This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great work by a great singer – the far under-recorded Irene Kral, a lovely lady who really bridges a number of different camps in the vocal jazz world! At one level, Irene's got the coolness of a Christy or Connor, but at another, she's got a more open, swinging, and soulful style – ... LP, Vinyl record album
A beautiful early session on Charles Mingus' Debut Records label – one that features singer Ada Moore – a thin-voiced, yet soulful songstress with an edgey sort of tone! The album's got lots of nice rough edges that take it away from the cliched vocal album of the time – ... LP, Vinyl record album
A slightly unusual set by legendary jazz vocalist Johnny Hartman from the mid 70s. These sessions have him singing with smooth larger arrangements by Fred Norman – in a style that's verging on adult vocals, but has enough of a jazz swing to still please our ears – and some interesting ... LP, Vinyl record album
A wonderfully mature album from Frank Sinatra – a set that has him coming to terms with his time in life, and expressing things with a beautiful quality that almost sets a whole new standard for his work! And in a way, the aesthetic here is almost that which would be picked up by a host of ... LP, Vinyl record album
Great Johnny Mandel arrangements – and titles include "Song From The Oscar", "Girl Talk", "The Gentle Rain", "Emily", "The Pawnbroker", "Samba De Orfeu", and "The Second Time Around". LP, Vinyl record album
An early vocal set from Les McCann – quite unusual, and pretty darn soulful as well! The album's done in a mode that foreshadows Les' move to soul during the 70s, and features him singing to some hip arrangements by Gerald Wilson – in a soulful, jazzy style that was common for LA of ... LP, Vinyl record album
A hell of a record from the young Roland Kirk – one of his first for Mercury Records, and the start of a great run of genius in the 60s! Kirk is mindblowing here – playing tenor, flute, manzello, and stritch – often at the same time, as pictured on the cover – a mode that's ... LP, Vinyl record album
Freddie Hubbard at the peak of his 70s powers – and one of his finest albums of the decade! The record follows strongly in the tone that Freddie set at CTI on his mighty Red Clay and Sky Dive sets – long, drawn out tracks – done with lots of electricity in the rhythms, and a very ... LP, Vinyl record album
A nice set – despite being kind of a put-together batch of tunes! The album's titled "The Last Trane" because it represents the last material that Prestige Records had in its vault from the time that John Coltrane was recording for the label in the late 50s. Titles were recorded ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... LP, Vinyl record album