It's a year after Wild Cherry's big hit, but the group are still very much in similar territory – working the bass with a heavy crossover dancefloor appeal – and serving up tunes that are compressed perfectly for the AM airwaves! There's a clear nod here to the sunshine sound of the Miami scene – and what the album lacks in real soul authenticity, it more than makes up for in catchy pop charm! Titles include "Baby Don't You Know", "Are You Boogieing", "Dancing Music Band", "Closest Thing To My Mind", "Electrified Funk", and "Hole In The Wall". LP, Vinyl record album

Music from Roland Kirk, Charles Mingus, Ornette Coleman, John Coltrane and Don Cherry, John Coltrane, Roland Kirk, and the Art Ensemble Of Chicago. CD

Tracks by Billy Harper, Andrew Hill, Don Cherry, Max Roach, Anthony Braxton, Roswell Rudd, Muhal Richard Abrams, George Adams, David Murray and more. CD

A really great collection of work from the legendary BYG/Actuel label – home not just to the famous avant jazz recordings that have made the company a legend, but also a host of other unusual sounds that don't often get the exposure they deserve! This collection finally gives that full range of BYG sounds their due – as it mixes some of the avant classics from Paris at the end of the 60s with other freely creative work from the French scene – including some great contributions from British artists who were as unbridled at BYG as the American musicians were with their jazz material! The set features tracks from the key years of the catalog – titles that include "Le Nouveau Monde" by Alice, "Terrestrial Beings" by Don Cherry, "Ancient Ethiopia" by Sun Ra, "Ragalia" by Areski & Brigitte Fontaine, "Le Cocotier (part 2)" by Coeur Magique, "Dexterity" by Art Ensemble Of Chicago, "Time Of Your Life" by Daevid Allen, "Change The World" by Gong, and "Willing To Fight" by Aynsley Dunbar. LP, Vinyl record album

Rare sounds from the UK underground of the mid 80s – work from a post-post-punk period that's come to be known as the cold wave – when electronic musicians who weren't sucked into the pop mainstream went deeper down and created some really wonderful sounds on their own! Most of the tracks here were only ever issued on cassette – which makes them even more lost to the sands of time than vinyl from the period – and the music has a rich blend of different analogue electronic modes that takes us from the moodier sounds of early Sheffield and Manchester to some of the warmer work of the Rough Trade or Cherry Red scenes. A few cuts here are appearing for the first time ever – and titles include "Don't Surrender" by WeR7, "Age Of Lights (inst)" by Modern Art, "Pigst Cafe" by Mystery Plane, "Space Is The Bass" by The Lord, "Beyond Reason Beyond Time" by Disintegrators, "Lives Of Angels" by Lives Of Angel, and "Tease" by Berserk In A Hayfield. CD

One of the most righteous albums to ever bear the name of King Britt – a selection of spiritual jazz tracks from the 70s, all of which show a definite inspiration for Britt's recent work in the 21st Century! There's no remixes or remakes here – and the collection features all original gems from a few decades back – stretched out and cosmic grooves from some of the leading lights of the soul jazz underground in the post-Coltrane years! Most numbers are obscure tracks licensed from smaller indie labels – brought together beautifully with a sense of depth and darkness that goes way beyond the usual King Britt groove. Titles include "Space Spy" by Grachan Moncur III, "Beyond Yourself" by Brother Ahh, "Scorpio Libra" by Eddie Henderson, "Kawaida" by Herbie Hancock, "Ekim" by Michal Urbaniak, "Yebo" by Mtume, "Conviction" by Dane Belany, "Naima" by Doug & Jean Carn, "The Time Now For Change" by Phil Ranelin, "Moving Pictures 4 The Ear" by Don Cherry, and "Encounter" by Flora Purim. CD

A really wonderful collection – an important re-investigation of the unusual mix of sounds and styles on the New York scene in the years after disco – a time when funk, punk, hip hop, and art were all colliding at once – providing a really fresh antidote to the staid sounds of Studio 54! The "disco" in the title should be taken lightly – as these cuts didn't play at the slick uptown dance spots – but were instead the soundtrack for the cool spots happening downtown, as the previous loft culture morphed into clubs, in this very special blend of the energy of CBGB and the underground soulful dancefloors. The set list is filled with classics from this time – and titles include "Cavern" by Liquid Liquid, "Tell You Today (voc)" by Loose Joints, "Walking On Thin Ice (re-edit)" by Yoko Ono, "Over & Over" by Material, "Spasticus Autisticus (version)" by Ian Dury & The Seven Seas Players, "Kiss Me Again (original edit)" by Dinosaur, "Move" by Nicky Siano, "School Bell/Tree House" by Indian Ocean, "I Walk" by Don Cherry, "Voices Inside My Head" by Common Sense, and "Wheel Me Out" by Was Not Was. LP, Vinyl record album

With tracks by Nick Drake, John Cage, White Noise, Fripp/Eno, Tim Hardin, Grimms, Terje Rypal, Shirely Collins, Albion Country Band, Don Cherry Trio, and more! 22 selections in all! LP, Vinyl record album

A fantastic package that explores the full range of genius on the legendary avant label BYG/Actuel – one of the most important European imprints at the end of the 60s! Actuel was home to some of the best avant garde jazz coming out of Paris in the late 60s and early 70s – an especially important document of the post-68 revolution in European music – at a time when so many American players where showing up in France, and finding great opportunities in the new freedoms of the scene! The package features seminal sides from US avant musicians – like Steve Lacy, Anthony Braxton, Clifford Thornton, Don Cherry, Jimmy Lyons, Archie Shepp, Sonny Sharrock, Sunny Murray, Grachan Moncur III, and The Art Ensemble Of Chicago – and it also features work by European musicians like Claude Delcloo and Jacques Coursil, plus genre-busting work by MEV and Gong as well. The 3CD box features a 48 page book – with lots of great illustrations, and notes from Thurston Moore and Byron Coley – and the set features 26 long tracks in all! CD

Writer Jon Savage is maybe best known for his work on the early years of punk in England – and here, Savage steps back just a bit – to contextualize the rise of the new music in all sorts of other styles that were bubbling up in the mid 70s! Part of the set is a pathway to punk – especially on some of the glam and power pop cuts that clearly point the way ahead – but there's also a nice mix of hard rock, a bit of prog, and even some catchier numbers that really fit the feel of the package – and show what a wonderful mix of modes was taking place in the mid 70s – a great wake up call to anyone who thinks that things were dead until punk came along! The 2CD package is overflowing with surprises – 44 tracks, with notes from Savage as well – for titles that include "So Far" by Faust, "Hey Joe (version)" by Patti Smith, "Kings Of Speed" by Hawkwind, "Third Uncle" by Brian Eno, "After Eight" by Neu, "Easy To Slip" by Little Feat, "Girl From Germany" by Sparks, "End Unkind" by Grin, "Andy Warhol" by Dana Gillespie, "Yang Yang" by Yoko Ono, "Vicious" by Lou Reed, "She Means A Lot To Me" by Smyle, "When My Baby's Beside Me" by Big Star, "One Of The Boys" by Mott The Hoople, "Max's Kansas City 76 (part 1)" by Wayne County, "Cherry Bomb" by The Runaways, "Train Train" by Count Bishops, "I Don't Mind" by Dr Feelgood, "Slow Death" by Flamin Groovies, and "You Really Got Me" by Hammersmith Gorillas. CD

32 nuggets from the farther reaches of the British scene in the early years of punk rock – music that goes past some of the bigger names of the time, and which presents an especially English take on the raw sounds that were shaking things up on both sides of the Atlantic as an antidote to the disco and AOR generations! The Cherry Red label was born during these times, and always had a great ear for some of the more unusual, offbeat work – including cuts by artists who were important, but who quickly disappeared from the scene – presented here in both classic 45rpm singles, and some even much more obscure and rare tracks too! The whole thing's got a short, sharp punch throughout – and titles include "Mucky Pup" by Puncture, "Hungry" by The Zeros, "Outside View" by Eater, "Peudo Punk" by O Level, "Chelsea 77" by Maniacs, "Speed Freak" by V2, "Safety Pin Stuck In My Heart" by Patrik Fitzgerald, "Teenage Treats" by The Wasps, "I Don't Want My Heart To Rule My Head" by Social Security, "Murder Of Liddle Towers" by Angelic Upstarts, "Just Another Teenage Rebel" by The Outcasts, "ACAB" by The Rowdies, "19 & Mad" by Leyton Buzzards, "King Of Kings" by The Pack, "Where's Captain Kirk" by Spizzenergi, "These Boots Are Made For Walking" by Pure Hell, and "Jilly" by The Pranhas. LP, Vinyl record album

A very cool little set, and one that's a lot different than you might expect from the "new romantics" reference in the title! Sure, there's some cuts here that are from the moment when the British scene was cracking the charts with nice haircuts, catchy electro rhythms, and smart lyrics – but the bulk of the set is actually music from the generation before – the kind of work that inspired the new romantics of the early 80s, mixed with cuts from that era, but which are not nearly as well known! The box begins very early in the 70s, and traces bits of prog, glam, and other pre-punk styles – then ends up in more familiar territory at the end, but with a less familiar vibe. Make sense? Probably not – but that's the great thing about a really well-done collection like this – 59 tracks with really great notes – and work from Tubeway Army, The Cure, Zager & Evans, Lounge Lizards, Grace Jones, Fox, Magazine, Spandau Ballet, Heaven 17, Japan, Yellow, Nightmares In Wax, Visage, Landscape, Flying Lizards, Don Armando's Second Avenue Rhumba Band, Sister Sledge, Lipps Inc, Barry Gray, Glaxo Babies, New Order, Blue Rondo A La Turk, Tom Tom Club, ABC, M, Heat Exchange, John Foxx, The Normal, and many others! CD

A set that might have you rethinking the early years of punk – as it shows that right next to the short sharp shocks of the new sound, there was also a rebirth of tight tuneful music too – a style that became known as power pop, even though many of the acts were ever bit as indie as the punk rockers! Don't mistake the "pop" for thinking that these are big commercial productions – as most of the work here is really back to basics rock and roll – a focus on sharp guitars, great rhythms, and excellent songwriting – served up in a wonderful mix of lesser-known artists, plus a few that went on to be timeless stars. The box set is every bit as great as other Cherry Red 3CD packages – detailed notes, 75 tracks in all, and work by artists who include Filmstars, Elvis Costello, The Questions, Rollers, Bram Tchaikovsky, The Deaf Aids, Undertones, Pinkees, Rudi, Gross Club, Stiff Little Fingers, The Monks, Backseat Romeos, The Flys, Pleasers, Leyton Buzzards, Purple Hearts, Elevators, Public Skool, The Cartoons, Excel, The Quads, Squeeze, Linda & The Dark, The Aces, and many others. CD

A amazing look at the British indie scene during one of its greatest stretches – the mid 80s period when it seemed like new labels and new bands were springing up every week! The 2CD set takes its name from the influential C86 collection put together by NME at the time to showcase some of the best work – but this version expands the lineup to a whopping 72 tracks in all, and really stretches the scope to include some real lost gems. There's plenty of great work here from a time before the scene got mis-led by dance rhythms and too many stimulants – a cornucopia of long-lost labels and groups – most of them jangle pop wonders with great talents for penning simple, catchy little tunes! Titles include "World's No Place" by The Jasmine Minks, "Everything's Going Right" by The Avons, "Don't Slip Up" by Meat Whiplash, "Billy Liar" by North Of Cornwalls, "Outback Jazz" by Blue Aeroplanes, "Run To The Temple" by Bogshed, "Therese" by The Bodines, "Happy Head" by Mighty Lemon Drops, "Velocity Girl" by Primal Scream, "This Boy Can Wait" by The Wedding Present, "New Way" by Big Blame, "Console Me" by We've Got A Fuzzbox, "Inside" by 14 Iced Bears, "Darkess & Colour" by The Railway Children, and "Hedonist Hat" by Pigbros. Lots lots more! CD

An early 80s set from Cherry Red Records, and one that shows just how important the British label was to the world of post-punk music at the time – as you'll hear from an assortment of tracks that's more than enough to give labels like Factory or Rough Trade a run for their money! Cherry Red always had a way of thinking outside of the norm – mixing experimental sounds with more tuneful moments, and sometimes showcasing artists who weren't afraid to put their feelings on the line – at a level that other British indies would pick up more strongly a few years later. There's plenty of formative sounds here – and titles include "Plain Sailing" by Tracy Thorn, "My Face Is On Fire" by Felt, "No Noise" by Eyeless In Gaza, "Don't Blink" by The Nightingales, "Some Things Don't Matter" by Ben Watt, "Modi 2 (extract)" by Piero Milesi, "All About You" by Thomas Leer, "Portrait" by Five Or Six, "Eine Symphonie Des Grauens" by The Monochrome Set, "Lazy Ways" by The Marine Girls, "I Unseen" by The Misunderstood, and "On My Mind" by Everything But The Girl. This massive 3CD version of the collection is overflowing with great material – a whopping 72 tracks in all, 17 of which are unreleased, presented in a book-style package with plenty of notes! Added material includes work from The Nightingales, Kevin Coyne, The Passage, Monochrome Set, Jane, Five Or Six, Thomas Leer, Martyn Bates, Creation Rebel, The Reflections, Swallow Tongue, Bodhi Beat Poets, and even Patrick MacNee & Honor Blackman of The Avengers! CD

Not just Rock N Roll, but a classic collection of doo wop, R&B, and more – served up in a massive CD package that brings together all versions of this classic album on Crown Records! The original Rock N Roll Dance Party was a key collection in the late 50s – one that helped push the best R&B artists on the Modern/Kent label to a wider audience, thanks to a more mainstream cover. But as the 60s moved in, the title was re-vamped with new titles – and appeared in different versions that are finally getting sorted out and presented here. The CD features 26 tracks from all the albums – and even if you're not concerned with the discographical information, the whole thing still stands as a hard-rocking collection of grooves – as fresh today as it was nearly 50 years ago! Titles include "Cherry Pie" by Marvin & Johnny, "Don't Be Angry" by The Cadets, "Sunday Meetin Rock" by Johnny Allen, "All Night Long" by Joe Houston, "Dance With Me Henry" by Etta Jones, "Vido's Boogie" by Vido Musso, "Bye Bye Fare Thee Well" by Peppermint Harris, "Ay La Bah" by Dolly Cooper, "Cool Diggin" by Maxwell Davis, "I Want My Baby" by Jimmy Beasley, "Convicted" by Oscar McLollie, and "Have Mercy Miss Percy" by Long Tall Marvin. CD

A fantastic look at the righteous current of energy that swept through American music at the end of the 60s – that huge wave of knowledge and political inspiration that still stands as one of our favorite moments in jazz and soul! The Civil Rights generation had gotten some things accomplished, but not everything – and a new wave of action arose in various scenes of the underground – not just pushing the musical formats past anything that had happened before, but also doing so with a strong message of pride and empowerment! This collection surveys some of the best tracks of that moment – and also provides a great batch of historical notes to put the whole thing in context – done in collaboration with the book of the same name, but equally great as a soundtrack and document on its own. The package is overflowing with Dusty Groove classics – and titles include "Sweet Songs" by Sarah Webster Fabio, "Surtal Ihklas" by Doug Carn, "Vibes From The Tribe" by Phil Ranelin, "Desert Fairy Princess" by Horace Tapscott & The Pan Afrikan Peoples Arkestra, "Sounds From The Bush" by The Mandingo Griot Society with Don Cherry, "Is It Too Late" by Duke Edwards & The Young Ones, "Strong Men" by David McKnight, "Black Narcissus" by Joe Henderson, "Malcolm X" by Phil Cohran & The Artistic Heritage Ensemble, "Mother Of The Future" by Carlos Garnett, "Red Black & Green" by Roy Ayers, "African Rhythms" by Oneness Of Juju, and "The Revolution Will Not Be Televised" by Gil Scott-Heron. CD

Seminal work from the lovely Basia – and an album that's a wonderful hybrid of jazz, soul, and pop – all put together at a level that really goes beyond most of her contemporaries! There's a vibe here that's almost like Swing Out Sister at their best – catchy, but never cloying – and done in an 80s style that refers strongly back to 60s and 70s styles, yet still keeps things quite contemporary overall. And although most of the tunes are pretty poppy, they're also pretty great, and really hold up over the years – thanks to slight undercurrents of jazzy instrumentation, of the sort you'd get from Brit artists like Working Week or Sade. Titles include "Promises", "From Now On", "Freeze Thaw", "How Dare You", "Astrud", and "Miles Away". 2CD version is amazing – and features 5 bonus instrumental tracks, plus 8 more remix tracks, and 5 more single versions, and the non-album track "Give Me That". 30 titles in all! CD

A record that's not only a landmark in Jamaican music – but also a set that was to reggae what Curtis Mayfield's Superfly was to 70s soul! In other words, the set not only raised the bar for all the competition, it also ended up in a lot more record collections than most of them too – maybe in part because it was a soundtrack, as was Superfly – but also because it has this global power that makes it a defining album of the genre! Jimmy Cliff is obviously the mainman here, but there's help from other key players in the growing reggae scene – and titles include Jimmy's classic "You Can Get It If You Really Want", in two versions – plus two takes on "The Harder They Come", "Many Rivers To Cross", and "Sitting In Limbo" – plus "Sweet & Dandy" and "Pressure Drop" by The Maytals, "007" by Desmond Dekker, "Johnny Too Bad" by The Slicers, "Draw Your Brakes" by Scotty, and "Rivers Of Babylon" by The Melodians. In addition, you get another disc of bonus material, much of it recorded in the crucial years before the film's release, giving you a wonderful portrait of the Jamaican music scene at the time, a dozen and a half of the finest rocksteady and reggae jams of the day, including Desmond Dekker's "Israelites", The Ethiopians "Reggae Hit The Town", Dave & Ansel Collins "Double Barrel", Jimmy Cliff's "Let Your Yeah Be Yeah" and "Wonderful World, Beautiful People", The Maytals' "Do The Reggay" and "54-46 (That's My Number)", The Melodians "It's My Delight" and Eric Donaldson's "Cherry Oh Baby". 30 tracks in all on this awesome 2 disc set, packaged up nicely with notes by Dave Katz, photos from the film and full lyrics and track notations! CD

Hard wailing! Poppa Lou's caught right at the height of his early Blue Note powers here – recorded in 2 different groups on this set of unreleased sessions from the early 60s! Both sets have Lou in a guitar/organ soul jazz setting – with backing by Grant Green on guitar, and either Jack McDuff or John Patton on organ. The McDuff set features the great Joe Dukes on drums, and the session sparkles like one of McDuff's best Prestige albums from the time. The other session has the classic Patton/Green lineup augmented by trumpeter Irwin Stokes, a lesser-known talent who really opens up the sound nicely. There's a total of 9 tracks in all – a number of them ballads, but done with a lively soulful tone that keeps the whole thing nice and fresh – even after sitting in the vaults for nearly 40 years! Titles include "Star Dust", "Hippty Hop", "Please", "Man With A Horn", and "Cherry Pink & Apple Blossom White". CD

Really inventive sounds from this hip Italian trio – a combo who have a way of mixing acoustic and electric elements in ways that echo recent experiments on both the Chicago and London scenes! The music is jazz, but with a strong reliance on larger soundscapes – a quality that's echoed here by the appearance of Rob Mazurek on one track, who seems to be a great inspiration for the way the group approaches their music! The core trio features Gabriele Mitelli on trumpets and electronics, Cristiano Calcagnile on drums and percussion, and Pasquale Mirra on vibes and korg minilogue – all of which makes for a great layering of creative sounds. The set also features guest work from Damon Locks and Cristina Dona – and titles include "The Black Shining Of The Sea", "Hey Mary", "The Elephant", "Fata Morgana", "Cherry Juice In A Box", and "Awakening". LP, Vinyl record album

Three later live sets from Dizzy Gillespie – all in a single package! Sesjun Radio Shows 1 is great, and if you like Dizzy Gillespie as much as us, you'll know that he kept on getting better and better as the years went on – continuing to evolve as a musician, into territory that's always very different than what he was giving the world a few years before! That's definitely the case here, on two live performances done for Dutch Radio in the late 70s – both of which feature a guitar as the key partner – with Rodney Jones on the first half, Ed Cherry on the second, and bass from Benjamin Brown and drums from the great Mickey Roker. Tracks are long, and open up in this really wonderful way – and the group is joined by percussionist Sheyvonne Wright on the second half, who also sings a bit too. There's a quality here that's much more in the best 70s work on the Muse label than you might expect – and titles include "Barcelona", "Diddy Wah Diddy", "Toccata", "The Truth", "Night In Tunisia", "Manha De Carnaval", and Round Midnight". Sesjun Radio Shows 2 is further proof that the genius of Dizzy Gillespie knows no bounds, even in later years – as these two different radio performances feature Diz with very unique saxophonists – both of whom really transform the sound of the group! The first half of the set has Gillespie on trumpet with a young Paquito D'Rivera on soprano and alto sax – a young player really coming into his own here, in an unusual group that also features Canadian guitarist Ed Cherry, bassist Michael Howell, and drummer Ignacio Berroa – on titles that include the funky "Unicorn", plus "All The Things You Are" and "Cripple Crapple Crutch". The second half will be even more surprising to fans of avant jazz – as the legendary Sam Rivers joins the group on tenor and soprano sax – blowing straighter than on his free improv records, but definitely adding an edge! The rest of the group features Cherry and Berroa, with John Lee in on bass for Howell – and titles include "Tanga", "Manteca", and "Birk's Works". Concert Of The Century is a record with a title that's a hell of a claim to make – but it's also a hell of a concert, too – one that features Dizzy Gillespie blowing with an all-star small group lineup – in really stretched-out takes on the tunes, at a level that rivals his best 70s material on the Pablo label! In addition to Gillespie on trumpet, players also include Milt Jackson on vibes, James Moody on tenor and flute, Hank Jones on piano, Ray Brown on bass, and Philly Joe Jones on drums – all working together as seamlessly as you'd expect! Titles include "Darben The Redd Foxx", "The Shadow Of Your Smile", "Get Happy", "Blues N Boogie", "If I Should Lose You", and "Bass Solo/Manha De Carnaval/Work Song". CD

Post-Atlantic work from Robin Kenyatta – but an album that follows in a very similar mode! This date was done for the Wolf subsidiary of TK Records, but it's got a very hip New York groove – one that's almost even more righteous than some of Robin's earlier work, with some excellent arrangements from Arthur Jenkins – who's managed to fill the set with a great sense of soul! Kenyatta's alto and soprano sax are set up with keyboards from Jenkins and Richard Tee, plus bass, guitar, percussion, and some great backing vocals at points – used sparingly, but in ways that almost remind us of Oneness Of Juju at some of their smoother moments. Kenyatta's reeds have a Plunky-like feel too – more inside than the Juju work of the mid 70s, but pointing towards Plunky's smoother sounds to come. Given that the vocal group features Gwen Guthrie, Vivian Cherry, and Patti Austin, you can bet they sound pretty sweet – and titles on the set include "Love Me", "Oh Oh Oh", "You", "Bluebird", and "Of Life & Love". LP, Vinyl record album

Virginia Mayhew on tenor saxophone, Ed Cherry on guitar, Harvie S on bass, Andy Watson on drums and Wycliffe Gordon on trombone. CD

A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". CD

Shabazz Palaces takes spacey hip hop further out then they've every done before, while still somehow holding ground in hazy, headnodding beats and rhymes – delivering 2 separate albums loosely centered around a cosmic character called Quazarz! Far out as concept is and as thickly atmospheric as the vocals are record, Born On A Gangster Star and Quazarz Vs The Jealous Machines still manage to come across as some of the most immediately accessible music the duo have recorded to date – but still a far murkier, moodier outer space experience than Ishmael Butler's pioneering legendary work with jazz rap pioneers Digable Planets or the underrated Cherrywine. Includes "Since CAYA", "When Cats Claw", "Shine A Light" feat Thaddillac, "Deese Du Sang", "Eel Dreams" feat Loud Eyes Lou, "Parallax" feat The Palaceer Lazaro, "The Neurchem Mixalogue", "That's How City Life Goes", "Moon Whip Quaz" feat Darrius and "Federalist Papers". CD

Shabazz Palaces takes spacey hip hop further out then they've every done before, while still somehow holding ground in hazy, headnodding beats and rhymes – delivering 2 separate albums loosely centered around a cosmic character called Quazarz! Far out as concept is and as thickly atmospheric as the vocals are record, Born On A Gangster Star and Quazarz Vs The Jealous Machines still manage to come across as some of the most immediately accessible music the duo have recorded to date – but still a far murkier, moodier outer space experience than Ishmael Butler's pioneering legendary work with jazz rap pioneers Digable Planets or the underrated Cherrywine. Includes "Welcome To Quazarz", "Gorgeous Sleeper Cell", "Atlaantis", "Effeminence", "30 Clip Extension", "Sabonim In The Saab On 'Em", "The SS Quintessence", "Late Night Phone Calls" feat Laz & "Quazarz On 23rd" and more. CD

Nancy Sinatra recording in London, but still getting some heavy help from Lee Hazlewood – who wrote about half the tracks on the record, and also guest stars on one number too! The backings are fuller than some of Nancy's other Reprise albums – clearly going for some of the jaunty modes of UK girl pop of the time – but most numbers still have that undeniable Nancy charm, sung in breathy vocals that still seem to have their own space away from the larger orchestrations. Titles include "Friday's Child", "Hutchinson Jail", "Shades", "This Littler Bird", "I Can't Grow Peaches On A Cherry Tree", "The End", and "Step Aside" – plus "Summer Wine", which features Lee. LP, Vinyl record album

Some rare non-Ellington material from Billy Strayhorn and Johnny Hodges – both sessions recorded as part of a series done by producer Stanley Dance at the end of the 50s! The feel here is a almost a bit more open and less restrained than the usual Ellington groove – with some standout longer tracks, plus a number of more familiar numbers crafted in that rich Strayhorn love of colors and tones – all topped with beautiful solo work by Johnny Hodges. The first 7 tracks feature a smaller group with Harold Baker and Quentin Jackson – and the remaining 11 feature a larger group augmented with even more Ellington bandmates. Titles include "Cue's Blue Now", "Gone With The Wind", "Cherry", "Gal From Joe's", "Jeep's Blues", "Day Dream", "Juice A Plenty", "Azure", "Star Dust", and "Tailor Made". CD

Henry Threadgill on alto saxophone, Brandon Ross and Ed Cherry on guitar, Edwin Rodriguez and Marcus Rojas on tuba, Mark Taylor on French horn, and Pheeroan Aklaff on drums. CD

Rare lost work from one of the grooviest groups to work with UK production genius Joe Meek – instrumental combo The Tornados, a guitar-heavy group who were to England what The Ventures were to the US! Meek's production talents really opened up the sound of the group – taking their guitars and giving them all sorts of weird, space age sort of touches – but also keeping things rocking and catchy throughout, a blend that's always made The Tornados so great! Yet the group never issued that much music back in the day – which makes this 5CD package a real treasure trove of material to add to their catalog – lost session tapes that not only showcase their instrumental skills, but also Meek's different approaches to some tunes – as a number of cuts here are done in different variations, with different effects! The package features material from the sessions for the albums Telstar and Away From It All – plus two more CDs' worth of sessions for singles – and a full final CD of unreleased material and curiosities. CD

A set that hugely expands the legacy of British 80s singer Tracie Young – a great artist, but one who only got a single record issued back in the day! First up is that set, Far From The Hurting Kind – a fantastic bit of soulful UK pop from the 80s that was originally issued on Paul Weller's Respond label, and done with plenty of the touches that Weller was bringing to his own Style Council music at the time! Tracie's got a voice that's right at home in some of the British period styles, but which sounds even better with some of the mod soul inflections that Weller's production brings to the record – definitely 80s in instrumentation and execution, but with a richness that really seems to open up the vocals of singer Tracie Young. Titles include "The House That Jack Built", "When You Sleep", "Moving Together", "Thank You", "I Can't Hold On Till Summer", "Souls On Fire", and "Spring Summer Autumn". Next is the album No Smoke Without Fire – a second set that was not issued at the time, and which has maybe some deeper soulful currents in the music – a bit like the work that Corinne Drewery would do with Swing Out Sister. Titles include "Italian Girl", "I Think You're Lucky", "When You Call Me", "No Smoke Without Fire", "Invitation", and "Fingers Crossed". Both albums are presented here with bonus tracks – and the package features lots more too – CD3 adds in 17 more Rarities, with remixes and singles; CD4 features live material and later radio mixes; DVD adds in some rare promo videos and TV appearances too! The whole package is huge – 84 titles in all. CD

There's no nostalgia here – as Akiko Tsuruga plays the Hammond B3, but in a way that's very fresh, and very much her own – using the instrument to create these bold blocks of color, which are then augmented by contributions from a mighty nice group of players! The horn work is especially great – and the record soars with the trumpet of Joe Magnarelli and tenor of Jerry Weldon – the latter of whom always seems to bring out something special on a date with an organ, balancing out Akiko's tone here in a really great way. Ed Cherry plays guitar, Byron Landham handles drums, and titles include the originals "Tiger", "Beyond Nostalgia", "Middle Of Somewhere", "Dancing Cats", and "Happy Blues" – plus versions of "Back Track" and "Mack The Knife". CD

One of the best CTI albums from the early 70s – and one of Stanley Turrentine's funkiest records as well! The album's got a sharper edge than most other Turrentine albums of the time – a quality that goes beyond Stan's already soulful approach to the tenor, and which brings in some tight changes and more pronounced rhythms that really give the best cuts a great groove! The group's a sextet – with Bob James on electric piano, Milt Jackson on vibes, Cornell Dupree on guitar, Ron Carter on bass, and Billy Cobham on drums – and titles include a monster version of Weldon Irvine's "Sister Sanctified" – a great funk tune that's probably best known as the sample for "My Philosophy" by BDP! Other tracks include "Speedball", "Cherry", and "The Revs". LP, Vinyl record album

One of the best CTI albums from the early 70s – and one of Stanley Turrentine's funkiest records as well! The album's got a sharper edge than most other Turrentine albums of the time – a quality that goes beyond Stan's already soulful approach to the tenor, and which brings in some tight changes and more pronounced rhythms that really give the best cuts a great groove! The group's a sextet – with Bob James on electric piano, Milt Jackson on vibes, Cornell Dupree on guitar, Ron Carter on bass, and Billy Cobham on drums – and titles include a monster version of Weldon Irvine's "Sister Sanctified" – a great funk tune that's probably best known as the sample for "My Philosophy" by BDP! Other tracks include "Speedball", "Cherry", and "The Revs". LP, Vinyl record album

One of the best CTI albums from the early 70s – and one of Stanley Turrentine's funkiest records as well! The album's got a sharper edge than most other Turrentine albums of the time – a quality that goes beyond Stan's already soulful approach to the tenor, and which brings in some tight changes and more pronounced rhythms that really give the best cuts a great groove! The group's a sextet – with Bob James on electric piano, Milt Jackson on vibes, Cornell Dupree on guitar, Ron Carter on bass, and Billy Cobham on drums – and titles include a monster version of Weldon Irvine's "Sister Sanctified" – a great funk tune that's probably best known as the sample for "My Philosophy" by BDP! Other tracks include "Speedball", "Cherry", and "The Revs". LP, Vinyl record album

The full early work of UK pop singer Kim Wilde – a big force on both sides of the Atlantic for a few short years, and part of a great wave of catchy girl-fronted music in the generation that also included Blondie and the Go-Gos! Kim's got her own special twist on the sound – one that also draws from some of the UK pop of the period, but which also never moves into too much synth or electro pop – and instead takes all the best upbeat, live energy of the early new wave years – and maybe gives it a more straightforward spin, in a way that helped Wilde get plenty of play on the charts! This nicely-done set features all three albums for the RAK label – Kim Wilde, Select, and Catch As Catch Can – plus bonus tracks that include "Boys", "He Will be There", "Child Come Away", "Just Another Guy", "Watching For Shapes", "Rain On", and "Back Seat Drive". CD4 features lots more bonus tracks too – special disco mixes that include "Kids In America (Luke Mornay rmx)", "Chequered Love (Matt Pop ext)", "Water On Glass (Project K soundtrack)", "Cambodia (Matt Pop ext)", "View From A Bridge (Project K soundtrack)", and "Take Me Tonight (Luke Mornay profondo giallo mix)". CD