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A wicked collaboration between Dutch keyboardists Rob Franken and Jan Huydts – a set that has the pair of them really stretching out on Fender Rhodes, Arp, clavinet, and other keyboards – with only a bit of drums to back them up! Yet although the set's got a really freewheeling sort of feel, it's never too jamming – as both players have a strong inherent sense of rhythm that really keeps things on track – a great little groove that makes for a wonderful little record – one that comes off more like a familiar Fender Rhodes trio date than you might think! There's a nice degree of funk at points, but also some modal elements that really make the set cook – a vibe that's right up there with the best MPS keyboard-heavy sets, such as the classic early work by George Duke – although without any vocals here. Titles include "Absorbed Love", "Six Seven Eight", "Blue Bossa", "Protuberans", "Tamotua", "The Kumquat Kids", and "Basic Train".

One of the most outside sets we've heard from Rob Mazurek in years – a combination of his own cornet and work on ring modulator – creating a blend of jazz and electronics that's really mindblowing! Mazurek's not alone in his creative expressions – as he's joined here by a group group of players that mixes musicians from Rob's Chicago and Brazilian scenes – including Nicole Mitchell on flute and piccolo, Jason Adasiewicz on vibes, Mauricio Takara on cavaquinho, Guilherme Granado on keyboards and electronics, Thomas Rohrer on rabeca and C melody sax, Carlos Issa on guitar, and John Herndon on drums – a really unique lineup that lives up to all their promise with the rich sounds on the set. Most tracks are quite long – and titles include "Galactic Ice Skeleton", "Skull Caves Of Alderon", and "Keeping The Light Up".

One of the most striking records so far from the mighty Rob Mazurek – a set that makes us more than glad we've been following his musical journey for the past two decades! The set's got a nicely compressed feel – one that takes some of the looser energy that's been bubbling up in recent Mazurek records, and delivers it in a tight quartet format – with Rob's sparkling cornet in the lead, amidst great piano from Angelica Sanchez, bass from Matt Lux, and drums from John Herndon! Given the wide resumes of all players, there's a really shifting sense of sound here – one that's bold one minute, introspective the next – and never falls into too-familiar jazz phrasing modes. Yet Mazurek's also really matured as a player, too – working here with a sensitivity we never would have expected years ago – captured with great clarity in the recording. Titles include "Magic Saturn", "Spiritual Mars", "Twister Uranus", "Spanish Venus", "Folk Song Neptune", and "Spiral Mercury".

One of the most striking records so far from the mighty Rob Mazurek – a set that makes us more than glad we've been following his musical journey for the past two decades! The set's got a nicely compressed feel – one that takes some of the looser energy that's been bubbling up in recent Mazurek records, and delivers it in a tight quartet format – with Rob's sparkling cornet in the lead, amidst great piano from Angelica Sanchez, bass from Matt Lux, and drums from John Herndon! Given the wide resumes of all players, there's a really shifting sense of sound here – one that's bold one minute, introspective the next – and never falls into too-familiar jazz phrasing modes. Yet Mazurek's also really matured as a player, too – working here with a sensitivity we never would have expected years ago – captured with great clarity in the recording. Titles include "Magic Saturn", "Twister Uranus", "Spanish Venus", "Folk Song Neptune", "Primitvie Jupiter" and "Spiral Mercury".

The third and best album yet from Sao Paulo Underground – formed by Chicago scene veteran and sonic adventurer Rob Mazurek – with a sound that's informed by the rhythms and creatively boundless possibilities of Tropicalia era Brazil and well beyond, along with the cosmic spirit of other Mazurek projects such as the Exploding Star Orchestra. This is hypnotic, attention seizing work that pushes boundaries and challenges tradition while still respecting it – it's never less than fully engrossing and pulls you right in, but it also skirts convention on just about every level. Mazurek's on coronet and electronics that fracture and fuzz out the atmosphere, creating some really dynamic interplay with instrumentation. Mauricio Takara is on cavaquinho, drums and percussion, Guilherme Granado on keys, loops, samples and percussion and Richard Ribeiro on drums. A pair of excellent tracks feature fellow modern greats with roots in the Chicago underground – vibes player Jason Adasiewicz and drummer John Herndon on "Just Lovin'" and "Six Six Eight" – the latter also featuring bass player Matthew Lux. The entire album is no less impressive, though! Titles include "Jagoda's Dream", "Pigeon", "Carambola", "Colibri", "Lado Leste", and "Rio Negro".

Duets between alto saxophonist Rob Brown and pianist Matthew Shipp, recorded at a time when Shipp was first bursting into public consciousness as one of the stronger figures of the east coast avant garde of the past 25 years. Most tracks are numbered versions of "Sonic Exploration" – and the record also includes takes on "Oleo" and "Blue In Green".

A solid 12-inch split single from ESL and Ghostly International – pairing up the labels' top shelf talents of Thievery Corporation and Tycho! The A-side features Thievery Corporation's "Fragments", with a steady, hypnotic beat and some sweet keyboard atmosphere floating over. The first side also includes a remix by Tycho – and it's got a spacier style. On the flip is Tycho's slow-building "Ascension" – plus a nice remix by Rob Garza of Thievery Corporation.

A strange, cool and stylistic boundary busting set from Australian jazz rock guitar player Rob Thomsett! Yaraandoo is a 1975 set inspired by Aboriginal folklore. It has some spare, dryly wispy bits of percussion and bamboo flute that feels that gives it that feel – but Thomsett also brings in some loose, proggy and jazzy rock dynamics with heavy drums and electric guitar, some improvisational jazz inspired passages, plus some tape delay and other effects. Includes "Baiame", "Moulding Of Red Earth", "Nameless Children", "New Life – Refusal", "Shadow Of Yaraan", "Flight Of Yaraan", "Tears Of Blood – Endless Weeping" and more.

Way more than some of the star-type bios on Scott Walker that have littered the market over the years – and instead, a well-chosen collection of writings on Walker that really get at the full depth of his genius! The book's a co-production with The Wire – and definitely lives up to the thoughtfulness you'd expect from that association – as editor Rob Young pulls together work on Scott from a number of different fronts – served up first in chapters on specific records, each written by a different artist and commissioned for the book – then moving onto other interview material too. Includes writings by Nina Power, Ian Penman, Biba Kopf, Amanda Petrusich, Richard Cook, Anthony Reynolds, David Toop, and others – and the book is 297 pages, hardcover.

A funky mod party throughout – and a wicked package of grooves we would have never tracked down on our own! The folks at London's New Untouchables have selected 25 of their favorite fuzzed-out 60s numbers for this set – a genre-busting batch of tracks that swings together mod jazz, sunshine pop, 60s R&B, French funk, British beat, and a host of other styles – all in the endless pursuit of a tripped-out 60s groove! The package is as wonderful as you might hope – and comes complete with some nice notes on the well-chosen batch of trippy tracks. Titles include "Nowhere To Run" by Les Lionceaux, "Mary Mary" by The Strangers, "You'd Better Be Going Now" by Zoot, "Hard Headed Baby" by Driftin 5, "Going Going Gone" by Phil Wainman, "I Think I'm A Man" by Chopper, "Hey Hey Bunny" by Los Gatos Negros, "Billy Sunshine" by Judi Scott, "Hip Hip Hurray" by The Snap Shots, "Mess Around" by Marmalade, "No No No" by Ola & The Janglers, "All You" by Sonny Burke Quartet, and "Easy To Know" by Gentle Influence.

Funky mod grooves galore – and a sublime second set in the Le Beat Bespoke series! This one is even better than the first – and seems to dig even deeper in the crates to come up with a range of rare singles from around the globe – all dripping with heavy drums, fuzzy guitars, and sweet sweet Hammond organ work! Many numbers have vocals, and most are from the rockish side of the spectrum – but they've all got a romping, grooving bottom end that more than makes them a little bit funky – usually in a groove that's way different than the sort you'd find on other funky compilations! The notes are great, the tracks are amazing, and the CD's one of the freshest funky sets to hit our racks in a long long time. CD features 20 titles that include "Madeline" by Dick Turpin, "Dude" by Poppys Haunted House, "Springtime" by Jimmy Thomas, "One Two Boogaloo" by The Light Nites, "Little Louise" by Shere Khan, "I Found You" by The Tops, "You Know He Did" by Mary McCarthy, "Rouge Rouge" by Christie Luame, "Truth In My Tears" by Louisa Jane White, "Berlin" by Heidi Bruhl, and "Run Shaker Life" by Paul Nicholas.

Raw mod and gritty funk rock grooves from team Le Beat Bespoke – the fourth set in the series – bubblegum garage, fuzzed out pop, funky percussion and wailing organs – this just might be the best in the series to date! Compiler Rob Bailey out does himself here, once again digging deep for obscure mod singles, groovy slabs of garage rock, with a few left turns such as a heavy Latin gem and a more psych-steeped number or two – propulsive, exciting numbers regardless of genre affections and fiery dancefloor ready rock tunes all the way! 20 tailor made cuts on the CD – a brief notes on each tune, all of which are exciting and groovy as can be! Titles include "Voodoo Medicine Man" by Jerry & Jeff, "False Alarm Love" by Peaceful Coalition, "Eg Veit Ao Pu Kemar" by Trubrat, "Feelin" by Joy Unlimited, "No Thank You Mr Pusher" by Big Tom, "King Of Siam" by East Of Eden", "Comin On Down" by The Twilights and more.

Incredible Fender Rhodes from Rob Franken – a beautiful collection of rare recordings made in the mid 70s! All of this work was never issued here in the US – and most of it features Franken in really laidback, stripped-down settings – working some soulful magic on the keys of the Fender Rhodes, with a depth in sound that easily matches some of the bigger-name keyboardists in the US during the 70s! The package is filled with gems you'd never find in American record racks (or European ones, for that matter!) – and although many of the numbers are trio tunes, a few of them expand the group with other players who include Jimmy Owens or Clark Terry on flugelhorn, and Ernie Wilkins on tenor. Titles include "Absorbed Love", "Title Wave", "Six Seven Eight", "Terry Tune", "Esopet", "Straight Back", and "Look Softly". Also features a bonus CD – with a long live version of "Secret Love", plus interviews and other materials that make an "audio portrait" of Franken, but in Dutch language.

One of the most outside sets we've heard from Rob Mazurek in years – a combination of his own cornet and work on ring modulator – creating a blend of jazz and electronics that's really mindblowing! Mazurek's not alone in his creative expressions – as he's joined here by a group group of players that mixes musicians from Rob's Chicago and Brazilian scenes – including Nicole Mitchell on flute and piccolo, Jason Adasiewicz on vibes, Mauricio Takara on cavaquinho, Guilherme Granado on keyboards and electronics, Thomas Rohrer on rabeca and C melody sax, Carlos Issa on guitar, and John Herndon on drums – a really unique lineup that lives up to all their promise with the rich sounds on the set. Most tracks are quite long – and titles include "Galactic Ice Skeleton", "Skull Caves Of Alderon", "Keeping The Light Up", "Passing Light Screams", and "Voodoo & The Petrified Forest".

Mostly instrumental tracks from hip hop djs and producers including Rob Swift, Prince Paul, DXT, Invisible Scratch Pickles, Q-Bert, DJ Krush, New Kingdom, all overseen by Bill Laswell. Much better than your average Axiom stuff. Cover art by Rammellzee. 14 tracks in all, including "Reanimation" by Rob Swift, "ShinKi Row" by DJ Krush, "If 9 Was 6" by Prince Paul, "Invasion Of The Octopus People" by the Invisible Scratch Pickles and "Embryo" by DXT (formerly know as D. St).

Beautiful work from Rob Mazurek – a player we respect more and more with each new release! The title here is especially well chosen – as "Sound Is" definitely what the record is about – a set that follows in the same legacy of sonic exploration first begun on seminal Delmark Records sides cut by the AACM in the 60s – recast here by a new Chicago generation that features Mazurek on cornet and piano, John Herndon on drums and percussion, Matt Lux on electric bass, Josh Abrams on acoustic bass and piano, and Jason Adasiewicz on some especially nice vibes! The vibes often have this chromatic quality that's starkly metallic – ringing out strongly next to Abrams' warmer bass, and Mazurek's palette of colors on his horn – driven by a brooding sense of rhythm from Herndon, playing here away from his more familiar Tortoise setting, and reminding us that he's always had a great ear for jazz. Titles include "The Earthquake Tree", "The Star Splitter", "The Dream Rocker", "Microrapagonafly", "Aphrodite Rising", "The Field", "Nora Grace", "Le Baiser", and "Dragon Kites".

One of the most electric albums we've heard from Rob Mazurek in years – no surprise, given that the set's billed to an Electro Acoustic version of his Exploding Star group! The music here was done in collaboration with videomaker Marianne Kim – whose video is included with the package as a separate DVD, and also features some work from visual work from Mazurek as well. But our main focus here is the music, which is great – all the earthy, exploratory tones that Rob's been unleashing in recent years – clearly inspired by some of the best Miles or Don Cherry moments of the 70s, but very different too – as handled by this range of key contemporary players from Chicago. Rob speaks a bit on a few tracks, and the set also features work from Damon Locks on voice and electronics, Nicole Mitchell on flute, Matt Bauder on electronics, Guilherme Granado on sampler, Carrie Biolo on percussion, Jeff Kowalkowski on keyboards, and John Herndon on drums. Titles include "We Are All One With The Moon & Planets", "Only", "The Shifting Sequence", "Indra's Net", and "Seven Blues".

The second album from Ghanaian funk singer, composer and arranger Rob – issued for the first time ever outside of Ghana, thanks to the deep diggers at Soundway! Rob sings in English throughout – and there's a slinky, slow-cooking, kinda strange groove on most of the numbers – a mix of funk with lots of offbeat, oddball touches – of the sort that some folks these days might dub Afro Psych – but which was just pretty darn experimental back in the day! Rhythms are heavy on guitar, bass, and drums – and plenty of offbeat percussion – all topped with some great heavy horns too. The memorable title track is one of the most unique Afro Funk songs you could ever hope to hear – , with dexterous opening horn blasts, clattering bell-like percussion, and undeniably carnal English vocals – and the rest of the album's pretty darn amazing too! Other titles include "Loose Up Yourself" "Not The End", "I've Got To See You Again Lord", "He Shall Live In You", "But You", "Bargain" and "Back On You".

A definite home run from Dutch pianist Rob Agerbeek – a hip set recorded in 1971, and one that's done with a very soulful groove! The group's a quintet, and Rob really sparkles in this setting – pushing the players with a subtle skill that recalls Horace Silver at his Blue Note best – especially in the way that Agerbeek mixes upbeat grooving with more sensitive sounds on the set! Other players include Dick Vennik on tenor and flute, Willem Reinen on flugelhorn, Rob Langereis on bass, and Eric Ineke on drums – a really great group of players who fit toghether wonderfully here – pushing the grooves of the tunes strongly forward with warm energy, but also breaking out with some sharp solos of their own. Titles include the funky classic "The Chair Dance" – plus "Little Miss Dee", "Just Robbish", "Minor Rush", and "The Blue Countess".

A stone smoker from tenorist Seiichi Nakamura – thanks partly to some great trombone from Shigeharu Mukai! Shige's one of our favorite Japanese trombonists from the 70s, and he really gives this session a deep degree of soul – working strongly in the frontline with Seiichi, and getting tight rhythm support from Hiroshi Tamura on piano, Isoo Fukui on bass, and Takuji Kusumoto on drums! Most of the record is in a straight hardbop mode – which really lets the tenor and trombone shine – and titles include "Frank N Earnest", "Closing Theme For Quintet", "Judy's Samba", and "Melba's Blues".

A sweet swinger from this hip Japanese vocalist – one of the groovier talents of that scene in the 70s, and an artist whose name wasn't that well known on our side of the Pacific! The record's got a soulful bounce right from the start – thanks to backings from the trio of pianist Tsuyoshi Yamamoto, with extra work on alto by Yoshio Otomo – sliding in underneath the vocals to give the tunes a sharp edge! Miami's got this way of singing that has a sweet little crackle – not a mode that's echoing other American singers, but a groove that's all her own – and one that suits her nicely on titles that include "Gravy Waltz", "Chains Of Love", "Bye Bye Blackbird", "I'm Walkin", and "Good Morning Heartache".

Almost an underground groove supergroup – given that the set features work from Earl Zinger (Rob Gallagher of Galliano) at the helm, production from 2 Banks Of 4, vocals from Valerie Etienne, and funky rhythms from Shawn Lee! The combination of talents come together here in a very new way – with a style that's much grittier and earlier than before, although still pretty darn groovy overall – almost putting a raspy old school touch on a scene that's definitely matured on its own, and may well be old enough to lay claim to the rootsy sound of this set! Rob's songwriting has definitely matured, and at some of the best moments, there's almost a British Tom Waits-y kind of quality to the set. Titles include "Below Sea Level", "Burial Blues", "Whip Of The Wind", "Laxfield Blasphemy", "Velvets Eleven", "Margaret Catchpole", and "Foggy Dew".

The first proper Aesop Rock album in a few years – and his first for Rhymesayers – a logical next step for his uncompromising, darkness-tinged sounds and distinctive rhyme style of his early work for Def Jux! Aesop hasn't missed a step, and the sound is as dystopian, breathless and creative as ever. Hanni El Khatib plays guitar on a few tracks, as does Allyson Baker, with appearances by Rob Sonic and Kimya Dawson. Includes "Leisureforce", "ZZZ Top", "Cycles To Gehenna", "Zero Dark Thirty", "Crows 1" with Kimya Dawson, "Homemade Mummy", "Crows 2" with Rob Sonic, "1,000 Clock", "Saturn Missiles", "Tetra", "Gopher Guts" and more.

The third album from Maya Azucena and here debut for the Half Note label – brilliant true soul from one of our favorite voice of the past decade – really at her best here! Maya may be drawing from a more diverse stylistic spectrum here – there's some classic brass backed soul numbers, more stripped down acoustic instrumentation, strains of hip hop soul and other touches – but it flows perfectly thanks to her straight up beautiful voice and her own songwriting anchoring it all tightly. We wondered if she was going to move more towards a jazzy style with the move to Half Note, but this is soul music through and through! Includes "Cry Love", "Shine", "Near", "Change My Mind", "Belong To The Sun". "Run Into The Light", "Warriors", "Live On", "Little Ghetto Boy" feat Chris Rob and more.

Features solos from Moe Koffman on soprano sax and flute, Guido Basso on trumpet, Rob McConnell on trombone, Peter Appleyard on vibes, and Phil Nimmons on clarinet.

Brick City vet and Artifacts affiliate Beneficience delivers a sharp set of hip hop in Concrete Soul for Ill Adrenaline – featuring an impressive roster of guests – but to Bene's credit, he's never overshadowed here! Guests include Lord Tariq, Masta Ace, Chubb Rock, Roc Marciano, El Da Sensei, D-Flow, Billy Danze, AG and more. Includes "YWE" with Lord Tariq, "Reality Vs Fiction" feat Masta Ace, "Cold Train" with Grap Luva & Rob-O, "Concrete Soul" feat Troo Kula of Brainwash 2000, "Masterful Method" with Chubb Rock, "Art Of War" with Billy Danze of MOP, "All Real" feat AG, "Metal Cuff Links" feat Nature,, "Somethin' Yall Can Roll Wit", "Under Constructuon, "Hood Cartel" with Roc Marciano and more.

The most amazing record to date from Rob Mazurek's Exploding Star Orchestra – just the kind of cosmic, spiritual session you'd expect from the group's name – perfectly placed in a Chicago lineage that includes Sun Ra's Arkestra and the best years of the AACM! The group's got all the collaborative spirit of the latter reference – a largeish ensemble made up of some of the city's most important avant musicians in recent years – including Nicole Mitchell on flute, Jeb Bishop on trombone, Jason Adasiewicz on vibes, Josh Abrams on acoustic bass, Matt Bauder on clarinet and tenor, Jason Stein on bass clarinet, and Mike Reed and John Herndon on drums – all players who know each others strengths through countless gigs together – coming together under the visionary leadership of Rob Mazurek on cornet. There's some slight electro-acoustic elements, which further complicate the sound of the record – but all without ever taking it off base – and the whole thing's got a righteous sort of energy that makes us mighty proud that sounds this great came from our hometown. Titles include "ChromoRocker", "Impression #1", "Ascenscion Ghost Impression #2", and "Three Blocks Of Light".

Fat Joe's first LP – a very strong slice of east coast early 90s gangsta that's way stronger than the 14-year-olds who listened to Joe in the 00s will probably ever know. With quality production all the way through by The Beatnuts, Diamond D, Showbiz and Lord Finesse and scratches by Rob Swift and Rock Raider (Roc Raida). Features guest appearances by Grand Puba (that to our ears anyway, sound better than his solo stuff from that time), Diamond D, Kool G Rap, Apache, and King Sun. With the hits "The S**t Is Real", "Watch The Sound", "I'm A Hit That", "Flow Joe", "You Must Be Out of Your F***in' Mind" and eight more.

A groovy late 70s outing from the Hi Los – done at the same time that group member Gene Puerling was having a great run for MPS with his group The Singers Unlimited! The style here's a bit like the Hi Los of old, but it's also got some of the smoother, sweeter tones that Puerling developed with the Singers Unlimited – that near-perfect approach to sound, with the vocals wrapped up nicely in pure harmonic bliss! Backings are directed by Rob McConnell, and vocal arrangements are by Puerling – on titles that include "Misty", "Everything Must Change", "I Remember You", "Seems Like Old Times", and "When Sunny Gets Blue".

Later solo work from Andrew Hill – an Italian session with four long tracks, and a fair bit of sensitive tones throughout! The record definitely has some of Hill's tentative qualities of the period – playing that almost makes you feel like he's rediscovering the keyboard of the piano with each new track – but there's also a subtle sort of warmth as well, especially at points when Andrew relaxes into an area he's been hovering around for a few measures – relaxing just a bit, and relishing the sound. Titles include "Rob It Mohe", "Ceora", "Bayside 1", and "Bayside 2".

Fantastic lean low funky fusion – and a lost Blue Note 70s gem – a set that's way different than any other work from the team of bassist John Lee and drummer Gerry Brown! The set's nice and spare – almost CTI in style at times, but with some excellent production work from Skip Drinkwater – who brings in some soul undercurrents, and a sense of focus that other Lee/Brown work is sometimes missing. The result is a wonderful little record that avoids any of the excesses the pair had on the European scene – yet still has a really sharp edge in the end. Wah Wah Watson plays guitar, as does Philip Catherine – and the set also features some excellent keyboards – handled by Jasper Van't Hoff, Rob Franken, and Lee himself. Funky nuggets include "Mango Sunrise", "Her Celestial Body", and "The Stop and Go" – all of them filled with jazzy breaks!

Maybe the greatest album that Teena Marie ever cut – and that's saying a lot, given the strength of the lady's work for Motown! The set's got this bright, positive bounce that grabs you right from the start – but also moves into a depth that's way different than other funk albums of the time – a way with a ballad and a thoughtful track that almost makes Marie the 80s heir to the Minnie Riperton legacy, especially given the strength of her voice on the set – and the fact that Teena wrote and produced the whole album herself! At a time when so many other female soul singers were at the mercy of other folks' talents and ideas, Lady T steps forth boldly with this classic set – brimming over with greatness on cuts that include the stellar "Portuguese Love", plus "Yes Indeed", "Where's California", "Opus III", "Square Biz", "365", "Revolution", and "Ballad Of Cradle Rob & Me".

The essence of Duke Ellington – but in the hands of William Parker, it's a very different thing than you might expect! The group here is larger than usual for Parker – a great ensemble used in ways that definitely echo some of Ellington's more inventive scoring, especially his mature use of tone and color – yet both the solos and ensemble moments go way way farther than anything the Duke might have imagined – all the bold, righteous brilliance that we've come to love in Parker's own recordings – focused back on one of his greatest inspirations. The lineup is quite impressive – as musicians include Roy Campbell on trumpet, Ras Moshe on tenor and soprano, Rob Brown and Darius Jones on alto, Sabir Mateen on clarinet and tenor, Steve Swell on trombone, Dave Burrell on piano, Hamid Drake on drums, and Parker himself on bass – and titles include "Take The Coltrane", "Essence Of Sophisticated Lady/Sophisticated Lady", "Caravan", "Essence Of Ellington", "Take The A Train/Ebony Interlude", and "Portrait Of Louisiana".

A really unusual project from bassist William Parker – a great tribute to the legendary Godard film Alphaville, done with music that's a surprisingly great fit! There's almost a jazz soundtrack feel to the record at points – a bit straighter than usual for Parker, but still with plenty of edge – although other tracks sometimes get a bit more outside and improvisational, making for a really nice balance in the record. The core group features Parker on bass, Rob Brown on alto, Lewis Barnes on trumpet, and Hamid Drake on drums – which is then augmented by two cellos, violin, and viola – shading in the sound nicely. Parker really does a great job of capturing the quick shifts, bold moments, and striking qualities that make Godard's film so great – and titles include "Alphaville Main Theme", "Interrogation", "Alph 60", "Doctor Badguy", "Oceanville Evening", and "Civilization Of Light" – plus two versions of the great track "Natasha's Theme", a spiritual soulful number with vocals by Leena Conquest!

The debut full length from Pete Rock & CL Smooth – and a bonafide hip hop classic if there ever was one – one of the best ever! Pete Rock's trademark mix of heavy soul, jazz & funk beatcraft pretty much set the bar to a level that's been impossible to top ever sense. On top of being a front-to-back perfect album, Mecca & The Soul Brother has one of the great singles of the era, in "They Reminisce Over You (TROY)". What more can be said, really? An absolute essential! Disc 1 includes the original full length album. Titles include "Return Of The Mecca", "For Pete's Sake", "Ghettos Of The Mind", "Soul Brother #1", "Wig Out", "Anger Of The Nation", "Can't Front On Me", "The Basement" feat Heavy D, Rob-O, Grap & Dida, "If It Ain't Rough, It Ain't Right", "Skinz" feat Grand Puba and more. 16 tracks in all. Disc 2 features a wealth of bonus tracks, including 12" versions, remixes, acapellas, instrumentals and exclusives, including "It's Not A Game (Original 12" Version)", "Lots Of Lovin (Remix)" "They Reminisce Over You (TROY)" (Remix, Vibes Mix, and Instrumental versions), "Straighten It Out (Instrumental Version)". 15 tracks of bonus material. Comes in a heavy duty, beautiful deluxe box with a 20 page book with notes by Brian Coleman, Dante Ross, Pete Rock & CL Smooth and a full sized poster!

Chicago's long-living, always great zine Roctober takes a look at the 80s – through the wholy unique Roctober lens that shows this oft-maligned and/or nostalgia prone decade in a totally great way! The Livin' In The 80s Issue has interviews with lost 70s/80s funkster Captain Sky Glenn, Danzig, Boyd Rice, Curtom Records' Eddie Thomas, PiL, Stax Record historian Rob Bowman, TSOL, The Zero Boys, French diva Helena Noguerra, Japanese group sound legends The Golden Cup, The Knots, Plus Daniel Lanois, The Cheepskats, Clara & Chris Ware on Tiny Tim, Ernie Kovacs, Electric Prunes, Joe Strummer, The Romantics, comics, obits, reviews, and unpublished photos of Black Flag, Bad Brains, Misfits and more!

Another stapled, b&w, muy extraño rock screed from Roctober! This issue features a really nice paneled portrait sketch cover by Rob Syers, Jason Lutes, and others, the always entertain "Punk'n Head" strip by Jake Austen, features on lost Bee Gee Maurice Gibb, the late 60s circus-theme exploits of Buddah Records artist conglomerate the Kasenetz-Katz Orchestral Singing Circus, The Musical World of Sid Laverents, the wierd world of Gamma Goochee, an interview with Guy "the Armenian Mickey Katz" Chookoorian, Nardwuar Vs. Gene Simmons, and a lot more – plus the usual array of reviews, discographies, ads, and comics!

Roctober's famous "Kissue" – featuring interviews with Kiss cover band Strutter, Bruce Kulick, Cynthia Plaster Caster, Jumpin Gene Simmons, and a Japanese Archival Kiss interview! Also features Kiss Toy Rejects, Pedro Bell Almost Meets Kiss, and comics by Eric Searleman, Jenny Zerkavis, Olaf, Rob Syers, Cathy Hamilton, Soul Finger Tattoos, and others. Also includes a bonus 8" vinyl record, featuring songs about Kiss by The Polkhaholics, Social Parasite, Cynthia Plaster Caster, Ratso, Buh Zombie, DJ Josh, Dom Nation, and Beau Grumpus.

A well done survey of the career of Thievery Corporation to date – selected by Rob Garza and Eric Hilton – wonderful stuff from the reigning kings of downtempo jazzy grooves! It's made up of the duo's best known tracks as well as their own personal favorites. You couldn't really ask for a better or more careful curated set! Includes "Amerimacka", "Lebanese Blonde", "Facing East", "Holographic Universe", "Until The Morning", "All That We Perceive", "The Richest Man In Babylon", "The Passing Stars", "Satyam Shivam Sundaram", "Vampires", "Warning Shots", "Shadows Of Ourselves" and more.

One of the fantastic electric Cal Tjader sessions from the 70s – with that mixture of vibes and electric piano that made his work of the time take on an even funkier sound than before! Lonnie Hewitt's at the keyboards here – and he's got a sly, slinky groove that's totally great – a sound that's even more spacious than Tjaders' vibes, and which seems to push Cal into a whole new space in sound. The rest of the group includes Rob Fisher on acoustic bass, Pete Riso on drums, and the great Pancho Sanchez on congas – who further helps hold down the Latin side of the sound. Titles include a stellar 12 minute reading of Cal's "I Showed Them", which is pure funk all the way through – plus "Bluesology", "Body & Soul", and the extended "Black Orpheus Medley".

17 full-length tracks produced by Domingo and DJ Rob. Ok, maybe not the strongest compilation all the way through but still a couple nice tracks not available on any other LP or single, including a nice remix of the Cocoa Brovas' "Super Brooklyn" featuring Mista Cheeks, Eminem/J Black/Masta Ace "Hellbound(H&H rmx)", and Cocoa Brovas "You Cant Take Me Out." The production on the other tracks ranges from Wu-Tang inspired to the hot sound to a few tracks with a latin sound. Also includes: TOMMOROWS WEAPON "Que Que", GHG "Roll Wit Me", ILLA NOISE "Who R U?", ROYAL FLUSH/J-MEL/151-RON/BACARDI/RAH BUMP "Creep", JNJ PROJECT "Chica Bonita", SU "Mamita", JNJ PROJECT & MISTA CHEEKS "Puff Harder", MASTA ACE "Spread It Out", DHARK CITI "Petrified", GROOVY "Smokin Trees", GODFATHER/ROYAL FLUSH/RAH FESE "Think Like Street", , COCOA BROVAS/XUN TSU/THE MOST TALENTED "Punch Out", J-BLACK/JUGGA/STEELE/GODFATHER/P DAP "Game Over", COCOA BROVAS "Super Brooklyn (original)"

Heavy funk from 70s Ghana – a sweet little set that's filled with rare and unusual grooves! The collection's got a strong focus on unreleased and very obscure material – and from what we can tell, none of these tracks have been reissued at all! The work here is not only funky, but it's also got some really offbeat qualities too – a bit psych-oriented at times, in the way the production comes together, or in the style of the instrumentation – a lot less crossover-oriented than some of the other grooves coming from other parts of the African scene in the 70s, although there's plenty of numbers here that would appeal to fans of American funk and soul. Titles include "Accra Makola" and "Kofi Wedzidzi" by Cutlass Dance Band, "Okuan Tsentsen Awar" and "Mber Papa" by CK Mann, "Kwaakwa" and "I Am Black" by Apagya Show Band, "Bolga Besia" by Gyedu-Blay Ambolley, "Dza Hunu Tso" by Amartey Hedzoleh, "Amponsah" by Ebo Taylor, and "Read The Bible" by Rob.

Unusual sounds abound – not the trippy psych you might expect from the cover, but not that far off either – just skewed in a completely different style, from a great range of scenes! The package digs deeper than most we've ever heard – past obvious touchstones in music, to uncover some unique cross-genre sounds and modes that are pretty hard to categorize! Most of these tracks are from obscure private press records, European releases, or other unusual sources – and instead of the usual hippy-era dates, lots of these cuts are from the late 70s and 80s – yet still retain this mellow sort of warmth – a spirit that was born in the folk funk generation, yet which has evolved quite differently, and sometimes with electronic touches too. Titles include "House On The Rock" by Rob Mehl, "Basshoven" by George Oban, "Transformation" by Jeff Liberman, "Safe & Sound" by David Astri, "Catching A Wave" by Steve & Teresa,. "C'Etait Un Beau Dimanche" by Daniel Mathieu, "Metropolis" by Walter Hawkins, and "Formentera Sunset Clouds" by Iasos. 2CD version – one CD unmixed, the other a mix of tracks from the set!

Double LP collection from 1987-88. Public Enemy "Don't Believe The Hype", EPMD "Strictly Business" (club mix), De La Soul "Plug Tunin", Rob Base & DJ E-Z Rock "It Takes Two", Kool Moe Dee "Wild Wild West" (extended remix), Salt-N-Pepa "Push It" (remix), Run DMC "Run's House", and five more.

A wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s – beautiful work from a slew of players we've never heard of – but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. Some tunes are starkly beautiful, some chime on fairly intently, some do both those things and more – and it's very heartening and instantly appealing stuff – wordless tunes that carry a lot of sensitivity and emotion! The 40 page booklet features detailed notes and bio material for each track, plus an introduction by Numero's Rob Sevier and essays by Dan Lambert and Jim Ohlschmidt. Titles include "Beginning" by Dana Westover", "Raga In D" by Ted Lucas, "Sailor's Dream" by Scotte Witte, "Flight" by George Cromarty, "Diagonal" by Richard Crandell, "Baha Dream Songs" by Daniel Hecht, "Delta Freeze" by Jim Ohlschmidt, "No More School" by Stephen Cohen, "Strawberry Man" by Mark Lang, "Warm River" by Bread Chequer, "One Forty Eight" by Swayne Canna and more.

A brilliant tribute to the youthful talents of Barrington Levy – a set of sweetly soulful numbers that were mostly recorded when Levy was in his late teens! The package is overstuffed with goodness from these key Levy years – music that often moves through the groove with a really laidback vocal, yet still has this sharp bite underneath – that special mix that always made Barrington so great. And although young here, there's still a depth to his vocals that few other older acts can touch – a heartfelt, sometimes heartbreaking quality that really comes through. CD features a whopping 40 tracks in all – with titles that include "She Rob & Gorn", "Poor Man Style", "Rubber Man", "My Woman", "21 Girls Salute", "Collie Weed", "Bounty Hunter", "Walk 2000 Miles", "Mini Bus", "Black Hen Chicken", "Look Youthman", and "Wedding Ring".

No music – and as far as we can tell, the whole album's lifted from bits that appeared in the hit TV show. Not that that's a problem, though, as Carroll O'Connor, Jean Stapleton, Rob Reiner, and crew never fail to please. Bits include "Breasts", "Archie & Maude", "Archie In Jail", "The Elevator", and "Sammy's Visit", featuring Sammy Davis Jr!

Very groovy work from the daughter of Nina Simone – vocalist Lisa Celeste Stroud, working here under her mother's last name! As you'd guess from the title, Simone's singing songs that her mother did strongly back in the day – but the setting's nicely different than Nina's originals – less of a copycat homage session, and more a swinging batch of bigger band numbers that have a really lively, soulful sort of feel! The younger Simone's vocal style is all her own – never too concerned with copping her mama's bag – and we appreciate that individuality, and the way that it keeps the album relatively fresh – as does arranger Rob Stoneback, whose charts here almost have a late 60s/early 70s big band feel – plenty groovy throughout! Titles include "Gal From Joes", "Go To Hell", "Child In Me", "Feeling Good", "Don't You Pay Them No Mind", "How Long Must I Wander", and "Black Is The Color Of My True Love's Hair".

Almost an underground groove supergroup – given that the set features work from Earl Zinger (Rob Gallagher of Galliano) at the helm, production from 2 Banks Of 4, vocals from Valerie Etienne, and funky rhythms from Shawn Lee! The combination of talents come together here in a very new way – with a style that's much grittier and earlier than before, although still pretty darn groovy overall – almost putting a raspy old school touch on a scene that's definitely matured on its own, and may well be old enough to lay claim to the rootsy sound of this set! Rob's songwriting has definitely matured, and at some of the best moments, there's almost a British Tom Waits-y kind of quality to the set. Titles include "Below Sea Level", "Burial Blues", "Whip Of The Wind", "Laxfield Blasphemy", "Velvets Eleven", "Margaret Catchpole", and "Foggy Dew".

A beautiful love letter to contemporary Brooklyn – originally commissioned by BAM, as part of a longer piece that included narration, animation, and paintings – but a work that stands more than strongly here on its own! The music has a wonderful mix of themes – sometimes straight, sometimes a bit more abstract, to the point of illustration – played by a shifting lineup of younger musicians who really deliver on the promise of Darcy James Argue's compositions – a group that includes John Ellis on tenor sax, Rob Wilkerson on alto, Ryan Keberle on trombone, Matt Holman on trumpet, Nadje Noordhuis on flugelhorn, and Sebatian Noelle on guitar. Titles include "The Neighborhood", "Builders", "Grand Opening", "Coney Island", "Construction/Destruction", "The Tallest Tower In The World", and "Missing Parts".

What can we say? The Beasties continue their manic trio hip hop style mixed with the live jazz/funk/garage (as in rock, not house) sound and keyboards by Money Mark – featuring a bunch of their classic material, and underappreciated album cuts. The Beasties could really do no wrong at this point in their unlikely long career. Includes the great cut "Get It Together" featuring a very sharp Q-Tip stealing the show And you can't go wrong with any LP that samples Ramelzee and K-Rob's "Beat Bop." Other tracks include the unstoppable "Sure Shot" and "Sabotage", plus "Futterman's Rule", "Shambala", "The Scoop", "Do It", "Heart Attack Man", "Bodhisattva Wow", and "Root Down".

Another wonderful album from this groundbreaking Chicago combo! The group's now a permanent quartet, with the extremely great addition of Jeff Parker on guitar and electronics – and the album continues to push the boundaries of Rob Mazurek's unique sound. The liner notes on the back refer to a NY Times article that described the group's sound as "painterly", and to us, that's a pretty fair estimation of their sound. The group work in wide washes of sound – structured around conventional jazz traditions, but touched with a more abstract approach derived from their connection to the Chicago rock and experimental scene. Titles include "Warm Marsh", "Elroy", "504", "The World Has Changed", "Woman In Motion", and "Antiquity".

Beats by Diamond D and Lord Finesse, with Rob Swift on the 1's and 2's.

A brilliant tribute to the youthful talents of Barrington Levy – a set of sweetly soulful numbers that were mostly recorded when Levy was in his late teens! The package is overstuffed with goodness from these key Levy years – music that often moves through the groove with a really laidback vocal, yet still has this sharp bite underneath – that special mix that always made Barrington so great. And although young here, there's still a depth to his vocals that few other older acts can touch – a heartfelt, sometimes heartbreaking quality that really comes through. CD features a whopping 40 tracks in all – with titles that include "She Rob & Gorn", "Poor Man Style", "Rubber Man", "My Woman", "21 Girls Salute", "Collie Weed", "Bounty Hunter", "Walk 2000 Miles", "Mini Bus", "Black Hen Chicken", "Look Youthman", and "Wedding Ring".

Maybe the greatest album that Teena Marie ever cut – and that's saying a lot, given the strength of the lady's work for Motown! The set's got this bright, positive bounce that grabs you right from the start – but also moves into a depth that's way different than other funk albums of the time – a way with a ballad and a thoughtful track that almost makes Marie the 80s heir to the Minnie Riperton legacy, especially given the strength of her voice on the set – and the fact that Teena wrote and produced the whole album herself! At a time when so many other female soul singers were at the mercy of other folks' talents and ideas, Lady T steps forth boldly with this classic set – brimming over with greatness on cuts that include the stellar "Portuguese Love", plus "Yes Indeed", "Where's California", "Opus III", "Square Biz", "365", "Revolution", and "Ballad Of Cradle Rob & Me".

Nice little underground session from the burgeoning young Chicago scene – oddly released on a UK label! Drummer Ted Sirota leads a lively little quintet that includes Jeff Parker on guitar, Kevin Kizer on tenor, and Rob Mazurek on cornet – and the band has a warm lyrical feel, and a surprisingly mature approach to playing. The whole album features original compositions by the members of the group – many with the kind of creativity that we've come to expect from Mazurek's Chicago Underground groups. Titles include "Geronimo's Free", "Carolynn's Blues", "Lonely People", "La Danse De Janvier", and "Little Spots".

Hawaiian psych folk from songwriters Margret Morgan and Patrick Cockett – who sing and play guitar, dulcimer, slide and tabla – backed by more guitar, sitar, vocals, ipu, feet and all kinds of dreamy charm on the rare and legendary These Trails album! The songs are uniquely, brilliantly influenced by their surroundings – the trails of the mountains of Kaua'i – without a tourist's cliché of Hawaii to be found, though. Lovely, somewhat strange post psychedelic folk rock unlike anything else! Titles include "These Trails", "Our House In Hanalei", "El Rey Pescador", "Waipoo", "Garden Botanum", "Rapt Attention" and more.

Rob Swift, Total Eclipse & Roc Raida make with a murderous mix set – 60 minutes of the hottest X-ecutioner beats, breaks, and rhymes plus a sampling of some of the best hip hop of the last 10 or so years worth of beats. The X crew seamlessly cut up some of the hottest underground work, but they're not so stuck up that they won't occasionally pop their heads above the surface. They also splice pulp film dialogue and sound bites, rivaling Cut Chemist and Automator in the outer space cheese vein while keeping the hard core street feel. Nice!!!

Funky stuff! The track is Lyn's famous version of "Think", sampled by Rob Base to big fame. The flipside's nice, too – and features a very dope laidback version of "Ain't No Sunshine", with Lyn's voice in fine fine form!

The third set of hip hop jazz instrumentals from J Rawls & The Liquid Crystal Project – blending breezy 70s soul jazz inspired keys and horns with the head-nodding beat aesthetic of the most timeless hip hop – working as strongly on the jazzy side here, if not more so! Producer & DJ J Rawls once again works with fellow producer and keys player B Jazz along with drummer Rob Riley, Charles Cooper and Eddie Bayard on sax, plus guest trumpeter Pharez Whitted (the horns really bring some incredible depth). It's wonderful stuff! The electric keys lend a smoothed out finish, though still with a jazz funk vibe, while the bass, drums and beats carry a hip hop-reared insistence. Get it! Includes "Nematic Surprise", "A Tribute To De La", "Stand Up", "A Tribute To JC", "Friedrich And Otto", "Ghetto", "195", "A Tribute To Tribe", "The Equinox", "The Maier-Saupe Story", "Jazzy Bobby", "Where Is The Love", "Work" and more.

Hip hop production titan Large Professor – still at large and delivering the goods! Large Pro produces like the timelessly inventive figure we all know that he is – and he rocks the mic with a golden age-styled flow. Rob Swift contributes some scratches on the sharp opener "Keys To The City" and the record has guest production by Marco Polo on the title track – plus appearances by Grand Daddy IU & Mic Geronimo, Busta Rhymes, Tragedy Khadafi and more. Other tracks include "Unowhtmsayn", "Focused Up", "Happy Days R Here", "Professor @ Large", "Barber Shop Chop", "Mack Don Illz", "Kick Da Habit", "LP Surprise", "Back In Time", the posse cut closer "MARS" with Action Bronson, Cormega, Roc Marciano and Saigon and more.

Heavy funk from 70s Ghana – a sweet little set that's filled with rare and unusual grooves! The collection's got a strong focus on unreleased and very obscure material – and from what we can tell, none of these tracks have been reissued at all! The work here is not only funky, but it's also got some really offbeat qualities too – a bit psych-oriented at times, in the way the production comes together, or in the style of the instrumentation – a lot less crossover-oriented than some of the other grooves coming from other parts of the African scene in the 70s, although there's plenty of numbers here that would appeal to fans of American funk and soul. Titles include "Accra Makola" and "Kofi Wedzidzi" by Cutlass Dance Band, "Okuan Tsentsen Awar" by CK Mann, "Kwaakwa" and "I Am Black" by Apagya Show Band, "Bolga Besia" by Gyedu-Blay Ambolley, "Dza Hunu Tso" by Amartey Hedzoleh and "Read The Bible" by Rob Reindorf.

An all-star tribute to the legendary Ella Fitzgerald – one that features a number of contemporary singers trying to recapture the magic of Ella's best work from the 50s and 60s! We'll be honest in saying that we were a bit suspicious of this one at first, but the quality is surprisingly strong – mostly in an acoustic, swinging, jazzy mode – with arrangements predominantly by Rob Mounsey, and most singers really doing their best to hit a Fitgerald sort of groove. It's interesting to hear some of these vocalists doing their best to match Ella's phrasing, on titles that include "Blues In The Night" by Ledisi, "The Lady Is A Tramp" by Queen Latifah, "A Tisket A Tasket" by Natalie Cole, "Lullaby Of Birdland" by Chaka Khan, "Angel Eyes" by KD Lang, "Reaching For The Moon" by Lizz Wright, "Someone To Watch Over Me" by Gladys Knight, "Do Nothin Till You Hear From Me" by Etta James, and "You Are The Sunshine Of My Life" by Ella Fitzgerald & Stevie Wonder.

One of the benchmark best ofs of the mid school hip hop years – the original collection of Wild Pitch classics! Includes some of the best cuts from the primo Wild Pitch years of the late 80s and start of the 90s – and a time capsule for sound science. A set like this makes us really miss the glory days of the early 90s: includes Gang Starr "Words I Manifest", Latee "No Tricks" and "This Cut Got Flavor", The Coup "Dig It", Main Source "Looking At The Front Door", "Live At The Barbeque", "How My Man Went Down In The Game", and "Faking The Funk", OC "Time's Up", UMC'S "Blue Cheese", "One To Grow On" and "Raise It Up", Lord Finesse & DJ Mike Smooth "Funky Technician", Chill Rob G "Court Is Now In Session", N-TYCE "Hush Hush Tip" and Jamose "The Rhythmologist". 16 tracks in all.

The first proper Aesop Rock album in a few years – and his first for Rhymesayers – a logical next step for his uncompromising, darkness-tinged sounds and distinctive rhyme style of his early work for Def Jux! Aesop hasn't missed a step, and the sound is as dystopian, breathless and creative as ever. Hanni El Khatib plays guitar on a few tracks, as does Allyson Baker, with appearances by Rob Sonic and Kimya Dawson. Includes "Leisureforce", "ZZZ Top", "Cycles To Gehenna", "Zero Dark Thirty", "Crows 1" with Kimya Dawson, "Homemade Mummy", "Crows 2" with Rob Sonic, "1,000 Clock", "Saturn Missiles", "Tetra", "Gopher Guts" and more.

Two slices of work from Dutch vocalist Ann Burton – one of the hippest jazz singers on the European scene of the 60s and 70s, although not as well known over here as some of her other overseas contemporaries! The first half of the CD features vintage live work from 1962 - material that has Burton's vocals with the Flamingo Combo – a group with piano, guitar, bass, and bongos – all of which make for a spare sound that's a nice change from the usual piano trio mode, leaving lots of room for Ann's vocals. Titles include "Bag's Groove", "Close Your Eyes", "Fly Me To The Moon", and "Let's Get Away From It All". The second half of the CD is of more recent vintage, but equally great – studio sides from 1988, recorded with the Rob Agerbeek trio. Agerbeek's group is really wonderful here – quite unusual in their mix of piano, bass, and vibes – which is sometimes augmented with trumpet from Ack Van Rooyen – and often using rhythmic approaches that really open up the tunes nicely, taking them far past simple renditions of familiar standards. Titles include "Afterthoughts", "Again", "Nice & Easy", "I Didn't Know What Time It Was", and "I Won't Dance".

The most amazing records to date from Rob Mazurek's Exploding Star Orchestra – just the kind of cosmic, spiritual session you'd expect from the group's name – perfectly placed in a Chicago lineage that includes Sun Ra's Arkestra and the best years of the AACM! The group's got all the collaborative spirit of the latter reference – a largeish ensemble made up of some of the city's most important avant musicians in recent years – including Nicole Mitchell on flute, Jeb Bishop on trombone, Jason Adasiewicz on vibes, Josh Abrams on acoustic bass, Matt Bauder on clarinet and tenor, Jason Stein on bass clarinet, and Mike Reed and John Herndon on drums – all players who know each others strengths through countless gigs together – coming together under the visionary leadership of Rob Mazurek on cornet. There's some slight electro-acoustic elements, which further complicate the sound of the record – but all without ever taking it off base – and the whole thing's got a righteous sort of energy that makes us mighty proud that sounds this great came from our hometown. Titles include "ChromoRocker", "Impression #1", "Ascenscion Ghost Impression #2", and "Three Blocks Of Light".

Maybe the greatest album that Teena Marie ever cut – and that's saying a lot, given the strength of the lady's work for Motown! The set's got this bright, positive bounce that grabs you right from the start – but also moves into a depth that's way different than other funk albums of the time – a way with a ballad and a thoughtful track that almost makes Marie the 80s heir to the Minnie Riperton legacy, especially given the strength of her voice on the set – and the fact that Teena wrote and produced the whole album herself! At a time when so many other female soul singers were at the mercy of other folks' talents and ideas, Lady T steps forth boldly with this classic set – brimming over with greatness on cuts that include the stellar "Portuguese Love", plus "Yes Indeed", "Where's California", "Opus III", "Square Biz", "365", "Revolution", and "Ballad Of Cradle Rob & Me". This expanded CD also includes 2 live tracks recorded in Long Beach – versions of "Deja Vu" and "Someday We'll All Be Free" – plus the bonus track "Square Biz", done in an instrumental version. All written & produced by Teena, too!

A great issue with Roctober's double-flip format – one side printed right side up for the music content, the other upside-down for the comics! The double-cover issue has features on PJ Proby, ONO, Skafish, Klaus Nomi, Lenny Bruce, The Mummies, Sly Stone, Sun Records saxophonist Martin Willis, and Pedro Funkadelic Bell – plus Heavy Metal cartoonist Serge Clerc, and comix by Plastic Crimewave, Archer Prewitt, Matt Madden, King Merinuk, Rob Syers and MORE!

A well done survey of the career of Thievery Corporation to date – selected by Rob Garza and Eric Hilton – wonderful stuff from the reigning kings of downtempo jazzy grooves! It's made up of the duo's best known tracks as well as their own personal favorites. You couldn't really ask for a better or more careful curated set! Includes "Amerimacka", "Lebanese Blonde", "Facing East", "Holographic Universe", "Until The Morning", "All That We Perceive", "The Richest Man In Babylon", "The Passing Stars", "Satyam Shivam Sundaram", "Vampires", "Warning Shots", "Shadows Of Ourselves" and more. This great 4 X 12" colored vinyl set collects each of the individually released EPs.

What can we say? The Beasties continue with the live jazz/funk/garage (as in rock, not house) sound and keyboards by Money Mark. With the classic "Get It Together" featuring Q-Tip. And you can't go wrong with any LP that samples Ramelzee and K-Rob's "Beat Bop." Other tracks include "Sure Shot", "Futterman's Rule", "Shambala", "Sabotage", "The Scoop", "Do It", "Heart Attack Man", "Bodhisattva Wow", and "Root Down".

"Wreckgonize" features Black Rob.

A contemporary take on the sounds of mid-Century – a very cool batch of tracks that leans heavily on 50s exotica, 60s electronica, and lots of other odd bits – all filtered together in cool production with a really playful feel! The set's somewhere between some of the older retro sounds on the Irma La Douce label, and some of the colder work in recent years by groups who've been inspired by Italian crime and horror soundtracks – although Akron's work is a bit warmer overall. Titles include "Rabbits In Orbit", "A Glimpse Of Hell", "Frog War Chant", "Robot Grind", "Memory Hole", and "Picabu".

Beautifully free alto work from Byron Allen – a player who really shines brightly on this rare session for ESP Records – one of the few ever cut under his own name! Allen's got a style that's right up there with the 60s best from Ornette Coleman or Marion Brown – able to move with a fluidity that's breathless, even amidst rhythms that are very loose and open – as the trio here works in a style that almost echoes some of the harmelodic modes of Coleman, but which eventually pushes farther towards the freedoms of other artists on ESP! The set has some wonderful bass from Maceo Gilchrist, whose round, rolling tones really make the album sparkle – as do the punctuated drums of Ted Robinson. Titles include "Today's Blues Tomorrow", "Time Is Past", "Three Steps In The Right Direction", and "Decision For The Cole-Man".

A fantastic collection of unreleased material by mid-to-late 60s psych pop songwriter genius Tandyn Almer – who's probably best know for penning the eternally great "Along Comes Mary" for The Association – but we sure didn't know how great of a performer he was on his own! The 15 track record was cut for his publisher Davon Music, who circulated it to insiders at the time, looking to sell the songs – but what they should have done was found a label and released it. Fuzzy guitars, raw drums and great keyboards, excellent background harmonies – and the good-natured, melodic quality that attracted groups like the Association to Tandyn! Sundazed has long been a favorite source of rewarding 60s and 70s reissues, but they really deserve some bigger love for releases like this one – which is a first-ever commercial release. It feels like a complete, finished production for the most part – and not at all like a bunch of demos. Psych pop greatness! Includes "Find Yourself", You Turn Me Around", "Anything You Want", "About Where Love Is", "Face Down In The Mud", "I Get High", "Bring Your Own Self Down" (by The Purple Gang)", "Where Will They Go", "Sunset Strip Soliloquy" and more.

Not Afrobeat, but Astrobeat – a unique hybrid of older funk modes and contemporary cosmic touches – all served up beautifully by Ariya! The album definitely echoes older modes from the Ethiopian scene of the 70s – particularly the chugging rhythms and tightly vamping instrumentation that you might know from the work of Fela or Tony Allen – but there's also some more 21st Century elements on the keyboards, which have a crackling bit of electricity that goes beyond the usual electric piano used back in the day – and which really helps give the record a different feel. Don't get us wrong – because nothing here is too slick, overproduced, or remix-heavy – the music is definitely Afro Funk at the core, just inflected in some really sweet ways – and served up mostly instrumental, on cuts that include "Blood In The Water", "Turncoat", "Future Ancestors", "New Frontiers", "Towards Other Worlds", and "Old Ground".

Fantastic dreamy pop! Despite the fact that this one yielded the super-huge hits "Windy" and "Never My Love", the album's also filled with great 60s pop tunes that you've probably never heard before – all as fantastically well-crafted and delicately strung-out as the big hits. The Association were truly one of the greatest 60s pop harmony groups to come out of the LA scene – and even a big hit album like this is the kind of gem that you'd spend years digging through rare vinyl to hope to find! Other titles include "Happiness Is", "On A Quiet Night", "We Love Us", "Reputation", and "Requiem For The Masses". This great expanded mono edition has 10 bonus tracks (!!!): "Autumn Afternoon", "Windy (Mono 45)", "Requiem For The Masses (Mono 45)", "Sometime (Instrumental)", "We Love Us (Instrumental)" and more.

A sweet little album of funky instrumental guitar! The record's one of the most obscure on the Westbound label – and it features guitar player Donald Austin going to town on 13 short little cuts with a tripped-out funky groove – sometimes fuzzy, usually funky, and always with that heavier kind of sound you'd expect from Westbound in the early 70s! Austin's guitar is very much in the mode of Eddie Fisher, Eddie Senay, or other kicked-back jazz funk players from his generation – an approach that's probably got a bit of Hendrix somewhere back in the mix, but which is more focused on the tighter side of the funk and soul instrumental spectrum! The album's like finding a stash of rare funky 45s – loads of great short tracks with titles that include "Sex Plot", "Crazy Legs", "You Want It, You Got It", "Side Saddle", "Nanzee", "Pea Shooter", "Do Me Right", and "Shake Your Head".

Talk about a meeting of the minds – a pair of ultra-amazing classics from the team of Roy Ayers & Wayne Henderson – back to back in a single set! At the time of Step Into Our Life, Henderson & Ayers were probably the biggest names in the jazz funk business – both with a smooth soulful style that was pushing the genre onto whole new levels, while still keeping firm roots in jazz – a rare blend that few other artists could handle this well! This initial debut from the pair seems to be much more dominated by the spirit of Roy Ayers' work at the time – particularly the mellow jazzed up work he was laying down on albums like Vibrations and You Send Me – a wicked sound that's rooted in modern soul modes, but filled with plenty of warm jazz elements too. The album's got wonderful vibes and electric piano from Roy – and tracks include "Step Into Our Life", "Lovers Should Always Be Together", "No Deposit No Return", "Ooh Baby", and "For Real". Prime Time is a funky classic from the team of Roy Ayers and Wayne Henderson – both at the top of their game here, and effortlessly mixing together jazz, funk, and soul! The record really seems to embrace the best of both artists' styles – some of the bassy groovers that Wayne did so well himself, and while producing for other artists – and those snakey, soulful numbers that we love so much in the late 70s work from Roy Ayers – ultra-sophisticated, but still plenty darn grooving – and some of the most sensual soul you'll ever hope to hear. The whole thing's great – and titles include "Weekend Lover", "Thank You Thank You", "Can You Dance", "It Ain't Your Sign It's Your Mind", "You Make Me Feel Like Rockin With Ya", "Have Your Way", and "Million Dollar Baby".

A dark little western soundtrack from Luis Bacalov – one that's quite brooding overall, despite a rather catchy vocal tune on the title! There's some very odd instrumentation here – watery piano lines, floating bits of guitar, off-tuned strings – all used at different intervals, and in different ways – without as strongly of a unified feel as other albums of this nature. But it's those shifting sounds that make the record great – always creating an unsettling sort of mood, and one that's almost always in the darker, starker side of the spectrum. CD features a whopping 37 tracks in all – including 2 vocal renditions of the "Django" theme by Rocky Roberts, and 2 more by Roberto Fia – plus loads of instrumentals from the film!

Bad Meets Evil is Eminem and Royce the 5-9. Eminem's verses here are as good as the rhymes on his long out of print ep, and Royce's are just about as nice. Reef's production on both tracks is probably better than most of the production on Eminem's Aftermath/Interscope LPs.

A rare treat by Gary Bartz – and very different than most of his other work! The album's a small group session – with Charles Mims on piano, Curtis Robertson on bass, and Howard King on drums – recorded with the feel of a looser soul jazz set on Black Jazz or Strata East. Mims' is great on piano, and working with Bartz, the pair come up with some wonderfully soulful numbers that have a very earthy feel. Tracks include "Ju Ju Man", "Pisces Daddy Blue", and "Chelsea Bridge" – plus a version of "My Funny Valentine", with vocals by Syreeta.

A rare treat by Gary Bartz – and very different than most of his other work! The album's a small group session – with Charles Mims on piano, Curtis Robertson on bass, and Howard King on drums – recorded with the feel of a looser soul jazz set on Black Jazz or Strata East. Mims' is great on piano, and working with Bartz, the pair come up with some wonderfully soulful numbers that have a very earthy feel. Tracks include "Ju Ju Man", "Pisces Daddy Blue", and "Chelsea Bridge" – plus a versoin of "My Funny Valentine", with vocals by Syreeta.

Spacey fingerstyle guitar meanderings from Robbie Basho – a contemporary of John Fahey who helped create the genre of tripped out, open tuning excursions! This album was recorded after Basho's early work for the Takoma label, and it's got a bit less Native American imagery than before – replaced with more of a sense of Eastern mysticism for inspiration that also features some vocals alongside the guitar! Titles include "Venus In Cancer", "Eagle Sails The Blue Diamond Waters", "Kowaka D'Amour", "Song For The Queen", "Cathedrals Et Fleur De Lis" and "Wine Song (Sweet Wine Of Love)".

An amazing little record – with results that are even greater than the sum of its parts! As you'd guess from the title, Count Basie takes on the 60s sounds of The Beatles – but he's doing so with arrangements from the great Chico O'Farrill – who really keeps things interesting throughout – throwing in those hip rhythms and odd twists and turns he first forged with his Latin recordings – in ways that definitely live up to the groovy pedigree of the tunes. And the Basie group's got a groovier sound than usual – probably due to the arrangements – and Basie plays some nice organ riffs on a number of the album's tracks – one of the Count's rare outings on the instrument, always a treat. Titles include "Help!", "Can't Buy Me Love", "I Wanna Be Your Man", "All My Loving", and "And I Love Her". Proof that The Beatles' influence was way farther reaching than you'd ever expect!

After "The Bottle", Joe's big remake of the Gil Scott Heron song in 1975, "Rap-O Clap-O" was probably his second biggest club cut. The track's got a very catchy groove – with sort of a stomping beat that Joe used to cook up his own dance. Arranged by the great Marty Sheller, so it's still got some Latin soul cred.

My God – they finally did it! After all these years of hearing about the legendary Smile album from The Beach Boys – hearing snippets on other albums, studio bonus tracks, re-recordings, and all the other sources they've dangled in front of us for decades – Capitol's finally gone and done what they never did back in the 60s – released the whole legendary set together, as one package – and in formats that even exceed anything that might have been issued back in the day! You've probably heard a good number of the songs here before – some as they were chopped up and included on Smiley Smile, 20/20, and other post-Pet Sounds albums by the group – and in some recent re-recordings by Brian Wilson. But trust us, they all sound amazing here together – in the original recordings, with sublime 60s studio production, and godlike arrangements by the young Brian Wilson. Titles include "Our Prayer", "Gee", "My Only Sunshine/You Are", "Cabin Essence", "Wonderful", "Surf's Up", "Holidays", "Vege-Tables", "Good Vibrations", "Love To Say Dada", "Do You Like Worms", "Barnyard", and "I'm In Great Shape". Plus, this hip box set has loads of cool bits – 2CDs that include the original album with 8 bonus tracks on the first disc – then a full bonus CD of "finished" work from the project – alternate takes, expanded versions, and more – including "Our Prayer Dialogue", "Surf's Up 1st Movement", "Vege-Tables (fade)", "Cool Cool Water (version 2)", "Heroes & Villains (children were raised)", and more. Box also comes with a poster, a 36 page booklet, and a button!