Muddy Waters in Paris – quite far from the Windy City he called home for all of his key years, but still sounding great, in a very classic Chicago blues mode! The performance features some nice extended numbers that seem to go even farther than some of Waters' 60s live work (and definitely his studio sides) – and the very sympathetic group features Pinetop Perkins on piano, Louis Myers on guitar, Mojo Buford on harmonica, and Willie Smith on drums – a lean, laidback combo that leaves plenty of room for Muddy's vocalizations and guitar – as well as some sweet solos from Perkins too. Titles include "Blow Wind Blow", "Clouds In My Heart", "County Jail", "Rollin N Tumblin", "Walkin Through The Park", "Honey Bee", and "Got My Mojo Workin". CD

A rich collection of Muddy Waters' famous work for Chess Records – put together in the 70s, but featuring tracks from his earliest days in the studio, up through the key electric years of the 60s! The package pulls together some real gems – including work with Little Walter and James Cotton on harmonica, and Otis Spann on piano – and the album's also got some nice historical notes that document the original recordings. Titles include "Crawlin Kingsnake", "County Jail", "They Call Me Muddy Waters", "Find Yourself Another Fool", "Kinfolk's Blues", "Making Friends", "Blind Man", "Howling Wolf", "Two Steps Forward", and "Bird Nest On The Ground". LP, Vinyl record album

Muddy Waters definitely put the "unk" in funk – although back in his day, the word meant something different than in the 70s! This set features some great late Muddy for Chess – produced in conjunction with Ralph Bass, Muddy's longtime associate in the studio, and done with a style that's a lot more rootsy than the title might imply! Instead of the electrified funky style that other Chess bluesmen were going for in the early 70s, or which Waters used on his late 60s albums, this one is a more back to basics set – with stripped down arrangements, and the kind of electric down homey feel that must have been big with the college kids. Pinetop Perkins plays piano on the set, and Carey Bell Harrington throws in a lot of harmonica. Titles include "Electric Man", "Trouble No More", "Unk In Funk", "Everything Gonna Be Alright", "Waterboy Waterboy", and "Rollin & Tumblin". CD

... LP, Vinyl record album

A well-chosen batch of material, recorded in Chicago – including Little Walter's last two recordings with Muddy Waters, plus material on his own, and more tracks from Howlin Wolf too! LP, Vinyl record album

... 7-inch, Vinyl record

A gem of a record from the funk-heavy period of Muddy Waters – a moment that once made the traditional blues fans mad, but which has gone onto become the stuff of legend – thanks to a real criss-crossing of Chicago talents in the studio! The set was co-produced by Chess Records talents Charles Stepney, Gene Barge, and Marshall Chess – and features expanded instrumentation that includes Phil Upchurch on added guitar, Louis Satterfield on bass, Charles Stepney on organ, and Morris Jennings on drums – plus even more guitar from Pete Cosey, who you might know from later work on some Miles Davis electric albums! Muddy is still very firmly the lead talent at the core, though – coming across with a badass kind of vibe that mixes his raw roots with the hipper soul of the new generation – a great Chess/Cadet hybird that was years ahead of its time. Titles include "I Am The Blues", "Hurtin Soul", "Bottom Of The Sea", "Honey Bee", "Rollin' And Tumblin'", "Screamin & Cryin", and "Blues & Trouble". LP, Vinyl record album

... CD

... CD

Some of the earliest work ever recorded by Muddy Waters – in Mississippi, before he moved to Chicago – captured by the Library Of Congress recordings, and featuring some tracks with Muddy on his own, and some with the Son Sims Four! This package is probably the nicest way you'll ever hear the music, too! LP, Vinyl record album

Produced by Johnny Winter – with cuts that include "The Blues Had A Baby & They Named It Rock & Roll", "Little Girl", "Deep Down In Florida", "Jealous Hearted Man", and "Mannish Boy". LP, Vinyl record album

... CD

... CD

... CD

A 60s album, but one that's filled with some of the earliest recordings Muddy Waters made for Chess Records – all wrapped up in a title that proclaims his music as the real deal! The instrumentation here is all quite spare – varying combinations of electric guitar, harmonica, piano, and bass – all topped by Waters' wonderfully twanging vocals, heard here at a level that's still extremely fresh and without cliche! The tunes are the sort that bar bands have been ruining for decades, but they still sound great in the originals – and titles include "Sad Letter", "Gonna Need My Help", "Train Fare Blues", "Too Young To Know", "Honey Bee", "My Life Is Ruined", and "She's All Right". LP, Vinyl record album

A legendary night at Chicago's Checkerboard Lounge – a set recorded at a time when the Rolling Stones were in town, and decided to pop down to the south side, and visit the home turf of their blues hero, Muddy Waters! You'll notice that the record bills the performance as Muddy Waters & The Rolling stones – and that's definitely the case here, as the Stones step in almost as Muddy's backing band – allowing Waters to really step out in the lead, while the group remind us that way back in the day, they got their start as a blues-based group first, before finding a style of their own! The set's also filled with guest appearances – including work from Buddy Guy, Junior Wells, and Lefty Dizz – and titles include "Mannish Boy", "Hoochie Coochie Man", "Long Distance Call", "Next Time You See Me", "Champagne & Reefer", "Clouds In My Heart", "One Eyed Woman", and "You Don't Have To Go". LP, Vinyl record album

... CD

A Chicago blues trifecta – and the first time ever that Muddy Waters, Bo Diddley, and Little Waters ever worked together! The set's got a raw power that definitely lives up to the title – a wicked mix of raw guitars, rough rhythms, and some wonderfully soulful vocals – all served up in a style that has the modes of each different player stepping forth into the limelight from track to track, but with the others shouldering forth themselves to challenge the lead! The mix of Bo's twang and Muddy's grit is mighty nice – and Little Walter helps bring a soulful focus that really holds the whole thing together. Titles include "I'm A Man", "Who Do You Love", "Bo Diddley", "I Just Want To Make Love To You", "My Baby", "Long Distance Call", and "You Don't Love Me". LP, Vinyl record album

A group that definitely lives up to its name – given that the lineup features the Chess Records stalwarts Bo Diddley, Howlin Wolf, and Muddy Waters! The set's maybe a bit more in the mode of Wolf or Waters than some of Bo's own records – although there's a bit of that riffing spark of his at times – and the tracks are often nice and long, with more than enough room to make you feel like Phil Chess gave these guys plenty of space in the studio to hang out, and find the right way to interact. As much as we love Chess albums with short songs and a soulful punch, we really appreciate it when they can break format and open up on a session like this – which really helps create a unique moment on record! Titles include "Goin Down Slow", "Long Distance Call", "Sweet Little Angel", "Ooh Baby & Wrecking My Love Life", and "Spoonful". LP, Vinyl record album

With 8-Ball and Juvenile. "Talk About It" produced by Jam Master Jay. 12-inch, Vinyl record

Less a "best of" than an early full album that brings together some of Muddy Waters' earliest recordings for Chess – a great collection of early singles recorded in Chicago between 1950 and 1954! The work's relatively spare and rootsy overall – a great example of Chicago blues in its formative years, with some traces of a more southern style still in the mix – and titles include "Hoochie Coochie Man", "I'm Ready", "Rollin Stone", "Honey Bee", "She Moves Me", "I Can't Be Satisfied", "Standing Around Crying", "Long Distance Call", and "I Just Want To Make Love To You". LP, Vinyl record album

Some of the earliest work ever recorded by Muddy Waters – in Mississippi, before he moved to Chicago – captured by the Library Of Congress recordings, and featuring some tracks with Muddy on his own, and some with the Son Sims Four! LP, Vinyl record album

Classic Muddy Waters on Chess Records – 72 tracks in all, including 10 previously unissued tracks! CD

... 7-inch, Vinyl record

A really fantastic chapter in the career of the great Muddy Waters – a set that was initially dismissed as "inauthentic", but which has gone on to much-deserved fame over the years! Part of the genius here is the great Charles Stepney – that hip Chicago arranger who did so many wonderful things in the Chess/Cadet Records studios at the end of the 60s – which he definitely does here, as the gritty blues of Muddy Waters is mixed with a righteous current of 70s funky – with added guitar from Phil Upchurch and Pete Cosey, bass from Louis Satterfield, and organ from Stepney himself! The vibe is similar to the best funk blues sessions on Chess at the time by Bo Diddley and Etta James – and titles include "I'm A Man", "I Just Want To Make Love to You", "Hoochie Coochie Man", "Same Thing", "She's All Right", and "Tom Cat". CD

A seminal album by Muddy – recorded in a style that's rootsier, and more down to earth than a lot of his other Chess sides! Muddy's playing acoustic guitar, and the group features Buddy Guy, Willie Dixon, and Clifton James. The sound is really spare, evocative, and true – the album was quite probably titled to perk up the appeal to the strident college kids of the time, but the songs and performances are pure, honest, and rawly excellent. Tracks include "You Gonna Need My Help", "Cold Weather Blues", "Feel Like Going Home", and "My Home Is In The Delta" – and this CD edition has a 2 bonus tracks from slightly later session: "The Same Thing", and "You Can't Lose What You Never Had". CD

... 7-inch, Vinyl record

... CD

Maybe one of the most famous Muddy Waters songs ever recorded – served up here in all its fantastically raw glory! The tune's got Waters playing a famous electric guitar vamp that may well have become the blueprint for countless bar bands to come – but serving up the lyrics with a wit that none of them could ever hope to manage – all urged on by this wild girl chorus that really gives the tune an odd edge! And "Young Fashioned" is great, too – a bit tighter, and with a mean harmonica part in the middle! 7-inch, Vinyl record

Rare and unissued work from Muddy Waters – mostly from his first decade at Chess Records – a time when both Waters and the label were helping reinvent the sound of blues in the postwar years! Muddy's already-released material is already so strong, it's hard to imagine the need for a set like this – but the package is way more than just unused oddities, or cleanup from the Chess vaults – and instead features a stunning batch of work that would be more than enough of a legacy for any other bluesman on his own! The settings vary throughout – and accompanying players include Sunnyland Slim or Otis Spann on piano, Tampa Red or Jimmy Rodgers on guitar, Junior Wells or Little Walter on harmonica, and Willie Dixon on bass. Titles include "Born Lover", "let Me Hang Around", "Smokestack Lightnin", "Last Time I Fool Around With You", "Mean Disposition", "Little Anna Mae", and "Where's My Woman Been". LP, Vinyl record album

More classic blues than you could hope to shake a stick at – a 2CD set that features 50 tunes from Muddy's famous years at Chess Records! The set's brimming over with good stuff – classic and obscure numbers alike, going way past a simple "greatest hits" set. Titles include "Long Distance Call", "Evan's Shuffle", "Appealing Blues", "Rollin Stone", "Sad Letter Blues", "Kind Hearted Woman", "I Can't Be Satisfied", "Mean Disposition", "Good Lookin Woman", "Little Geneva", "Canary Bird", "Rollin & Tumblin (parts 1 & 2)", "Lonesome Day", "Stuff You Gotta Watch", and "All Night Long". CD

A classic full album that brings together some of Muddy Waters' earliest recordings for Chess – a great collection of early singles recorded in Chicago between 1950 and 1954 – most originally issued on 78rpm singles, and beautifully presented in this set! The work's relatively spare and rootsy overall – a great example of Chicago blues in its formative years, with some traces of a more southern style still in the mix – and titles include "Hoochie Coochie Man", "I'm Ready", "Rollin Stone", "Honey Bee", "She Moves Me", "I Can't Be Satisfied", "Standing Around Crying", "Long Distance Call", and "I Just Want To Make Love To You". CD

... 7-inch, Vinyl record

Not the folk festival you might expect – especially given that the blues here are electric – and a set that was recorded at a small Chicago club, not some stuffy outdoor concert on the east coast! The album's an early powerhouse meeting of the best Chess blues talents at the time – a date that features Muddy Waters, Buddy Guy, Howlin Wolf, Sonny Boy Williamson, and Willie Dixon in varying settings – mostly getting center spotlight as a solo act with the same backing combo, but also coming together as well at one point too. The whole thing's great – a gritty live record of electric Chicago blues in the 60s – with a strong sense of liveness that really recreates the small club feel! Titles include "Wee Wee Baby", "Sitting & Thinking", "Worried Blues", "Sugar Mama", "Bring It On Home", "Got My Mojo Working", "May I Have A Talk With You", and "19 Years Old". LP, Vinyl record album

Muddy Waters' band meets the vocals and guitar of Luther Snake Johnson – in a sweet little set that's almost a double-header, given the talent on deck! The material's got a gritty feel that's right up there with Muddy's best for Chess – and the group features Mojo Buford on harmonica, Otis Spann on piano, and Waters on guitar (Muddy couldn't sing, due to contractual obligations!) Johnson's got a nice rough approach – almost a touch of soul at times – and the group keeps things nicely in a classic 60s electrified Chicago mode. Titles include "Sad Day Uptown", "I'm So Glad", "Chicken Shack", "Long Distance Call", "Digging My Potatoes", "Coming Home Baby", and "Mud In Your Ear". LP, Vinyl record album

One of 2 ESP sessions by Patty Waters – one of the most groundbreaking vocalists of the 60s, and a singer with a style that mixed equal parts jazz and folk! In a way, Patty's got a sound that's somewhat like Nina Simone at her best – in that she dominates a tune completely, singing as if she's speaking – and infusing it with a raspily personal mode that goes far deeper than simple interpretation. The difference, of course, is that most of Waters' material is all original, so the themes aren't nearly as restrictive as some of the covers that Simone had to re-interpret – but there's certainly a mode here that explores freedoms within limits, and which should have made Waters a much bigger influence in her generation. All material on the set was recorded during a 1966 tour of the state colleges of New York – with backings by Burton Greene on piano, Steve Tintweiss on bass, and Tom Price on percussion – and titles include "Moon Don't Come Up Tonight", "Why Can't I Come To You", "You Thrill Me", "Sad Am I Glad Am I", and "Black Is The Color Of My True Love's Hair". CD

A group that definitely lives up to its name – given that the lineup features the Chess Records stalwarts Bo Diddley, Howlin Wolf, and Muddy Waters! The set's maybe a bit more in the mode of Wolf or Waters than some of Bo's own records – although there's a bit of that riffing spark of his at times – and the tracks are often nice and long, with more than enough room to make you feel like Phil Chess gave these guys plenty of space in the studio to hang out, and find the right way to interact. As much as we love Chess albums with short songs and a soulful punch, we really appreciate it when they can break format and open up on a session like this – which really helps create a unique moment on record! Titles include "Goin Down Slow", "Long Distance Call", "Sweet Little Angel", "Ooh Baby & Wrecking My Love Life", and "Spoonful". LP, Vinyl record album

Wild guitar from Luther Johnson – an obscure earlier session recorded with a nicely gritty feel, and a fair bit of funk in the rhythms too! The group's billed as the Muddy Waters Blues Band – and Muddy appears to be on the record, although the notes are a bit lean – and the album features a number of great instrumentals, with really ripping guitar solos – plus a few vocal tracks too. The record's got a raw sound that's more of a Delmark Chicago blues vibe than a Chess Records one – and titles include "Top Of The Boogaloo", "Sting It", "Natural Wig", "Blues For Hippies", "Remember Me", "Snake", and "Sad Day Uptown". LP, Vinyl record album

A classic set from this legendary Detroit festival – a mighty assemblage of roots and jazz performers that was put together by John Sinclair! The event was legendary at the time – and has lived on strongly via this great recording by Atlantic – one that really gets at the special fire of all the performers, and their very enthusiastic welcome by the audience too! Most of the material here is blues – but the set features a key track from Sun Ra & His Solar Myth Arkestra – a performance of "Live Is Splendid" from the Space Is The Place Suite. Other tracks include "I Walk On Gilded Splinters" by Dr John, "Road Runner" by Jr Walker, "Wang Dang Doodle" by Koko Taylor, "Gambler's Blues" by Otis Rush, "Ain't That Loving You" by Bobby Blue Bland, "Honey Bee" by Muddy Waters, "Form Kinetic" by CJQ, "Dust My Broom" by Johnny Shines, and "Goin Down" by Freddie King. LP, Vinyl record album

... CD

A gem of a record from the funk-heavy period of Muddy Waters – a moment that once made the traditional blues fans mad, but which has gone onto become the stuff of legend – thanks to a real criss-crossing of Chicago talents in the studio! The set was co-produced by Chess Records talents Charles Stepney, Gene Barge, and Marshall Chess – and features expanded instrumentation that includes Phil Upchurch on added guitar, Louis Satterfield on bass, Charles Stepney on organ, and Morris Jennings on drums – plus even more guitar from Pete Cosey, who you might know from later work on some Miles Davis electric albums! Muddy is still very firmly the lead talent at the core, though – coming across with a badass kind of vibe that mixes his raw roots with the hipper soul of the new generation – a great Chess/Cadet hybird that was years ahead of its time. Titles include "I Am The Blues", "Hurtin Soul", "Bottom Of The Sea", "Honey Bee", "Rollin' And Tumblin'", "Screamin & Cryin", and "Blues & Trouble". LP, Vinyl record album

A unique mid 60s Chess session from Muddy Waters – one with a very different feel than usual, and a good dose of soul too! As you might guess from the title, Muddy gets some full backings on this set – not exactly a large brass section, but a set of Chicago soul-styled backings handled by Gene Barge and Charles Stepney – grooves which, when mixed with his own bluesy guitar and vocals, creates a feel that's a bit like some of the Little Milton Chess work from the same time – blues, but with a current of some of the deeper, headier soul styles that were coming out of the Chicago scene as it was hitting that new level of sophistication in the 60s. Titles include "Hard Loser", "Going Back To Memphis", "Trouble In Mind", "Sweet Little Angel", and "Take My Advice". CD

Muddy Waters can't get no grinding – but that's hardly a problem, given the strength of this sweet early 70s set! The album marks Muddy's return to more basic Chicago blues after his funky electric period on Chess – but the set's still got some of the trippier touches of a few years before – laid out in a much more spare, basic way! The guitar has a weird quality at times – possibly from the way the electric piano comes across at points – almost a bit like Sun Ra's rocksichord, with all the freaky fuzz that might imply! The harmonica almost feels electric too – and all three instruments come together with a nicely offbeat quality that's really head and shoulders above the usual from the Chicago scene. Titles include "Funky Butt", "After Hours", "Garbage Man", "Love Weapon", "Muddy Waters' Shuffle", and "Mother's Bad Luck Child". CD

A seminal album by Muddy – recorded in a style that's rootsier, and more down to earth than a lot of his other Chess sides! Muddy's playing acoustic guitar, and the group features Buddy Guy, Willie Dixon, and Clifton James. The sound is really spare, evocative, and true – the album was quite probably titled to perk up the appeal to the strident college kids of the time, but the songs and performances are pure, honest, and rawly excellent. Tracks include "You Gonna Need My Help", "Cold Weather Blues", "Feel Like Going Home", and "My Home Is In The Delta" – and this CD edition has a 5 bonus tracks from slightly later session: "The Same Thing", "You Can't Lose What You Never Had", "My John The Conqueror Root", "Short Dress Woman" and "Put Me In Your Lay Away". CD

Titles include "Train Fare Blues", "Louisiana Blues", "Still A Fool", "Mannish Boy", "Rollin' Stone", "Honey Bee", "Standing Around Crying", and more – 20 tracks total. CD

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

A late 60s album on Chess Records – but one that serves to bring together all the best early work that Muddy Waters did for the label – including lots of original 45s and 78s! The range of music is really wonderful – the kind of tracks that first got Waters noticed in the first place – and although electric, a version of Chicago blues that still has a fair bit of rootsy touches too. The notes are great – a very detailed assessment of Muddy's music and career by Pete Welding – done at a key time before Waters hit bigger fame, and softened his edges a bit. Titles include "I'm Ready", "Honey Bee", "I Just Want To Make Love To You", "She Moves Me", "Kind Hearted Woman", "Too Young To Know", "I Want You To Love Me", "Rollin Stone", "Hoochie Coochie Man", "Long Distance Call", "Standing Around Crying", "Still A Fool", and "Walking Through The Park". LP, Vinyl record album

A classic packaging of Muddy Waters' famous early work for Chess Records – brought together with a cover and title that pitch him strongly towards the growing folk movement of the time! And, although most of these tracks were recorded in Chicago, with some electric guitar in the mix, there's a definitely folksy quality to most of the numbers – a down-home feel that's nice and gritty, stepping along with spare instrumentation alongside the vocals. Titles include "Mannish Boy", "Screamin & Cryin", "Just To Be With You", "Walkin Blues", "Walkin Through The Park", "Same Thing", and "Canary Bird". LP, Vinyl record album

A massive Muddy Waters double-header – filled with vintage recordings for Chess! First up is The Real Folk Blues – a classic packaging of Muddy Waters' famous early work for Chess Records – brought together with a cover and title that pitch him strongly towards the growing folk movement of the time! And, although most of these tracks were recorded in Chicago, with some electric guitar in the mix, there's a definitely folksy quality to most of the numbers – a down-home feel that's nice and gritty, stepping along with spare instrumentation alongside the vocals. Titles include "Mannish Boy", "Screamin & Cryin", "Just To Be With You", "Walkin Blues", "Walkin Through The Park", "Same Thing", and "Canary Bird". More Real Folk Blues is a 60s album, but one that's filled with some of the earliest recordings Muddy Waters made for Chess Records – all wrapped up in a title that proclaims his music as the real deal! The instrumentation here is all quite spare – varying combinations of electric guitar, harmonica, piano, and bass – all topped by Waters' wonderfully twanging vocals, heard here at a level that's still extremely fresh and without cliche! The tunes are the sort that bar bands have been ruining for decades, but they still sound great in the originals – and titles include "Sad Letter", "Gonna Need My Help", "Train Fare Blues", "Too Young To Know", "Honey Bee", "My Life Is Ruined", and "She's All Right". CD

... LP, Vinyl record album

... CD

... CD

... CD

... CD

One of the only records ever recorded as a leader by alto player Monty Waters – a hip New York altoist who's appeared on records with Joe Lee Wilson, but rarely got the chance to lead a group on his own. This Japanese-only set from 1975 features Waters working with a quartet that includes Ronnie Boykins on bass, George Avaloz on drums, and Yoshiaki Masuio on guitar – playing together in a mode that's almost a lyrical take on some of Ornette's harmelodic recordings from the same time, a style that we evoke mostly because of the way that the guitar comps in behind the rhythm in parts, letting Waters blow over the top in solo formation. At other times, the guitar's in a more tradition role – but the lack of a piano in the group means that there's still quite a bit of freedom, although the group always manages to swing soulfully. Titles include "Modesto", "The Black Cat", "RPM", "J Love March", and "Apt #2H". CD

Muddy Waters makes a classic appearance at the Newport Jazz Festival – playing a folksy set of blues in the years before the festival had turned more strongly towards that sort of music! The performance is surprisingly well-recorded – at a level that's similar to Waters' earlier studio dates for Chess, but with a clarity that's impressive, given the live setting – and which captures just a bit of the open space in which the group was working. Waters' vocals and guitar are supported by harmonica from James Cotton and piano from Otis Spann – who also sings on one number too. Titles include "I Got My Brand On You", "Baby Please Don't Go", "Soon Forgotten", "Tiger In Your Tank", "I Feel So Good", and "Goodbye Newport Blues". CD also features 4 bonus tracks – including "Meanest Woman", plus different versions of songs on the LP! LP, Vinyl record album

A unique mid 60s Chess session from Muddy Waters – one with a very different feel than usual, and a good dose of soul too! As you might guess from the title, Muddy gets some full backings on this set – not exactly a large brass section, but a set of Chicago soul-styled backings handled by Gene Barge and Charles Stepney – grooves which, when mixed with his own bluesy guitar and vocals, creates a feel that's a bit like some of the Little Milton Chess work from the same time – blues, but with a current of some of the deeper, headier soul styles that were coming out of the Chicago scene as it was hitting that new level of sophistication in the 60s. Titles include "Hard Loser", "Going Back To Memphis", "Trouble In Mind", "Sweet Little Angel", and "Take My Advice". LP, Vinyl record album

... CD

A classic full album that brings together some of Muddy Waters' earliest recordings for Chess – a great collection of early singles recorded in Chicago between 1950 and 1954 – most originally issued on 78rpm singles, and beautifully presented in this set! The work's relatively spare and rootsy overall – a great example of Chicago blues in its formative years, with some traces of a more southern style still in the mix – and titles include "Hoochie Coochie Man", "I'm Ready", "Rollin Stone", "Honey Bee", "She Moves Me", "I Can't Be Satisfied", "Standing Around Crying", "Long Distance Call", and "I Just Want To Make Love To You". CD

... LP, Vinyl record album

... 7-inch, Vinyl record

With Van Morrison & The Band, Cyndi Lauper, Joni Mitchell, Sinead O'Connor, and Bryan Adams. Cassette

... 7-inch, Vinyl record

One of the last albums the Four Tops ever issued on Motown – but also one of the best, and a set that really has the group taking off in a strong new direction for the 70s! Frank Wilson's at the production helm, and the set has all these cool little twists and turns that work perfectly with the magnificent harmonies of Levi Stubbs and the group – a mode that draws on all their vocal highlights from older years, but also refits them with a more spacious, more mature sort of sound! The approach is different than that used with the Temptations at the same time – less political, but still flowing with plenty of new ideas – handled by arrangers Jerry Long, Jimmy Roach, and David Van DePitte. The title cut – "Still Waters (Run Deep)" – is a perfect example of this – as the tune's got weirdly wonderful production, almost as watery as the cover image, and a bit of moog buried in there – which comes forward even more on the reprise of the song at the end of the record. Other titles include "Love Is The Answer", "Reflections", "I Wish I Were Your Mirror", "Bring Me Together", "LA (My Town)", and "Everybody's Talkin". LP, Vinyl record album

With Harry Leahey on guitar, Roy Cumming on bass, and Glenn Davis on drums. LP, Vinyl record album

... Cassette

... CD

It's no secret that the city of Rio De Janeiro has an amazing musical legacy – one that began in the years before bossa nova became their calling card in the 60s, through so many musical revolutions in the 70s – on up to the current day, when the city is still abuzz with all sorts of amazing and fresh musical styles! Not long ago, we were very plugged into the sound of Rio through countless great records issued on the Brazilian scene – but more recently, things have gone digital and a bit more underground – which makes a collection like this such an essential way of keeping in touch with the music – a really well-done collection that shows just how much has been happing in Brazil in recent years! There's definitely echoes of older styles in the music, but they resonate with a freshness that's amazing – with qualities that make each new tune on the set a real delight – in a lineup that features titles that include "Sigo Num Site/Marmore" by Rosabege, "Vento De Bierada" by Dora Morelenbaum, "Bandeide" by Troa, "Gigolo" by Jonas Sa, "Soar Estranho" by Tiago Nassif, "Cliche" by Pedro Fonte, "Saudade"b y Ana Frango Electrico, "Avos De Experienca" by Exercito De Bebes, "Briga De Familia" by Vovo Bebe, "Apreco Antigo" by Le Ameida, "Sambolero" by Os Ritmistas, and "Dois Litorais" by Joana Quieroz. CD

It's no secret that the city of Rio De Janeiro has an amazing musical legacy – one that began in the years before bossa nova became their calling card in the 60s, through so many musical revolutions in the 70s – on up to the current day, when the city is still abuzz with all sorts of amazing and fresh musical styles! Not long ago, we were very plugged into the sound of Rio through countless great records issued on the Brazilian scene – but more recently, things have gone digital and a bit more underground – which makes a collection like this such an essential way of keeping in touch with the music – a really well-done collection that shows just how much has been happing in Brazil in recent years! There's definitely echoes of older styles in the music, but they resonate with a freshness that's amazing – with qualities that make each new tune on the set a real delight – in a lineup that features titles that include "Sigo Num Site/Marmore" by Rosabege, "Vento De Bierada" by Dora Morelenbaum, "Bandeide" by Troa, "Gigolo" by Jonas Sa, "Soar Estranho" by Tiago Nassif, "Cliche" by Pedro Fonte, "Saudade"b y Ana Frango Electrico, "Avos De Experienca" by Exercito De Bebes, "Briga De Familia" by Vovo Bebe, "Apreco Antigo" by Le Ameida, "Sambolero" by Os Ritmistas, and "Dois Litorais" by Joana Quieroz. LP, Vinyl record album

A sublime blend of jazz and Yoruba influences – served up here by keyboardist Jamael Dean with a sound and style that's all his own! Most of the tracks feature vocals from Sharada Shashidhar, but used in a wordless style that blends in beautifully with the instrumentation on the record – music from players who include Aaron Shaw on saxes, Zekkereya El Maghharbel on trombone, and Carlos Nino on piano – all working in a west coast spiritual style that certainly lives up to Nino's roots on the scene, and Dean's own legacy working with Kamasi Washington. There's some great other elements along the way – harp, bassoon, oboe, and other surprise – all used with a subtle sense of majesty that really elevates the whole sound – on titles that include "Galaxy In Leimert", "Osun", "Overstood", "Sango", "Ifa", "Akoda", "Odo To Da Iwa", and "Ori Apere". CD

One of the last albums the Four Tops ever issued on Motown – but also one of the best, and a set that really has the group taking off in a strong new direction for the 70s! Frank Wilson's at the production helm, and the set has all these cool little twists and turns that work perfectly with the magnificent harmonies of Levi Stubbs and the group – a mode that draws on all their vocal highlights from older years, but also refits them with a more spacious, more mature sort of sound! The approach is different than that used with the Temptations at the same time – less political, but still flowing with plenty of new ideas – handled by arrangers Jerry Long, Jimmy Roach, and David Van DePitte. The title cut – "Still Waters (Run Deep)" – is a perfect example of this – as the tune's got weirdly wonderful production, almost as watery as the cover image, and a bit of moog buried in there – which comes forward even more on the reprise of the song at the end of the record. Other titles include "Love Is The Answer", "Reflections", "I Wish I Were Your Mirror", "Bring Me Together", "LA (My Town)", and "Everybody's Talkin". LP, Vinyl record album

... CD

... LP, Vinyl record album

One of the last albums the Four Tops ever issued on Motown – but also one of the best, and a set that really has the group taking off in a strong new direction for the 70s! Frank Wilson's at the production helm, and the set has all these cool little twists and turns that work perfectly with the magnificent harmonies of Levi Stubbs and the group – a mode that draws on all their vocal highlights from older years, but also refits them with a more spacious, more mature sort of sound! The approach is different than that used with the Temptations at the same time – less political, but still flowing with plenty of new ideas – handled by arrangers Jerry Long, Jimmy Roach, and David Van DePitte. The title cut – "Still Waters (Run Deep)" – is a perfect example of this – as the tune's got weirdly wonderful production, almost as watery as the cover image, and a bit of moog buried in there – which comes forward even more on the reprise of the song at the end of the record. Other titles include "Love Is The Answer", "Reflections", "I Wish I Were Your Mirror", "Bring Me Together", "LA (My Town)", and "Everybody's Talkin". CD

King Crimson's Tony Levin on bass – plus Larry Fast on synthesizer, Jerry Marotta on drums, and Jeff Pevar on guitar. CD