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Move Your Hand
LP (Item 15453) Blue Note, 1969 — Condition: Very Good Gatefold
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Funky funky funky! Lonnie plays live with a tight group that includes tenor, guitar, and some very heavy drumming – really wailing at a level that was surprising for funky organists of the time, and which really set the pace for a whole new generation! The players are more obscure than on the usual Blue Note sides – save for Ronnie Cuber, who played baritone with Mongo Santamaria, and is one of the most underrated 60s funky players. Recorded live at the Club Harlem in Atlantic City, and with a deep raw funky sound that must have blown the roof off the club! Titles include "Move Your Hand", "Layin' In the Cut", "Charlie Brown", and "Sunshine Superman". One of his best ever! © 1996-2024, Dusty Groove, Inc.
(Original Liberty pressing with Van Gelder stamp. Vinyl has a mark that clicks on "Layin' In The Cut". Cover has some ringwear, edge wear, and an Audition Copy stamp in back.)
(Original Liberty pressing with Van Gelder stamp. Vinyl has a mark that clicks on "Layin' In The Cut". Cover has some ringwear, edge wear, and an Audition Copy stamp in back.)
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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