... LP, Vinyl record album

We love our Buddy Guy here in Chicago – and this set cut for Vanguard, one of his first full solo albums with his own band will always be a favorite! Buddy's late 60s sound was as charismatic as he'd always be, but there's an understated approach to his lead that's really wonderful, and hits us much deeper than the showy, guitar solo heavy stuff that the blues club tourists want to hear! He's got the great Otis Spann playing piano, Wayne Bennett on rhythm, Jack Myers on bass, Lonny Taylor and Fred Below on drums, and Donald Hankins, Aaron Corthen and Bobby Fields on saxes. Titles include "A Man And His Blues", "I Can't Quit The Blues", "One Room Country Shack", "Just Playing My Axe", "Worry, Worry", "Jam On A Monday Morning" and more. LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

An incredible bit of global jazz from the French scene at the start of the 70s – one of those really unique records that's beyond easy definition, and which really represents all the cool criss-crossings in styles that were taking place on the Parisian scene at the time! Majole Hajary was born in Suriname, raised in Amsterdam, and has a background in Indian culture – but he also works here with the very groovy French arranger Roger Guerin, who plays trumpet and does a masterful job of bringing the whole thing together – in a blend of voices, rhythms, and instrumentation that all feels like some of the more compelling work on Saravah Records at the time! Lyrics are in French, traded between a few different singers with a very spiritual vibe – and Guerin's trumpet solos over the top, often like Donald Byrd in his "with voices" mode, but hipper – especially as other instrumentation includes sitar, organ, tablas, and lots of other great elements! Titles include "Judas", "Notre Pere", "Priere", "Gethsemani", "Les Apotres", and "La Mort De Judas". LP, Vinyl record album

Maybe one of the first-ever rock and roll full-length albums – with Bill Haley's big title cut – plus "Shake Rattle & Roll", "Two Hound Dogs", "Razzle Dazzle", "ABC Boogie", "Burn That Candle", "Rock A Beatin Boogie", "Birth Of The Boogie", "Dim Dim The Lights", and "Mambo Rock". LP, Vinyl record album

One of the hippest albums we've ever heard from guitarist Jim Hall – a set of free-thinking, open-ended tracks that show him really expanding his horizons at the end of the 60s! The album's drenched in Jim's warm, chromatic tones – whether gently played on a few mellow numbers, or falling over themselves like cascading water on the more upbeat tunes. The record's got some great drums and percussion from Airto, plus piano by Benny Aronov, who also plays electric on a few tracks as well. Titles include a great version of "Vera Cruz", plus "Minotaur", "Simple Samba", "Careful", "Wehre Would I Be", and "Goodbye My Love". LP, Vinyl record album

The beautiful first solo album by Lani Hall – recorded after years of work with Sergio Mendes in the Brasil 66 group – and done in a style that certainly reflects her great vocals with that ensemble, yet which also expands her sound tremendously! The set was arranged and produced by Herb Alpert in a spare, almost folksy style that still has some sweet LA touches – and the album's worth it alone for the leadoff cut – a version of Lesley Duncan's "Love Song", done in a gently grooving mode that's got a real folk-funk feel! The set's also got a great version of "We Could Be Flying" – and other tracks include "Ocean Song", "Vincent", "Come Down In Time", and "You". LP, Vinyl record album

One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "Sleepy Slept Here", "Drums West", "The Squimp", and "Sleep". LP, Vinyl record album

One of our favorite albums of all time – and a record that just gets better and better the more we listen to it – and we've listened to it for years! Johnny "Hammond" Smith began his career as a simple soul jazz organist – but by the time of this album, he'd teamed up with the mighty Larry Mizell, the genius arranger/producer who'd breathed new life into the careers of Donald Byrd and Bobbi Humphrey. Mizell works with Hammond in the same way he does with other jazz artists – by taking a groove that works best with their solo style, and slowly layering other instrumentation and effects on top of it, so that when the solo kicks in, it's supported on waves and waves of funky sounds and soulful grooves. Mizell and his brother Fonce both play keyboards on the record, and the rest of the group includes monster fusion players like Harvey Mason, Roger Glenn, Hadley Caliman, and Jerry Peters. The real treat is Johnny, though – as his solos are heavenly, the best of his 70s work, stripped mean and lean, laid in at just the right points. Includes the breakbeat classic "Shifting Gears", the house classic "Los Conquistadores Chocolates", and funky numbers "Fantasy" and "Tell Me What To Do". This stunning version adds in some killer bonus tracks – 6 never-heard cuts from the Milestone vaults, including "Song For My Family", "Funky Native", "Detroit Rainbow", "Can't We Smile (alt)", and slow and fast versions of "A Child's Love". CD

A killer set from the great Lionel Hampton – the first issued on his own small indie label! The group here is that hip 50s ensemble that had Hamp really evolving past his roots, and allowing lots of room for up-and coming younger players – including Harold Mabern on piano, Calvin Newborn on guitar, Virgil Jones on trumpet, and Eddie Pazant on sax! Also features some guest work from King Curtis on tenor and Tommy Flanagan on piano. LP, Vinyl record album

A really unique soundtrack for an Italian film – one that includes jazz from New York and San Francisco, calypso from Port Of Spain, steel band work from Trinidad, and more music from Brazil and Argentina too! Features work by Lionel Hampton, Punch Miller, Desperados Trinidad Steel Band, Lina Lancia, Wilbur De Paris, Canta Thais, Native Rhythm Con Silvana, and Mighty Sparrow. LP, Vinyl record album

A real treat – one of the few small group sessions ever recorded by Slide Hampton during the 60s! The session was cut in Paris, where Hampton had taken up residence at the end of the decade – and was done with an all-star group that features Joachim Kuhn on piano, Niels-Henning Orsted-Pederson on bass, and Philly Joe Jones on drums. The quality of the work is great – with very long tracks that dance with the freedom you'd expect from Kuhn's piano work, yet which also still swing very nicely in Hampton's usual groove. In all, we'd be tempted to rate this one as one of the more free-thinking trombone jazz sides of the 60s – and it's certainly one of Slide's finest records overall! Titles include "Last Minute Blues", "Lament", "Chop Suey", "Impossible Waltz", and "In Case Of Emergency". LP, Vinyl record album

A legendary album – and for good reason too – a set that's as mysterious as it is funky, and a record that's stayed at the top of our crates for years! The album features a really unusual collective of musicians, pulled together under the guidance of producer Paul Winley – a group that features George Benson on guitar, Dave Baby Cortez on organ, Willis Jackson on tenor sax, and Earl Williams on some massively funky drums! The music's a mix of funky jazz and gritty soul – put together with some really weird studio touches – including an uncredited male voice that comes in and out of the tracks, bad-rapping along with some very hip commentary. Ann Winley sings the female vocals on the set – often egged on by the dude – but the real charm of the record lies at the bottom – the wicked drums, funky basslines, and choppy instrumental bits that have gotten the set sampled plenty over the years. Titles include the classic "Smokin Cheeba Cheeba" alone, the groovy "Finger In It", a great breakbeat version of "Ain't No Sunshine" with a tenor solo by Willis Jackson, and the slow bluesy talking cut "Fed Up", a baaaad rap about a couple splitting up – done here in both vocal and instrumental versions. CD

Two rare sound library gems – back to back on a funky 45! "Thoughtful Popper" moves a bit slow, but in a really great way – stepping with a mellow vibe from funky drums – while light flute, cello, and other instruments do some mighty great things over the top! "Chamber Pop" picks up the pace slightly, and still has some great funky drums – doing mighty nice things with the rhythms while some cool string work opens up in these warmly melodic ways! 7-inch, Vinyl record

Derrick Harriott may sing Jamaican reggae, but he does so here with plenty of help from American soul – as half the record features songs from the US 60s scene, including some Motown and southern soul gems – all retooled nicely for the sound of young Kingston! Derrick produced the set himself, and gets the groove just right for that warmly crackling vocal style of his – getting help from Bobby Ellis and Boris Gardinier on the arrangements – in a lineup that features Earl Chinna Smith on guitar, Winston Wright on organ, and Val Bennett on tenor sax. Titles include "It's Alright", "I'm Not Begging", "You Really Got A Hold On Me", "Have Some Mercy", "Sitting ON Top", "Close To Me", "Standing In", and "Long Time". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

An incredible concept album from the South African scene of the early 70s – a record that mixes rootsy percussion with plenty of freak and fuzz – all in a style that seems to take UK psychedelic inspirations and forge them into a very unique Johannesburg expression! Acoustic elements are every bit as important to the music as the electric ones – creating this earthy vibe that's very different than Anglo records of its type – and the soulful vocals from singer Dave Ornellas really send things over the top! The album begins with a seventeen minute, side-long track that's completely beautiful – and side two moves on with similar beauty, on a set of shorter tracks that balance things out nicely. Titles include "African Day", "Here Comes The Sun", "Look Up Brother"," Kissed By The Sun", "Happy Man", and "Love Song". LP, Vinyl record album

Massive later music from Coleman Hawkins – a date that might be easy to overlook, given the unassuming package – but one that really features that newfound mix of modernism and soul that graced the later years of Hawk! The setting is a bit unusual, but that's part of the charm – as Hawkins' tenor comes into play with the trumpet of Thad Jones, piano and vibes of Eddie Costa, bass of George Duvivier, and drums of Osie Johnson – a group who are mostly easygoing, and really let Coleman take the lead – although Jones gets in a few great moments too! Titles include "Cloudy", "Almost Dawn", "Stake Out", "Cross Town", and "Shadows". LP, Vinyl record album

... LP, Vinyl record album

A seminal set from Hawkwind – a record that virtually defines the term "space rock", and which went on to create a whole genre unto itself! The live setting is perfect for the group – as they open up on long tracks that blend together odd touches, sci fi elements, and some mighty heavy rock lines too – all with some trippy vocals that really send things over the top! Lemmy's a mad genius at this point – and the record's got a ballsy power that's quite different from more prog-based groups who travel down similar paths, but never with ferocity like this. Titles include "Earth Calling", "Born To Go", "Down Through The Night", "The Awakening", "Upside Down", "10 Seconds Of Forever", "Brainstorm", "Seven By Seven", "Sonic Attack", Welcome To The Future", "You Shouldn't Do That", "Time We Left This World Today", and "Master Of The Universe". CD

A seminal set from Hawkwind – a record that virtually defines the term "space rock", and which went on to create a whole genre unto itself! The live setting is perfect for the group – as they open up on long tracks that blend together odd touches, sci fi elements, and some mighty heavy rock lines too – all with some trippy vocals that really send things over the top! Lemmy's a mad genius at this point – and the record's got a ballsy power that's quite different from more prog-based groups who travel down similar paths, but never with ferocity like this. Titles include "Earth Calling", "Born To Go", "Down Through The Night", "The Awakening", "Upside Down", "10 Seconds Of Forever", "Brainstorm", "Seven By Seven", "Sonic Attack", Welcome To The Future", "You Shouldn't Do That", "Time We Left This World Today", and "Master Of The Universe". Packaged in a nice foldout sleeve, with printed inner-sleeves, poster, program and insert of notes mostly in Japanese. CD

The "man" is at the top of his powers here – as the set pulls together an insanely great run of music from Isaac Hayes' first years as a solo act – coming on strong with a new sort of sophisticated soul sound that would transform a generation! Hayes had already hit big in the 60s working with writer David Porter – as the force behind some of Stax Records' fiercest, funkiest acts of the time – but as the 70s approached, he broke off as a magnificent artist on his own – full of righteous power, pride, and new ideas for soul music. This collection brings together some of Isaac Hayes' best work for the Stax/Enterprise label – with an especially strong focus on the kind of jams that have held up well for a 21st Century audience – including titles that have either been sampled by hip hoppers, or which represent some of Ike's strongest funkier tunes from the time. Titles include "Part Time Love", "Theme From The Men", "Ike's Rap 2", "Joy", "I Can't Turn Around", "Chocolate Chip", "Feel Like Makin Love", "Never Can Say Goodbye", "Walk On By", "Ike's Rap 1", "Good Love", "Rolling Down A Mountainside", and "Theme From Shaft". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

The start of a legend – a huge amount of material that introduced the world to the tenor genius of the young Joe Henderson – recorded over the space of a few short years, on records that feature Joe as both the leader and a sideman on some of the hippest Blue Note records of the time! Henderson was amazing right at the start – able to play a soulful hardbop lead at one moment, then slide into edgier modern territory the next – a quality that made him a key artist to work with some of the other strong Blue Note innovators of the period – as you'll hear in this overstuffed set! The set features a total of 47 gems – including some alternate takes – all wrapped up with the usual top-shelf Mosaic Records booklet of notes, photos, and other key details on the material. Includes the full albums Page One, Our Thing, In N Out, Mode For Joe, and Inner Urge – all recorded under the leadership of Joe Henderson – plus tracks from the albums Unity by Larry Young, The Kicker by Bobby Hutcherson, Little Johnny C by Johnny Coles, and Step Lightly by Blue Mitchell – and the full Kenny Dorham albums Una Mas and Trompeta Toccatta, both of which are essential in Henderson's career! CD

After working for years in the Crusaders, then honing his production skills with excellent work for Fantasy and Mercury, Wayne Henderson put out this album of his own, which drew on a lot of the work he'd been doing during the mid 70s. The album's a showcase for his At Home productions team, and it features work by Bobby Lyle, Roland Bautista, Ronnie Laws, and others. Henderson plays trombone, but he also gets in the way a bit with some hipster vocalizing that doesn't quite work. Titles include "Lady Bug", "Foot Stompin Music", "I'm Staying Forever", and a version of the great stepper "Keep On Keepin On". LP, Vinyl record album

Not experienced? Well, this album will help push you over the top – as it's done for decades of listeners from the heyday of young Jimi Hendrix all the way up to the present! The set's a classic through and through – a blueprint not just for the genius of Hendrix, but for generations of guitar heroes to come – as you might expect with a lineup that includes "Hey Joe", "Manic Depression", "The Wind Cries Mary", "Fire", "Third Stone From The Sun", "Are You Experienced", and "Purple Haze". CD

An insane amount of material from the biggest moment ever from Woody Herman – tracks recorded when he was at the top of his game in the 40s, and able to bridge many strands of jazz at once! CD

Features music from Citizen Kane, Snows Of Kilimanjaro, Jane Eyre, and Devil & Daniel Webster – all conducted by Bernard Herrmann! LP, Vinyl record album

Two rare 60s soul albums – back to back on a single CD! First up is Soul Superman by The Hesitations – a wonderful album of rare Detroit soul – and quite possibly the best full length set ever recorded by this sublime 60s harmony group! There's a really righteous approach to most of the material – a deeper sound than you might expect from the group's more formal look on the cover – and the set was put together by Jack Ashford and the Pied Piper team – who give the record this great "in the shadows of Motown" vibe – that farther side of the Detroit scene, but with a quality that's top shelf all the way through! The vocal range of the group is fantastic – and not only that, there's a heck of a lot of great writing on the set – what we can tell, nearly every number is exclusive to this set. Titles include "Soul Superman", "You'll Never Know", "She Won't Come Back", "Soul Kind Of Love", "I'll Be Right There", "Wait A Minute", and "I'm Not Build That Way". Next is With A Dab Of Soul – the only full length record cut by Freddy Butler, a heck of a great singer with a really unique voice! Freddy hails from Detroit, and like the best of Detroit singers of the 60s – such as JJ Barnes or Darrell Banks – he's got a style that's got some rootsy touches, especially on the vocals, mixed with production that's tight and focused – which really gives the album a lot of swing! Instrumentation includes some nice use of vibes and piano – no surprise, since Jack Ashford and the Pied Piper team handled the recording – and the album also features some great early compositions by Nick Ashford. Titles include "This Thing", "You'd Better Get Hip Girl", "Never Let Love Go", and "I Fell In Love". CD

Pretty great later work from Dan Hicks & The Hot Licks – not the immediately-retro style of their earlier albums, but instead this wonderful blend of so many different jazz and acoustic elements – set forward with a style that's wonderfully groovy overall! There's a hip, scatting vibe to the music that almost puts Hicks in the same 70s territory as Ben Sidran – although maybe a few notches earlier in terms of his inspirations – yet coming across with a breezy warmth that's really beautiful, almost like the shift that Maria Muldaur had made from her trad styles of the 60s to the groove of "Midnight At The Oasis". Fender Rhodes warms the record up at all the right moments – and titles include "Boogaloo Jones", "Cruzin", "Garden In The Rain", "Dizzy Dogs", "Vinnie's Lookin Good", "Lovers For Life", and "Collared Blues". LP, Vinyl record album

A flagship record from the wonderful Dome label – one of the hippest homes to contemporary soul on the other side of the Atlantic – and a company that's given us great music for over two decades! This set is one of their key early releases – a brilliant set from Hil St Soul – a singer who just grew and grew in popularity after this release. Hil's got a sweetly jazzy style – a bit like some of the underground NuSoul singers in the US in at the same time, but maybe with some of the crispness of the London scene too – and she sings here with some nicely restrained arrangements that have a good focus on beats and lots of warm instrumentation over the top, never too hype, just right for her personal style. Titles include "Strictly A Vibe Thing", "Just A Matter Of Time", "Nostalgia", "Concrete Jungle", "Free Spirit", "There For Me", "Until You Come Back To Me", "For Your Love", and "Props". CD

Two classic 60s albums from pianist Andrew Hill – back to back in a single set! First up is Point Of Departure – mindblowing work from pianist Andrew Hill – one of the key records during that short initial run when Blue Note was really giving him a special showcase for his talents – and when the label was dabbling in more avant jazz as part of the "new thing" moment on the scene! The group here is really the stuff of legends – as the set features a very late performance from Eric Dolphy on alto, plus Joe Henderson on tenor, Kenny Dorham on trumpet, Richard Davis on bass, and Tony Williams on drums – all players at the prime of their young talents, soaring to the skies under the leadership of Hill – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! All tracks are originals by the pianist, too – and titles include "New Monastery", "Flight 19", "Spectrum", "Dedication", and "Refuge". Compulsion is one of the most dynamic albums that Andrew Hill ever cut for Blue Note – a record of long tracks, played by a largeish group who seem perfectly suited to Hill's most creative musical ideas! There's an approach here that almost predates some of the more righteous soul jazz ensemble sides of the 70s – as Hill's piano leads a octet that features Freddie Hubbard on trumpet, John Gilmore on tenor and bass clarinet, Cecil McBee and Richard Davis on basses, Joe Chambers on drums, and Nedi Quamar and Renaud Simmons on percussion. The percussionists roll out with quite a bit of presence in the set – not so much as on some of the Art Blakey percussion sides for Blue Note, but more with a pronounced sense of "bottom" that you might not always hear from Hill – an earthy, sometimes organic way of riffing that then allows freer solo work from the horns and piano on the top! Titles include "Compulsion", "Legacy", "Premonition", and "Limbo". CD

With Larry Richardson on bass and Richie Goldberg on drums. LP, Vinyl record album

A set that was originally issued on the legendary Vertigo Records label, but one that's maybe a bit more down to earth than some of its cosmic contemporaries – as Hokus Poke have a style here that mixes some hard rock elements with maybe a more pastoral approach – all served up in a way that's easygoing and understated at times, but with top-shelf presentation throughout! Singer/guitarist Clive Benkhorn is great, and he gets additional guitar leads from Roger Clarke at times too – on original tunes written by various members of the group as they come together with this special sort of sonic ear that makes the album more and more hard to peg as the set goes on! Titles include "Living In Harmony", "The Poke", "Big World Small Girl", "Down In The Street", "Hag Rag", "HP Boogie", and "Sunrise Sunset". LP, Vinyl record album

Late work from the great Billie Holiday – the kind of mature set that made Verve Records such a perfect home for the singer in the 50s! Where other labels might have pushed too much to try to get Billie into more commercial, or more straightforward modes – Verve just relaxes into the kind of small combo sound that usually had the singer at her best – pairing Holiday with a great lineup that includes Harry Edison on trumpet, Ben Webster on tenor, Jimmy Rowles on piano, and Barney Kessel on guitar. The songs are short and focused – with Billie at the top of her form on familiar standards like "Comes Love", "Darn That Dream", "Body & Soul", "They Can't Take That Away From Me", and "Embraceable You". This deluxe reissue features 3 takes of "Comes Love", new notes, great sound, and a cool looking package! CD

Late work from the great Billie Holiday – the kind of mature set that made Verve Records such a perfect home for the singer in the 50s! Where other labels might have pushed too much to try to get Billie into more commercial, or more straightforward modes – Verve just relaxes into the kind of small combo sound that usually had the singer at her best – pairing Holiday with a great lineup that includes Harry Edison on trumpet, Ben Webster on tenor, Jimmy Rowles on piano, and Barney Kessel on guitar. The songs are short and focused – with Billie at the top of her form on familiar standards like "Comes Love", "Darn That Dream", "Body & Soul", "They Can't Take That Away From Me", and "Embraceable You". LP, Vinyl record album

Late work from the great Billie Holiday – the kind of mature set that made Verve Records such a perfect home for the singer in the 50s! Where other labels might have pushed too much to try to get Billie into more commercial, or more straightforward modes – Verve just relaxes into the kind of small combo sound that usually had the singer at her best – pairing Holiday with a great lineup that includes Harry Edison on trumpet, Ben Webster on tenor, Jimmy Rowles on piano, and Barney Kessel on guitar. The songs are short and focused – with Billie at the top of her form on familiar standards like "Comes Love", "Darn That Dream", "Body & Soul", "They Can't Take That Away From Me", and "Embraceable You". LP, Vinyl record album

About as classic as you can get for Billie Holiday on Verve – a wonderfully intimate small group session, recorded with top-shelf players and a smokey torchy mood! Billie's in her later years by the time of the set, but somehow singing with even more emotion and life – working with a group that includes Benny Carter, Jimmy Rowles, Harry Edison, Larry Bunker, and John Simmons – on tracks that include "It Had To Be You", "A Fine Romance", "Gone With The Wind", "Isn't It A Lovely Day", "Ghost Of A Chance", and "Come Rain Or Come Shine". LP, Vinyl record album

... LP, Vinyl record album

The complete solo Capitol singles and Motown recordings by Patrice Holloway – the latter of which are seeing light of day for the first time ever! Patrice has a wonderful voice and tje material throughout this set, both mid 60s Capitol numbers and the sadly overlooked Motown recordings, is top notch and hit worthy to say the least. Patrice may be overshadowed by her sister Brenda, but the little we've been lucky enough to hear over the years suggested that she was just a twist of fate away from stardom – and this excellent set certainly confirms that! 25 tracks in all: "Stolen Hours", "Lucky, My Boy", "Evidence", "Black Mother Goose", "For The Love Of Mike", "Stevie", "Come Into My Place" (Brenda & Patrice Holloway), "All That's Good", "Love Walked Right In", "Crying", "Face In The Crowd", "(He Is) The Boy Of My Dreams", "The Go Gang" and more. CD

Homeboy Sandman is sounding very much at the top of his game here – on a record that almost seems to have two sorts of flavors, but both nicely unified by the work of producer Aesop Rock! The lyrics spin out with the kind of effortlessness that Sandman's always given us – charged up especially strongly at a few key spots, and with guest work from Aesop on the cuts "Lice Team Baby" and "Sheesh" – alongside other tracks that include "FYI", "Cow's Milk", "West Coast", "Go Hard", "No Beef", and "Lovin It". Record features two more tracks than the digital release – and LP also features instrumentals for all eight tracks too! LP, Vinyl record album

A pair of very stripped-down albums from John Lee Hooker – issued together in this 70s set! First up is Country Blues Of John Lee Hooker – featuring the legendary John Lee Hooker, heard here in one of his more obscure recordings from the late 50s – at least in contrast to his famous sides for Vee Jay Records! This set's an unusual date – recorded in Detroit, despite the claim of the title – and featuring Hooker on acoustic guitar and vocals, without any other instrumentation at all – pitched much more towards the growing folk blues scene than some of his more familiar Chicago recordings. Tracks are short, but pack plenty of punch – and titles include "Black Snake", "I Rowed A Little Boat", "Bundle Up & Go", "Behind The Plow", "Water Boy", "Tupelo Blues", and "Pea Vine Special". That's My Story is from 1960, and features great rootsy blues from John Lee Hooker – and an unusual session that has him getting backup help from jazz players Sam Jones on bass and Louis Hayes on drums! Jones and Hayes only play on a handful of tracks, and most of the focus is on Hooker's damn-great vocals, and acoustic guitar – spun out nicely over a set of tracks that includes "I Need Some Money", a controversial clash with early Motown – plus "One Of These Days", "Gonna Use My Rod", "I Want To Talk About You", "Democrat Man", and "I'm Wanderin". LP, Vinyl record album

... LP, Vinyl record album

Great rootsy blues from John Lee Hooker – and an unusual session that has him getting backup help from jazz players Sam Jones on bass and Louis Hayes on drums! Jones and Hayes only play on a handful of tracks, and most of the focus is on Hooker's damn-great vocals, and acoustic guitar – spun out nicely over a set of tracks that includes "I Need Some Money", a controversial clash with early Motown – plus "One Of These Days", "Gonna Use My Rod", "I Want To Talk About You", "Democrat Man", and "I'm Wanderin". LP, Vinyl record album

Early recordings by John Lee Hooker and his Coast To Coast Blues Band – recorded in Detroit in the late 40s through the early 50s. The Coast To Coast Blues Band may be a little misleading in the title, as the recordings find Hooker with only the sparest accompaniment on bass, drums, and guitar if any accompaniment at all – but it's the good kind of misleading, because you don't want anything getting in the way of the foot stomping, soulful blues vibe of John Lee Hooker on these early cuts! Anytime-Anytime-Anywhere is filled with that spare, intimate John Lee Hooker blues sound that came to represent so much of the the inner city gin joints of the era – on titles that include "Come Back Baby", "Forgive Me", "Street Is Filled With Women", "Moon Is Rising", "Turnin' Gray Blues", "Lord Taketh My Baby Away", "Throw This Old Dog A Bone", and "Welfare Blues". LP, Vinyl record album

Two very cool, very trippy numbers – both with almost a freakbeat sort of vibe! "Look At The Lights" has superb arrangements from John Cameron – who brings in a bouncy groove with jazzy flourishes next to the more psychedelic vocals, lyrics, and guitar! "Hold On To Your Mind" is an especially unusual number – very obscure, and a track that begins with this freewheeling romp that mixes piano, percussion, and a rolling rhythm that's maybe a more condensed version of the Church Of Anthrax territory explored by John Cale and Terry Riley – then graced with wicked vocals that really send the whole thing over the top! 7-inch, Vinyl record

... 12-inch, Vinyl record

A pair of early records from Hour Glass – back to back in a single set! First up is the self titled Hour Glass album – fantastic early work from Gregg And Duane Allman – a set that's nothing at all like their Allman Brothers material, but which has a wonderful style nonetheless! At some level, there's a very strong soul current running through the music – as the group mix in songs by Curtis Mayfield, Deon Jackson, and others with some headier rock material – all set up in these arrangements by Dallas Smith that seem to begin in uptown soul, then push things into more psychedelic territory! The blend is great, and makes for a really wonderful record – on titles that include "I've Been Trying", "No Easy Way Down", "Out Of The Night", "Nothing But Tears", "Heartbeat", and "Silently". Power Of Love is an excellent second set from Hour Glass – the pre-Allman Brothers Band that featured both Duane and Gregg Allman, the latter of whom is really coming into his own on the record! Unlike the group's debut, this one features a lot more original material by Gregg – and guitars that start to crackle in that sweetly cresting style that would become the group's hallmark, and which would have an undeniable influence on the sound of rock in the 70s. At some level, the whole thing's an early southern effort to answer the sounds of the Bay Area scene – and comes off beautifully, thanks to titles that include "To Things Before", "I'm Not Afraid", "Home For The Summer", "Down In Texas", "Now Is The Time", and "Going Nowhere". LP, Vinyl record album

A rare funk treat from tenor sax jazz legend Joe Houston – working in a far funkier mode than usual for the obscure Big Town label! The lineup and production is heavy with 50s LA R&B names in it – including Ted Butler, Bo Rhambo and Larry Johnson – and sure enough, there's genuine prime era rhythm & blues DNA in some of the material, to say nothing of the incredible chops of all involved – but the overall sound is very modern 70s jazz, with some really funky cuts, too! The highlight is the two-part title track, "Kicking Back", which is a top shelf jazz funk groover – but the whole record is solid, with "T-Bone Disco", "Hawaiian Disco", "Trippin' In", "Mr. Big H", and "Why Don't You Rock Me". CD

A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a sound here that's unlike anything else we can think of – including other big band trumpet dates of the time – partly because the set features a fair bit of arrangements by Wayne Shorter – a very rare side of his talents, but one that's equally as soulful as his sublime small group albums of the time. The record has an undeniable depth right from the start – magical, mystical, and very soulful – with a group that includes Eric Dolphy and Wayne Shorter on saxes, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass. Tracks include "Chocolate Shake", "Thermo", "Clarence's Place", and "Aries". CD

A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a sound here that's unlike anything else we can think of – including other big band trumpet dates of the time – partly because the set features a fair bit of arrangements by Wayne Shorter – a very rare side of his talents, but one that's equally as soulful as his sublime small group albums of the time. The record has an undeniable depth right from the start – magical, mystical, and very soulful – with a group that includes Eric Dolphy and Wayne Shorter on saxes, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass. Tracks include "Chocolate Shake", "Thermo", "Clarence's Place", and "Aries". CD

... LP, Vinyl record album

A lost set of work from the team of Bobby Hutcherson and Harold Land – recorded right around the same time as their famous San Francisco album! The album's overflowing with the soulful, righteous tones the pair could create together – sublime vibes from Hutcherson, both tenor and flute from Land – and a top-shelf supporting cast that includes Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums! Like others of this nature, Blue Note never issued the material at the time – but wisely released it as an album at the start of the 80s – a great contribution to Hutcherson's catalog for the label – of which we can never get enough! Titles include "Ungano", "Avis", "Comes Spring", and "Orientale". CD

... LP, Vinyl record album

A really great beat group record from the 60s Italian scene – served up by a quartet who've definitely learned a sense of harmony from The Beatles! LP, Vinyl record album

... LP, Vinyl record album

Classic 60s Impressions material, with the legendary lineup firmly in place, and the great Johnny Pate handling all arrangements – really giving them that sense of righteous power that pushed their music past a lot of the previous group soul sounds of the Chicago scene – with a sophistication in both the instrumentation and harmonies that's completely sublime! The album mixes Curtis Mayfield compositions – like "Lonely Man", "Just One Kiss From You", "Falling In Love With You" – with special Impressions' takes on tunes that include "My Prayer", "Without A Song", "Answer Me, of that the Impressions could shine, whatever the setting! LP, Vinyl record album

A great second album from In The Tradition – a wicked combo from contemporary Detroit, and one who play with some incredibly righteous styles! The group's got some great percussion at the bottom – djimbe and conga from Kefentse Chike – and some tight horns on the top – a mix of reeds from songwriter Olujimi Tafatoana, plus trumpet and trombone – all given energy by piano from a few different players, and a bit of guitar as well. The set features a version of Horace Silver's "Mother Nature", but most other cuts are originals – one with a bit of vocals, the rest instrumental – on titles that include "Libation/For Nkrumah", "Blessed Blackness", "It's A Black Thang", "Children Of The Sun", and "In The Tradition". CD

Incognito never lets us down – and records like this keep us listening strongly year after year! The set's got all the core brilliance of Incognito at their best – a really classic approach to jazzy soul, served up with top shelf instrumentation by the group – and sent home strongly by a range of singers who include Vanessa Haynes, Tony Momrelle, Chiara Hunter, Imani, Deborah Bond, and the great Carleen Anderson! Nobody can do it as well as these guys – tight, but never uptight – smooth, but never sleepy – really right on the money from the production on down to the bottom – the kind of careful, classy soul that almost makes Incognito a genre unto themselves. Titles include "Wind Sorceress", "Rapture", "Hands Up If You Wanna Be Loved", "Hats", "I Couldn't Love You More", "Something Bout July", and "Silver Shadow". Japanese CD features the bonus track "Part Of The Plan". CD

A never-issued gem from the UK scene at the end of the 60s – totally top-shelf work from that moment when earlier beat group energy was exploding into new modes of prog, psych, and hard rock! There's an organ at the core of most of these tunes – still with the lean tones of the previous generation, but taking off on longer runs – and the guitars are fuzzier and turned up more, and the group have this bolder energy that really pushes past any sort of American roots and influences – all at a level that makes the record a nascent masterpiece that should have become a classic! The group were slated as one of the next big stars on the NEMS label, and the notes have a full story of their short career – next to tracks that include "Time Keeper", "Venetian Glass", "Space Shanty", "Taxman", "Same Girl", "Pattern People", "Venetian Glass", "I'm In Love With A Girl Like You", and instrumental takes on some of the tunes too. CD

4 mixes of this classic bit of Detroit Techno – going over the top, into the mainstream, thanks to the lasting genius of Kevin Saunderson! 12-inch, Vinyl record

A killer funky group from early 70s Japan – a slightly large ensemble, but one with some really heavy drums at the bottom – plus some great use of organ and electric guitar! There's a tight brace of horns at the top – flute, tenor, trumpets, and trombone – but the rhythms are what really drive the record, and give the whole thing a sometimes-funky, always-groovy quality that never lets up! The mode is almost soundtrack funk at times – jazz, but filled with some rich colors and expansive tones too – and there's a sophistication here that really rewards repeated listenings, but never gets in the way of the groovier moments too. Titles include "Theme Mustache", "Tak's Tune", "Joint", "Monster", "Lullaby For Yuh", and "Scotland Scene". LP, Vinyl record album

A rare gospel gem on Chess Records – with production by Monk Higgins and Cash McCall! LP, Vinyl record album

Excellent early album from this great Philly soul group, featuring some of their best sides from the 60s, and lots of tracks that weren't released as singles! The band includes Vince Montana on vibes, Norman Harris and Bobby Eli on guitar, Leon Huff on piano, and Lenny Pakula on organ – and the track list includes "Best Days Of My Life", "I Didn't Know", "Let Me In Your Mind", "This Is My Love Song", and "Brand New Me". Great great great soul stuff, with a good group, excellent arrangements, and tight early Philly soul songwriting! LP, Vinyl record album

... LP, Vinyl record album

An overlooked 60s soul killer on Atlantic Records! We love Deon Jackson – we love his sweetly honest vocal style, we love his songs, and we love the great production he gets from the legendary Ollie McLaughlin! This album is the only one he ever cut – and it's a masterpiece all the way through! Ollie's production mixes some wonderful lilting qualities with rollicking hard soul – it's a far-reaching approach that works incredibly well with Deon's unique approach to the vocals! Includes the super-hit "Love Makes The World Go Round" and a charming uptown soul take on "King Of The Road", plus "Come Back Home", "1-2-3", "You Said You Love Me", "SOS", "Love Is What You Make It" and "Hush Little Baby". LP, Vinyl record album

Damn! The first volume in this series of rarities cut by George Jackson for Fame Studios really blew our minds around here – and Kent has gone and somehow topped it with Volume 2! Let The Best Man Win features 2 dozen songs, most of which are originals by Fame staff writer Jackson – and not one of these was officially released back in the day. A bunch were cut to demo the songs for prospective artists, but it's truly hard to imagine anyone bettering these versions – not even Candi Staton or Wilson Pickett! The backing is top notch, too – with that unshakable Fame southern soul rhythm that's just raw enough – and each track feels fully-formed – not at all like a demo! As essential a trip into the Fame archives as any we've had to date! Includes "Mini Skirt Mini", "Get It When I Want It", "Forbidden Love", "Save Me", "Let The Best Man Win", "Soul Lovin'", "I'm Livin' Good", "Your Love Lifted Me", "You Got A Lot To Like", "Ain't That Some Good Lovin'L, "The Darkest Hour Is Before The Dawn" and many more. CD

... LP, Vinyl record album

The third great album in the trilogy that includes Off The Wall and Thriller – and a set that still has Michael Jackson running strong at the height of his solo powers! Quincy Jones is still at the helm, and Michael more than proves that he can still come up with a pop tune without going too far over the top – catchy, compelling numbers that played well all over the world of pop – but which still hang onto just a little part of his soul roots too! That balance is a key factor to the success of this set – a record that helped re-ignite interest in Jackson's music, and introduce him to a whole new generation – while still keeping most of the older fans plenty pleased too. Titles include "Just Good Friends", "Smooth Criminal", "Bad", "Another Part Of Me", "Man In The Mirror", and "Speed Demon". LP, Vinyl record album

A beautiful setting for the vibes of Milt Jackson – a record that has his sublime chromatic sound stepping out in front of fuller orchestrations from Quincy Jones – never overdone, but with just the right sort of soulful focus to send Milt over the top! The album's an early example of the great solo path that Jackson would pursue more strongly in the 60s – work away from the MJQ that showed that he may well have been the most multi-faceted member of that group. Barry Galbraith plays guitar on many tracks – and his light hues are a perfect complement to the vibes – on titles that include "The Cylinder", "Makin Whoopee", "Alone Together", "Tenderly", "Don't Worry Bout Me", "Nuages", "Deep In A Dream", "I'm A Fool To Want You", "The Midnight Will Never Set", and "Tomorrow". LP, Vinyl record album

Milt Jackson's third album for CTI – part of a wonderful run that really helped him redefine his sound in the 70s! The album's got the electric approach you'd expect from the label – a great change from the sound of Jackson in the Modern Jazz Quartet, and a surprisingly great setting for his wonderful work on vibes! Milt's laidback style is perfect for the CTI mode – open, flowing, and filled with great tones – matched up here with sax work by Jimmy Heath, bass by Ron Carter, piano from Cedar Walton, and drums by Mickey Roker – a perfect setting to let loose in a way he rarely did on his earlier albums. The whole set's great – and titles include "Lost April", "Rerev", "The Metal Melter", "The Steel Bender", and "I'm Not So Sure". LP, Vinyl record album

A killer from the 60s years of tenorist Willis Jackson – a time when the older R&B player was really rising to the top – thanks to the sort of smoking soul jazz setting that a record like this could provide! The whole thing's great – very much in the Groove Holmes or Jack McDuff vibe of the time – familiar tunes taken in all sorts of new, groovy directions – with help from the young Pat Azzarra on guitar and Carl Wilson on Hammond – plus trumpet from the lesser-known Joseph Hadrick! Titles include "One Mint Julep", "Tangerine", "Ebb Tide", "Blue Gator", and "Secret Love". LP, Vinyl record album

Although he's always best remembered as Freddy "Boom Boom" Washington from Welcome Back Kotter, Lawrence Hilton-Jacobs was pretty darn ubiquitous during the mid-70s! He was in more than a few movies (Youngblood, Cooley High, etc), and he even recorded a few soul albums – like this one, which features some nice production work by Lamont Dozier that more than makes up for Freddie's lack of conviction as a soul singer. At the best moments, the record reminds us of some of Lamont's strident grooving soul work for ABC – and titles include "Time Machine", "Larry's Theme", "Mister DJ", "Holdin On", and "Fly Away". LP, Vinyl record album

... 7-inch, Vinyl record

Beautiful work from Jamal's early Chicago years – and a perfectly titled set that really gets at the differences he made in modern jazz! The tunes are wonderfully fluid, soulful, and swinging – but not in the gutbuckety style of other trios of the time, more in a lightly modern style that features almost equal interplay between Jamal's piano, the bass of Israel Crosby, and the guitar of the wonderful Ray Crawford – who really ads an amazing touch to the record. Tracks include the great original "New Rhumba", plus cool versions of "Jeff", "Darn That Dream", "Spring Is Here", and "All Of You". LP, Vinyl record album

One of the most open-ended 70s albums from the great Ahmad Jamal – a live performance that features two side-long tracks that really show Jamal getting into the spirit of the Impulse Records scene of the time! In addition to these wonderful, long-spun lines on acoustic piano – really opened up in the company of bassist Jamil Sulieman Nasser and drummer Frank Gant – the record also features Ahmad playing Fender Rhodes on one track too – soloing in both acoustic and electric modes on the title, and showing two different sides of his genius in the process. Titles include "Bogota" and "Extensions". LP, Vinyl record album

Really mindblowing work from Jose James – an artist we loved right from his very first record, but one who has us completely over the top with this record – a set that may well push James from the soul underground into firmly classic territory – the sort of space that will have the record standing strong with soul classics from decades back, and for a long time to come! Jose's tremendous vocally, but there's also an extra-special spirit to some of these tunes – one that's still very strongly in the hands of the man himself, even though James opens the door for plenty of guests – a lineup that includes Ledisi, Christian Scott Atunde Adjuah, Aloe Blacc, Lizz Wright, Eric Truffaz, and others – not the kind of guests who overwhelm and take a too-strong turn in the spotlight, but the right sort of addition to the core sound. Titles include a surprisingly great remake of "Just The Way You Are" – plus "Turn Me Up", "I Need Your Love", "Saint James", "Take Me Home", "Oracle", "Feels So Good", "I Found A Love", and "You Know What I Do". LP, Vinyl record album