric Hayden, "Khauleza" by Dorothy Masuka, "Chicken & Rice" by Young Tiger, "Egyptian Bint Al Cha Cha" by Ginger Johnson, "Don't You Go Away" by Cab Kaye, "Highlife Piccadilly" by The African Messengers, "Darling Don't Say No" by Nat Akins, "African Jazz Cha Cha" by Ginger Johnson, "Piccadilly Folk" by Lord Kitchener, and "Ilu Oyinbo Dara" by Victor Coker. CD

A really cool little package – one that features rare 20s recordings from the Middle East, alongside a host of modern "responses" to the original music! The first half of the set follows beautifully in the spirit of other recent sets from Honest Jons – digging through the archives of EMI to find some amazing sounds recorded in Egypt, Iran, Iraq, and Turkey – all presented here with sound that's infinitely better than their original 78rpm singles – a production job that's almost as mesmerizing as the music included in the package! The second half features new music commissioned for the package – all done by artists who are very sensitive to the original spirit of the first selections, working here with spare, acoustic instrumentation in an equally exotic way. At points, it's honestly hard to tell the difference between the old stuff and the new stuff – another achievement for the set – and rather than make that distinction, we'll just let you know that artists include Sir Richard Bishop, Haigo, Moustapha Bey Rida, Nechat Bey, Oudi Yorgho, Abdul Hussein Khan Shahnazi, Sami Chawa, Michael Flower, Micah Blue Smaldone, Paul Metzger, MV & EE, and Steffen Basho. 2CDs with lots of music! CD

A collection of tracks that amount to some of incredibly deep audio archaeology – a wonderful, consciousness wakening collection of globe spanning 78s from the first half of the 20th Century – all from the darkest corners of the EMI Vaults! Honest Jons does an impressive job of collecting recordings that are first and foremost exciting pieces of music – and they reportedly spent a couple of years going through thousands and thousands of 78s and to put this thing together. It was worth the effort! The album includes recordings from China in the 10s, Bali and London in the 20s, Constantinople, Kenya and Spain in the 30s, Uganda & Trinidad in the 50s, and much more from each decade in many parts of the world. Cuban rumbas, Middle Eastern & African string tunes, more pop oriented British tunes, vocal and pop with a global focus. Wonderful stuff! Titles include "The English Sound Table" by GU Hsu, "Lagu Kebiar" by Gamelan Gong, "Rumba Negra" by Sacasas, "Laughing" by Vemngopal Chari, "Different Kind Of Motor Car Noises" by Vengopal Chari, "The Queen's Canary" by Mighty Sparrow and more. CD