Harold Ashby on tenor saxophone with John Hicks on piano, Keter Betts on bass & Jimmy Cobb on drums. CD

With Mercer Ellington, Money Johnson, Johnny Coles, and Barry Lee Hall on trumpets; Vince Prudente, Art Baron, and Chuck Connors on trombone; Harry Carney, Harold Ashby, Russell Procope, Geezil Minerve, and Percy Marion on reeds; Joe Benjamin on bass; Rocky White on drums; and Anita Moore and Money Johnson on vocals. LP, Vinyl record album

Features Benny Golson, Branford Marsalis, James Carter, and fellow tenor Harold Ashby performing tracks made famous by Lester Young, Stan Getsz, Sonny Rollins, John Coltrane, Dexter Gordon, and others. CD

With Carmen Leggio and Harold Ashby on tenor, Russell P{rocope on alto, Marky Markowitz and Waymon Reed on flugelhorn, John Bunch on piano, and Milt Hinton on bass. LP, Vinyl record album

With selections by Booty Wood, Harry Carney, Paul Gonsalves, and Harold Ashby. LP, Vinyl record album

Features Scott Hamilton on tenor and Warren Vache on cornet and flugelhorn – plus Harold Ashby on tenor, Joe Temperley on baritone, George Masson on trombone, and Norman Simmons on piano. LP, Vinyl record album

Some of the most hard-edged, gritty material ever cut by the legendary Otis Rush – work done on the Chicago scene of the 50s for Cobra Records – a company who were even more low-fi than Chess Records at the time! Otis' vocals are as incredible as his guitar – and the groups here are often nicely full – not large ensembles, but well-crafted combos that feature plenty of work from key contemporaries on the scene – including Walter Horton on harmonica, Lafayette Leake and Little Brother Montgomery on piano, Harold Ashby and Red Holloway on tenors, and Willie Dixon on bass. All these cuts were originally only issued as rare singles back in the day – and the set features 16 tracks that include "Groaning The Blues", "Violent Love", "Sit Down Baby", "I Can't Quit You Baby", "Checking On My Baby", "She's A Good Un", "Three Times A Fool", and "Love That Woman". LP, Vinyl record album

One of Duke's last albums – and a great one! The session is right up there with some of Ellington's best late "suites" – an extended work that features writing around exotic themes, played by stalwarts like Paul Gonsalves, Harold Ashby, Rufus Jones, Cootie Williams, and Harry Carney – all coming together with more energy and imagination than you'd expect after all these years! The writing is fantastic, and the moods change strongly with each tune – running through numbers like "Afrique", "Chinoiserie", "Didjeridoo", "Gong", "Tang", and "Hard Way" – all of which sound as great as their titles might imply! LP, Vinyl record album

One of Duke's last albums – and a great one! The session is right up there with some of Ellington's best late "suites" – an extended work that features writing around exotic themes, played by stalwarts like Paul Gonsalves, Harold Ashby, Rufus Jones, Cootie Williams, and Harry Carney – all coming together with more energy and imagination than you'd expect after all these years! The writing is fantastic, and the moods change strongly with each tune – running through numbers like "Afrique", "Chinoiserie", "Didjeridoo", "Gong", "Tang", and "Hard Way" – all of which sound as great as their titles might imply! CD

Duke's orchestra under the direction of Mercer, shortly after his death – with players who include Bill Easley, Ricky Ford, and Harold Ashby on tenor; Cootie Williams and Buddy Bolden on turmpets; James Spaulding and Harold Minerve on alto; and Harry Carney on baritone. CD