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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the great Japanese-only albums from this fantastic American tenorist – a player who seemed to get a lot more interest overseas than back home! The set has Sam blowing very soulful tenor solos over larger backings – and as with some of his other Japanese records, the songs ... LP, Vinyl record album
One of those cool Japanese-only albums from tenorist Sam The Man Taylor – with titles that include "Akai Glass", "Johnny Guitar", "Sans Toi Mamie", "Tokyo Blues", and "Kageo Shitaite". LP, Vinyl record album
Massive later music from Coleman Hawkins – a date that might be easy to overlook, given the unassuming package – but one that really features that newfound mix of modernism and soul that graced the later years of Hawk! The setting is a bit unusual, but that's part of the charm – ... LP, Vinyl record album
Wicked funk from Japanese keyboardist Norio Maeda – also a hell of an arranger, too – as you'll hear on this superb set from the start of the 70s! The record's one of those key albums that took a 60s groovy Japanese sound much further into the future – giving the whole thing a ... LP, Vinyl record album
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of ... LP, Vinyl record album
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... LP, Vinyl record album
An essential set of tracks – as it includes most of the best master takes from Parker's legendary Dial Recordings! The material is floating around a lot on CD these days, but this great set is just about the best way you can hook yourself up with the tracks on vinyl – as it includes ... LP, Vinyl record album
Classic Bud Powell trio work for Verve – recorded with Max Roach on drums, adding a nice edge to the session! The record features some of Powell's classics – like "Tempus Fugit", "Strictly Confidential", and "Celia" – plus other haunting renditions ... LP, Vinyl record album
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... LP, Vinyl record album
An excellent session that stands as one of both players' strongest from the time! Baker's really opening up here, moving more into that hardbop mode of the late 50s – and Pepper's already hit his stride here – with the pair of them working in a group that includes Phil Urso on tenor, ... LP, Vinyl record album