... LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

Haunting work from Jimmy Campbell – an overlooked British songwriter at the end of the 60s, and one with a really unusual approach to his music! At some level, Jimmy's got some of the folksy touches of the Nick Drake generation – a sound that might have been right at home on Island Records – but at another level, his style here is very much his own too – a bit more sensitive, and delivered with this odd vocal quality that's unlike anything we can think of – as unique to Jimmy as Tom Rapp's voice was to Pearls Before Swine, or Biff Rose's was to his own great late 60s sides! Instrumentation is relatively spare on most numbers – just acoustic guitar and a bit of rhythm, yet hardly in typical folksy modes – and titles include "When I Sit Down To Reason", "Adrian Henri's Party Night", "On A Monday", "Lyanna", "Dear Marge", "Penny In My Pocket", "Another Vincent Van Gough", and "Michelangelo". CD

A far-reaching album by Caetano – with a wide scope of sounds and influences, from tribal/ethnic percussion, to subtle jazzy backdrops, to guitar-driven numbers that hint at a brief return to rock music. The rich tapestry of themes and images are perfectly linked by Veloso's always-wonderful voice – impeccably rich-toned, with a sound that only seems to get better with age. To us, the record's his first really striking album since 1997's Livro – although it's got a lot more subtlety, in the manner of some of his mid 70s work, like Bicho or Joia. Titles include "Michelangelo Antonioni", "Zera A Reza", "13 De Maio", "Zumbi", "Meu Rio", and "Sou Seu Sabia". CD

An obscure 70s album from the great Jose Feliciano – a set that was originally done as soundtrack material for an equally obscure film – Aaron Loves Angela – one that mixes Jose's more intimate style with some fuller backings from the disco generation! Barry Fasman handled the charts on most of the tracks – and the instrumentation features some nice larger touches, but with sharp instrumentation that even includes work from Willie Bobo on a few cuts too! Jose is fantastic vocally – able to come across with a wonderful sense of soul, which is often matched by some beautiful guitar work as well. Titles include "Angela", "Michelangelo", "Why", "Nirvana", "Sweet Street", "I've Got A Feeling", and "Salsa Negra". CD

A nice overview of the second chapter of work from this Brazilian giant – with notes by David Byrne, and titles that include "Michelangelo Antonioni", "Iatapua", "Na Baixa Do Sapateiro", "Um Tom", "Baiao Da Penha", "Haiti", "Fina Estampa", "13 De Mato", "O Estrangeiro", and "Mahata". CD

A far-reaching album by Caetano – with a wide scope of sounds and influences, from tribal/ethnic percussion, to subtle jazzy backdrops, to guitar-driven numbers that hint at a brief return to rock music. The rich tapestry of themes and images are perfectly linked by Veloso's always-wonderful voice – impeccably rich-toned, with a sound that only seems to get better with age. To us, the record's his first really striking album since 1997's Livro – although it's got a lot more subtlety, in the manner of some of his mid 70s work, like Bicho or Joia. Titles include "Michelangelo Antonioni", "Zera A Reza", "13 De Maio", "Zumbi", "Meu Rio", and "Sou Seu Sabia". CD

An obscure 70s album from the great Jose Feliciano – a set that was originally done as soundtrack material for an equally obscure film – Aaron Loves Angela – one that mixes Jose's more intimate style with some fuller backings from the disco generation! Barry Fasman handled the charts on most of the tracks – and the instrumentation features some nice larger touches, but with sharp instrumentation that even includes work from Willie Bobo on a few cuts too! Jose is fantastic vocally – able to come across with a wonderful sense of soul, which is often matched by some beautiful guitar work as well. Titles include "Angela", "Michelangelo", "Why", "Nirvana", "Sweet Street", "I've Got A Feeling", and "Salsa Negra". LP, Vinyl record album

A far-reaching album by Caetano – with a wide scope of sounds and influences, from tribal/ethnic percussion, to subtle jazzy backdrops, to guitar-driven numbers that hint at a brief return to rock music. The rich tapestry of themes and images are perfectly linked by Veloso's always-wonderful voice – impeccably rich-toned, with a sound that only seems to get better with age. To us, the record's his first really striking album since 1997's Livro – although it's got a lot more subtlety, in the manner of some of his mid 70s work, like Bicho or Joia. Titles include "Michelangelo Antonioni", "Zera A Reza", "13 De Maio", "Zumbi", "Meu Rio", and "Sou Seu Sabia". CD