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A strange but great chapter of The Blue Notes – working here without Harold Melvin or Teddy Pendergrass, but still sounding pretty great on their own! This version of The Blue Notes is a male quartet – not the Melvin group with Sharon Paige who were recording for ABC – and they... read more

An overstuffed collection of greatness from Latimore – an extended set that's filled with warm soulful classics from the 70s – and a few more gems from later years too! Latimore's always had a really unique approach – steeped in southern soul, yet delivered with some slightly... read more

Latimore's digging deeper, and sounding greater than ever – working at Muscle Shoals with some great Miami production from Steve Alaimo – and coming across with a sound that's even warmer and more sophisticated than before – yet still very true to its deep soul roots too! At a... read more

Sweet late 70s grooves from Latimore – a bit less bluesy than at the start of the decade, but in a mighty nice way! The set's got loads of warm undercurrents – and shows Latimore pushing his southern soul roots into a modern soul mode – with surprisingly great results – a... read more

Sweet late 70s grooves from Latimore – a bit less bluesy than at the start of the decade, but in a mighty nice way! The set's got loads of warm undercurrents – and shows Latimore pushing his southern soul roots into a modern soul mode – with surprisingly great results – a... read more

Latimore couldn't help being a soul genius – and even on a record like this, which didn't really yield any hits, he still comes through loud and clear, with a deep rich soul voice, backed by some great mellow soul arrangements. The album includes a great slow mellow version of "I Get... read more

Latimore's first album – and a classic bit of Miami soul! The record's something of a groundbreaker – as it mixes older southern soul with some bluesy inflections – using small combo instrumentation and a warm sweet sound on production to create a new groove that pushed soul... read more

Great stuff from Latimore – possibly the king of the Miami soul scene of the 70s! The record's got him moving away from the blusier sound of his earlier days – in keeping with the direction he started on his second album – and it's got a lot of great electric piano riffing, plus... read more

Tight and soulful blues from Little Milton – just the sort of record that helped him cross over to bigger audiences back in the day, and a set that still sounds plenty great all these many years later! The set was done in Chicago – arranged by James Mack, with backing vocals from Kitty... read more

Timmy Thomas live, in front of a massive crowd in Johannesburg – really grooving with enthusiasm that's captured beautifully in the recording! The set's a great reminder that Timmy had lots of power away from the studio – that he wasn't just drum machine bits and disco riffs, and could... read more

A Miami soul masterpiece from start to finish – and a lesser-known record from drum machine hit maestro Timmy Thomas! The album's got the feel of Timmy's classic Why Can't We Live Together album – but the overall sound is a bit fuller and richer, with a soulfulness that grabs us right... read more