Eddie Harris : Come On Down! (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Come On Down!

LP (Item 24823) Atlantic, 1970 — Condition: Very Good+
A really great little set that has the Chicago tenor of Eddie Harris linking up with the growing Miami soul scene of the early 70s – as Eddie "comes on down" to the Sunshine State, and records for Atlantic at the legendary Criteria Studios! Eddie's still got the electric Varitone groove of his late 60s sides for the label – but he's also stepping out here in a dirtier, funkier bottom sort of sound – aided by a combo that includes southern soulsters Billy Carter on organ, Donald Duck Dunn on bass, and Dave Crawford on piano – plus Jimmy O'Rourke and Cornelle Dupree playing guitars side by side, in a jamming way that really makes the album groove! There's still some nice spacier moments that remind us of Eddie's Chicago recordings, sitting nicely next to the funkier cuts that make the album stand out. Titles include "Fooltish", "Why Don't You Quit", "Don't You Know Your Future's In Space", and "Live Right Now".  © 1996-2024, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Eddie Harris

Tender Storm
Atlantic, 1967. Near Mint- Gatefold
A warm set of soulful 60s numbers from Eddie Harris – almost a ballad album at times, but with a groovier feel overall! The album features a great group that has Harris on acoustic tenor or Varitone sax – warmed up by the piano of Cedar Walton, bass of Ron Carter, and drums of Bobby ... LP, Vinyl record album
Vee Jay, Mid 60s. Very Good+
Great jazz version of Henry Mancini's famous score – played by Eddie Harris and his killer Chicago group from the old days – a very cool lineup that includes the young Charles Stepney on vibes, plus Willie Pickens on piano! There's a great bunch of tracks here besides the hit "Moon ... LP, Vinyl record album
Atlantic, 1977. Very Good+
Eddie moving into a righteous funk vein – but still keeping things nice and electric! Some tracks feature a larger group, and others have a small combo – but Eddie's sound is still great, especially on Varitone, and other players are pretty soulful, like Paul Humphrey, Cedar Walton, ... LP, Vinyl record album

Ornette Coleman

Ornette On Tenor
Atlantic, 1962. Sealed
An early standout set from Ornette Coleman – and a record that features him blowing on tenor, instead of his usual alto – as you might guess from the title! In a way, Ornette's playing on tenor is almost freer than his alto work – a bit more open-ended and exploratory, stretching ... LP, Vinyl record album
Atlantic, 1966. Very Good+
A sweet early 60s set by Herbie Mann! After cutting a very successful side at the Gate in 1962, Herbie returns with an even broader approach to the groove – working here with players that include Ahmed Abdul-Malik, Dave Pike, Ray Mantilla, and Ray Barretto, on a set of long tracks that have ... LP, Vinyl record album

Freddie Hubbard

Sweet Return
Atlantic, 1983. Near Mint-
A definite sweet return from Freddie Hubbard – a record with a cover and title that might appear to be smooth jazz, but one with a sound that's solidly acoustic and soulful all the way through! The album's a great example of Hubbard's amazing work in the early 80s – a time when he was ... LP, Vinyl record album
Atlantic, 1966. Near Mint-
Herbie Mann got a standing ovation for this performance – at least if the title is to be believed – and considering the grooves on the set, it was all for very good reason! The album's one of the few to feature Mann in the company of pianist Chick Corea – who steps out here with ... LP, Vinyl record album

Herbie Mann

Surprises
Atlantic, 1976. Near Mint-
A record that's full of many surprises – one of which is the sweet lead vocals of Cissy Houston! Houston works here in a style that merges nicely with the jazzy currents of Herbie Mann – at a level that's different than other soul/fusion sets of the time – like work on CTI or ... LP, Vinyl record album

Duke Ellington

New Orleans Suite
Atlantic, 1971. Sealed Gatefold
Titles include "Portrait Of Mahalia Jackson", "Bourbon Street Jingling Jollies", "Second Line", "Portrait Of Wellman Bruad", and "Thanks For The Beautiful Land On The Delta". LP, Vinyl record album

John Coltrane

Coltrane Jazz
Atlantic, 1960. Very Good+
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the ... LP, Vinyl record album
Atlantic, 1957. Very Good-
Angular Monk meets hard-driving Art Blakey – in a session that's quite unique, and which has gone onto become one of the best-remembered Atlantic jazz sessions of the late 50s! The album features Blakey in that key non-Blue Note year of 1957 – a time when he was working with a variety ... LP, Vinyl record album

Hank Crawford

Double Cross
Atlantic, 1968. Very Good
Hank's blowing it in that stock soulful style he used with Ray Charles – over slightly larger arrangements that feature players like Wendell Harrison, David Newman, Melvin Latiste, and Carl Lynch. Jack McDuff plays piano on "In The Heat Of The Night", and other tracks include " ... LP, Vinyl record album
 



⇑ Top