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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of a handful of amazing early records from Bobby Blue Bland – genre-setting material that was partly blues, partly soul, and still had some of the fuller currents of the earlier R&B years too! Bobby's voice is incredible – one of the most distinct in soul, and up there with ... LP, Vinyl record album
A side each of these two important talents in blues – presented here in a format that makes the record a real double-header! Side one features Big Bill Broonzy in the lead – working with sweet electric lines on guitar alongside acoustic and his own really rich vocals – plus this ... LP, Vinyl record album
If it were up to us, every song Bo recorded would have been a hit – because they're all so great! This album does a pretty good job of sorting out the best numbers, though – picking 16 tracks from his all-great albums for Chess – with a focus on the tightest and most groove-heavy ... LP, Vinyl record album
Raunchy vintage blues and jazz, with lots of drug and drinking slang – on cuts by Babs Gonzalez, Spirits Of Rhythm, Lucky Millinder, Rubberlegs Williams, Slim & Slam, Rosetta Howard, Cats & The Fiddle, and others! LP, Vinyl record album
A late 50s session, but an album that captures Lighnin Hopkins in a rootsy style that could well hearken back to the 78rpm blues records of the 30s – thanks to production by Samuel B Charters, who captured Hopkins alone making music in his apartment in Houston! The tracks have that ... LP, Vinyl record album
The debut album from Maxayn – a funky female talent who deserves to be mentioned in the same territory as Betty Davis and Yvonne Fair! Like both of those artists, Maxayn isn't afraid to use an electric guitar when she wants – which puts her music somewhere in the territory of groups ... LP, Vinyl record album
One of our favorite albums by The Originals – and one of their most coherent albums on Motown! The record was produced by Lamont Dozier, who also wrote all the songs on the album for the group – and it's kind of a mix of Dozier's strident 70s update of the 60s Motown groove (which he'd ... LP, Vinyl record album