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(Cover has two small dents near the top and some light shelf wear.)
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Features Glass on Hammond organ and Fender Rhodes – with Dickie Landy on soprano and tenor sax, and Joan LaBarbara and Gene Rickard on voices. Titles include "River Run", "Victor's Lament", "Etoile Polaire", "Are Years What", and "Ave". LP, Vinyl record album
Long lean groovers from Brian Auger and the Oblivion Express group – recorded with a slightly freer feel than some of the group's earlier albums, and an approach that has them stretching out nicely! Brian still sings a bit on some tracks, but there seems to be more of a focus than before on ... LP, Vinyl record album
A killer little set from Les McCann – one of his greatest records of the 60s, thanks to a fair bit of Latin Soul influences! The album's got a groove that's much grittier than Les' other work – a solid, soulful emphasis on bottom rhythms – which are mostly in a boogaloo and shing- ... LP, Vinyl record album