Odeon/Light In The Attic, 1973. New Copy
An insanely wonderful album that will always remain one of the all-time favorites of the Dusty Groove staff! This beautiful batch of tracks by Brazilian singer/songwriter Marcos Valle has him pushing waaaay past his bossa work of the 60s – into a cool 70s mix of electronics and sexy scoring,
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Discos Mariposa (Argentina), 1983. New Copy
Complicated and folksy work from Quintal De Clorofila – aka Garden Of Chlorophyll – the duo of Negendre and Dimitri Arbo, singing together and working on an assortment of instruments that include acoustic guitars, casio keyboard, bandolim, microharp, soprano sax, flute, and lots of
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RCA/Lion, 1969/1972. New Copy
Two rare Argentine albums from Vera Sienra – back to back on a single CD, with great notes too! Nuestra Soledad is a tremendous debut, and unlike anything that we can easily put into words – fado in style, but carried off in a way that's more bossa nova overall – yet done with a
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Which, Late 60s. New Copy
A wild collection of rare tracks from this legendary group of the Tropicalia scene – a few outtakes and live tracks, but also some cool commercials, and collaborations with Caetano Veloso too – all brought together in a set that's a great complement to their famous albums of the late
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Top Tape (Brazil), Mid 80s. Very Good+
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Perception, 1972. Very Good
Killer work by Astrud Gilberto – very different than her Verve sides of the 60s! The album was produced by Astrud, arranged by Deodato – and has that wonderful warm full jazz feel of her classic album on CTI, but also a bit more like some of the funky work of Jorge Ben at the time
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Whatmusic (UK), New Copy Gatefold (reissue)
A deeply jazzy album from Brazil – one of the few rare records cut by the combo of Edison Machado, one of Brazil's greatest drummers of the 60s! The set has a sound that's quite different from Machado's earlier work – a fusion of post-bossa and post-Coltrane styles that comes off with
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Odeon/Light In The Attic, 1973. New Copy Gatefold (reissue)
An insanely wonderful album that will always remain one of the all-time favorites of the Dusty Groove staff! This beautiful batch of tracks by Brazilian singer/songwriter Marcos Valle has him pushing waaaay past his bossa work of the 60s – into a cool 70s mix of electronics and sexy scoring,
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Polydor, 1971. New Copy (reissue)
Quite possibly the last truly sublime album ever recorded by Os Mutantes – a set that's a bit more rock-oriented then their first few, but still pretty revolutionary overall! The group have expanded to a quintet at this point, but haven't yet falling into the guitar-heavy groove of later
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Vadim (France), 1977. New Copy
Breezy bossa from late 70s Paris – a rare European session from Rio ex-patriots Erica Norimar and Chiquinho Timoteo! The record's got a warmly jazzy glow that takes full advantage of the vocals of both artists – trading them back and forth on the more lively tunes, in a way that's
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Odeon/El (UK), Late 50s. New Copy
Pure bossa magic – and a wonderful illustration of why the early music of Joao Gilberto was so tremendous! (Actually, all of his music is tremendous, but that seems to be especially the case here!) The tracks are all fantastic – breezy, breathy, and almost effortlessly sung throughout
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El (UK), Late 50s/Early 60s. New Copy 2CDs
A beautiful collection of work from the legendary Joao Gilberto – some of the most important bossa nova recordings ever, plus a fair bit of rarities as well! The first CD in the set features three full early albums from Gilberto – Chega De Saudade, O Amor O Sorriso E A Flor, and Joao
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Pulp Flavor/Dare Dare (France), 1976. New Copy
Sweetly jazzy Brazilian grooves from the team of Teca & Ricardo – a lovely album recorded in France in the mid 70s, and unheard for years! The feel here is not that dissimilar from some of the recent work by Tom & Joyce, or classic work by the team of Jaime & Nair – Teca's
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Milestone, 1974. Very Good+
Excellent work from Flora Purim – one of the wonderful west coast bits of Braziliana recorded in the Fantasy Records studios during the mid 70s! The record's a perfect example of the greatness that arose when Brazil's best talents had the chance to work with some of America's best jazz and
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Warner, Mid 60s. Very Good+
A wickedly wonderful album by Jobim – recorded in LA in the mid 60s, and a perfect meeting of styles that makes for one of his most compelling albums of the 60s! Jobim sings and plays over pillowy-soft arrangements by Claus Ogerman – lightly dancing numbers that weave strings and
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Milestone, 1989. Very Good
The last of Azymuth's LPs before Jose Roberto Bertrami left, only to rejoin the group about a decade later. The group's still in fine form here, playing everything from breezy Brazilian jazz and fusion , to some acoustic jazz numbers, and as always, Bertrami's work on the keys is fluid and bright.
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Odeon/EMI (Brazil), 1978. Very Good 2LP Gatefold
Milton's second volume of tracks cut with his legendary "corner club" – with a very similar approach to the landmark first volume! Loads of great artists make guest appearances on here, like Lo Borges, Wagner Tiso, Toninho Horta, and Chico Buarque – and the production has
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Picante, 1983. Near Mint-
A real classic – one of Tania Maria's greatest American albums, and a sublime blend of styles that shows that her move to the US was not in vein! The group's an easy going west coast Latin ensemble with Eddie Duran on guitar, and the style is a breezy Brazilian one – perfectly situated
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RCA, Mid 50s. Very Good
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Atlantic, 1965. Very Good
A great little live set from Sergio Mendes and his Brasil 65 group – a pre-Brasil 66 combo that features Wanda De Sah on vocals and Rosinha De Valenca on guitar! The style here is more traditionally Brazilian bossa than Sergio's later work on A&M – a fluidly jazzy groove captured
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