A landmark album – Donald Byrd's first session with producer Larry Mizell, the man who went onto forever change the face of jazz funk! After rumbling around for a few years attempting electric styles that really didn't fit his mode, Donald wisely hooked up with Larry, and hit a groove here that would carry him for many many years. The album's a masterpiece of soul – heavy production with great keyboards, creating a nice set of grooves that let Byrd solo over the top, sounding better than he had in years! Great all the way through, and with tracks that include "Flight Time", "Sky High", "Black Byrd", "Slop Jar Blues", "Mr Thomas", and the prophetically-titled "Where Are We Going?" CD

An incredible record from the Chicago scene – issued on a tiny little label from deep on the south side – and done with a much richer vibe than you might expect! "Attitude Belief & Determination" is a track that's almost got a righteous, spiritual sort of flavor – but a vibe that's funkier overall – somewhere in that classic James Mason mix of message and groove, with wonderful paired vocals in the lead, and a stepping bassline under Fender Rhodes, which really sends the whole thing home! The track is nice and long, and backed by by "Nonstop To The Top" – a tune with a bit more boogie in the bassline, but still this spacious sort of groove overall. Both cuts were recorded at Curtom – with production that's definitely a cut above the usual indie 12" single! 12-inch, Vinyl record

... LP, Vinyl record album

A beautiful record of light, lyrical piano jazz – and one of the best-selling jazz albums ever on Fantasy Records! Vince Guaraldi started the set as a tribute to the film Black Orpheus – and some of the album features his nice renditions of Jobim/Bonfa tunes like "Manha De Carnaval" and "Samba De Orpheus". However, Guaraldi also managed to pen his own amazing track – "Cast Your Fate To The Wind" – a lyrical romping piano instrumental that went onto become a huge charting instrumental hit during the 60s. The track's been heard a million times over the years, but it's still pretty darn great – and it's surrounded in a nice set with other tunes that have the same feel – including "O Nosso Amour", "Alma-Ville", "Since I Fell For You", and "Moon River". LP, Vinyl record album

With Harris on trombone, George Adams on tenor, Donald Smith on piano, Fred Hopkins on bass, and Charlie Persip on drums. LP, Vinyl record album

A great and rare solo guitar record by Lena Hughes – issued here by Tompkins Square – a label that's put out some of the best fingerstyle guitar folk releases in recent memory – in both the contemporary and archival realms! Queen Of The Flat Top Guitar is an archival release in their Long Gone Sound Series – and it's one of best yet! Lena, born in 1904, was rural Missourian amateur guitarist and mainstay at Ozarks area folk festivals. This record is her one-and-only known album – and though she's also remembered as a fine fiddler and banjo player, it finds her focusing on flat top guitar in the tradition of 19th century parlor music. Warm and wonderful stuff – as inviting as anything we've heard on Tompkins Square. Includes "Pearly Dew", "Under The Double Eagle", "Letter Edged In Black", "Blue Heaven", "Galloway Bay", "You Are The Only Star Of My Blue Heaven", "Spanish Fan-Dango", "Kentucky Moon Waltz", "Silver Treads Among The Gold", "What A Friend We Have In Jesus" and"Cedar Brook Waltz". CD

Beautiful 50's material from Jimmy, and some of the best recordings you could ever find by him! The style is classic, with Jimmy's light wispy voice floating over the top of melancholy arrangements of tracks like "Address Unknown", "It's Over", "Am I Wrong", and "I'll Never Deceive You". Sure, his revival years have been pretty good – but this is the real deal, and the record's darn hard to find! LP, Vinyl record album

This beautiful LP was released by Stax in the early 70's, but somehow got lost in the shuffle between all the Isaac Hayes LPs. Fortunately, it was rediscovered by the international groove community about 10 years ago, and it's been at the top of everyone's playlist (and want list) ever since! This is sort of a politically conscious mini-opera, or suite, with 8 tracks of spiritual funk and soul, all strung together in a righteous package that's as perfectly-conceived as you could imagine for an independent soul release from the 70s. You've probably heard at least one sample from this LP – maybe from the cuts "Brown-Baggin", "Food Stamps", or the title cut "Ghetto: Misfortune's Wealth", a great sample cut – but the whole album's great, and it totally deserves its massive reputation! LP, Vinyl record album

One of the earliest albums on Arhoolie Records – an amazing document of steel guitar bluesman Black Ace! Ace plays just like he sits on the cover – really leaning into the instrument in ways that bring out all these cool, deep inflections – completely hypnotizing on their own, with almost an unworldly feel at points – and accompanied by vocals on most tracks. Titles include "Drink On Little Girl", "Bad Times Stomp", "Farther Along", "Evil Woman", "Fore Day Creep", "Little Augie", and "Golden Slipper". LP, Vinyl record album

The fourth nearly flawless album of heavy genius from Black Sabbath – featuring some of the mightiest rock riffs ever! Vol 4 is just the tiniest of notches below Master Of Reality and Paranoid in overall greatness – which is the tiniest of possible complaints given that those previous two albums are among the few truly perfect rock and roll albums ever recorded! But this one has "Supernaut". Enough said. Other titles include "Wheels Of Confusion", "Tomorrows Dreams", "Changes", "FX", "Snowblind", "Cornucopia", "Under The Sun" and more. LP, Vinyl record album

A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes Gary Bartz and Steve Grossman on reeds, John McLaughlin on guitar, Herbie Hancock on keyboards, Hermeto Pascoal on percussion, Dave Holland on bass, and Jack DeJohnette on drums – all given new focus, direction, and inspiration by Miles! Titles include "What I Say", "Sivad", "Selim", "Funky Tonk", and a great medley of "Gemini/Double Image". LP, Vinyl record album

It's taken us a bit longer than expected to get this second installment in Maxwell's Black Summers' Night series – but it's been well worth the wait, given the greater depth in the music! All that we love about Maxwell's previous records is alive and well here – but there's also kind of a sharper edge to the sound, too – these fuller bottom currents that almost seem to be adding a second sort of instrumental commentary, alongside the lyrical activity up top – all while the whole thing is wrapped together with that warm keyboard flow that first made Maxwell stand out so many years back! There's almost this double edge to the whole thing – rough with the smooth, or turmoil under peace – which gives the whole thing a lot more power than this sort of record from some of Maxwell's contemporaries. Score another win for the mighty one – on tracks that include "The Fall", "Lake By The Ocean", "Lost", "Gods", "Fingers Crossed", "Hostage", "1990x", and "All The Ways Love Can Feel". CD

The first-ever album from Gil Scott-Heron – and a perfect bridge between the world of his writing and the years to come of musical transformations that would forever change the American scene! The set's not the warm, jazzy soul of some of Gil's later records – and instead, there's a really raw vibe, mostly with Gil speaking instead of singing – often with just heavy percussion at the core, and these really righteous words served out over the top! All the work is his own, and the album's a showcase for his brilliant protest poetry – the most famous example of which is included in "The Revolution Will Not Be Televised", which leads off the album with an especially righteous groove! The set's a key link in the African American musical tradition of the 20th century – and proof that the underground, while not always afforded a good place in the broadcast markets of the US, could always burst forth in the "narrowcast" medium of recorded music. A landmark album – one we like even better than the early work by the Last Poets – and great all the way through! Tracks include "The Revolution Will Not Be Televised", "Whitey On The Moon", "Who'll Pay Reparations On My Soul?", "The Subject Was Faggots", and "Brother". LP, Vinyl record album

The one-time obscure, now straight-up classic funky soul record by 24-Carat Black! This beautiful LP was released by Stax in the early 70s, but somehow got lost in the shuffle. Fortunately, it was rediscovered by the international groove community in the years to come, and it's been at the top of everyone's playlist (and want list) ever since! This is sort of a politically conscious mini-opera, or suite, with 8 tracks of spiritual funk and soul, all strung together in a righteous package that's as perfectly-conceived as you could imagine for an independent soul release from the 70s. You've probably heard at least one sample from this album – maybe from the cuts "Brown-Baggin", "Food Stamps", or the title cut "Ghetto: Misfortune's Wealth", a great sample cut – but the whole album's great, and it totally deserves its massive reputation! LP, Vinyl record album

A real classic from those early 70s European years of exploration by the great pianist Mal Waldron – music that really has Mal pushing forward in ways that are completely unexpected if you only know his American records from earlier years – but maybe a bit more understandable, given the ever-growing genius he showed over the decades! The group's a trio – recorded live with Pierre Favre on drums, and the great Jimmy Woode on bass – and the combination of Favre's free modernism and Woode's soulful swing makes for a very interesting rhythm section – and Waldron, as he often did in this sort of session, dominates the proceedings with some moody and introspective work on the piano – bridging the players with a wonderful sense of creative imagination. Titles include "The Call", "Sieg Haile", "MC", "La Gloire Du Noir", and "Rock My Soul". LP, Vinyl record album

A righteous rockers classic from Delroy Williams – a set that's very personal, and very down to earth – and quite a strong antidote to some of the more commercial reggae material that was making the scene at the time! The record almost echoes some of the deepest soul currents of the rocksteady years, but with all the message-oriented music that the 70s brought forth – and handled with a lean production style by Agustus Pablo, who also adds in some of his own organ and melodica work too! Titles include "I Stand Black", "Little Less Talking", "Breaking My Heart", "Mountain Top", "Heathen Valley", "Learn", "Foxe's Hole", "Idren's Feel Nice", and "Crucial". LP, Vinyl record album

One of the great funky albums that Gene Ammons cut for Prestige at the start of the 70s – quite different than his earlier work for the label, and a very different showcase for his tenor genius! The whole lineup here is amazing – a quintet that features heavy drums from Idris Muhammad, piano and Fender Rhodes from Harold Mabern, bass from Ron Carter, and some tremendously smoking guitar from the great George Freeman! Freeman goes nuts on the funky cut "The Black Cat" – and other tracks include "Jug Eyes", "Hi Ruth", "Something", and "Piece To Keep Away Evil Spirits". LP, Vinyl record album

A really amazing performance from Billy Bang – cut during some of his most creative years on the New York loft jazz scene, at a time when Bang was carving out a rich new space for his instrument in jazz – and helping move forward a very creative generation of musicians as well! The lineup here includes Bilal Abdur Rahman on tenor and soprano sax, William Parker on bass, Rashid Bakr on drums – along with Bang's violin, bells, shaker, and percussion. But almost even more compelling are a few spoken passages from Billy – extremely proud, righteous words, spoken with assurance that really sends them home – and which helps the album stand out strongly in the genre of jazz and spoken word. Not all tracks feature spoken bits, but when they appear, they're great – and titles include "Ganges/Enchantment/Tapestry" and "Black Man's Blues". LP, Vinyl record album

The first full-length from Mos Def and Talib Kweli together as Black Star – a benchmark moment in hip hop history, and one of the finest duo vocal hip hip records of the 90s – and one of the best ever on Rawkus! In hindsight, it's all the more rewarding given Talib Kweli's longevity in proud, mic skills centric hip hop and while highs and lows of Mos Def's work as the years rolled along – and it still stands as strong (then) underground hip hop that takes on the commercial leaning themes of the day and well beyond. Stand out cuts include "Definition" "Twice Inna Lifetime", "Children's Story", "Respiration" featuring Common Sense – and other tracks include "Brown Skin Lady", "Yo Yeah", "Thieves In The Night" and more. LP, Vinyl record album

Top Soul indeed, as Fusion is a hip Chilean funk band from the early 70s – one who take plenty of influence from American grooves, but also bring in their own soulful elements as well! The sound here is somewhere between Kool & The Gang and Banda Black Rio – with quite a bit of the blend of the latter, especially in the way more local percussion riffs fill out grooves that have a solid grounding in American funk! Instrumentation listed is tenor, guitar, keyboards, bass, and drums – but there's clearly a lot more horns too, as well as some very hip percussion – played in ways that are almost more Brazilian than straight Latin – with a really fluid sensibility that jams nicely with the grooves. There's a slight bit of vocals on the record, but most of the album is instrumental – and titles include versions of Sly Stone's "Thank You" and The Crusaders "Way Back Home" – plus "Dedos", "Balada De Matias", "Dee Blooz", "Para Toda La Gente", "Pulsearas", and "Lamentation". LP, Vinyl record album

Maybe one of the last moments of genius from Public Enemy – and a set that still has their power and politics very much at the top of their game! The message may even be more powerful than the music at points – no surprise for Chuck D and crew at this point in their career – but in comparison to so many other weaker records from the time, the whole thing's still held up very well with age – and has managed to slide strongly into the rest of their previous catalog. Titles include their popular "Bring Tha Noize" duet with Anthrax – plus "Get the F–- Outta Dodge", "Can't Truss It", "By The Time I Get To Arizona", "Nighttrain", "Shut Em Down", "A Letter To The New York Post", "1 Million Bottlebags", and "More News At 11". CD

Maybe one of the last moments of genius from Public Enemy – and a set that still has their power and politics very much at the top of their game! The message may even be more powerful than the music at points – no surprise for Chuck D and crew at this point in their career – but in comparison to so many other weaker records from the time, the whole thing's still held up very well with age – and has managed to slide strongly into the rest of their previous catalog. Titles include their popular "Bring Tha Noize" duet with Anthrax – plus "Get the F–- Outta Dodge", "Can't Truss It", "By The Time I Get To Arizona", "Nighttrain", "Shut Em Down", "A Letter To The New York Post", "1 Million Bottlebags", and "More News At 11". CD

Maybe one of the last moments of genius from Public Enemy – and a set that still has their power and politics very much at the top of their game! The message may even be more powerful than the music at points – no surprise for Chuck D and crew at this point in their career – but in comparison to so many other weaker records from the time, the whole thing's still held up very well with age – and has managed to slide strongly into the rest of their previous catalog. Titles include their popular "Bring Tha Noize" duet with Anthrax – plus "Get the F–- Outta Dodge", "Can't Truss It", "By The Time I Get To Arizona", "Nighttrain", "Shut Em Down", "A Letter To The New York Post", "1 Million Bottlebags", and "More News At 11". LP, Vinyl record album

A great full length album from Motown's mighty Jimmy Ruffin – and a set with a lot deeper soul sound than you'd guess from the "top ten" in the title! The music's not commercial, but some of the sharpest Motown soul of the time – the kind of work that made the young Jimmy as important a solo male act to Motown as Marvin Gaye – thanks to a wonderfully crackling, raspy style of singing that makes any tune really stand out strongly. Some of the numbers here are originals associated with Ruffin, and others are 60s hits by others – but completely remade by Jimmy with his wonderful approach – and titles include the classic "What Becomes Of The Brokenhearted", plus "I've Passed This Way Before", "Gonna Give Her All The Love I've Got", "World So Wide Nowhere To Hide", "Black Is Black", "Bless You", "How Can I Say I'm Sorry", and "As Long As There Is Love". LP, Vinyl record album

Funky 70s work from film score maestro Lalo Schifrin – served up with a bit of a disco twist, and plenty of the electric jazz funk elements that were showing up in his soundtracks at the time! Lalo's on keyboards, playing a cool host of electric ones that give the record a nice spacey sound over the top of the funky arrangements – and there's plenty of nice guitar work – either by Eric Gale or John Tropea – which gives the cuts some nice choppy funky bits that drive them a bit harder than you might expect! Titles include an amazing funk remake of "Quiet Village", plus "Dragonfly", "Black Widow", "Baia", "Turning Point", and a version of the "Jaws" theme! LP, Vinyl record album

Sonny Stitt joins up with a tight group of prime Prestige funky players – like Idris Muhammad on drums, Leon Spencer on organ, Melvin Sparks on guitar, and Virgil Jones on trumpet – for a sound that's much funkier than some of his other records for the label – maybe much more in the territory of records by Leon Spencer or Melvin Sparks! The set's got a good set of modern funk tracks, with all the quality moments you'd expect from these top-notch players. Titles include "Goin' To DC", "Calling Card", "Them Funky Changes", and "Black Vibrations". LP, Vinyl record album

With Starang, Sean Price, and Top Dog on "High Times". 12-inch, Vinyl record

Bobby Harden's got a great way of putting over a tune – he's not a soul singer out to top James Brown, or try to leap into the fray with a real funky frenzy – and instead, he approaches the material with the laidback confidence of some of our southern soul favorites from years past – all with a vibe that really makes the album shine! The presentation of the songs by the Soulful Saints is great – themselves an equally understated group, and clearly aware that Bobby's the main attraction of the set – which he definitely is, in this overdue debut that's clearly going to make him one of the best underground soul singers in years to come. Titles include "One Tribe", "Wounded Hearts", "Bridge Of Love", "Runnin", "Raise Your Mind", "It's My Time", "Feels So Good", and "One Night Of The Week". LP, Vinyl record album

Black Elvis is back, and Kool Keith is clearly very much at the top of his game – serving up a set of tracks that have a very unified vibe, and a sinister vibe that really works well with the unsettling style of Keith's lyrics in the lead! There's a bit more guest help here than before, but the whole thing is linked together with this sort of eerie production that's very much its own thing – bombastic in some of the beats, but cut through with eerie melodic elements that are nicely unsettling – work in the studio by Keith with help from Marc Live, J Stylez, and L'Orange. Titles include "Machinery", "World Spin", "Space Mountain", "Black Presley", "The Formula", "Max", "Elvis", "First Copy", and "Kindergarten Adults". CD

The first-ever album from Gil Scott-Heron – and a perfect bridge between the world of his writing and the years to come of musical transformations that would forever change the American scene! The set's not the warm, jazzy soul of some of Gil's later records – and instead, there's a really raw vibe, mostly with Gil speaking instead of singing – often with just heavy percussion at the core, and these really righteous words served out over the top! All the work is his own, and the album's a showcase for his brilliant protest poetry – the most famous example of which is included in "The Revolution Will Not Be Televised", which leads off the album with an especially righteous groove! The set's a key link in the African American musical tradition of the 20th century – and proof that the underground, while not always afforded a good place in the broadcast markets of the US, could always burst forth in the "narrowcast" medium of recorded music. A landmark album – one we like even better than the early work by the Last Poets – and great all the way through! Tracks include "The Revolution Will Not Be Televised", "Whitey On The Moon", "Who'll Pay Reparations On My Soul?", "The Subject Was Faggots", and "Brother". LP, Vinyl record album

One of the only records ever recorded as a leader by alto player Monty Waters – a hip New York altoist who's appeared on records with Joe Lee Wilson, but rarely got the chance to lead a group on his own. This Japanese-only set from 1975 features Waters working with a quartet that includes Ronnie Boykins on bass, George Avaloz on drums, and Yoshiaki Masuio on guitar – playing together in a mode that's almost a lyrical take on some of Ornette's harmelodic recordings from the same time, a style that we evoke mostly because of the way that the guitar comps in behind the rhythm in parts, letting Waters blow over the top in solo formation. At other times, the guitar's in a more tradition role – but the lack of a piano in the group means that there's still quite a bit of freedom, although the group always manages to swing soulfully. Titles include "Modesto", "The Black Cat", "RPM", "J Love March", and "Apt #2H". CD

A really fantastic little collection – a look at the way that sounds from the Caribbean changed over nicely when brought to the UK scene – where immigrants from former British territory really helped to transform the sound of London in the 70s! The music here is served up in a range of different styles – certainly reggae, but with plenty of funk and soul too, mixed with other elements from the islands – all brought into new play together when taken up in the UK! Right from the start, the English artists were starting to put their own spin on things – so the cuts within offer up all these great new directions – maybe even more surprises than you're used to finding on some of the other collections from the Soul Jazz label! The presentation of material is superb, and there's some very detailed notes as well – with cuts that include "No Time For Hello" by Harry Beckett, "Ooh Boy" by Sandra Reid, "Don't Call Us Immigrants" by Tabby Cat Kelly, "RK1" by The Terrorist, "Black Pride" by Brown Sugar, "Don't Let It Go To Your Head" by Black Harmony, "Positive Vibrations" by Pebbles, "Love Money" by Funk Masters, "Ragga Trip" by Ragga Twins, "Be Thankful For What You've Got" by Winston Curtis, "Fug" by Cymande, "Sticks Man" by Black Slate, "Rising To The Top" by Dee Sharp, "Misty Winter" by Digital Mystikz, "Compelled" by Cosmic Irden, and "Still In Love" by Janet Kay & Alton Ellis, and "Java Bass" by Shut Up & Dance. CD

Soul Jazz gets the royal treatment, or should we say gives us the royal treatment! The royal court is in session with a fine, fine batch of today's sound today, another regal dip into the Studio One vaults, showcasing the top male vocal stars in Coxsone Dodd's stable! The set includes both classic cuts and some well chosen lesser known nuggets, and as you now know (or are about to find out) the Soul Jazz selectors pull together a compilation fit for a king! 17 numbers in all, including "I've Got To Make It" by Larry Marshall, "Every Tongue Shall Tell" by Horace Andy, "Well Run Dry" by Alton Ellis, 'Water More Than Flour" by Johnny Osbourne, "I Am The Ruler" by Anthony Rocky Ellis, "Pretty Looks Isn't All" by Cornell Campbell, "Please Be True" by Alexander Henry, "Them A Come" by Burning Spear, "Change Of Plan" by Joe Higgs, "Roots Natty" by Devon Russell, "Be Yourself" by Ken Boothe, "I Shall Be Released" by Freddie McGregor, "Father Will Cut You Off" by Freddie McKay, "Locust" by the Ethiopian, "One, One" by George Philip, "I Don't Want To See You Cry" by John Holt and "Won't You Come Home" by Delroy Wilson. LP, Vinyl record album

The follow up to the "Back In Black" album, with "Let's Get It Up" and the title track! LP, Vinyl record album

Bad Bossa Nova is right – as Gene Ammons really hits a great groove here – one that's not exactly bossa, but which has lots of Latin and tropical touches! The session makes great use of 2 guitars at the same time – using that of Kenny Burrell for soulful rhythm, but also adding in Bucky Pizzarelli for some nice acoustic embellishments – in a mode that's similar to the soul jazz-com-bossa style used on records like Ike Quebec's Soul Samba or Charlie Rouse's Bossa Nova Bacchanal. The overall rhythms are a bit more complicated, and a bit more soul jazz based than those sets – with Hank Jones on piano, Oliver Jackson on percussion, and Al Hayes adding in some sweet extra bongo! Titles include the classic "Ca'Purange" – plus "Anna", "Yellow Bird", "Cae Cae", and "Moito Mato Grosso". Also issued under the title Jungle Soul! (Ca' Purange). LP, Vinyl record album

An excellent funky fusion group from Chicago – and one of the best ensembles to record for the Black Jazz label! The group's made up of hip Chicago underground players – and includes Ken Chaney on electric piano, Ari Brown on saxes, and Frank Gordon on trumpet – a lineup that comes together with the same sort of righteous energy and soulful power as Windy City contemporaries like The Pharoahs or Earth Wind & Fire! On this first LP, they jam with a mix of righteous funk and spiritual soul jazz, mixing electric piano, choppy reeds, and tight horns with a powerful rhythm backing that never goes too over the top, and which stays in a good modal mode that works great for the soloists – soaringly expressive at a personal level, yet coming together with a really righteous group feel in the end. Tracks include "Jupiter", "Brand New Feeling", "Convulsions", and "Kera's Dance". CD

Maybe one of the greatest albums of Chet Baker vocal material you could ever hope to buy – a fantastic testament of the young talent at the top of his game – effortlessly moving between well-conceived trumpet solos and those fantastic vocals that were unlike any other singer at the time! Half the album was recorded live, the other half in the studio, but there's a very unified vibe to the whole thing – and the great Russ Freeman plays piano on both tracks, and a bit of celeste at a few points too. Titles include "That Old Feeling", "Look For The Silver Lining", "There Will Be Another You", "I Fall In Love Too Easily", "My Buddy", "My Funny Valentine", and "I Get Along Without You Very Well". Every track is great, and these are the original vocal recordings that put Chet on the map! LP, Vinyl record album

Late work from Chet Baker, but great work too – and sounds that have Baker returning to an incredibly strong sense of force in the final year of his life! We love some of Chet's records from earlier in the decade, but many of those are a bit laidback – kind of a beautiful exploration of space and lanquidity. But here, Baker's got a hell of a fire – blowing crisp notes that are given a wonderful drive from a quartet that features Harold Danko on piano, Hein Van De Geyn on bass, and John Engels on drums! Chet sings a bit, but the real showcase is his trumpet work – superb, and maybe still at the top of the range of trumpeters working at the time on the planet – on titles that include "Portrait In Black & White", "Stella By Starlight", "For Minors Only", and "My Funny Valentine" – plus a nice reading of the Elvis Costello tune "Almost Blue". LP, Vinyl record album

The soundtrack that put John Barry over the top – and to many, THE James Bond soundtrack! The album chills from the first notes of the haunting title theme – the majestic "Goldfinger", sung by Shirley Bassey with a tone that's as dangerous as a razor-sharp hat spinning through the air! Barry then takes over with some wonderful instrumentals – a blend of crime jazz, mood pieces, chase themes, and more – all peppered with that dark dark Bond theme that we love so much! Titles include "Into Miami", "Teasing The Korean", "Alpine Drive", "Bond Back In Action", "Gassing The Gangsters", and "Death Of Goldfinger". LP, Vinyl record album

A great collection of early material from Dave Bartholomew – a key figure in the early days of New Orleans soul! Dave blows trumpet, arrangements are by Wardell Quezerque, and the group features Bobby James on organ and Smokey Johnson on drums! LP, Vinyl record album

With Freddie Greene on guitar, George Duvivier on bass, Eddie Shaughnessy on drums, Roy Eldridge on trumpet, Al Grey and Billy Byers on trombone, and Eddie Lockjaw Davis on tenor sax. LP, Vinyl record album

The amazing debut of Be Bop Deluxe – a record that's made up of all sorts of familiar parts, yet somehow really manages to set itself apart as a whole! The young Bill Nelson is at the top of his game here – a hell of a guitarist, which we sometimes forget in his later work – and a vocalist with a sinister edge that gives the record a sense of darkness that matches the compressed production and overall moody vibe – a child of the Bowie/Bolan generation, but one that's a real black sheep of the family too! The strength of the record is impossible to sum up in easy words – but it's there for the hearing, right from the very first note – on titles that include "Jet Silver & The Dolls Of Venus", "Axe Victim", "Love Is Swift Arrows", "No Trains To Heaven", "Jets At Dawn", "Rocket Cathedrals", and "Third Floor Heaven". LP, Vinyl record album

A pivotal album from the early 90s – one that not only furthered the rebirth of live funk instrumentation at a time when ditigal elements dominated the scene – but also really opened up that mode to a whole new generation of hip hop as well! At a time when the music was all about the samples and beats, Brand New Heavies took it back to the generation before – and provided live instrumentation for a host of fantastic talents – a legendary lineup that includes performances from Main Source, The Pharcyde, Black Sheep, Kool G Rap, Gang Starr, and Masta Ace – all young and at the top of their game, with a quality level that alone would make the album great – then really sends it over the top when paired with the instrumentation! The whole thing's amazing – still maybe yet to be topped in such a style – and titles include "Who Makes The Loot", "It's Getting Hectic", "Wake Me When I'm Dead", "Soul Flower", and "Bonafide Funk". CD

A pivotal album from the early 90s – one that not only furthered the rebirth of live funk instrumentation at a time when ditigal elements dominated the scene – but also really opened up that mode to a whole new generation of hip hop as well! At a time when the music was all about the samples and beats, Brand New Heavies took it back to the generation before – and provided live instrumentation for a host of fantastic talents – a legendary lineup that includes performances from Main Source, The Pharcyde, Black Sheep, Kool G Rap, Gang Starr, and Masta Ace – all young and at the top of their game, with a quality level that alone would make the album great – then really sends it over the top when paired with the instrumentation! The whole thing's amazing – still maybe yet to be topped in such a style – and titles include "Who Makes The Loot", "It's Getting Hectic", "Wake Me When I'm Dead", "Soul Flower", and "Bonafide Funk". LP, Vinyl record album

Sound, space, tone, and color – a tremendous effort from trombonist Bob Brookmeyer, and a record with a really unique feel! The album features a wonderful group that includes Brookmeyer on valve trombone, Stan Getz on tenor, Gary Burton on vibes, Herbie Hancock on piano, Ron Carter on bass, and Elvin Jones on drums – all coming together in a way that's extremely equally-weighted – with less of Brookmeyer as the leader, than as a warm friend, gathering together a few key players in the studio. Given that Getz worked with Brookmeyer back in the early 50s, and had Burton in his group at the time, the album's always a link between both sides of a decade in Stan's career – but with the presence of the modernists on the rhythm team, there's a sound here that's much more unique – one that has a place for Stan's wonderful tone, and Brookmeyer's airy phrasing – but which also drives along in a rhythmically pulsing mode that almost puts Burton's vibes at the top of the set on some numbers. There's a change in mood from tune to tune that gives the record a remarkable depth, but without sounding schizophrenic – and titles include "Bracket", " Wrinkle Time", "Jive Hoot", "Skylark", "Sometime Ago", and "Who Cares". LP, Vinyl record album

A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album

Easily one of the best Ray Charles albums on ABC – if not one of the best Ray Charles albums of all-time. Ray's in his C&W mode here, but it's a bit more restrained than on other LPs, and is replaced here by a sophisticated style that works perfectly with his heartbreaking voice. Proof that Ray knew what he was doing when he said that he didn't want to cut any more crazy R&B records! Titles include "Teardrops From My Eyes", "Cry", "A Tear Fell", "You've Got Me Crying Again", and "I Cried For You". LP, Vinyl record album

DJ Jazzy Jeff returns – with a top shelf roster or MCs doing justice to his Philly soul reared, bedrock beatcraft – including Big Daddy Kane, Method Man, Rhymefest, Jean Grae, Kardinall Offishall, CL Smooth, Pos of De La Soul and more – underground spitters and mic icons alike! We don't know if Jazz tailors his beats for the chosen MCs – or if he seeks out the appropriate MCs for his ready-made material – but whatever his methods, they're still working well. Return Of The Magnificent is a standard bearing effort! Titles include "Hip Hop" feat Twone Gabz, "Let Me Hear U Clap" feat Pos from De La Soul, "Run That Back" feat Eshon Burgundy & Black Ice, "Jeff N Fess" feat Rhymefest, "Practice" feat J Live, "Supa Jean" feat Jean Grae, "The Garden" feat Big Daddy Kane, "Hold It Down" feat Method Man, "My Soul Ain't For Sale" feat Raheem DeVaugh, "Cone On feat Dave Ghetto, "Brand New Funk 2K7" feat Peedi Peedi and more1 LP, Vinyl record album

Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Aggression" and "Like Someone In Love". LP, Vinyl record album

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A pair of spiritual soul classics – the rare early Warner Brothers albums from Earth Wind & Fire – back to back on a single CD! Earth, Wind & Fire's first album was recorded at a time when the group recently had ties to the Chicago soul and jazz scenes, and a range of experience that ran the gamut from work with Sun Ra, the Artistic Heritage Ensemble, The Pharoahs, Ramsey Lewis, and countless other influential groups. Headed up by Maurice White on drums and percussion, the group forged an amazing blend of all these influences, creating a future soul sound that pushed black music to the next level – taking a wealth of previously underground modes of expression, and fusing them into a soaring sound that would soon put them at the top of the charts. This album's a lot looser and freer than their Columbia albums – with plenty of raw funk and some nice off-beat jazz soling. Includes the classic break track "C'Mon Children", plus "Fan The Fire", "Bad Tune", and "Moment Of Truth". Need Of Love is one of the two early Earth Wind & Fire LPs recorded for Warner – and the one that shows their amazing roots in the avant-garde jazz scene in Chicago! At the forefront, the record's a righteous soul album with an ensemble funk sound – but deeper in, there's a lot of jazz-based playing, and a number of moments that almost get "out" in the solos! Surely this one couldn't have been made without the spiritual advancements in jazz made by the AACM – and EWF couldn't have helped rubbing shoulders with those players, considering that they all often gigged together in the Chicago studio scene, and that they'd also shared some time together in groups like The Pharoahs and Phil Cohran's Artistic Heritage Ensemble. Titles include "Energy", "Beauty", and a nice remake of Donny Hathaway's "Everything is Everything". CD

Arranged and conducted by Dick Hyman. LP, Vinyl record album

A pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar – all players who open up the sound with a magnificent array of colors that sparkle from the sublime Evans arranging touch. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". LP, Vinyl record album

An amazingly beautiful set of tracks from Art Farmer – playing here with superb accompaniment from a young Harold Mabern on piano, in a laidback quartet format that really lets Art open up! Art's playing is fresh and creative throughout – never too over the top, and always blown with that subtle genius that he was bringing to his work in the 60s – a pure exercise in understatement, with a quality that seems to make the notes fall out of the air by themselves. Rhythm is by Tommy Williams on bass and Roy McCurdy on drums – and the choice of material includes Tom McIntosh's great composition "The Day After", plus Art's "Punsu" and "Kayin" – and versions of "Change Partners", "Blue Room", and "Nobody's Heart". LP, Vinyl record album

A really well-chosen set of classic Afro Funk records from Fela Kuti – hand-picked by Idris Elba, and brought together in this limited box set! Open & Close is an early classic from Fela Kuti & Africa 70 – the kind of early 70s record that helped both the leader and the group establish themselves as a global powerhouse of funk and soul! The set begins with the side-long "Open & Close" – a righteous tune that's driven onward by lots of tight drums from Tony Allen – young, focused, and completely amazing here – while Fela delivers all these madly leaping electric piano lines amidst the super-sharp horn section – all moving instrumentally for many minutes before the vocals come into play! Side two features two shorter tracks, but still nice and long in comparison to most funky groups – the wonderful "Swegbe & Pako" and "Gbagada Gbagada Gbogodo Gbogodo" – tunes that really send the record over the top! Fela teams up with vibist Roy Ayers on Music Of Many Colors – one of the best soul collaborations ever – a whopping album that brings together the best sides of these monster soul talents of the 70s! In keeping with Fela's work, the tracks are long and Afro-tinged, with a complicated groove that grows over the length of the track. And in keeping with Roy's work, the album has a sweet soulful feel, with lots of nice jazzy touches, cool vibes, and great vocals by Roy. Two long tracks, both classics: "2000 Black" and "Africa, Center of the World". Opposite People is seminal work from one of Fela's most crucial periods – recorded at a time when his soul was the deepest! The album features 2 long tracks – "Opposite People" and "Equalisation Of Trouser & Pant" – and they both have beautiful spooky keyboards in the instrumental passages, then leap into hard soul vocals by Fela. Tremendous stuff – done in a style that shows that no matter how many people cop or remake Fela's sound, he's still the best one to do it! The rare Stalemate album features the side-long tracks "Stalemate" and "Don't Worry About My Mouth" – both really hard-driving numbers, with a fantastic mix of vocals and grooves! Live In Amsterdam is an excellent live set from Fela – one that shows that he was still very capable of going over the top during the 80s! The set's a double LP – and it features 4 great numbers by the group, with Fela on soprano sax, piano, and organ, and plenty of other great work on tenor, alto, and trumpet. Titles include "Gimme Shit I Give You Shit", "Custom Check Point", "Movement Of The People", and "Political Statement Number 1". I Go Shout Plenty is a great one from Fela – with a date of 1986, but a sound that's pure late 70s! The record features 2 long tracks – "I Go Shout Plenty" and "Why Black Man Dey Suffer" – and they're both hard groovers with a strong political feel. "Why Black Man" is especially nice, and has some great keyboard riffing in the middle, with that great tinny sound that you'll hear on the best Fela albums. One that we almost never see – and issued on the Decca subsidiary Afrodisia. LP, Vinyl record album

One of the best non-Winchester albums from the team of Ferrante & Teicher – not as crazy as some of their work, but still with some good elements of the piano trickery that made them famous. Titles include "Out Of This World", "East Of The Sun", "Over The Rainbow", "Stars In My Eyes", and "Stella By Starlight". Also features the original tracks "Serenade To A Star" and "Beyond The Moon". LP, Vinyl record album

These guys are definitely Latin Freaks – of the sort who like to mix heavy percussion with some clubbier instrumentation – all at a level that would make 70s salsa disco giants like Joe Bataan or Eddie Drennon mighty proud! This Italian group have a great way with the music, and have really crafted something wonderful and amazing – a full, rich sound that draws from the sharpness of salsa instrumentation, yet which has more focused grooves for the dancefloor – tight horns on top, nice percussion on the bottom, and sweet keyboards and basslines right down the middle! There's vocals on the set from a few female singers – and the great Joe Bataan joins the group on the title "Can't Help Foolin" – next to other cuts that include "Juanita Shing A Ling", "Divine Dance", "Boogie With Your Baby", "Little Black Woman", "Latin Freak", and "Tiene O Tempo". LP, Vinyl record album

One of the best by Red Garland for Prestige – a totally cooking record that features some great added conga work from Ray Barretto! Ray's presence really helps the record live up to its Latin-styled title – and Garland's usual trio with Paul Chambers on bass and Art Taylor on drums seems to get a whole new life from the added percussion – really stepping things up with a bit more of a groove than usual! The title cut – "Manteca" – is an 8 minute jam that's gone onto become a real jazz dance classic – and other tracks include "Exactly Like You", "S'Wonderful", and "Mort's Report". LP, Vinyl record album

A 60s album that collects earlier 10" sessions from the young tenor genius Stan Getz – one from 1949, and one from 1954! The 1949 sessions have Stan playing in a group with Terry Gibbs, Shorter Rogers, and George Wallington – on tunes that include "Michelle (parts 1 & 2)", "T&S", "Cuddles", and "Terry's Tune". The 1954 sessions are a bit more in the classic "Early Stan" mode – as they feature Getz working in a quintet with Jimmy Raney on guitar and Hall Overton on piano – very much in the Roost mode that first got Stan his fame, with that amazing tone really opening up on numbers that include "Motion", "Lee", "Signal", and "Round Midnight". LP, Vinyl record album

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One of Johnny Griffin's hard blowing LPs as a leader for Jazzland – recorded with a crack lineup that includes Blue Mitchell on trumpet, Julian Priester on trombone, Wynton Kelly on piano, Sam Jones on bass, and Albert Heath on drums! This is the kind of work that the term "hard bop" was coined for – sharp-edged jazz at its best – informed strongly by earlier bop and modern modes, but also played with a deeper dose of soul overall. The six players come together perfectly throughout – working with a tightness that matches most Blue Note work of the time – and titles are a great set of tracks that includes 3 by Chicago pianist Norman Simmons, and 1 by the great Babs Gonzales. Tunes include "Olive Refractions", "The Message", "Lonely One", "Playmates", and "63rd Street Theme". LP, Vinyl record album

Maybe one of the first-ever rock and roll full-length albums – with Bill Haley's big title cut – plus "Shake Rattle & Roll", "Two Hound Dogs", "Razzle Dazzle", "ABC Boogie", "Burn That Candle", "Rock A Beatin Boogie", "Birth Of The Boogie", "Dim Dim The Lights", and "Mambo Rock". LP, Vinyl record album