Various : Brazil 70 – After Tropicalia – New Directions In Brazilian Music In The 70s (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Brazil 70 – After Tropicalia – New Directions In Brazilian Music In The 70s

LP (Item 790332) Soul Jazz (UK), 1970s — Condition: Near Mint-
2LP Gatefold
A much-needed look at the post-Tropicalia years in Brazil – a time when cultural activity wasn't as politically explosive as before, but still continued to thrive at a highly creative level underground! The work of these years carries many inspirations from the Tropicalia years of freedoms – but it also often turns the focus towards the personal a bit more – drawing on individual roots and regional cultures for some of the elements in the music, and often pushing the sounds towards even more experimental levels! Some of the straighter modes of before have given way to more of a hippie aesthetic – but that approach is never nearly as self-indulgent as it is in the US, and more just an indication of how underground some of the musicians and ideals have gone by this point. As usual with Soul Jazz titles, the collection comes with great notes that really get at the music and the period – and the 2LP set features 16 tracks that include "Amor" by Secos E Molhados, "Tinindo Trincando" by Novos Baianos, "Punhal De Prata" by Alceu Valenca, "Passara" by Jaime & Nair, "Sai Do Sereno" by Gilberto Gil, "Corista De Rock" by Rita Lee, "Sete Cahorros" by Nelson Angelos & Joyce, "Ingazeiras" by Ednardo E O Pessoal Do Ceara, "Contendas De Sincora" by Mar Revolto, "As Adventuras De Raul Seixas Na Cidade De Thor" by Raul Seixas, "Pontos De Luz" by Gal Costa, "Mane Joao" by Erasmo Carlos, and "America Tropical" by Novos Baianos.  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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