Barney Kessel/Ray Brown/Shelly Manne —
Poll Winners ... CD Contemporary/OJC, 1957. Used ...
Out Of Stock
A simple but elegant set from the west coast scene of the 50s – one that features the trio of "poll winners" Barney Kessel on guitar, Ray Brown on bass, and Shelly Manne on drums – all coming together in tight formation for the set! There's a well-crafted mood to the record ... (Jazz) read moreCD
Barney Kessel/Shelly Manne/Ray Brown —
Straight Ahead ... CD Contemporary/OJC, 1975. Used ...
Out Of Stock
A rare 70s reunion for the Poll Winners trio of Barney Kessel, Ray Brown, and Shelly Manne – one that has them all looking a bit shaggy on the cover, but still plenty darn tight in the grooves of the record! There's a really nice change here from the earlier sound of the group – longer ... (Jazz) read moreCD
The "new scene" of King Curtis here is a jazz one – as Prestige takes him into the studio, and backs up his tenor with accompaniment from Wynton Kelly, Paul Chambers, and Oliver Jackson – plus trumpet from Nat Adderley, billed on the back as "Little Brother" for ... (Jazz) read moreCD
A record that revolutionized the concept of jazz vocals in the 50s – thanks to famous performances by Annie Ross and King Pleasure! The tracks on the LP include Ross' early interpretations of Wardell Gray's classics "Twisted" and "Farmer's Market", and the King Pleasure ... (Vocalists) read moreCD
Lee Konitz —
Spirits ... CD Milestone/OJC, 1971. Used ...
Out Of Stock
A nice little session from Lee Konitz – simple, without many tricks, and a great 70s extension of the sound of his 50s work! The group's a quartet with Sal Mosca on piano – and on a number of tracks, the pair of them play together alone, Lee blowing introspectively, and Sal working in ... (Jazz) read moreCD
A great record – and easily one of Harold Land's best! The session brings Land in from the west coast, and records him in New York with his regular rhythm combo that included the great Amos Trice on piano, Clarence Jones on bass, and Joe Peters on drums. But, added to that quartet is the ... (Jazz) read moreCD
Harold Land —
Fox ... CD Contemporary/OJC, 1959. Used ...
Out Of Stock
A key moment in the west coast hardbop scene – and one of the greatest early records from saxophonist Harold Land! The group's a really striking one – with the unique Dupree Bolton on trumpet, a great player that we really only know from this set – plus Herbie Lewis on bass, ... (Jazz) read moreCD
One of our favorite albums ever from Harold Land, and a great set that has a hard soul jazz feel – despite the "west coast" in the title. Harold's playing with a great group that includes Barry Harris, Joe Gordon, and Sam Jones – as well as guitarist Wes Montgomery, who's ... (Jazz) read moreCD
An ambitious larger group album from Yusef Lateef – and one that's carried off with all the genius of his smaller group sessions from the time! Yusef himself is working with a variety of reed instruments – including tenor sax, oboe, flute, and argol – amongst a larger horn ... (Jazz) read moreCD
A beautifully haunting set by Yusef that marked his move to Prestige, and a sophistication of the Eastern-tinged jazz style that he developed during his years with Savoy. The tracks on here feature Yusef playing tenor, flute, and argol – with backing by a group of Detroit musicians that ... (Jazz) read moreCD
(1996 OJC pressing.)
Latin Jazz Quintet + Eric Dolphy —
Caribe ... CD Prestige/OJC, 1960. Used ...
Out Of Stock
A masterful meeting of Eric Dolpy and The Latin Jazz Quintet – a record that shows a rare Latin side of Dolphy's talents, but one that's totally great! The core group here are the ensemble led by conga player Juan Amalbert with vibes, piano, bass, and percussion – a group who helped ... (Jazz) read moreCD
Barbara Lea —
Barbara Lea ... CD Prestige/OJC, 1956/1957. Used ...
Out Of Stock
One of the few 50s albums ever cut from singer Barbara Lea – a great vocalist who seemed to get a bit more of a chance in the studio much later in her life! This session's got a slightly unusual feel – in that it's not really torchy, but also not as outrightly swinging either – ... (Vocalists) read moreCD
"Dynamic" is right – as Rod's one of the hippest large group arrangers of his time! The album's a really wonderful record that features Rod leading an octet with a distinctly modern touch – almost building off the styles of Kenton groups of the 50s, but with more of the ... (Jazz) read moreCD
Collects work by the New Orleans Jazz Band, which features Lewis, Alvin Alcorn, Lawrence Marrero, Lester Santiago, Alcide Pavageau, and Paul Barbarin – plus quartet material featuring some of the same players. (Jazz) CD
Features Lewis on piano and celeste. Tracks include "Hammer Chatter", "Bear Trap Stomp", "C-Jam Blues", "Fate", "Frompy Stomp", "Rough Seas", and "Celeste Bounce". (Jazz) CD
Abbey Lincoln —
That's Him! ... CD Riverside/OJC, 1957. Used ...
Out Of Stock
One of Abbey Lincoln's earliest albums – an all star session recorded with backing by Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers, and Max Roach! Abbey's still pretty straight at this point – singing a variety of wispy love songs and emotional tunes – but she's also ... (Vocalists) read moreCD
A very hip album that shows that Mundell Lowe was much more than just a regular jazz guitarist. Lowe emerges here as a relatively hip modernist – working in a small combo that includes Ed Thigpen on drums, Billy Taylor on piano, and Les Grinage on bass, as well as occasional alto work by ... (Jazz) read moreCD
One of the few 50s small group sessions recorded by Teo Macero as a leader – and one of the best! Macero's probably better known both for his work as an arranger, and as a producer of famous albums at bigger labels – but here, he's working with a quintet in a laidback vibe that really ... (Jazz) read moreCD
Trio side with Bob Cranshaw and Mickey Roker. Soul jazz piano stuff, with a few nice originals like "Cracklin" and "Down the Line". (Jazz) CD
(Out of print 1998 OJC pressing.)
Mangione Brothers Sextet —
Jazz Brothers ... CD Riverside/OJC, 1960. Used ...
Out Of Stock
Think what you want about Chuck and his 70s hits, this version of the Mangione Brothers is a cooker! Chuck is on trumpet, Gap is on piano, and the rest of the group features Larry Combs on alto, Sal Nistico on tenor, Bill Saunders on bass, and Roy McCurdy on drums – all grooving in a nice ... (Jazz) read moreCD
An incredible record from Shelly Manne – one of his only dates recorded at The Manne Hole, even though it was his own club – and a killer live recording that was issued in a rare 2LP format for the time! The style here is similar to Manne's excellent recordings at the Blackhawk – ... (Jazz) read moreCD
An incredible record from Shelly Manne – one of his only dates recorded at The Manne Hole, even though it was his own club – and a killer live recording that was issued in a rare 2LP format for the time! The style here is similar to Manne's excellent recordings at the Blackhawk – ... (Jazz) read moreCD
A pretty darn great record – the first full length LP cut by Shelly, issued by Contemporary in the mid 50s, and pulling together side from sessions in 1953, some of which were issued previously, others of which appear for the first time here. The tracks are short and playful – very ... (Jazz) read moreCD
(Out of print OJC pressing.)
Shelly Manne —
Three/Two ... CD Contemporary/OJC, 1954. Used ...
Out Of Stock
A full length album that brings together 2 different earlier 10" sessions by Manne – groundbreaking work in a freer mode than most of what was going on in LA during the mid 50s! Side one features material from The Three – a 10" session that featured Manne on drums, Shorty ... (Jazz) read moreCD
A stunning hardbop set from drummer Shelly Manne – a player most folks associate with more arranged jazz, or cooler modes of the LA scene of the 50s – but a player who was already starting to open up and forge new roads by the end of that decade! Shelly became a surprising proponent of ... (Jazz) read moreCD
A stunning hardbop set from drummer Shelly Manne – a player most folks associate with more arranged jazz, or cooler modes of the LA scene of the 50s – but a player who was already starting to open up and forge new roads by the end of that decade! Shelly became a surprising proponent of ... (Jazz) read moreCD
Vital early Prestige work from alto sax great Charlie Mariano – who's fronting a quintet of Boston All Stars! The record includes a couple of his more essential early compositions in "Erosong" and "Barsac" – and Charlie's solos on those are incredible on those. It's ... (Jazz) read moreLP, Vinyl record album
Pat Martino —
East! ... CD Prestige/OJC, 1968. Used ...
Out Of Stock
Very groovy stuff from guitarist Pat Martino – and a record that has him breaking past the soul jazz roots of his early days with Trudy Pitts – into a more open-ended spiritual vein, well-suited for the "east" tag in the title! The record's not filled with a lot of Eastern ... (Jazz) read moreCD
(Out of print.)
Pat Martino —
Strings! ... CD Prestige/OJC, 1967. Used ...
$11.99
An excellent album from guitarist Pat Martino – caught here at a key point when he was breaking out of his earlier soul jazz roots, and going for a more complicated style that showed he was picking up a lot of spiritual influences from the Coltrane generation. The record's got a core group ... (Jazz) read moreCD
A classic early set from Jack McDuff – and a record that's very much in his own hands, despite the presence of Gene Ammons as a co-leader! The group's more of a McDuff one than an Ammons ensemble – and features the great Joe Dukes on drums, Eddie Diehl on guitar, and Harold Vick on ... (Jazz) read moreCD
Howard McGhee and his trumpet team up with pianist Phineas Newborn, bassist Leroy Vinnegar and Shelley Manne on drums for this great early 60s session. The record features the McGhee original "Demon Chase" and two Teddy Edwards songs, "Sunset Eyes" and his salute to McGhee ... (Jazz) read moreCD
Ken McIntyre with Eric Dolphy —
Looking Ahead ... CD New Jazz/OJC, 1960. Used ...
Out Of Stock
A legendary meeting of these two modernists – and a record that's filled with sharp-edged new ideas! Both Ken McIntyre and Eric Dolphy play alto and flute on the album – and Dolphy contributes a bit of bass clarinet as well – and the pair receive a bit of straighter backing than ... (Jazz) read moreCD
(Sealed copy!)
Jackie McLean —
4, 5 & 6 ... CD Prestige/OJC, 1956. Used ...
Out Of Stock
An unusual title, but one that refers to Jackie McLean in quartet, quintet, and sextet formation – a growing lineup that develops along the course of the record, as new players are added into the mix with a casual, almost blowing session approach! The set begins with Jackie's alto set out in ... (Jazz) read moreCD
Long-blowing late 50s work from Jackie McLean – one of his standout sets as a leader from the pre-Blue Note years! The album features McLean in two different settings – really opening up on side one with a sextet that includes Curtis Fuller on trombone, Webster Young on trumpet, Gil ... (Jazz) read moreCD
Bebop is alive and well in this classic 60s set by McPherson – blowing hard here in a Bird-esque mode on alto, but also with some of the soulfulness of Jackie McLean during the 50s. The group features Carmell Jones on trumpet, Barry Harris on piano, Nelson Boyd on bass, and Al Heath on drums ... (Jazz) read moreCD
Gil Melle —
Gil's Guests ... CD Prestige/OJC, 1956/1957. Used ...
Out Of Stock
We've got a long-standing love affair with the music of Gil Melle, and this CD's a perfect example of why we think he's so great! Melle was an enigmatic baritone player who recorded for Blue Note and Prestige in the 50's, and his recordings for both labels have a strange other-wordly quality that's ... (Jazz) read moreCD
One of Charles Mingus' greatest albums from the early days – and a record that shows him making the shift into the groundbreaking style that would characterize his excellent work of the late 50s! The group features Mal Waldon on piano, George Barrow on tenor, Eddie Bert on trombone, and Max ... (Jazz) read moreCD
Seminal early work from Charles Mingus – a session that really shows him beginning to work in tightly arranged, deeply resonant styles – pushing much more deeply towards the brilliance of the late 50s! The set's recorded with a great lineup that includes Mal Waldron, Max Roach, and the ... (Jazz) read moreCD
Seminal early work from Charles Mingus – a session that really shows him beginning to work in tightly arranged, deeply resonant styles – pushing much more deeply towards the brilliance of the late 50s! The set's recorded with a great lineup that includes Mal Waldron, Max Roach, and the ... (Jazz) read moreLP, Vinyl record album
A great later example of the genius of Mingus with Eric Dolphy – a performance done shortly before Dolphy left on his tragic last visit to Europe in 1964, and which features both him and Mingus at their freest together! Don't mistake the album for the similarly-titled Town Hall album on ... (Jazz) read moreCD
Fantastic mid-50's work by Mingus, and a pivotal pair of recordings that clearly show his transition from bop bassist to groundbreaking modernist. The CD brings together two rare 10" albums that originally came out on the Period label in 1954. The albums are also noteworthy for the ... (Jazz) read moreCD
Charles Mingus with Jackie Paris, The Gordons, etc —
Debut Rarities Vol 4 ... CD Debut/OJC, 1952/1953. Used ...
Out Of Stock
A very rare slice of work from Charles Mingus – sides recorded for his Debut label that featured vocalists in the lead! Backing is by Mingus-led combos on all tracks – but the presence of singers makes for a great change in the music – not a sleepy, torch jazz vocal style – ... (Jazz) read moreCD
Two rare slices of Charles Mingus from the 50s – back to back on a single CD! First up is a Charles Mingus Octet session, originally released as a 10" LP – and a date that shows some of the first complicated orchestrations from the legendary bassist! The music here already has ... (Jazz) read moreCD
Blue Mitchell —
Cup Bearers ... CD Riverside/OJC, 1962. Used ...
Temporarily Out Of Stock
One of the first albums to really show Blue Mitchell's genius as a leader – recorded past the more formulaic bop modes of some of his other Riverside sessions, and handled with a lyrical edge that really gets at the best aspects of his playing. Of course, part of the reason for this is that ... (Jazz) read moreCD
(OJC pressing.)
Blue Mitchell —
Sure Thing ... CD Riverside/OJC, 1962. Used ...
$19.99
A hip session from Blue – one that points the way towards some of his later work on Blue Note, and which features a larger than usual group arranged by Jimmy Heath. As on some of Heath's other projects from the time, the groove is tight and soulful, but never so dominant as to overwhelm the ... (Jazz) read moreCD
(Out of print 1994 OJC pressing. Booklet has a slight crease.)
Great early work from bassist Red Mitchell – one of his few sets as a leader in the US, before going on to a wide range of records overseas! The lineup is unusual – as Red is working with a group that features the great James Clay on flute and tenor, alongside Lorraine Geller on piano, ... (Jazz) read moreCD
(Out of print, early 90s OJC pressing.)
Modern Jazz Quartet —
Django ... CD Prestige/OJC, Mid 50s. Used ...
$1.99
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 ... (Jazz) read moreCD
Monk Monk Monk! A classic, with a lively quintet that includes Thad Jones, Sam Jones, Art Taylor, and the amazing Charlie Rouse, here just beginning a very fruitful association with Monk – and really adding a lot to the session with some incredible tenor work that's as angular and modern as ... (Jazz) read moreCD
A classic solo piano album from Thelonious Monk – recorded live in San Francisco, and maybe one of his best albums ever in the format! There's a special sort of quality that makes Monk's solo work so different from his trio, quartet, and larger group music – this real understanding of ... (Jazz) read moreCD
A classic solo piano album from Thelonious Monk – recorded live in San Francisco, and maybe one of his best albums ever in the format! There's a special sort of quality that makes Monk's solo work so different from his trio, quartet, and larger group music – this real understanding of ... (Jazz) read moreLP, Vinyl record album
A brilliant title for this brilliant album from Thelonious Monk – a set that really has him coming back strongly in the second half of the 50s – with a new talent for arrangements that really goes past his previous work! Monk's piano and compositions are every bit as great as before ... (Jazz) read moreCD
A brilliant title for this brilliant album from Thelonious Monk – a set that really has him coming back strongly in the second half of the 50s – with a new talent for arrangements that really goes past his previous work! Monk's piano and compositions are every bit as great as before ... (Jazz) read moreLP, Vinyl record album
A key classic from Thelonious Monk's years at Riverside – and an album that's as compelling as its haunting title! The session features Thelonious working with a great quartet that includes Johnny Griffin on tenor, playing these wonderfully angular lines; Ahmed Abdul-Malik on bass, working ... (Jazz) read moreCD
(OJC pressing with a crease through the traycard artwork.)
A landmark in jazz – easily one of Thelonious Monk's greatest albums ever, and a magical crossroads of talents that brings together a variety of jazz traditions! The work is performed by an ambitious Monk septet that includes both Coleman Hawkins and John Coltrane on tenor – and if you' ... (Jazz) read moreCD
A classic outing of solo piano by Thelonious Monk – a format that wasn't used often, but which always made for some really compelling work! Monk in this mode is often different than the bolder leader of a trio or larger group – and there's a more introspective quality to the record ... (Jazz) read moreCD
A classic cooker from Thelonious Monk – recorded during his legendary run at the Five Spot in the late 50s, and featuring some especially great work on tenor from a young Johnny Griffin! Griffin's filling a role here that would be cemented a bit more firmly in the 60s by Charlie Rouse – ... (Jazz) read moreCD
A classic cooker from Thelonious Monk – recorded during his legendary run at the Five Spot in the late 50s, and featuring some especially great work on tenor from a young Johnny Griffin! Griffin's filling a role here that would be cemented a bit more firmly in the 60s by Charlie Rouse – ... (Jazz) read moreCD
A full length set that compiles earlier sessions cut under either the name of Thelonious Monk or Sonny Rollins – most of them together in the same group! At the time of recording, Monk was an established figure on the bop scene, but Rollins was still a fresh voiced up-and-comer – yet ... (Jazz) read moreCD
A famous European set from Thelonious Monk – recorded early in the 60s with his famous quartet that included Charlie Rouse on tenor! Even at this point before the Columbia sides, Rouse is already amazing – really stretching out in these modern, angular lines that are quite different ... (Jazz) read moreCD
A unique large group effort from Thelonious Monk – but one that bristles with all the angular energy of his other great work for Riverside! The group here is a tentet – filled with excellent players who include Donald Byrd, Phil Woods, Pepper Adams, Eddie Bert, Robert Northern, and ... (Jazz) read moreCD
Thelonious Monk plays the music of Duke Ellington – but as you can imagine, the sound here is quite different than usual! At a time when Ellington was working mostly in large group format for the mainstream, Monk's presentation of his standards in trio format is a wonderful way to unlock ... (Jazz) read moreCD
A stunning pre-Columbia session from Thelonious Monk – a really great live date that has Monk's familiar quartet augmented by west coast players Joe Gordon on trumpet and Harold Land on tenor! Given that Charlie Rouse is already in the group on tenor, the addition of Land's horn makes for a ... (Jazz) read moreCD
A full length LP that brings together 2 earlier sessions by Thelonious Monk! The main part of the album is a legendary Monk quintet recording, done at a time when Thelonious was mostly pretty trio-heavy in the studio – and a set that features some great tenor by Frank Foster, alongside ... (Jazz) read moreCD
A record that documents a meeting of two giants of modern jazz in the 50s – the angular genius Thelonious Monk, and the younger John Coltrane – a tenor player who was probably better-known for his work with Miles Davis during this period! The recordings are more Monk's than Coltrane's ... (Jazz) read moreCD
The session's billed as "very personal treatments of great standards" – and it's a great twist on familiar material, all given the Thelonius touch! There's less of Monk's creative composition and angular group arrangements going on here – and instead, the album's almost a ... (Jazz) read moreCD
Thelonious Monk & Gerry Mulligan —
Mulligan Meets Monk ... CD Riverside/OJC, 1957. Used ...
Out Of Stock
An unlikely pair, but a great one here – and the record's one of those few magical moments where bringing together unusual partners actually works! Mulligan's cool hardly seems a match for Monk's angular modernism, but together the players seem to strike a middle ground that resonates with ... (Jazz) read moreCD
Early greatness from Wes Montgomery – and a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger ... (Jazz) read moreCD
(2010 OJC remastered edition with a punch through the barcode.)
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely ... (Jazz) read moreCD
They're not kidding with the title of this one – because although the record was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy ... (Jazz) read moreCD
They're not kidding with the title of this one – because although the record was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy ... (Jazz) read moreCD
Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – ... (Jazz) read moreCD
Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time! If you only know the later, famous ... (Jazz) read moreCD
Mostly solo material from Tete Montoliu – playing piano, as well as eating lunch, on this sweet LA date from the start of the 80s! The spare setting allows Montoliu to do a lot more here than usual – really freed from rhythm on some numbers, and stretching out into territory that might ... (Jazz) read moreCD
James Moody on alto and tenor saxophone, Pee Wee Moore on baritone saxophone, William Shepherd on trombone, Dave Burns on trumpet, Jimmy Boyd and Sadik Hakim on piano, John Lathan on bass, Clarence Johnson and Joe Harris on drums, with vocals from Eddie Jefferson and Iona Wade. (Jazz) CD
(1994 OJC pressing. Disc label has radio call letters in white out.)
A beautiful early session on Charles Mingus' Debut Records label – one that features singer Ada Moore – a thin-voiced, yet soulful songstress with an edgey sort of tone! The album's got lots of nice rough edges that take it away from the cliched vocal album of the time – ... (Vocalists) read moreCD
Excellent later work from Frank Morgan – the legendary LA altoist who first burned brightly in the bop generation, then came back to make really rich recordings like this! The set's got Frank in some really great company – a hip sextet that features Joe Henderson on tenor, Bobby ... (Jazz) read moreCD
(Out of print.)
Frank Morgan with Cedar Walton —
Easy Living ... CD Contemporary/OJC, 1985. Used ...
$9.9911.99
A great date from the later revival years of altoist Frank Morgan – thanks to a warm performance from the Cedar Walton trio! One of the great things about late Morgan is the way in which he's able to really fit himself into different settings – still holding onto his soulful roots, but ... (Jazz) read moreCD
(OJC pressing, spine has a cutout notch.)
Lee Morgan —
Take Twelve ... CD Jazzland/OJC, 1962. Used ...
Temporarily Out Of Stock
A rare non-Blue Note outing from Lee Morgan – and a record that's sometimes mistaken as a large group effort because of the "twelve" in the title, but which is a tight small group set that's equally cooking as some of Lee's better known records! As with the best mid 60s Blue Note ... (Jazz) read moreCD
Given what a freewheeling, open-minded, and lyrical jazz singer Mark Murphy is, it's hard to imagine him really loving "the blues" – and fortunately, most of that love is extended in the title, because the album itself is less of the blues effort that you might think. True, the ... (Vocalists) read moreCD
One of the first larger concept albums from Oliver Nelson – and a set that really marked a strong step forward as a jazz arranger! The album is one long suite – as you might guess from the title – with righteous themes that deal not just with rising independence in postwar Africa ... (Jazz) read moreCD
Oliver Nelson —
Main Stem ... CD Prestige/OJC, 1961. Used ...
Out Of Stock
A relaxed small group session from saxophonist Oliver Nelson – a record that's quite different than some of his more tightly arranged dates, and a good reminder of this side of his talents! Oliver plays both alto and tenor sax on the album, and he's joined by a perfect group for the easy ... (Jazz) read moreCD
Although Nelson went onto become a very successful pop jazz arranger during the 1960s, this early 1959 album features him as a bright new jazz soloist – with a keen talent for blowing the alto with a tone that is at once soulful and lyrical, yet somehow darkly edgey. The session features a ... (Jazz) read moreCD
One of the most open-ended and laidback records ever from Oliver Nelson – a set that gets away from the tighter arrangements of other albums, and really lets you concentrate on his saxophone work! The album's got a really wonderful feel throughout – easygoing and soulful, with work by ... (Jazz) read moreCD
(Out of print.)
Oliver Nelson with Eric Dolphy —
Straight Ahead ... CD Prestige/OJC, 1961. Used ...
Out Of Stock
A great little small group session by Nelson – one that has him working in a quintet with Eric Dolphy, one that shows that Nelson could be a strongly modernist player when he wanted to be! Dolphy plays alto, bass clarinet, and flute – and Nelson's tone is appropriately biting to match ... (Jazz) read moreCD
Oliver Nelson with Johnny Hammond & Lem Winchest —
Taking Care Of Business ... CD New Jazz/Prestige/OJC, Early 60s. Used ...
$18.99
Oliver Nelson is definitely taking care of business here – thanks to some key help from the great Lem Winchester on vibes, and a young Johnny Hammond Smith on organ! The pair bring a mighty deep groove to the record – which gives Nelson a chance to show off some of the deeper tones on ... (Jazz) read moreCD
(Out of print, name in pen on CD.)
Phineas Newborn —
Back Home ... CD Contemporary/OJC, 1976. Used ...
Out Of Stock
Previously unreleased material recorded by Phineas Newborn for Contemporary Records – a set that has him ringing out the notes in ways that are almost earthier than in earlier years – sometimes bluesy, but other times with almost a more traditional approach to the keys! There's a ... (Jazz) read moreCD
Wonderfully romping work from Phineas Newborn – and a great showcase for the harder side of his sound on the piano, something that didn't always show up on his RCA albums of the 50s! The style here has plenty of bluesy overtones – not in a cliched soul jazz way, but in an earthy mode ... (Jazz) read moreCD
Phineas Newborn —
Harlem Blues ... CD Contemporary/OJC, 1969. Used ...
Temporarily Out Of Stock
A later issue of material recorded in the late 60s by Phineas for Contempoary – tunes from the sessions for the album Please Send Me Someone To Love, but which didn't make the cut at the time – and are here issued a decade after the original recordings! The group on the set features ... (Jazz) read moreCD
The first album from Phineas Newborn in a number of years – and a set with a strong enough sound to warrant the "Phineas Is Back" in the title! Newborn's sound here has hardly dimmed at all – and he's still got that great blend of complicated flourishes and bluesier ... (Jazz) read moreCD
The Newborn Touch is always a great one, but it sounds especially nice on this record – a set that seems to go even farther than any of Phineas' earlier trio sessions! There's an almost-ambitious sound to the record that we really like a lot – one that possibly comes from Newborn's ... (Jazz) read moreCD
(Out of print OJC pressing.)
Phineas Newborn —
World Of Piano ... CD Contemporary/OJC, 1961. Used ...
Out Of Stock
Maybe not a "world" of piano, but a real classic from Phineas Newborn – a record that marks a harder, more soulful sound than some of his 50s work – shaking free from some of his flowery touches on the keys, and digging much deeper into the groove of his Memphis roots! The ... (Jazz) read moreCD
Joe blows it strong and mellow – in this spare swinging group that includes Frank Wess on tenor, Tommy Flanagan on piano, Eddie Jones on bass, and Oliver Jackson on drums. Tracks are warm and unpressured, more in a Verve mode than a Prestige one – and titles include "Wednesday's ... (Jazz) read moreCD
One of the first moments of genius as a leader from saxophonist/arranger Lennie Niehaus – a set that has Lennie stepping out of the larger Stan Kenton orchestra, into the limelight with a hip quintet that includes Jack Montrose on tenor, Bob Gordon on baritone, Monty Budwig on bass, and ... (Jazz) read moreCD
Sublime work from this oft-overlooked alto player – a wonderful album that features Lennie playing in quintets with Bill Perkins, Bob Gordon, Stu Williamson, and Hampton Hawes – plus added string quartet backings on most of the tunes – making for a shimmering sound that's really ... (Jazz) read moreCD
A gem of a session from Lennie Niehaus – one of his best 50s albums for Contemporary, and one of his most obscure too! The album features Lennie's alto in the company of a group that includes Bill Perkins on tenor and flute, Jimmy Giuffre on baritone, and Stu Williamson on trumpet. There's ... (Jazz) read moreCD
2 early 60s sessions by tenorist Sal Nistico – a great player who spent most of his life in bigger bands, but who also knew how to shine on small group settings like these! They sure got the title right on the CD, as Sal's playing tenor in groups that feature many heavyweights, and soul jazz ... (Jazz) read moreCD
Great lean grooves from vibist Red Norvo – exactly the kind or record that shows why he was such an amazing talent on his instrument in the 50s! The album has Red working without piano or drums – just the guitar of Jimmy Raney and bass of Red Mitchell – both players who are ... (Jazz) read moreCD
A legendary live performance, and one that's often billed as a high moment in the history of bebop – a special concert-only group that brings together five key bop heavyweights – Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max ... (Jazz) read moreCD
A legendary live performance, and one that's often billed as a high moment in the history of bebop – a special concert-only group that brings together five key bop heavyweights – Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max ... (Jazz) read moreCD
Joe Pass —
Eximious ... CD Pablo/OJC, 1982. Used ...
Out Of Stock
A beautifully-toned set from guitarist Joe Pass – and a great demonstration of why he was recorded so heavily by Pablo Records during his later years! Joe's sound here is clear and clean, but richly chromatic too – a wellspring of full feelings, but with a great degree of subtlety too ... (Jazz) read moreCD