Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... (Jazz) read moreCD
(2011 OJC Remasters pressing. Small cutout hole through rear case and artwork.)
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was ... (Jazz) read moreCD
(CONDTION NOTE: booklet pages are separated and held together with tape.)
A live album with Steve Coleman on alto saxophone, David Murray on tenor saxophone, Andy Milne on keyboards and piano, Reggie Washington on bass, and Gene Lake on drums. (Jazz) CD
A funky trip through the classic Warner Brothers recordings of P-Funk maestro Bootsy Collins! The set's a pretty great introduction to Bootsy's work, and includes some of his best numbers, plus a great set of notes that will really help you navigate his rich career. There's a total of 14 tracks, ... (Soul) read moreCD
Beautiful work from Adegoke Steve Colson – a warmly grooving set cut with vocalist Iqua Colson – possibly one of Steve's straightest records ever, but one of his most soulful, too! Iqua's got a fluid vocal approach that's mighty nice – and the Colson combo swings in a mix of ... (Jazz) read moreCD
(Out of print original Silver Sphinx pressing. Booklet has a bit of marker.)
One of the best posthumous releases by the legendary John Coltrane Quartet – and a set that really captures the group at a perfect moment – when they were really beginning to stretch out a lot, yet still in a style that was mostly inside! The material was recorded in Berlin and ... (Jazz) read moreCD
John Coltrane live – in a setting that really shows the tenorist starting to stretch out a lot – almost hitting some of the freer modes of a few years later, but still keeping things swinging throughout! The rhythm section is superb – that legendary lineup of Jimmy Garrison on ... (Jazz) read moreCD
Sharp-edged John Coltrane at his best – a record that we'd rank right up there with Love Supreme, and which is a key transition point in Coltrane's musical ideas! There's a very strong edge to Coltrane's tone here – and even on the mellower ballads, he plays with a sound not always ... (Jazz) read moreCD
A mellow set of ballads, taken mostly from Trane's first few years at Impulse – in various formations that have him working with his classic quartet, plus guests like Johnny Hartman, Eric Dolphy, or Duke Ellington. Titles include "Soul Eyes", "What's New", "Dear ... (Jazz) read moreCD
Brilliant work – John Coltrane really opening up in his new spiritual mode of the 60s, hinting at the changes to come, while still keeping the modal groove of previous recordings! The record features tracks from a few different sessions from the years 1961 to 1963, but it holds together ... (Jazz) read moreCD
Coltrane caught live in France in 1962 – working with the classic quartet of McCoy Tyner, Jimmy Garrison, and Elvin Jones. The set's surprisingly well recorded (although transferred here on the CD from vinyl, with a few flaws) – and features extended readings of classic Coltrane tunes ... (Jazz) read moreCD
(Still sealed with a small cutout hole through the case.)
The complete John Coltrane performances at the Newport Jazz Festival in 1963 – including one track with Eric Dolphy! All tracks are quite long, too. (Jazz) CD
A great addition to the live material the John Coltrane Quartet recorded for Impulse Records in the early 60s – long, live tracks from a Parisian concert, with performances that are extremely long and open-ended! The group isn't totally free – as free as they'd be on some of their ... (Jazz) read moreCD
Features Ravi Coltrane on tenor sax, Luis Perdono on piano, Drew Gress on bass, and EJ Strickland on drums – plus special guests Charlie Haden on bass and Brandee Younger on harp! (Jazz) CD
Common newcomers who buy Electric Circus for the single with Mary J Blige are going to be left with some head scratching – but if you like the spiritual/psychedelic Com that was hinted at on Like Water For Chocolate, this may be the follow up you were waiting for! This is still hip hop ... (Hip Hop) read moreCD
An unusual session of trad jazz for the mostly-west coast World Pacific label – one that features guitarist Eddie Condon at the host of an all-star group that includes Rex Stewart on cornet, Bud Freeman on tenor sax, Herb Hall on clarinet, and Cutty Cutshall on trombone. The sound's in a ... (Jazz) read moreCD
Live radio broadcasts from Eddie Condon's club in Greenwich Village. Shifting lineup includes Wild Bill Davison on cornet, Cutty Cutshall on trombone, and Ed Hall on clarinet. (Jazz) CD
The first album in a legendary run of vocal jazz classics on Atlantic Records – and a set that really helped Chris Connor move to a new level of expression in her music! The sound here is much richer than Connor's previous recordings for Bethlehem – and the small combo jazz backings ... (Vocalists) read moreCD
Although most of Chris Connor's best recordings for Atlantic have always been darn tough to find, and rarely reissued, this excellent 2-fer makes these classic albums of icy vocals available once again! Chris sings in her best cool voice, with backing by a number of different groups made up of ... (Vocalists) read moreCD
(1999 Collectables pressing, barcode has a cutout hole.)
Beautiful stuff – and a great CD that brings together 2 of Chris Connor's best jazz albums for Atlantic! Just about all of Chris' records are great, but on both of these she really hits her stride – working in the small combo setting that she first recorded with, singing to sensitive ... (Vocalists) read moreCD
Although The Contours will be forever known for their perpetual oldie "Do You Love Me (Now That I Can Dance)", they're also an excellent soul group with a hard raw sound, and a lot more to offer than you'd expect! This 25 track compilation of the group's sublime Motown work really ... (Soul) read moreCD
Titles include "How Can You Keep On Moving", "FDR In Trinidad", "On A Monday", "Vigilante Man", "Taxes On The Farmer Feeds Us All", and "Billy The Kid". (Rock) CD
Wonderful mellow work from Sam Cooke – and a set that's recorded with a sound that's very much in keeping with the "night beat" that you might expect from the title! In fact, there's not so much a "beat" as a simple easy groove – a gentle sort of "night" ... (Soul) read moreCD
Non-stop screamers from the initial Alice Cooper run at Warner Brothers – a hefty set list that includes "School's Out", "Be My Lover", "I'm Eighteen", "No More Mr Nice Guy", "Elected", "Billion Dollar Babies", "Teenage ... (Rock) read moreCD
Jim Cooper on vibraphone, Ira Sullivan on trumpet and saxophones, Bob Dogan on piano, Dan DeLorenzo on bass, Charlie Braugham on drums, and Alejo Povenda on percussion. (Jazz) CD
Fender Rhodes, funky flute, and soulful trumpet – topped off by great vocals on most tracks, and wrapped up in a really classic production style! Bryan Corbett's a perfect labelmate to Woodland's Perry Hemus – and like Hemus, he's working here in a modern update of older Fender Rhodes-d ... (New Grooves) read moreCD
In the electric universe of the GRP label, Chick Corea makes a bold move with his Akoustic Band here – even if the overall conception of the cover and the group's fashions have kind of an "electric" 80s look to it! The group here is a trio – with John Patitucci on bass and ... (Jazz) read moreCD
Chick Corea —
Alive ... CD GRP, 1991. Used ...
$3.99
A double-length live set from Chick Corea's Akoustic Band – an ensemble with kind of a silly name, but one that marked a nice return to basics for Chick! The trio features John Patitucci on bass and Dave Weckl on drums – and both players have a good sense of feeling to match Corea's ... (Jazz) read moreCD
(Clear tape on booklet, promo sticker over barcode.)
Nothing childish here – as the album's a beautiful set of short, spare numbers from Chick Corea – a perfect reminder that he could still maintain a subtle approach to his music, even after years of more dramatic electric sides! The bulk of the album features short "Children's ... (Jazz) read moreCD
(CONDITION NOTE: this copy is missing the rear tray card, booklet has some age spots.)
Very expressive work from Chick Corea – a solo set from the 90s, and a great reminder of his acoustic talents on the piano! Although Chick's a player you might normally associate with electric riffs and freewheeling fusion, he's also a very sensitive stylist when he wants to be – as ... (Jazz) read moreCD
Features Kenny Garrett and Joshua Redman on saxes, Wallace Roney on trumpet, Christian McBride on bass, and Roy Haynes on drums! (Jazz) CD
(Very slight tear on booklet cover.)
Chick Corea & Origin —
Change ... CD Stretch, 1999. Used ...
$4.99
Chick Corea on piano and marimba, Steve Wilson and Bob Sheppard on reeds, Steve Davis on trombone, Avishai Cohen on bass, and Jeff Ballard on drums. (Jazz) CD
An album with a very mod-looking cover – and a set that's also overflowing with lots of mod-styled tracks to match – a cool current of soul from the 60s, but still handled with the sharper 70s vibe of young Attractions! Production is by Nick Lowe – and although The Jam were also ... (Rock) read moreCD
One of those rock records that shouldn't have worked – Elvis ditched the pounding pop of his earlier post punk years for this one, replacing it with 80s synthesizer soul production and hired back up singers – but it works, thanks to Costello's pen being nearly as sharp as it ever was. ... (Rock) read moreCD
Danny Turner and Manny Boyd on alto saxophone and flute, John Williams on baritone saxophone and bass clarinet, Bill Hughes on bass trombone, Charlton Johnson on guitar, George Caldwell on piano, Doug Miller and Kenny Hing on tenor saxophone and flute, Clarence Banks, Robert Trowers, and Mel Wanzo ... (Jazz) read moreCD
A very cool album from Noel Coward – a talent you're probably more familiar with as a playwright, but who also happens to be quite the entertainer! This album is one of two great sets that Coward recorded live in the US in the mid 50s, and they really show him opening up a lot from earlier ... (Vocalists) read moreCD
Features Steve Coleman on alto and soprano sax, Stanley Cowell on piano, Santi W. Debriano on bass, and Joe Chambers on drums. Tracks include "Theme For Ernie", "Wail", "Sylvia's Place", "Come Sunday", "St. Croix", and "Prayer For Peace". (Jazz) CD
(Booklet has a cut corner, disc has a promo stamp.)
We never tire of the saxophone work of Sonny Criss – and this mid 70s gem is a perfect example of his brilliance! Sonny's sound on alto here is completely his own – raspily, soulful style that's really unique – and which draws strongly from Criss' rich life experience, including ... (Jazz) read moreCD
Great later work from Sonny Criss – very much in the format of his late 60s work for Prestige, but with an approach that's perhaps a bit more open-ended overall! The vibe here is laidback and soulful – Sonny blowing alto sax in that wonderful, all-his-own sort of tone – a sound ... (Jazz) read moreCD
Early bop material from the great Sonny Criss – a collection of rare early live sessions, done at a time when he was one of the leading lights of the Central Ave scene! The first 3 tracks on the set feature Sonny blowing away on a set of longer tunes – recorded in 1947 with Howard ... (Jazz) read moreCD
The scene is clean, and Ronnie Cuber is plenty swinging – really coming into his own here as a leader, after years of important work as a sideman for others! Cuber blows beautifully on a host of horns – tenor, alto, baritone, and flute – in a groove that wraps together his years ... (Jazz) read moreCD
(Out of print. Disc has a promo stamp, punch through barcode.)
A really great collection of Cugat's early work for Columbia – presented here with great sound, good notes, and some of the best packaging we've seen for his work in years! The set's got a total of 26 titles in all – with vocals by Miguelito Valdes, Abbe Lane, Tito Rodriguez, and ... (Latin) read moreCD
Includes the songs "You Make Me Feel Brand New", "Thinking About You", "Africa", "Paradigms", "Summer Madness", "For The Love In Your Eyes (Prelude)", "For The Love In Your Eyes", and "Peace Of Mind". (Jazz) CD
(Out of print.)
Tadd Dameron with John Coltrane —
Mating Call ... CD Prestige/OJC, 1956. Used ...
$5.99
A sublime early set from John Coltrane – and one of Tadd Dameron's greatest moments on record ever! The session's a laidback quartet one – with John Simmons on bass and Philly Joe Jones on drums, completing the group with Dameron on piano and Trane on tenor – all coming together ... (Jazz) read moreCD
Some of the best work this tenorist ever recorded – including some of his classic sessions with Shirley Scott on Hammond, and some nice Latin-tinged numbers too! (Jazz) CD
(Out of print, punch through barcode and promotional stamp on CD.)
(Still sealed! Small cutout hole through case and traycard.)
Miles Davis —
Amandla ... CD Warner, 1989. Used ...
$0.99
Features Kenny Garrett on alto and soparano sax – plus guest work from George Duke, Joe Sample, and Paulinho Da Costa. Titles include "Cobra", "Big Time", "Hannibal", "Jo Jo", "Amandla", "Jilli", and "Mr Pastorious". (Jazz) CD
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... (Jazz) read moreCD
An excellent compilation of concert recordings from Miles Davis – the first 3 numbers from the 1969 Newport Jazz Festival and capturing Miles, Chick Corea, Dave Holland and Jack DeJohnette in the months before the studio version of Bitches Brew – plus 6 tracks from Isle Of Wight in the ... (Jazz) read moreCD
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in ... (Jazz) read moreCD
(Out of print, punch through barcode.)
Miles Davis —
ESP ... CD Columbia, 1965. New Copy ...
$5.999.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, ... (Jazz) read moreCD
Miles Davis —
ESP ... CD Columbia, 1965. Used ...
$2.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, ... (Jazz) read moreCD
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new ... (Jazz) read moreCD
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out ... (Jazz) read moreCD
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting ... (Jazz) read moreCD
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting ... (Jazz) read moreCD
(Out of print 1997 Japanese Master Sound pressing.)
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... (Jazz) read moreCD
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... (Jazz) read moreCD
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over ... (Jazz) read moreCD
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half ... (Jazz) read moreCD