All Categories — LPs  

With Abercrombie on guitars, Richie Beirach on piano, George Mraz on bass, and Peter Donald on drums.... read more

With George Adams on tenor, Heinz Sauer on tenor, Kenny Wheeler on trumpet and flugelhorn, Richard Beirach on piano, Dave Holland on bass, and Jack DeJohnette on drums.... read more

One of the few ECM sides recorded by the Art Ensemble Of Chicago – easily some of the hippest work the label issued at the time, and a key way for the avant collective to get a bit of large audience exposure! The sound is still very much in the best AEC style here – and if anything,... read more

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A very groovy set from Gary Burton – almost funky at points, and a great step forward for his unusual approach to the vibes! The group's definitely a new quartet, with a very fresh feel – and include Michael Goodrick on guitar, Abraham Laboriel on bass, and Harry Blazer on drums –... read more

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One of Chick Corea's greatest moments on record – the self-titled album by the legendary Return To Forever group – a combo that included Joe Farrell on saxes, Flora Purim on vocals, Airto on percussion, and Stanley Clarke on bass! The sound is archetypal 70s fusion at its best –... read more

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Double Image is Dave Samuels and David Friedman on vibes and marimba, Harvie Swartz on bass, and Michael Di Pasqua on drums. Songs include "Passage", "The Next Event", "Sunset Glow", and "Crossing".... read more

With Garbarek on tenor and soprano sax, Keith Jarrett on piano, Palle Danielsson on bass, and Jon Christensen on drums. Titles include "The Windup", "Belonging", "Solstice", "Spiral Dance", and "Blossom".... read more

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Features work by Sheila Jordan on vocals, Marcus Belgrave and Tom Harrell on trumpets, Ernst Ludwig Petrowsky on alto and soprano sax, Dino Saluzzi on bandoneon, George Gruntz on keyboards, Julian Priester on trombone, and Charlie Mariano on alto, soprano, and flute.... read more

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A great little trio session from Keith Jarrett – still in the mode of some of his other ECM work, but almost a bit more back to basics as well! The group here features Gary Peacock on bass and Jack DeJohnette on drums – both working beautifully with Keith in a flurry of colors, tones,... read more

A very unusual record – one that has Keith Jarrett playing some solo organ – and a baroque organ at that – but in ways that are quite different than you might expect! The sounds here are amazing – almost noisy at points, as Jarrett really works the instrument in an... read more

A heady double-length set from Keith Jarrett – some of his more sharper-edged work of the time, even though the session follows the free-flowing solo aproach of his other ECM recordings! The first half of the set features the extended "Invocations" suite – a work that has... read more

Jarrett's genre defining solo piano recording, one of what would become many, many documents of his improvised solo performances. While the music here is fully improvised, as nearly so as any music can be, it explores a more lyrical and contemplative side of improv than was the current approach to... read more

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After the success of Jarrett's Standards Trio recording, he revisits the format with Gary Peacock and Jack DeJohnette – the first ever live recordings of this incredible trio in action! Like the studio recordings, this set features roomy, lyrical readings of standards, in a way,... read more

Pretty trippy stuff – duets between Jarrett and DeJohnette, in a variety of modes that run from out and improvised, to mellower and modal. Jarrett plays piano, electric piano, organ, and flute – and DeJohnette plays a variety of percussion. Titles include "Ruta & Daitya"... read more

One of the leading lights of the ECM Records scene in the early 80s – bassist Marc Johnson, working here with his successful Bass Desires group! The lineup features some wonderful interplay on stringed instruments – Johnson's bass, and guitars from both John Scofield and Bill Frisell,... read more

An unusual session for Robin Kenyatta – featuring the leader on alto and flute, plus Wolfgang Dauner on clavinet and piano, Arild Andersen on bass, and Fred Braceful on drums.... read more

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A great example of the sound of ECM in the early 70s, with Liebman playing in his post-Miles band angular modernist style with warm electric and acoustic accompaniment from Richard Beirach, Frank Tusa and Jeff Williams rounding out the quartet . The set is made up of three long, spiralling numbers... read more

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One of the most earthy, organic offerings of the Herbie Hancock scene of the 70s – a session that's led by Headhunter reedman Bennie Maupin, and which also features Herbie on acoustic and electric piano – all in a sound that's quite different from his own work of the time! The tracks... read more

A brilliantly evocative album from Pat Metheny – one that's got a quietly epic feel, as Pat and group soar out across the American landscape in a set of tunes that subtly explore space and sound while still remaining wonderfully fluid. There's nothing forced here, and nothing too slick... read more

One of our favorite Metheny moments ever – and one of the few albums of his that we can go back to, and still enjoy heartily! The album's wonderfully stripped down – and features only guitar by Metheny, keyboards by Lyle Mays, and percussion and vocals by Nana Vasconcelos, all blended... read more

At the height of his success, Pat tries to prove to the world that he's still got cred – and hooks up with Ornette, Charlie Haden, and Denardo Coleman for a little bit of harmelodic jamming. Thing is, we actually liked the slick stuff better! Titles include "Mob Job", "Video... read more

With Miroslav Vitous on bass, John Surman on soprano sax and bass clarinet, Kenny Kirkland on piano, and Jon Christensen on drums.... read more

An ECM treat from bassist Eberhard Weber! Yellow Fields has great soprano sax from Charlie Mariano, who also plays shenai and nagaswaram too – plus keyboards from Rainer Brunighaus and drums from Jon Christensen – on titles that include "Touch", "Left Lane", "Ye... read more