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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Gerry Mulligan material from three different stretches – all featuring his talents as an arranger! The set includes very early sides with Gene Krupa in the mid 40s, work with Elliot Lawrence in 1949, and then Gerry's own work as a leader in 1957! LP, Vinyl record album
A really wonderful collection of live work from Gerry's early 60s Concert Jazz Band – a really forward-thinking large group that was one of Mulligan's greatest accomplishments of the time! In some ways, the ensemble worked in a sound that was like that of Mulligan's small group recordings of ... LP, Vinyl record album
A sweet little large group session from Gerry – a bit harder swinging than some of his mid 50s small group work, but still with that mellifluous glide that's the trademark Mulligan sound! Arrangements are by some great talents – including Al Cohn, Johnny Mandel, and Bob Brookmeyer, who ... LP, Vinyl record album
A pretty great little album – and very different than Gerry Mulligan's regular sides from the time! The session was originally produced as part of the sessions for the short-lived Jazztime label in the early 60s – and was produced by Dave Bailey with a soulful undercurrent that's quite ... LP, Vinyl record album
Yipes! What a bitter title – especially when you consider that Gerry actually added a piano to the group for this session, and that he's playing versions of 60s pop hits like "King Of The Road", "Downtown", "Mr Tambourine Man", "Hard Day's Night", and ... LP, Vinyl record album
A beautiful pairing of the baritone of Gerry Mulligan and the trumpet of Art Farmer – brought together wonderfully in this piano-less session that has both players effortlessly carving lines in the open space of the studio. Rhythm is by the team of Bill Crow on bass and Dave Bailey on drums ... LP, Vinyl record album
A great little session by Gerry – hidden amidst his 60s work, and a no-nonsense, gimmick-free album with some really great playing overall! The group on the set includes Bob Brookmeyer on valve trombone as well as piano, which he even plays in duet with Gerry on one track – and the ... LP, Vinyl record album
A really hip record from the team of bassist Ray Brown and vibist Milt Jackson – a swinging large group record that has them fronting arrangements from Oliver Nelson and Jimmy Heath! Nelson and Heath are both mighty hip cats at this point in their career – and bring a soulful swing to ... LP, Vinyl record album
A great 70s album, one that collects material from three historic Jazz At The Philharmonic Concerts in 1946 – with crucial solo work from the young Charlie Parker, as well as Lester Young – and other material from Dizzie Gillespie and Buck Clayton on trumpets, and Coleman Hawkins on ... LP, Vinyl record album
One of Wes Montgomery's grooviest albums on Verve – a set that features his smooth chromatic work on guitar set to lively arrangements from Oliver Nelson! Nelson gives the set more of a "punch" than some of Montgomery's other Verve records – and the style uses a tight brace ... LP, Vinyl record album
(MGM stereo pressing. Cover has some ring impressions, bent a bit at the corners, with an ink stamp, vintage price sticker, and original purchase date written in pen in back.)LP, Vinyl record album