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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A standout session from Stan Getz – one of the real gems of his later years, and a masterpiece of well-blown and confident tones! Getz here has a near-perfect form – a poise and balance that comes from decades of woodshedding on tenor sax, but which is still deeply personal, and one of ... LP, Vinyl record album
The swing is soft by the sound is never sleepy – thanks to some always-great tenor work from Stan Getz! The album definitely moves in a slightly mellow mode – as implied by the title – but the groove is still plenty darn soulful! Iif anything the album offers almost a bit more ... LP, Vinyl record album
A great lost album from Stan Getz! The record features Stan in a totally new setting, playing with some relatively unfamiliar French talents – Eddie Louiss on organ, Rene Thomas on guitar, and Bernard Lubat on drums. Louiss is incredible, and has a free spacey sound that recalls Larry Young ... LP, Vinyl record album
An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect ... LP, Vinyl record album
An incredibly haunting session that has Stan's edgey alto fronting some of Russ Garcia's arch-modernist string arrangements – similar to those that he contributed to other Verve albums of the same style. Getz maintains a wonderfully breathy tone that floats above the orchestrations, and the ... LP, Vinyl record album
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of ... LP, Vinyl record album
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... LP, Vinyl record album
A record that hardly seems like workin at all, given the ease with which the group lays down the music – especially trumpeter Miles Davis, whose work here is like magic – and tenorist John Coltrane, who was really coming into his own with this recording! The set's one of a handful from ... LP, Vinyl record album
Four altos in perfect formation – a record that captures a young Phil Woods at the height of his powers, and offers a rare non-baritone set from the great Sahib Shihab! The style here is similar to the Prestige tenor blowing sessions of the time – with core rhythms by a trio that ... LP, Vinyl record album
Sublime work from pianist George Wallington – and one of his best albums ever! The set's also one of the few he ever recorded as a leader outside the trio format, and has him working with a very hip quintet that features Phil Woods, Donald Byrd, Teddy Kotick, and Art Taylor – all ... LP, Vinyl record album