... CD

... LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

... CD

... CD

A beautiful duo outing from bassist Charlie Haden and Cuban pianist Gonzalo Rubalcaba – recorded at the Blue Note in Toyko in 2005 – finally given a much deserved release on Impulse after languishing unheard for a decade! It's a great little set, Haden laying down a stoic rhythm and providing lots of room for his partner to provide sweet piano melodies. Includes Haden's own wonderful piece "Sandino" and Rubalcaba's own "Transparence", plus the lovely, though melancholy-touched "Solamente Una Vez (You Belong To My Heart)", "En La Orilla Del Mundo (The Edge Of The World)", a nice long take on "My Love And I" and Ornette Coleman's "When Will The Blues Leave". CD

... CD

One of the last great records by Charles Mingus – a set of extremely compelling original compositions, played by a fresh group of younger players, plus a few older masters! The record's got a fire and sense of emotion that's missing from a number of other 70s Mingus sessions – and it's one of the few later albums we'd easily rank right up there with his late 50s and early 60s classics! Orchestrations were partially arranged and conducted with help from Sy Johnson – and soloists include James Moody and Bobby Jones on tenor, Charles McPherson on alto, Snookie Young and Lonnie Hillyer on trumpet, and Roland Hanna on piano. Titles include "The Shoes Of The Fisherman's Wife Are Some Jive Ass Slippers", "Adagio Ma Non Troppo", "The Chill of Death", and "The I Of Hurricane Sue". CD features the bonus track "Taurus In The Arena Of Life". CD

Our favorite side of Charlie Haden – one that we love from classic recordings on Impulse and ECM – and heard for the first time in years on this new album of gentle protestations against the current state of the US! The album features wonderfully evocative arrangements from Carla Bley – who also plays piano on the sessions, and co-leads the group of younger players with Haden. Tunes are a tapestry of themes designed to offer a different vision of America than the one that's currently getting dragged through the mud in a host of foreign relations disasters and poorly-planned military outings – and Haden and Bley draw from a surprising range of sources for the material in the set. Titles include Haden's "Not In Our Name", Bley's "Blue Anthem", Pat Metheney's "This Is Not America", Ornette Coleman's "Skies Of America", and versions of "Amazing Grace", "Adagio", "Lift Every Voice & Sing", "America The Beautiful", and "Goin Home". CD

One of the last great records by Charles Mingus – a set of extremely compelling original compositions, played by a fresh group of younger players, plus a few older masters! The record's got a fire and sense of emotion that's missing from a number of other 70s Mingus sessions – and it's one of the few later albums we'd easily rank right up there with his late 50s and early 60s classics! Orchestrations were partially arranged and conducdted with help from Sy Johnson – and soloists include James Moody and Bobby Jones on tenor, Charles McPherson on alto, Snookie Young and Lonnie Hillyer on trumpet, and Roland Hanna on piano. Titles include "The Shoes Of The Fisherman's Wife Are Some Jive Ass Slippers", "Adagio Ma Non Troppo", "The Chill of Death", and "The I Of Hurricane Sue". LP, Vinyl record album

Beautifully spacey work from the Modern Jazz Quartet – a record that more than earns its enigmatic title! The session's an odd one – in that the MJQ are recording for the Beatles' famous Apple label – but that fact is also one of the best aspects of the record, as it seems to push the group past the staid third stream sound of some of their 60s recordings for Atlantic, into territory that's a bit more experimental, and concerned with sound, colors, and texture. The album's got 2 incredible originals from John Lewis – "Visitor From Mars" and "Visitor From Venus" – plus the tracks "Dilemma" and "Adagio From Concierto De Aranjuez". LP, Vinyl record album

A warmly robust piano trio and one with a really magnificent sound – a real richness that comes from the subtle command of the keys expressed by Roberto Olzer – a player who has this way of being gently emotive, through a great sense of tone – a quality that's also underscored by superb work on bass from Yuri Goloubev! The pair aren't exactly household names in jazz, but they work here alongside excellent drums from Maruo Beggio – in a beautiful set that really lives up to the long legacy of sublime piano trio recordings we've enjoyed from the Sawano label! The set's also got some really great tracks that round out the set – originals that include "Charisma", "La Luna E I Falo", "Little Requiem", "La Bella Estate", and "Le Vieux Charme" – plus a great take on the Ryuichi Sakamoto tune "Bibo No Aozora", and other titles that include "Seaward", "Beautiful Love", and a version of Poulenc's "Adagio" LP, Vinyl record album

The third entry in The Jazz Influence series compiled by Kevin Yost – a sweet set of electronic fusion grooves with a fairly timeless mix of warm keys and beat flavored numbers. Includes tracks by Euphonic 7, Adagio, Guy Monk, Sonny Jones, Luke Hampton, Love J, Three B, and Dream System. CD

A landmark album from Boyz II Men – and a set that shows that the classic harmony style was alive and well into the 90s! Although the production and rhythms here are somewhat contemporary, the vocals have a classic approach all the way through – maturing masculine soul styles that are totally great, and which have aged beautifully over the years – way past the chart-reaching cliches of other groups of the time, and well deserving of attention as a great later Motown moment! Most production is by Dallas Austin – who structured the album beautifully into "adagio" and "allegro" sections – and titles include "Please Don't Go", "Lonely Heart", "Little Things", "Motownphilly", "Under Pressure", "Sympin", "It's So Hard To Say Goodbye To Yesterday", and "Uhh Ahh". CD

Really great work from Francis Lai – that famous film composer from the French scene of the 60s and 70s – stepping out here on a host of instrumentals done as a non-soundtrack project! Many of the tunes are themes that Lai did for movies – including some from fairly rare soundtracks – but they're mixed here with non-film tunes, and served up in fresh versions – all of which make for the kind of nicely unified record that shows why Francis was to French cinema what guys like Armando Trovajoli or Stelvio Cipriani were to Italian movies! Titles include "Smic Smac Smoc", "La Fontaine", "Snow Frolic", "I Think Of You", "On Croit Que C'Est L'Amour", "Les Nuits Sont Trop Courtes", "La Solitude", "Les Petroleuses", and "Adagio Por Orgue Choeur & Cordes". LP, Vinyl record album

A really compelling album from trumpeter Jack Walrath – just the sort of effort that gets us to take a lot closer work at his other work as a leader! The album's got a very ambitious sort of feel – a core combo backed by larger strings – all in a range of unusual rhythms and exotic styles, way more than we might usually expect for a Muse Records session of this vintage! The core group features Walrath on trumpet, Carter Jefferson on tenor and soprano sax, Michael Cochrane on piano, Anthony Cox on bass, and Ronnie Burrage on drums – augmented by a fuller batch of strings conducted by Don Sickler, with a very dark feel that's almost a more sinister approach to Claus Ogerman's territory with other jazz players. Tracks are all long and complicated – and titles include "Faith", "Jump Monk", "The Serpents Kiss", "Gagaku", "Adagio For Strings & Organ", and "Blues In The Guts". CD

An early example of the genius of Baden Powell in Europe – a record that helped the bossa guitarist break out of his usual Brazilian bag, and expand his sound a bit with appreciative influences from the Parisian scene! The record still has Powell working in the style of his early work in Brazil – acoustic guitar dancing alongside jazzy bossa rhythms – but the sound is expanded a bit more with arrangements by Paul Mauriat, in a way that produces a slightly more forceful style – one that never overwhelms the bossa, but which emphasizes its best parts. There's almost a soundtrack approach here at times, and the record features a slight bit of vocals from singer Francoise Walch – and includes the tracks "Deve Ser Amor", "Adagio", "Chanson D'Hiver", "Samba Triste", "Garota De Ipanema", "Bahiana", and "Euridice". LP, Vinyl record album