This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The first album that Man From UNCLE David McCallum cut for Capitol – a batch of instrumental tunes that was really masterminded by arranger HB Barnum and producer David Axelrod! The record features short groovy versions of mid 60s pop tunes, plus a few instrumentals by McCallum, Barnum, and ... LP, Vinyl record album
A great batch of early work from Burt Bacharach – one of the first albums to be issued under his own name, and proof that Mr B was head and shoulders above most of the other arrangers and composers of his time! At some level, the style here is a bit more traditional than some of Burt's later ... LP, Vinyl record album
One of Henry Mancini's grooviest LPs from the 70s – a mixture of tight large arrangements with a smooth funky edge, similar to some of his best soundtrack work at the time! The rhythm section is great – with Harvey Mason on drums and Joe Sample on keyboards, and guitar by David T ... LP, Vinyl record album
A record that boasts a strange image of Arthur Lyman on the front – one that almost makes him look a bit thuggish, despite the affection promised in the title! (A bit of rough trade, perhaps?) The tunes themselves are a love-centered batch of exotic instrumentals – most with "love ... LP, Vinyl record album
(Black label stereo pressing in the die-cut gatefold cover, with light wear and aging, and lightly bent front panel with the top portion torn off and missing.)LP, Vinyl record album
One of Arthur Lyman's first LPs –- a brilliant set of percussively grooving tracks, modulated at a low tempo, and recorded in the Henry J. Kaiser aluminum dome in Hawaii with a sound that inspired countless other exotic groups. Art plays vibes, and is augmented by percussion and piano, plus ... LP, Vinyl record album
The frenzied piano of Carmen Cavallaro gets a nice does of Latin rhythms on this set – and the set's a great example of the way that cocktail piano and Latin were strongly linked in the New York scene of the 50s! Carmen's style here is certainly different than that of Joe Loco, Noro Morales, ... LP, Vinyl record album