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Red Label

 

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Close matches: 3
Close matches1
CD, LP, Vinyl record album cover art
Linda CliffordMy Heart's On Fire ... LP
Red Label, 1985. Near Mint- ... $0.99
Titles include "Real Love", "If You Want My Love To Last", "Wrap Your Arms Around Me", "Sweet Distraction", and "First Offense". LP, Vinyl record album
(Cover has a tiny cutout notch.)

Close matches2
CD, LP, Vinyl record album cover art
New Chicago Bears Shufflin' CrewSuper Bowl Shuffle (vocal, inst) ... 7-inch
Red Label, 1985. Used (pic cover)... Temporarily Out Of Stock
7-inch, Vinyl record
(Sleeve has some wear.)

Close matches3
CD, LP, Vinyl record album cover art
New EmotionsSincerely ... LP
Red Label, 1984. Used ... Temporarily Out Of Stock
A great comeback for The Emotions – a post-Columbia album issued after a few years away from the business – but one that still has the girls' very much at the top of their game! The record's got a wonderful feel that's quite different from other directions the group might have pursued at the time – and most tracks are free from the too-commercial sounds that other female artists were shouldered with at the time – styles that oddly were often inspired by The Emotions' big successes of the late 70s. The vocals are great throughout – mixing leads and harmonies nicely – and arrangements are handled by Benjamin Wright, Billy Osborne, and Wayne Vaughn. Most tunes have a mellow or midtempo groove – with definite 80s instrumentation on keyboards and beats, but never in a way that's too over the top. Titles include "All Things Come In Time", "Sincerely", "Can't Blow Out The Candle", "You're The One", "Are You Through With My Heart", "Never Let Another", and "I Can Do Anything". LP, Vinyl record album
(Cover has a cut corner.)
 
Possible matches: 259
Possible matches4
CD, LP, Vinyl record album cover art
Cannonball AdderleyBest Of Cannonball Adderley (Capitol) ... LP
Capitol, 1960s. Very Good+ Gatefold ... $6.99
A nice collection of some of Cannon's bigger numbers for Capitol in the 60s – most of them longer tracks, some of them recorded live, with a bit of production help from David Axelrod! The grooves are firmly in place – not as tripped out and funky as later years, but a good updating of his early 60s soul jazz approach, handled with that clean Capitol sound. Titles include "Work Song", "Jive Samba", "Why Am I Treated So Bad", "Mercy Mercy Mercy", "Them Dirty Blues", and "Dat Dere". LP, Vinyl record album
(Red label pressing.)

Possible matches5
CD, LP, Vinyl record album cover art
Eric AlexanderMode For Mabes ... CD
Delmark, 1998. Used ... $8.99
A dynamic sextet outing from tenor saxophonist Eric Alexander – easily one of the best straight jazz albums recorded by the Delmark label in the 90s, put together with a rock-solid sound all the way through! Alexander's tenor would be enough to make the record great, but the album also features piano from perfect partner Harold Mabern – once Eric's teacher, but a player who's set on fire anew by his presence on dates like these. Other members of the group include trumpeter Jim Rotondi – nicely focused in the frontline here, and matching Alexander and trombonist Steve Davis on the heads with a classic sort of Blue Note energy. Bass is by John Webber and drums are by George Fludas – and titles include a great modal reading of "Naima", plus "Mode For Mabes", "Sugar Ray", "Erik The Red", "Love Thy Neighbor", "Stay Straight", and "For Heaven's Sake". CD
(Barcode has a cutout hole.)

Possible matches6
CD, LP, Vinyl record album cover art
Mose AllisonMose Alive ... LP
Atlantic, 1966. Very Good+ ... $6.99
One of Mose's mid 60s albums for Atlantic – recorded live, with a bit more of a hip flair than some of his earlier work for Prestige and Columbia, but still with those great vocals that went onto influence a generation of beatnik jazz singers. Mose has more than a bit of New Orleans in his tone – but he's also got some northern distance from his material, bringing a nice bit of wit into the recordings. There's a total of 11 tracks including "Parchman Farm", "Smashed", "Seventh Son", "Fool's Paradise", "Baby Please Don't Go", and "The Chaser". LP, Vinyl record album
(Red & green label pressing. Cover has light wear and a bit of splitting.)

Possible matches7
CD, LP, Vinyl record album cover art
Gene AmmonsLight, Bluesy, & Moody ... LP
Wing/Mercury, Late 40s/Late 50s. Very Good ... $3.99
Essential early stuff by Jug! The record is a 50s compilation of singles that Jug cut for Mercury during the late 40s, when he was transforming from a hard swing player into a firey bopper – but one who was capable of infusing his solos with a rich sense of emotion that was enough to bridge both generations of jazz. The tracks are great, and are essential listening I the career of Gene Ammons. The original recordings are very tough to find – and even this album doesn't show up that often. Filled with great tracks – like "Red Top", "Hot Springs", "Concentration", "Jeet Jet", and "Odd En Dow". LP, Vinyl record album
(Blue label Wing pressing with deep groove. Cover has light wear.)

Possible matches8
CD, LP, Vinyl record album cover art
New Louis ArmstrongLouis Armstrong Plays WC Handy (second cover) ... LP
Columbia, 1954. Very Good ... $9.99
Mid 50s, and Louis is going back to his roots – playing a set of compositions by WC Handy – working with a small combo that includes Barrett Deems on drums, Arvell Shaw on bass, Trummy Young on trombone, and Barney Bigard on clarinet. Vocals are by Louis and Velma Middleton – and titles include "Atlanta Blues", "Chantez Les Bas", "Loveless Love", "Memphis Blues", "St Louis Blues", and "Beale Street Blues". LP, Vinyl record album
(Original dark red label pressing. Cover has a bit of splitting on the bottom seam, with a couple of light stains and a bit of pen on the back.)
Also available Louis Armstrong Plays WC Handy (with bonus tracks) ... CD 4.99

Possible matches9
CD, LP, Vinyl record album cover art
Australian Jazz QuintetAustralian Jazz Quintet At The Varsity Drag ... LP
Bethlehem, 1956. Very Good ... $9.99
Weird winds make this a mighty nice record – a blend of the tenor and bassoon of Errol Buddle and alto and flute of Dick Healy – all set to piano from Bryce Rhode, and vibes from the great Jack Brokensha! All players have a very strong sense of tone and color – and move together at a level that might be influence by the experiments of the Modern Jazz Quartet, but which also takes on a much more expressive feel with the presence of the reeds. Tracks are short and tightly arranged – and tunes include "So Nice", "Few Get It", "That Old Feeling", "Koala", and "Lover Man". LP, Vinyl record album
(Original red label pressing with deep groove. Vinyl has a mark that clicks a bit on "So Nice". Cover has a half split top seam.)

Possible matches10
CD, LP, Vinyl record album cover art
New BandStage Fright ... LP
Capitol, 1970. Near Mint- ... $9.99
LP, Vinyl record album
(Red label pressing.)

Possible matches11
CD, LP, Vinyl record album cover art
BeatlesBeatles' Second Album ... LP
Capitol, 1964. Near Mint- ... $11.99
Titles include "Roll Over Beethoven", "Thank You Girl", "She Loves You", "I'll Get You", and "I Call Your Name". LP, Vinyl record album
(Red label pressing in the Gold Record Award cover, with light wear and a small name in marker on front.)

Possible matches12
CD, LP, Vinyl record album cover art
BeatlesEarly Beatles ... LP
Capitol, Early 60s. Very Good ... $7.99
LP, Vinyl record album
(Red label pressing. Cover has some splitting on the top seam and spine.)

Possible matches13
CD, LP, Vinyl record album cover art
New BeatlesLet It Be ... LP
Apple, 1970. Very Good+ Gatefold ... $14.99
A bittersweet farewell from The Beatles – a record that definitely shows the fracturing unity of the group, with lots of near-solo moments – but a set that also makes us really wonder what they'd have done with all this genius, had they managed to hold it together! There's great hints here of the solo work to come – especially from George Harrison and John Lennon – and the Phil Spector production really helps open up a new sound for the group. Includes the genius cuts "I Dig A Pony", "Two Of Us", "Across The Universe", "I Me Mine", "One After 909", "For You Blue", and "Let It Be". LP, Vinyl record album
(Red label Apple pressing. Cover has some light wear.)

Possible matches14
CD, LP, Vinyl record album cover art
New BeatlesSgt Pepper's Lonely Hearts Club Band ... LP
Capitol/Apple, 1967. Very Good- Gatefold ... $9.99
Hard to deny the lasting power of this crucial album from The Beatles – a set that unleashed some of their trippiest sounds and most tender moments too! The mix of wit and honesty is wonderful – and the sonic range is dynamic as the archetypal cover image – a package that's had an undeniable impact on modern music for the past few decades! Titles include "With A Little Help From My Friends", "Lucy In The Sky With Diamonds", "She's Leaving Home", "Lovely Rita", "When I'm Sixty Four", "A Day In The Life", and "Fixing A Hole". LP, Vinyl record album
(Red label pressing.)
Also available
Sgt Pepper's Lonely Hearts Club Band ... CD 1.99
Sgt Pepper's Lonely Hearts Club Band (180 gram vinyl) ... LP 21.99

Possible matches15
CD, LP, Vinyl record album cover art
Chuck BerryChuck Berry In Memphis ... LP
Mercury, Mid/Late 60s. Very Good ... $9.99
LP, Vinyl record album
(Red label stereo pressing with deep groove. Label and back cover have some old tape.)

Possible matches16
CD, LP, Vinyl record album cover art
New Chuck Berry & The Steve Miller BandLive At The Fillmore Auditorium ... LP
Mercury, Late 60s. Very Good ... $18.99
Dude! This is the kind of crossover rock/R&B set that the Fillmore scene of the 60s flourished on. Chuck Berry plays live with the band of Steve Miller, which was then a raw bluesy combo, trying their hardest to sound Chicago electric, despite their roots in the Bay Area. Miller sings a bit with Berry, and titles include "Feelin It", "Wee Baby Blues", "Hoochie Coochie Man", and "Driftin Blues". LP, Vinyl record album
(Original red label pressing. Cover has light wear.)

Possible matches17
CD, LP, Vinyl record album cover art
Big MaybelleBig Maybelle Sings ... LP
Savoy, Mid 50s. Very Good- ... $24.99
A great collection of Maybelle's big early hits for Savoy – all featuring backings directed by Ernie Wilkins, with a nice jazzy undercurrent. Maybelle's got a robust voice that was one of the first key attempts to bridge gospel, R&B, and jazz – and the album features 10 tracks that include "Rock House", "I Don't Want To Cry", "Jim", "All Of Me", and "It's A Sin To Tell A Lie". LP, Vinyl record album
(Red label pressing with deep groove. Cover has some wear, wide strips of tape on the seams, and a few stains, with some pen and marker on the back.)

Possible matches18
CD, LP, Vinyl record album cover art
New Luiz Bonfa/Eumir DeodatoGentle Rain ... LP
Mercury, 1965. Near Mint- ... $16.99
A dreamy little soundtrack to this lesser-known film – but a real bossa classic from the 60s, featuring original tunes by Luiz Bonfa and orchestrations by Deodato! The sound of the set is really wonderful – sometimes fragile, sometimes full – with a juxtaposition that beautifully links American soundtrack modes of the 60s and some of the bossa innovations associated with Bonfa and Deodato. Deodato's orchestrations are possibly the best side of the set – often light and airy with a similar approach to his Os Gatos work – but served up here in shorter snippets that allow a lot of variation on color and theme throughout the record. Album includes classic readings of "The Gentle Rain", "O Ganso", and "Non Stop To Brazil" – plus the tracks "Judy's Story", "Please Help Me One More Time", "Copa Beach", "It's Tempting", "Saturday In Rio", and "Across A Table". LP, Vinyl record album
(Red label pressing with deep groove. Cover has a cutout hole.)

Possible matches19
CD, LP, Vinyl record album cover art
New David BowieLodger ... LP
RCA, 1979. Very Good Gatefold ... $12.99
The brilliant consummation of Bowie's late 70s years in Berlin – a record that showed he could take the experiments in sound he was crafting with Brian Eno, and turn them back into the kind of creepily catchy rock tunes that first made him a legend! Eno's help on the record is still quite strong – heard very well in the record's use of odd electronics and exotic themes – of a sort that Eno would later explore on his own with David Byrne. But the real charm here is pure Bowie – with an unabashed flair for a dramatic lyric, a well-chosen use of a heavier guitar, and a sense of personality and poise that makes the record one of his most unified ever! Titles include "Red Sails", "Look Back In Anger", "Repetition", "Boys Keep Swinging", "Red Money", "Yassassin", and "DJ". LP, Vinyl record album
(Black label pressing. Cover has some wear.)

Possible matches20
CD, LP, Vinyl record album cover art
New James Brown, Vicki Anderson, Baby Lloyd, & OthersJames Brown Show ... LP
Smash, Late 60s. Very Good+ ... $19.99
James Brown plays organ on this one, but it's mostly an effort to showcase various other artists that he was producing at the time, and who traveled with him on the road. Includes cuts by Baby Lloyd, The Jewels, James Crawford, and a young Vicki Anderson. This stuff was cut years before the People label was formed, but it's the same sort of effort by James Brown. And he and Nat Jones arranged most of the stuff. Song titles include "Strung Out" by James Crawford, "Stop And Think It Over" by James Crawford, "This Is My Story" by the Jewels and "Nowhere To Run" by Vicki Anderson. LP, Vinyl record album
(Red label stereo pressing. Cover has some marker on back.)

Possible matches21
CD, LP, Vinyl record album cover art
Dave BrubeckDave Brubeck At Storyville 1954 ... LP
Columbia, 1954. Very Good- ... $6.99
Great live work from the Dave Brubeck Quartet – a batch of recordings from Boston's legendary Storyville night club! The lineup features Dave on keys and the mighty Paul Desmond on alto sax – already stepping out here with a clear, crisp tone that's simply beautiful – a style that's a surprisingly nice match for the Boston scene of the 50s, which was budding similar altoists like Charlie Mariano and Boots Mussulli – recorded here with bass by Bob Bates, and drums by Joe Dodge. Tracks are relatively long, and titles include "Back Bay Blues", "When You're Smiling", "Here Lies Love", and "Gone With The Wind". LP, Vinyl record album
(Heavy red label pressing with deep groove. Cover has some wear and discoloration from age.)

Possible matches22
CD, LP, Vinyl record album cover art
New Dave BrubeckJazz At The College Of The Pacific (10 inch LP) ... LP
Fantasy, 1953. Very Good ... $19.99
Classic early live material from the Dave Brubeck Quartet – already humming along nicely with some great alto sax from Paul Desmond! The group's in fine form here – a bit more relaxed and open than on their Columbia recordings – with plenty of creative piano lines from Dave, showing just a slight dose of modernism, and lots more of that cool, icy alto sax work that made Desmond a standout right from the start. Rhythm is by Ron Crotty on bass and Joe Dodge on drums – and titles include "Laura", "Lullaby In Rhythm", "For All We Know", "All The Things You Are", and "I'll Never Smile Again". LP, Vinyl record album
(Red vinyl pressing, with red label. Cover has some wear.)
Also available Jazz At The College Of The Pacific ... LP 15.99

Possible matches23
CD, LP, Vinyl record album cover art
New Dave Brubeck & Paul DesmondJazz At The Blackhawk ... LP
Fantasy, Early 50s. Very Good ... $11.99
Really early work from the team of Dave Brubeck and Paul Desmond – cut years before their hit fame at Columbia, when Brubeck was first cooking up his modernist combo, and recording for Fantasy Records on the west coast. This harder to find set shows Brubeck mostly working on turning out new versions of older standards, filtered through his modern take to time structures and phrasing. Titles include "Jeepers Creepers", "Let's Fall In Love", "Blue Moon", "My Heart Stood Still", "Trolley Song", and "I May Be Wrong". LP, Vinyl record album
(Original red vinyl pressing, with a red label and deep groove. Cover has light wear, with some aging and pen on the back.)

Possible matches24
CD, LP, Vinyl record album cover art
Butterfield Blues BandKeep On Moving ... LP
Elektra, Late 60s. Very Good+ ... $9.99
LP, Vinyl record album
(Red label pressing.)

Possible matches25
CD, LP, Vinyl record album cover art
Red CallenderLowest – The Music Of Red Callender ... LP
Metro, Late 50s. Very Good+ ... $9.99
Given that Red was one of the few tuba players in jazz, this album certainly was "The Lowest" – at least in terms of tone, as Red spends a lot of time rumbling around in bottom notes! The style's less clunky than you might think, though, as the setting is late 50s LA – with chamber-type arrangements that match Red's tuba with more breezy players like Buddy Collette, Bill Pitman, Gerald Wilson, Gerald Wiggins, and Billy Bean – who work with Red in a mode that's almost like some of the Chico Hamilton albums on Pacific Jazz, a mixture of jazz and whimsical instrumention with a tightly arranged and haunting feel. Tracks include "Of Thee I Sing", "The Lowest", "Pickin Pluckin Whistlin & Walkin", "Another Blues", "Volume Too", and "Five Four Blues". LP, Vinyl record album
(Red label pressing with deep groove. Cover has some light marks.)

Possible matches26
CD, LP, Vinyl record album cover art
Red CallenderRed Callender Speaks Low ... LP
Crown, Late 50s. Very Good+ ... $3.99
One of the few albums ever recorded by Red Callender – a player who certainly speaks "low", given that his instrument here is the tuba! Red's got a rumbling, bassy sound that's surprisingly un-corny – an approach to the tuba that's also informed by Callender's many years playing bass on other jazz dates – and in a way, he uses the instrument almost like a bass on this set – working out lower rhythmic lines that almost remind us of a bowed bass at times! Other players on the date include Buddy Collette on flute and clarinet, Vince De Rosa and Irving Rosenthal on French horns, Bob Bain on guitar, Red Mitchell on bass, and Bill Douglass on drums. The absence of a piano makes for a mighty nice sound – one that's lighter than you might think for a tuba-related date – and which steps along with almost a Chico Hamilton Quintet sort of feel. Titles include "Cris", "A Foggy Day", "Nice Day", "Speak Low", and "Darn That Dream". LP, Vinyl record album
(Black label pressing with deep groove. Cover has a split top seam, a Factory Sealed sticker on the opening, and peeled spots from sticker removal.)

Possible matches27
CD, LP, Vinyl record album cover art
Conte Candoli/Stan LeveyWest Coasting ... LP
Bethlehem, Mid 50s. Very Good- ... $13.99
One of the better of Bethlehem's west coast sessions from the 50's, and a split LP that brings together 2 different sessions – one by trumpeter Conte Candoli, and one by drummer Stan Levey (both sessions, we think, were issued on 10" originally). The Candoli session features a quartet that has Candoli as the main soloist on tracks like "Night Flight", "Tune For Tex", and "On the Alamo". The Levey session features a sextet with Candoli, Zoot Sims, and Jimmy Giuffre, and swings a bit harder than the quartet side. Tracks on this one are mostly orignals, and include "Drum Sticks", "West Coasting", "Fast Clip", and "Extraversion". LP, Vinyl record album
(Red label pressing with deep groove. Cover has some light wear, a peeled-off gloss finish, a partially split bottom seam, and some small stains on the back.)

Possible matches28
CD, LP, Vinyl record album cover art
Benny CarterAspects (aka Jazz Calendar) ... LP
United Artists, 1959. Very Good ... $3.99
A real corker from Benny Carter's revival period at the end of the 50s – a large group session recorded with a very strong horn section, arranged and produced by Benny himself! The album's got a "calendar" gimmick – in that each of the 12 songs feature a month in the name – but you've gotta thank Benny for getting past that simple trick and keeping things real with an unobtrusive title and cover – and some extremely strong arrangements that cook nicely no matter what the tune! Titles include "Swingin In November", "Something For October", "August Moon", "March Wind", and "February Fiesta". LP, Vinyl record album
(Red label 60s pressing.)

Possible matches29
CD, LP, Vinyl record album cover art
Celly CelKilla Kali ... LP
Sickwidit/Jive, 1995. Near Mint- ... $4.99
Bay-area vet Celly Cel's rare sophomore LP, a prime example of that slumpy, laid-back Oaktown sound before the thizz and stunna shades. As the title suggests, best believe it's gangsta. 13 tracks in all, including "What U N***az Thought", "4 Tha Scrilla", "It's Goin' Down", "Can't Tell Me $hit", "Red Rum", "Killa Kali", and "Funk Season". LP, Vinyl record album
(White label promo in a stickered sleeve.)

Possible matches30
CD, LP, Vinyl record album cover art
New Ray CharlesGenius Of Ray Charles ... LP
Atlantic, 1959. Very Good ... $7.99
Some of Ray's biggest tracks for Atlantic, including many remakes of standards like "Just For A Thrill", "Don't Let The Sun Catch You Cryin", "Am I Blue", and "It Had To Be You". You've heard it all a million times, but it's still beautiful stuff – and it's extra nice to hear on wax! The record also has a few nice jazz-oriented highlights, too, like playing by Zoot Sims, David Fathead Newman, and Paul Gonsalves – plus a trumpet solo "Alexander's Ragtime Band" by a young Marcus Belgrave! LP, Vinyl record album
(Red & purple pinwheel label pressing.)

Possible matches31
CD, LP, Vinyl record album cover art
Buck ClaytonBuck Clayton Jams Benny Goodman ... LP
Columbia, 1953/1954. Very Good- ... $3.99
LP, Vinyl record album
(Heavy original red label pressing, with deep groove. Vinyl has marks that click a bit on two tracks. Cover has moisture staining and peeling in the bottom right corner, some wear, aging, and partially split top and bottom seams.)

Possible matches32
CD, LP, Vinyl record album cover art
Earl ColemanLove Songs ... LP
Atlantic, 1968. Very Good+ ... $2.99
A great return to form for vocalist Earl Coleman – a singer who'd recorded earlier in the bop years, but who makes a rare 60s appearance here on a soulful set for Atlantic Records! Coleman's got a rich voice that's somewhere between Johnny Hartman and Billy Eckstine – with a great range that really goes deep when it wants, yet still has a fluid sensibility that's definitely jazz more than anything else. Billy Taylor's on the record on piano, and leads the combo on most numbers – but the set also features some nice arrangements from Frank Foster and Tom McIntosh, both of whom really keep things interesting. Titles include "Charade", "When Did You Leave Heaven", "I Wish I Knew", "Day In the Life Of a Fool", and "I Won't Tell A Soul". LP, Vinyl record album
(Red & purple label pressing. Cover has a DJ Copy sticker.)

Possible matches33
CD, LP, Vinyl record album cover art
Ornette ColemanBest Of Ornette Coleman ... LP
Atlantic, 1960s. Very Good+ ... $9.99
It's hard to even begin to hint at Ornette's greatness on Atlantic – but this set does a pretty darn nice job! Tracks are all from the years 1959 to 1961, and perfectly rhythmic, in that modal mode of the classic years. Titles include "Una Muy Bonita", "Lonely Woman", "Ramblin", "C&D", and "Blues Connotation". LP, Vinyl record album
(Red & green label pressing. Cover has light discoloration from age.)

Possible matches34
CD, LP, Vinyl record album cover art
New Ornette ColemanFree Jazz ... LP
Atlantic, 1961. Very Good+ Gatefold ... $16.99
The title gets it right – as the album's easily the closest thing to free jazz that Ornette Coleman ever recorded – an album-length improvisation played by a "double quartet" that's overflowing with classic players! The style here is a fair bit like John Coltrane's Ascension album for Impulse – and like that one, the session features Ornette and his contemporaries really stretching out – blowing like never heard before on record, and working in a highly unstructured setting! Other players include Eric Dolphy on bass clarinet, Freddie Hubbard on trumpet, and Scott LaFaro on bass – alongside regular group members Don Cherry on pocket trumpet, Charlie Haden on bass, and both Ed Blackwell and Billy Higgins on drums. One long track – just titled "Free Jazz"! LP, Vinyl record album
(Red & green label pressing in the die-cut cover, with clear tape holding a torn portion on the front panel.)

Possible matches35
CD, LP, Vinyl record album cover art
Buddy ColletteBuddy Collette & His Swinging Shepherds At The Cinema ... LP
Mercury, Late 50s. Very Good+ ... $6.99
Buddy takes his Swinging Shepherds crew to the movies on this one – serving up a set of tunes from 40s and 50s films that all come off perfectly with the group's multi-flute approach! The sound's nicely mellow at times, but still has that tightly arranged west coast modern style that made the group's first record so great. Players include Paul Horn, Bud Shank, and Harry Klee on flutes – plus Jim Hall on guitar, Red Mitchell on bass, and Shelly Manne on drums. Titles include "The Bad & The Beautiful", "The Shrike", "Invitation", "Ruby", "Swinging On A Star", and "Intermezzo" LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has some light stains on the back.)

Possible matches36
CD, LP, Vinyl record album cover art
Buddy ColletteMan Of Many Parts ... LP
Contemporary, 1956. Very Good+ ... $24.99
Buddy Collette's definitely a man of many parts here – and many talents too, considering the reedwork on the set! Buddy plays alto, tenor, clarinet, and flute – using the horns with wonderful invention that really showcases his unique style of the time – that mix of modern and playful modes you'd hear in the Chico Hamilton group when Collette was around! The album features a few different groups, too – with players who include Gerald Wilson on trumpet, Ernie Freeman or Gerald Wiggins on piano, Red Callender on bass, and Larry Bunker on drums. Titles include "Ruby", "Cycle", "Cheryl Ann", "Jazz City Blues", "Zan", and "Jungle Pipe". LP, Vinyl record album
(Yellow label pressing with deep groove. Cover has light wear and a split spine.)

Possible matches37
CD, LP, Vinyl record album cover art
Dick Collins & Runaway HerdHorn of Plenty ... LP
RCA, 1954. Very Good Gatefold ... $19.99
Trumpeter Dick Collins plays with a "runaway herd" of saxophonists culled from the band of his boss, Woody Herman – a really great lineup that features Al Cohn on tenor, Med Flory on alto, Jack Nimitz on baritone, and Bill Perkins on flute and tenor too! The blend of reeds is totally great – often used tightly to offset Collins' trumpet solos in the lead – well-blown and economical, but allowing for a bit of solo space at points for the reed players too. Rhythm is by Nat Pierce on piano, Red Kelly on bass, and Chuck Flores on drums – and the album's got a surprisingly easygoing feel at times, more so than other RCA dates of this type. Titles include "Angel Eyes", "Why Was I Born", "Tricky Dick", "No Soap", "Very Shifty", and "The Long Night". LP, Vinyl record album
(Black label pressing with deep groove. Cover has seam splitting.)

Possible matches38
CD, LP, Vinyl record album cover art
New John ColtraneBahia ... LP
Prestige, Late 50s. Very Good ... $19.99
Very much in the mode of some of Trane's excellent work for Savoy with Wilbur Harden – with some slight exotic touches, and long drawn-out tracks that show the beginning of Coltrane's modal grooves that would emerge more in the early 60s. No surprise, Harden's on a few of the tracks – and other backing is by Red Garland on piano, Paul Chambers bass, and either Art Taylor or Jimmy Cobb on drums. Titles include "I'm A Dreamer – Aren't We All", "Something I Dreamed Last Night", "Bahia", and "Goldsboro Express". LP, Vinyl record album
(Blue label pressing. Side 2 has a mark that clicks on track two. Cover has two staples in the top left corner, with some light stains on the back.)

Possible matches39
CD, LP, Vinyl record album cover art
John ColtraneBlue Train ... LP
Blue Note, 1957. Very Good ... $14.99
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really cooking at full strength! The groove here is a bit harder, heavier, and hardbop-inflected than some of Trane's late 50s sides with Red Garland – thanks to a lineup that features Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. There's a crisp modern edge to the record that really holds up beautifully – even after years of play – and titles include "Blue Train, "Locomotion", "Moment's Notice", and "Lazy Bird". LP, Vinyl record album
(80s DMM pressing. Cover has initials in marker on back.)

Possible matches40
CD, LP, Vinyl record album cover art
New John ColtraneColtrane's Sound ... LP
Atlantic, 1960/1966. Very Good- ... $8.99
One of the more obscure John Coltrane albums for Atlantic – but a beautiful batch of spiritual numbers that really show him pushing towards the sound of A Love Supreme! The date on the album's 1966, but the material was recorded earlier – in that key turning point year of 1960, when Coltrane really started to let loose with his new ideas – ideas so fresh, in fact, that they might have kept this record from getting released at the time! The group here features piano from McCoy Tyner, drums from Elvin Jones, and bass from Steve Davis – an oft-overlooked talent who did some amazing work with Coltrane during this brief time. The tracks are open, flowing, and filled with imagination – and Coltrane works both on tenor and soprano sax, on titles that include "Liberia", "Equinox", "Satellite", "Central Park West", and a classic reading of "The Night Has A Thousand Eyes". LP, Vinyl record album
(Red & green label pressing. Cover has some aging, some wear, staining along the edges, and some pen and a bit of stuck-on paper on the back.)

Possible matches41
CD, LP, Vinyl record album cover art
John ColtraneMaster (aka Standard Coltrane) ... LP
Prestige, 1958. Very Good+ ... $9.99
A 1970 repackaging of the album The Standard Coltrane – which was issued by Prestige in the late 50s. The title may say "standard", but with Coltrane at the helm, the record is anything but! Sure, the tunes are all familiar ones, but the presentation here is a far cry from mainstream piano jazz of the 50s – as John's working in a group with the Red Garland trio for rhythm, as well as trumpeter Wilbur Harden, the slightly off-kilter player who made some great Savoy records with Coltrane. Tracks are all quite long, and really open up with a fair bit of invention – and even when Coltrane's straight ahead, he's still compellingly creative. Tracks include "Don't Take Your Love From Me", "I'll Get By", "Spring Is Here", and "Invitation". LP, Vinyl record album
(Blue label pressing.)

Possible matches42
CD, LP, Vinyl record album cover art
Conjunto CasinoVia Cuba ... LP
RCA, 1957. Very Good- ... $1.99
Lush Cuban material, recorded by the Conjunto Casino in the years before Castro's regime, when RCA could still get its hands on material like this, and package it for release in the US. The tracks have a fairly traditional approach – with a mix of romantic numbers and mambos – and titles include "Yo Soy El Son Cubano", "Influencias", "Que Sera", "Cada Noche Que Pasa", and "Si No Eres Tu". LP, Vinyl record album
(Early 60s black label pressing with a deep groove, and no red border on the cover. Cover has tape around the edges.)

Possible matches43
CD, LP, Vinyl record album cover art
Chris ConnorWitchcraft ... LP
Atlantic, 1959. Very Good ... $4.99
A lovely side by Chris Connor for Atlantic, recorded not too long after her stint at Bethlehem – where she'd perfected an icy cool style of singing that's still to be matched to this day! The album features larger arrangements by Richard Wess – but still has a light jazzy feel, intimate in approach, despite the larger musical backings. Chris' voice is at once personal and removed – a razor's edge of emotion, repressing some impulses, and opening up surprisingly at other moments. Titles include "Skyscraper Blues", "The Lady Sings The Blues", "Come Rain Or Come Shine", "When Sunny Gets Blue", "Just In Time", "Baltimore Oriole", and "How Little We Know". LP, Vinyl record album
(Red and purple pinwheel label pressing. Cover has light wear.)

Possible matches44
CD, LP, Vinyl record album cover art
Hank CrawfordTrue Blue ... LP
Atlantic, 1964. Very Good ... $3.99
A cool cooker from altoist Hank Crawford – cut in a tightly-grooving ensemble mode that really reflects his roots with Ray Charles! The tunes are mostly short, but have a great sense of personality – a vibrant approach that comes not just from Hank's lead solos, but also from the group backing by players who include James Clay and Wilbur Brown on tenor, Charlie Patterson on trumpet, and Sonny Forriest on guitar. Hank plays a bit of piano at times, and both John Hunt and Phil Guilbeau get in some trumpet solos too – and titles include "Mellow Down", "Shake-A-Plenty", "Shooby", "Blues In Bloom", and "Skunky Green". LP, Vinyl record album
(Red & purple label pressing. Cover has a cutout hole & a name in marker on both sides.)

Possible matches45
CD, LP, Vinyl record album cover art
Xavier CugatOle! ... LP
Columbia, Mid 50s. Very Good ... $9.99
LP, Vinyl record album
(Original heavy red label pressing. Cover has a small split on the top seam, a bit of light wear, and some pen on the back.)

Possible matches46
CD, LP, Vinyl record album cover art
Xavier CugatOle! (alternate cover) ... LP
Columbia, Mid 50s. Very Good ... $5.99
LP, Vinyl record album
(Red label pressing with deep groove. Vinyl plays with a short click on side 1, track 5.)

Possible matches47
CD, LP, Vinyl record album cover art
New Eddie Lockjaw DavisEddie Lockjaw Davis Cookbook – Vol 1 (red cover) ... LP
Prestige, 1958. Fair ... $5.99
A record that's virtually the blueprint for the sound of Hammond organ and tenor sax in soul jazz– the first of Eddie Lockjaw Davis' great run of cookbook albums for Prestige! The record features Lockjaw's gutsy tenor in a group alongside Jerome Richardson's lighter flute – both dancing wonderfully together over organ lines from a young Shirley Scott – playing here with a style that's a bit earthier and more bluesy than some of her later work. Rhythm is by George Duviver on bass and Arthur Edgehill on drums – and tracks include the classic 12 minute jammer "In The Kitchen", plus shorter tracks "Three Deuces", "The Chef", and "Have Horn, Will Blow". LP, Vinyl record album
(Yellow & black label NJ pressing, with deep groove and RVG stamp. Cover a split top seam, a few pieces of old tape, some marker and pen on both sides, and heavy aging on the back. Vinyl has numerous marks that click and cause noise on all tracks.)

Possible matches48
CD, LP, Vinyl record album cover art
New Miles DavisMiles Davis Plays Jazz Classics ... LP
Prestige, Mid 50s/1965. Very Good+ ... $6.99
A mid 60s LP that compiles key tracks from early Miles Davis albums for Prestige – titles that include Worlkin, Relaxin, Steamin, and Cookin – all of which feature Miles playing with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones! Titles are truly all numbers that went onto become jazz classics in Miles' hands – and include "Oleo", "Tune Up", "Airegin", "Half Nelson", "Woody N You, and "Round Midnight". LP, Vinyl record album
(Blue label pressing.)

Possible matches49
CD, LP, Vinyl record album cover art
DelfonicsTrying To Make A Fool Of Me/Baby I Love You ... 7-inch
Philly Groove, Early 70s. Very Good+ ... $4.99
Killer early Thom Bell work with the Delfonics! The sound on the single is virtually a definition of the east coast vocal group sound of the 70s – and both tracks are perfect little mini-symphonies of soul! Excellent – and the hook on the a-side is worth the price of the record alone! 7-inch, Vinyl record
(Red label pressing.)

Possible matches50
CD, LP, Vinyl record album cover art
New DoorsGreatest Hits ... LP
Elektra, Late 60s/Early 70s. Very Good+ ... $8.99
Titles include "Hello I Love You", "Light My Fire", "Love Me Two Times", "People Are Strange", "Touch Me", "Not To Touch The Earth", "Break On Through", and "LA Woman". LP, Vinyl record album
(Red label pressing, including the printed inner sleeve.)

Possible matches51
CD, LP, Vinyl record album cover art
DriftersI'll Take You Where The Music's Playing ... LP
Atlantic, 1965. Very Good ... $6.99
The Drifters' last full album for Atlantic Records – and a rock-solid set that may well be one of their best for the label in the 60s! The album's heavy on those lightly loping tunes that the group virtually invented a few years before – that slightly-sweetened approach to soul that became known as the uptown sound and which still had The Drifters as one of its key proponents at the time of this set. Production is by the great Bert Berns, who really knows how to balance all elements perfectly – and many of the lead vocals are by Johnny Moore, whose crackling vocals bring in a nice sense of feeling, even when the tunes are pretty darn catchy. But possibly the best thing about the record is the songs – as they're mostly pretty fresh tracks that move past some of the overplayed Drifters hits – but which still resonate with similar themes about live and life in the big city. Titles include "I'll Take You Where The Music's Playing", "I've Got Sand In My Shoes", "At The Club", "He's Just A Playboy", "Follow Me", "Far From The Maddening Crowd", and "Come On Over To My Place". LP, Vinyl record album
(Red & purple label pressing. Cover has light wear, a cutout hole, and some stains on the back.)

Possible matches52
CD, LP, Vinyl record album cover art
New DriftersUnder The Boardwalk ... LP
Atlantic, 1964. Good+ ... $8.99
Fantastic work by The Drifters – not only proof that their career was still going strong, but also a landmark batch of uptown soul tracks that set the blueprint for so many other New York artists of the 60s! The album includes the hits "On Broadway", "Up On The Roof", and "Under The Boardwalk" – but there's a dozen tracks, and they're all great! Other tracks include "Rat Race", "I'll Take You Home", "Let the Music Play", and "If You Don't Come Back". LP, Vinyl record album
(Red & purple label pressing. Cover has some wear & aging, with a small torn bottom corner.)

Possible matches53
CD, LP, Vinyl record album cover art
New DriftersUnder The Boardwalk (colored cover) ... LP
Atlantic, 1964. Good ... $6.99
Fantastic work by The Drifters – not only proof that their career was still going strong, but also a landmark batch of uptown soul tracks that set the blueprint for so many other New York artists of the 60s! The album includes the hits "On Broadway", "Up On The Roof", and "Under The Boardwalk" – but there's a dozen tracks, and they're all great! Other tracks include "Rat Race", "I'll Take You Home", "Let the Music Play", and "If You Don't Come Back". LP, Vinyl record album
(Red & purple label pressing. Cover has wear, aging, a sticker near the top, a split top seam and pen on the back. Vinyl has numerous marks that play with noise and clicks throughout.)

Possible matches54
CD, LP, Vinyl record album cover art
Duke EllingtonDuke Ellington – His Piano & His Orchestra At The Bal Masque ... LP
Columbia, 1958. Very Good ... $4.99
One of Duke's standout sides for Columbia during the late 50s wealth of new recordings – a live set recorded at Miami's Bal Masque nightclub. The arrangements are sophisticated, and Duke's piano is hitting that darkly-tinged later style – but the focus is also on danceable arrangements, letting the crowds sway and swing to the group's warmly chromatic orchestrations. Titles include "Got A Date With An Angel", "Satan Takes A Holiday", "Satin Doll", "Lady In Red", "Donkey Serenade", and "Laugh Clown Laugh". LP, Vinyl record album
(6 eye pressing with deep groove. Cover has some wear, clear tape over all seams, and a name in marker. Label has a name in marker.)

Possible matches55
CD, LP, Vinyl record album cover art
Duke EllingtonEllington Jazz Party ... LP
Columbia, Late 50s. Very Good ... $4.99
Very nice work from one of Ellington's revival periods – when he was signed to Columbia in the late 50s, and recording some of the best work of his career. This set moves past the modernism of some of Duke's other sessions at the time, and offers a more straight-ahead set in true "jazz party" tradition. Jimmy Rushing sings vocals on a few tracks, and Duke's band features Johnny Hodges, Paul Gonzalves, Jimmy Woode, and a guest appearance by Dizzy Gillespie. Tracks include "Ready Go", "Red Garter", "Malletoba Spank", "UMMG", and "Tymperturbably Blue". LP, Vinyl record album
(White label 6 eye promo pressing with deep groove. Cover has some wear, splitting on the top seam, some peeled spots on the front, and a couple of stains.)

Possible matches56
CD, LP, Vinyl record album cover art
Don ElliottMellophone ... LP
Bethlehem, Mid 50s. Very Good- ... $6.99
They're not lying with the title of this great little set – as Don Elliott blows his unique horn with a very mellow tone! The instrument is kind of a bigger version of a flugelhorn – and is used by Don in a laidback combo that also features trombone from Billy Byers, trumpet from Howie Reich, and baritone sax from Danny Bank – all deep sounds that set up a bank of color for Elliott to work with in his most vivid way. Other players include Hal McKusick on alto and flute – but working without as much of the sharper, cutting tones of other 50s albums – and rhythm is from Barry Galbraith on guitar, Milt Hinton on bass, and Mel Zelnick on drums. Titles include "Sposin", "The Lamp Is Low", "Mellophone Mambo", "Summer Setting", and "With The Wind & The Rain In Your Hair". LP, Vinyl record album
(Original red label pressing, with deep groove. Cover has a split top seam, some wear, and a peeled gloss finish, with an ink stamp and some light stains on the back.)

Possible matches57
CD, LP, Vinyl record album cover art
Maynard FergusonI Have But Two Horns – Maynard Ferguson Plays Bill Holman's Arrangements ... CD
Jazz City/Fresh Sound (Spain), 1955. Used 2CD ... $14.99
2 albums' worth of material by a young Maynard Ferguson – mostly lifted from sides that ended up on the Emarcy label, and really sparkling with some great Bill Holman arrangements and compositions! Maynard's working here with a tight group of west coasters that include Shelly Manne, Conte Candoli, Bud Shank, Herb Geller, Bob Cooper, Red Mitchell, and Bob Gordon – in octet formation on disc 1, and in a slightly larger orchestra on disc 2. The set's got a tight feel that's similar to work by some of the bigger names on the west coast scene of the time – and a style of arrangement that's somewhere between that of the color/tone mode of Stan Kenton, and the lighter, more playful approach of Shorty Rogers mid 50s sides. Maynard's work on both trumpet and valve trombone is strongly expressive, even in the short space of the tunes – and the album features a number of strong Bill Holman originals that include "Egad, Martha", "Slow Stroll", "Open Sesame", "Idyll", "Well Hardly Ever", "Pork Pie", "Mrs Pitlack Regrets", "Wonder Why", "Super G", "Interspace", and "Breakfast Dance". 25 tracks on 2 CDs! CD

Possible matches58
CD, LP, Vinyl record album cover art
New Clare Fischer Big BandThesaurus ... LP
Atlantic, 1968. Very Good ... $4.99
An unusual session from the great Clare Fischer – although probably his best-known record as well! Clare cut many other jazz sides in a smaller, more intimate setting – but this album features his full talents as a larger arranger – working with a hip ensemble, and turning in some great charts that really keep things on edge! Fischer plays both Fender Rhodes and piano – and the group's got some great west coast help from Bill Perkins and Warne Marsh on tenors, Gary Foster on alto, and Conte Candoli on trumpet – all playing with a bit more sharpness here than usual. There's a nicely off-kilter edge – similar to that which you might hear in some of Clare's work with Cal Tjader – or some of his larger arranging projects for labels like MPS. Solos are out front on all tracks, and titles include "In Memoriam", "Bitter Leaf", "Calamus", and "Miles Behind". LP, Vinyl record album
(Red & green label pressing.)

Possible matches59
CD, LP, Vinyl record album cover art
Five (Shorty Rogers, Pete Jolly, Mel Lewis, & otheFive ... LP
RCA, Mid 50s. Very Good- ... $19.99
The Five was a nom-du-session for this west coast group featuring tenorist Bill Perkins, trumpeter Conte Candoli, and pianist Pete Jolly – over a set of arrangements and compositions by Shorty Rogers. Rogers was always one of the best of the west coast arrangers, and this set shows his talent for keeping things lively, yet still getting in enough cerebrality to give the highbrow set their due. Perkins crisp tenor is a treat, as always, and his solos jump out a bit more strongly than Jolly's piano or Candoli's trumpet. Tracks include "I Dig Ed", "Perkin", "Beyond The Sea", "Red Eyes", and a very goofy version of "Whistle While You Work". LP, Vinyl record album
(Black label pressing with deep groove. Cover has some wear and aging, with split top and bottom seams.)

Possible matches60
CD, LP, Vinyl record album cover art
Red GarlandRed Garland Trio – Moodsville Vol 6 ... CD
Moodsville (Japan), 1958. New Copy ... $13.99
Red Garland's sound was already often mellow and laidback in the late 50s, but it takes on a whole new sense of that style here in a rare session for Prestige's Moodsville label! As with others on the imprint, the focus here is on the gentler sounds of the late nite scene – more ballads and easygoing numbers, but still played with a strong degree of jazz – and not the kind of cocktail modes that other labels would use when putting "moods" on the front of a record! Red's trio here is the familiar one from other Prestige albums – Paul Chambers on bass and Art Taylor on drums – and the only change, really, is that the tracks are all mellower ones, but still done with plenty of bluesy inflections on the keys from Red! Titles include "I Love You Yes I Do", "And The Angels Sing", "Blues For Ann", "I'll Never Stop Loving You", and "Bass-ment Blues". CD

Possible matches61
CD, LP, Vinyl record album cover art
New Red GarlandRed Garland's Piano ... LP
Prestige, 1957. Good ... $18.99
Red Garland's piano was certainly humming strong at the time of this session – as Red's trio were one of the key rhythm components of many Prestige albums of the late 50s, but also a real starring act on their own! The album's got a laidback, almost mellow feel that's a bit different from some of the Garland accompaniment on horn-based sessions – a style that's introspective, but always spirited – sprightly, but never flowery – that magical style that allowed Garland to bridge different worlds of jazz piano in the 50s. Paul Chambers is a perfect accompaniment here on bass, Art Taylor's work on drums is a masterpiece of understatement, and although the titles are all familiar, they're certainly given a special Garland touch! Titles include "The Very Thought Of You", "If I Were A Bell", "Please Send Me Someone To Love", "I Know Why", and "I Can't Give You Anything But Love". LP, Vinyl record album
( Yellow & black label pressing, with a NJ address and Ven Gelder stamp. Cover has wear and aging. Vinyl has numerous marks that cause noise and clicks all tracks.)
Also available Red Garland's Piano ... LP 15.99

Possible matches62
CD, LP, Vinyl record album cover art
Red Garland Trio with Eddie Lockjaw DavisMoodsville Vol 1 – Red Garland Trio Plus Eddie Lockjaw Davis ... CD
Prestige/Moodsville (Japan), 1959. New Copy ... $13.99
Gentle genius from Red Garland – working here in classic trio formation with Sam Jones and Art Taylor – on a mellow set of late nite numbers and subtle ballads, all carried off in the best tradition of the Moodsville label! Eddie Lockjaw Davis joins the group on 3 tracks on the set – blowing in a style that's spare, open-mouthed, and amazingly soulful – more so almost than even his best ballad blowing on his organ-based records for Prestige during the same time. Davis really sparkles tremendously on the tunes "Softly Baby", "When Your Lover Has Gone", and "We'll Be Together Again" – and other tracks include "Stella By Starlight", "Blue Room", and "Wonder Why". CD

Possible matches63
CD, LP, Vinyl record album cover art
Ron Geesin & Rogers WatersMusic From The Body ... LP
Harvest (UK), 1970. Very Good+ ... $14.99
An incredibly tripped-out record – of the sort we're stunned was ever recorded for a major! The work's a side project of Roger Waters from Pink Floyd, done in collaboration with Ron Geesin for a film directed by Roy Battersby – and it's a shifting landscape of short experimental tracks, easily drifting back and forth between off-kilter instrumental numbers to sing-songy vocal ones that are far madder than Syd Barrett's work ever was. There's some nice folksy touches that sit by the tripped-out guitar work – and overall, the album's relatively introspective, especially for the setting, with less of the guitar-churning sound than you'd expect from Floyd at this point! Titles include "Body Transport", "Embryonic Womb Walk", "Give Birth To A Smile", "Chain Of Life", "Dance Of The Red Corpuscles", "Our Song", and "Bridge Passage For Three Plastic Teeth". LP, Vinyl record album
(Great UK pressing – green Harvest label with EMI logo. Cover has light wear.)

Possible matches64
CD, LP, Vinyl record album cover art
Stan GetzBrothers ... LP
Prestige, 1949/1952. Very Good ... $6.99
A classic Prestige LP that compiles earlier sides by Getz – four tunes from a 1949 session recorded under Stan Getz & His Four Brothers, with Zoot Sims, Al Cohn, Allen Eager, and Brew Moore – all blowing with Getz in a real "brothers-like" sax section sound. The remaining 4 tracks feature Stan and Al Cohn, working in a 1952 session with Geroge Wallington and Kai Winding – on some nice light boppish tracks that have that sweet smooth Getz tone firmly in place. The album's got a great Don Martin cover, and titles include "Battleground", "Five Brothers", "Four & One Moore", "Red Door", and "Zoot Case". LP, Vinyl record album
(Blue label pressing.)

Possible matches65
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Very Good+ ... $19.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Red & purple label pressing.)

Possible matches66
CD, LP, Vinyl record album cover art
GoblinGoblin Tour 2013 EP (red colored vinyl) ... LP
Death Waltz (UK), 2013. New Copy ... $9.99 15.98
Legendary Italian prog combo Goblin – reunited in the studio on the cusp of their 2013 tour – and sounding as vital as ever! This great EP is a slight departure for the Death Waltz label – in that it's a contemporary set, rather than a straight up soundtrack – but the group themselves are revisiting their soundtrack classics. It includes new versions of 3 classics from their Dario Argento canon – "Profondo Rosso", "Suspiria" and "Tenebre" – plus "Roller" – the title track from what's probably their greatest non-soundtrack album. LP, Vinyl record album
(Limited edition 2013 tour EP – on red vinyl!)

Possible matches67
CD, LP, Vinyl record album cover art
New Lesley GoreGolden Hits Of Lesley Gore ... LP
Mercury, Mid 60s. Very Good- ... $3.99
LP, Vinyl record album
(Red label pressing with deep groove.)

Possible matches68
CD, LP, Vinyl record album cover art
Friedrich GuldaMusic For 4 Soloists & Band No 1 ... LP
Saba/MPS (Germany), 1965. Very Good+ ... $24.99
One of the most beautiful albums Friedrich Gulda ever recorded for MPS – a wonderful session that features key solo work from players who include Freddie Hubbard on trumpet, JJ Johnson on trombone, and Sahib Shihab on flute and baritone sax! The work has a somewhat serious feel, but isn't nearly as much so as some of Gulda's other work – and the presence of the soloists really keeps things soulful throughout – with a fluid sense of tone and color that's really wonderful. Gulda plays piano with a larger ensemble, but they really drop back nicely to give the soloists plenty of space! Titles include the 3 part title track – "Music For 4 Soloists & Band No 1" – plus "Minuet" and "Prelude & Fugue". LP, Vinyl record album
(Red label Saba pressing – in great shape!)

Possible matches69
CD, LP, Vinyl record album cover art
Herbie HarperFive Brothers (aka Herbie Harper Quintet) ... LP
Tampa, 1955. Very Good ... $19.99
Arguably the greatest session ever cut by trombonist Herbie Harper as a leader – and if not that, then certainly the one that has the most edge! Herbie's working here in a mode that's still as fluid as some of his other sessions from the 50s, but which also has a bit more of a "rasp" in the tone overall – an approach that's a bit more down-n-dirty than some of his more measured records – and which has some especially nice phrasing from Harper on trombone and Bob Enevoldsen on tenor sax. The rest of the group includes Red Mitchell on bass, Don Overburg on guitar, and Frank Capp on drums – and the whole thing's got a really nicely spontaneous and earthy quality. Titles include "Skull Cap", "Jim's Tune", "Juan Don", "Adios", "Godchild", "Don't Buck It", and "Alone Together". LP, Vinyl record album
(Original pink label pressing with deep groove. Cover's in nice shape, save for a split top seam and a partially split bottom seam.)

Possible matches70
CD, LP, Vinyl record album cover art
New Hampton HawesAll Night Session Vol 2 ... LP
Contemporary, 1956. Very Good+ ... $11.99
A noteworthy session from pianist Hampton Hawes – a rare quartet session from the 50s (at a time when Hawes was mostly working in trios) – and also a three volume set of releases, all recorded in the space of a single night! The album is truly an All Night Session – as the material here was recorded during the night of November 12 and early morning hours of November 13, 1956 – with an unusual group that features Hawes on piano, Red Mitchell on bass, Bruz Freeman on drums, and Jim Hall on guitar! Hall's ringing tones are a perfect partner for Hawes' light approach to the keys – and the relaxed, extended nature of the recording has both players really opening up on some of the album's longish tracks. Titles on this volume include "I'll Remember April", "I Should Care", "Woody'N You", "Two Bass Hit", "Will You Still Be Mine", "April In Paris" and "Blue 'N Boogie". LP, Vinyl record album
(Yellow label 70s pressing.)

Possible matches71
CD, LP, Vinyl record album cover art
New Hampton HawesThis Is Hampton Hawes – Vol 2 The Trio ... LP
Contemporary, 1956. Very Good- ... $28.99
The darkly brooding image of Hampton Hawes on the front cover of this one is a real standout in the mostly-sweet cover lineup of the Contemporary label – but it's also a great indication of the sound of the record, which is something different than most of its contemporaries! Hawes is working here at his top-shelf early best – stepping around the keys of the piano with a sense of grace and spaciousness – but also a hard-hitting, highly rhythmic mode on the left – a bit soul jazz at times, mixing earthy elements with the sweeter, lyrical moments in his solos. Rhythm is by the team of Red Mitchell and Chuck Thompson – and titles include "Yesterdays", "Blues For Jacque", Stella By Starlight", "Steeplechase", "Round Midnight", "Autumn In New York" and "Section Blues". LP, Vinyl record album
(Heavy yellow label pressing with deep groove. Cover has light wear.)

Possible matches72
CD, LP, Vinyl record album cover art
Red HollowaySax, Strings & Soul ... LP
Prestige, Mid 60s. Very Good ... $13.99
Soul jazz tenor legend Red Holloway blows with strings – but in a way that's hipper than you might think! Benny Golson conducted the orchestra, and Red's playing is very edgey – not in a soporific pillowy mode, but much more in the kind of edgey style that Charlie Parker used on some of his famous Ralph Burns recordings, inflected with more of the soul of the 60s stylings of arrangers like Richard Evans. Titles include "Star Of David", "Bossa in Blue", "The Girls in the Park", and "Nights with Lora". LP, Vinyl record album
(Blue label pressing. Cover is great!)

Possible matches73
CD, LP, Vinyl record album cover art
New Richard Groove HolmesNew Groove ... LP
Groove Merchant, 1974. Very Good+ ... $19.99
Funky funky Groove Holmes – one of his tightest albums ever! The set's a monumental batch of organ jazz groovers – recorded with some larger backings from Manny Albam, and a super-dope, super-funk sort of 70s feel that's really outta site! The tracks are lean and very rhythmically oriented – all instruments grooving very strictly on the beat, except for Groove's wailing Hammond – which takes off over the top in some fierce musical flights! Bernard Purdie chops up some wicked drums on the set, and titles include "Red Onion", "Meditation", "Good Vibrations", "Chu Chu", and the solid groover "You've Got it Bad". LP, Vinyl record album
(Cover has a cutout hole and a name in marker on both sides. Label also has some marker.)

Possible matches74
CD, LP, Vinyl record album cover art
New Kenyon HopkinsFugitive Kind ... LP
United Artists, 1960. Very Good+ ... $19.99
A fairly dramatic score by Hopkins, written for this film directed by Sidney Lumet, written by Tennessee Williams, and starring Marlon Brando! About half of the tracks are in an introspective Hopkins mode – but there's also a few others that have twanging guitar and kind of a "roadhouse" sort of feel – most likely written for the raunchier scenes in the film. Titles include "Let Me Out", "Pay Day", "Alone", "The Reformer", "Get Crazy", and "Bird Song". LP, Vinyl record album
(Red label pressing with deep groove. Cover has a small split on the top seam.)

Possible matches75
CD, LP, Vinyl record album cover art
Freddie HubbardKeep Your Soul Together/Polar AC/Skagly ... CD
CTI/BGO (UK), 1973/1975/1980. New Copy 2CD ... $19.99
A trio of 70s Freddie Hubbard – all packaged together in one sweet set! First up is Keep Your Soul Together – Freddie Hubbard at the peak of his 70s powers – and one of his finest albums of the decade! The record follows strongly in the tone that Freddie set at CTI on his mighty Red Clay set – long, drawn out tracks – done with lots of electricity in the rhythms, and a very cosmic approach to the solos! The groove is funky, yet easy – featuring playing that's very open and very soulful, by a group that includes Freddie, Ron Carter, George Benson, and Hubert Laws. Titles include "Keep Your Soul Together", "Spirits Of Trane", "Destiny's Children", and "Brigitte". Polar AC is warm and wonderful work from Freddie Hubbard – a killer of a record recorded for CTI, and one of his most soulful efforts for the label! The album's got a bit more of a human heart than some of the more cosmic sessions Freddie cut at the time – a bit more contemplative and introspective, but no less open-minded and electrically charged. The assortment of players is all top-shelf – with Billy Cobham, Airto, Lennie White, George Cables, Hubert Laws, and George Benson all backing Freddie up on the set – and titles include a great take on "People Make the World Go Round", plus "Naturally", and "Son of Sky Dive", which grooves just like its papa! Skagly has a title that reads like a typo, but the album's a great set of smooth fusion from Freddie Hubbard – self-produced, and almost a summation of all the styles he'd mastered in the 70s! The session's never too over the top or too ambitious – just features Freddie working with a hip group in a laidback setting – blowing lean and mellow lines that almost take him back to his best CTI funk. The group features Billy Childs on keyboards, Hadley Caliman on tenor and flute, and some guest work by George Duke and Paulinho Da Costa – on titles that include "Skagly", "Rustic Celebration", "Happiness Is Now", and "Cascais". CD

Possible matches76
CD, LP, Vinyl record album cover art
New Freddie Hubbard, Hubert Laws, & OthersCalifornia Concert ... LP
CTI, 1971. Very Good 2LP Gatefold ... $8.99
Although the genius of the CTI label might be often thought of in a studio format – especially since the Creed Taylor Influence on the label is what really turned the sound into something wonderful – this live set from 1971 shows that the label's players, with the right frame of mind, can easily get into the CTI groove in any setting – soaring out in a magical blend of acoustic and electric instrumentation, really stretching out on some killer long tracks! The group's a great all-star one – with organ and electric piano by Johnny Hammond, guitar by George Benson, flute by Hubert Laws, trumpet by Freddie Hubbard, tenor by Stanley Turrentine, and percussion by Airto – and all tracks are long, and very free-flowing. Titles include "Red Clay", "Sugar", "Blues West", "Leaving West", and "Fire & Rain". LP, Vinyl record album
(Cover has some wear, stains, waviness, and seam splitting, with some marker inside the gatefold. Labels have some marker.)

Possible matches77
CD, LP, Vinyl record album cover art
Jazz PickersCommand Performance – The Jazz Pickers Featuring Red Norvo ... LP
EmArcy, Late 50s. Very Good+ ... $16.99
A cool little set from bassist Harry Babasin – a 50s album from his Jazz Pickers combo, a group who mostly handles stringed instruments picked, or plucked, in a very groovy way! The approach has distinct west coast 50s elements – and given that Red Norvo's working with them here on vibes, the sound's almost like some of his excellent work with Tal Farlow and Charles Mingus from the earlier part of the decade. Players include Dempsey Wright on guitar, Lawrence Red Wooten on bass, Bill Douglass on drums, Babasin on pizzicato cello, and Norvo on vibes. Titles include "Bagatelle", "Blues For Bill", "Eyein The Goof", "The Stinger", "Lester Leaps In", and "Petite Rondeau". LP, Vinyl record album
(Black label Mercury pressing with deep groove.)

Possible matches78
CD, LP, Vinyl record album cover art
Budd JohnsonLet's Swing ... LP
Prestige/Swingville, 1960. Very Good- ... $9.99
Let's Swing – and swing Budd does, in that wonderfully easy-going manner of his – a style that seems almost effortless at times, but which always comes across with plenty of soul! Johnson's tenor is a great fit for the style of Prestige's Swingville label – as he has plenty of room, and few constrictions – a great space to open up alongside players who include Keg Johnson on trombone, Tommy Flanagan on piano, George Duvivier on bass, and Charlie Persip on drums. The tracks have that easy-grooving style of the Swingville series – a bit Verve-ish, but with some rougher edges, an important detail, given Budd's tenor style. Titles include "Blues By Budd", "Uptown Manhattan", "Falling In Love With Love", and "Downtown Manhattan". LP, Vinyl record album
(Original red label Swingville pressing with deep groove. Cover has tape residue on the seams, light wear, some aging, and pen on the back. Labels have some marker.)

Possible matches79
CD, LP, Vinyl record album cover art
Barney Kessel & Harold LandEl Tigre ... LP
Charlie Parker, Early 60s. Very Good+ ... $39.99
An obscure session on the Charlie Parker label – and a nicely laidback session that features a hip west coast group! We're not entirely sure when the set was recorded, but the feel here is very much in that late 50s Contemporary Records style – traces of LA cool jazz, but played with a bit more of a relaxed feel in the studio. Land is on tenor, Kessel on guitar – and the rest of the group includes Jimmy Rowles on piano, Pete Candoli on trumpet, Red Mitchell on bass, and Larry Bunker on vibes. Titles include "Cheeta's For Two", "East Of The Sun", "The Cobra", "The Blues", and "El Tigre". LP, Vinyl record album
(Heavy black label pressing.)

Possible matches80
CD, LP, Vinyl record album cover art
New Albert KingKing Of The Blues Guitar ... LP
Atlantic, 1969. Very Good ... $14.99
Classic Stax blues by the king of the Memphis blues scene of the late 60's. Production's handled by Stax, even though the LP was released on Atlantic, and the set includes "Born Under A Bad Sign", "Overall Junction", "Laundromat Blues", "Cold Feet", and "You're Gonna Need Me". LP, Vinyl record album
(Red & green label pressing. Cover has ring & edge wear.)

Possible matches81
CD, LP, Vinyl record album cover art
King CrimsonUSA ... LP
Atlantic, 1975. Very Good+ ... $9.99
A pretty dark little record from the waning mid 70s version of King Crimson – recorded on tour in the US by a quartet of David Cross, Bill Bruford, John Wetton, and Robert Fripp. The tracks are mostly live takes of tunes from earlier albums – "Easy Money", "21st Century Schizoid Man", "Lament", and "Larks Tongue In Aspic" – done in versions that are considerably more turgid than the originals, with lots of heavy guitar work. LP, Vinyl record album
(Red & green label pressing. Cover has ring & edge wear witn some peeling along the bottom seam.)
Also available USA (30th Anniversary limited edition) (LP style sleeve) ... CD 11.99

Possible matches82
CD, LP, Vinyl record album cover art
King Pleasure/Annie RossKing Pleasure Sings/Annie Ross Sings ... LP
Prestige, Early 50s. Very Good+ ... $1.99
A classic bit of vocalese, featuring a split LP of tracks by the great King Pleasure, plus some early stuff by Annie Ross (of Lambert, Hendricks, & Ross fame). The tracks on the LP include Ross' early interpretations of Wardell Gray's classics "Twisted" and "Farmer's Market", and the King Pleasure set includes classics like "Red Top", "This Is Always", "Sometimes I'm Happy", and his great duet with Jon Hendricks, "Don't Get Scared". A landmark LP of jazz vocal sides, and one that no fan of vocalese should be without. LP, Vinyl record album
(Blue label pressing in the orange cover.)

Possible matches83
CD, LP, Vinyl record album cover art
Roland KirkVolunteered Slavery ... LP
Atlantic, 1969. Very Good ... $7.99
Our favorite album ever from Roland Kirk – and a beautiful mix of two different sides of his genius! Side one's got Roland doing these crazy takes on late 60's pop cuts like "My Cherie Amour" and "Say a Little Prayer", plus his own "songs", done with soulful vocals and a straight-on approach that shows him trying to break out of the avant jazz underground, and reach a wider audience with a spiritual message on tracks like "Search For The Reason Why" and "Spirits Up Above". If this description sounds like a mess, it's not – because this side of the album is one of Kirk's most brilliant statements ever about jazz, soul, love and freedom! Side two has Roland in a straighter vein – running through a tight live set from Newport 1968, handled with fire and imagination, the kind of boundless energy he always brought to his public appearances. Tracks on that set include "One Ton", "Three For The Festival", "Afro Blue", and some great remarks by Roland! LP, Vinyl record album
(Red & green label pressing.)

Possible matches84
CD, LP, Vinyl record album cover art
Gladys Knight & The PipsLetter Full Of Tears/You Broke Your Promise ... 7-inch
Fury, 1961. Very Good ... $1.99
7-inch, Vinyl record
(Yellow & red label pressing. Labels have small stickers.)

Possible matches85
CD, LP, Vinyl record album cover art
Last PoetsThis Is Madness ... LP
Douglas, 1971. Good+ Gatefold ... $7.99
One of the Last Poets greatest albums – and one of their most sophisticated as well! Gone are the rough-hewn rhymes of the group's first album, and in their place are better arranged, more thought-out tracks that mix in a wealth of musical influences – and which expand the group's verbal expression past simple protests, and into the realm of Jazzoetry that became their trademark during the mid 70s. Tracks include "Related to What", "Black Is", "White Man's Got a God Complex", "Black People What Y'All Gonna Do", and "This is Madness" – and a number of tracks are preceded by strong and forceful chants before the lyrics kick in! LP, Vinyl record album
(Red label Douglas pressing. Cover has ring & edge wear with a partially split top seam.)

Possible matches86
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New Yusef LateefBlue Yusef Lateef ... LP
Atlantic, 1968. Very Good- ... $7.99
One of our favorite Atlantic albums by the great Yusef Lateef – an incredible session that has him dipping back into his earlier exotic roots with those great reed styles of the early 60s – yet also hitting a mix of soul and funk like some of his other albums from the time! The sound is tremendous – wonderfully righteous, at a level that really set the tone for more ambitious soul jazz projects of the 70s by other artists – including the best of the soul jazz underground who were often as inspired by Lateef as they were by Coltrane! The group's great, too – and features Blue Mitchell on trumpet, Sonny Red on alto, Hugh Lawson on piano, Cecil McBee on bass, and Roy Brooks on drums – next to Yusef's own work on tenor, flute, bamboo flute, tamboura, and percussion. Titles include "Sun Dog", "Moon Cup", "Othelia", "Like It Is", and the groovy "Juba Juba". LP, Vinyl record album
(Red & green label pressing. Back cover has some light wear.)
Also available Blue Yusef Lateef (180 gram pressing) ... LP 36.99

Possible matches87
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New Yusef LateefHush 'N' Thunder ... LP
Atlantic, 1973. Near Mint- ... $6.99
A moody set of 70s work from Yusef – proof that he was always trying to push his bag, and a good attempt to bridge his earlier exotic work and his later high concept compositions. Some of this material is spare and thoughtful, while other tracks are trying for sort of a 70's electric funk sound. Funky cuts include "The Hump", "This Old Building", and "Prayer" – and players include Kenny Barron, Cornell Dupree, and Ray Bryant. LP, Vinyl record album
(Red & green label pressing. Cover has light wear.)

Possible matches88
CD, LP, Vinyl record album cover art
Yusef LateefSuite 16 ... LP
Atlantic, 1970. Very Good+ ... $6.99
A groundbreaking set from Yusef Lateef – one that mixes together a number of different soul jazz styles! In a way, Atlantic records tried to handle Yusef Lateef in the same way they did Roland Kirk – by creating recordings that either let him express himself strongly as an arch-modernist, or those that focused on his solo talents in material that was a bit more funky and soulful. This album's got a bit of both – as side one has Yusef playing with slightly electric groups on short tracks that feature vocal backings by the Sweet Inspirations, and side two features Yusef playing with the Cologne Radio Orchestra, conducted by William Fischer, on an extended work called "The Symphonic Blues Suite". We dig the shorter tracks better, and those titles include "Nocturne", "Buddy & Lou", and "Down In Atlanta". LP, Vinyl record album
(Red & green label pressing. Cover has a cut corner and a spot of residue from an old sticker in another corner.)

Possible matches89
CD, LP, Vinyl record album cover art
Hubert LawsLaw's Cause ... LP
Atlantic, 1969. Very Good ... $1.99
A wicked mix of Latin influences, mod sounds, and 60s soul jazz – all set up beautifully to showcase the flute of a young Hubert Laws! The album's got a nice little bounce right from the start – with some traces of Atlantic soul elements – but it soon moves into some of the more sophisticated territory that you'd hear on Laws albums in the 70s – that wonderful tone, and great sense of space. Chick Corea handled the arrangements, and comes up with some really groovy sounds – and the album includes the tune "No More", with vocals by Melba Moore – plus "Windows", "Shades of Light", "If You Knew", and "Please Let Go". LP, Vinyl record album
(Red & green label pressing.)

Possible matches90
CD, LP, Vinyl record album cover art
New Led ZeppelinHouses Of The Holy ... LP
Atlantic, 1973. Very Good- Gatefold ... $24.99
Led Zeppelin at peak power – mixing hard rock bombast with deep, genuine love for blues and folk guitars! Houses Of The Holy is the essential the blueprint for countless imitators to come – but it's also got smarts, subtleties and creative ambitious that's just plain lost on the watered wannabes that floated up in Zeppelin's wake. Titles include "The Crunge", "Over The Hills & Far Away", "The Song Remains The Same", "The Rain Song", "Dancing Days", "Dyer Maker", "No Quarter", and "The Ocean". LP, Vinyl record album
(1st red & green label pressing, with 1841 Broadway address, including the lyric sleeve. Cover has some wear and a couple of light stains.)

Possible matches91
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Ramsey LewisDancing In The Street ... LP
Cadet, 1967. Very Good Gatefold ... $1.99
A late 60s groover from the second Ramsey Lewis trio – the one that features Cleveland Eaton on bass and Maurice White on drums, both doing a pretty great job of filling the spot vacated by Eldee Young and Red Holt! The album's a live one, cut in the successful mode of Ramsey's records with the Young/Holt group – mostly featuring familiar numbers transformed by the Lewis Trio's hard-grooving approach to their work! It's great to hear Maurice White in a pre-Earth Wind & Fire jazz setting – and the album's got a slightly more open sound than some of Ramsey's earlier live dates – especially on the Brazilian tinged numbers that include "Mood For Mendes", "Corcovado", and "Medley From Black Orpheus". Other tracks include "Struttin Lightly", "Dancing In The Street", "You Don't Know Me", and "What Now My Love". LP, Vinyl record album
(Blue label stereo pressing.)

Possible matches92
CD, LP, Vinyl record album cover art
Ramsey LewisNever On Sunday ... LP
Argo, 1961. Very Good- ... $4.99
Simple genius from the classic Ramsey Lewis Trio – Ramsey on piano, Eldee Young on bass, and Red Holt on drums! The tunes are a strong mix of originals, standards, and some nice bits from odd sources – all arranged by Ramsey and crew to make strong use of their well-styled blend of rhythm and keys. Titles include "Waterboy", "The Ripper", "Cielito Lindo", "You Just Don't Care", and "Never On Sunday". LP, Vinyl record album
(Gray label Argo pressing, with deep groove. Cover has some wear, a sticker, some splitting on the top and bottom seams, a couple of stains on the front, and light staining on the back.)

Possible matches93
CD, LP, Vinyl record album cover art
Ramsey LewisSound Of Spring ... LP
Argo, 1962. Very Good ... $4.99
The Ramsey Lewis Trio gets some additional orchestral backings – and with great results! The set features Ramsey, Eldee Young, and Red Holt – all playing their usual pyrotechnic blend of soul jazz and swing – supported by larger arrangements handled by Riley Hampton, done in a style that never gets in the way – but which creates some really cook banks for Ramsey and crew to soar off of! Titles include "Spring Fever", "Sound Of Spring", "Truly Truly Spring", "Soft Winds", and "Blue Spring". LP, Vinyl record album
(Grey label Argo pressing with deep groove. Cover has a small stain on back.)

Possible matches94
CD, LP, Vinyl record album cover art
Julie LondonJulie Is Her Name Vol 2 ... LP
Liberty, Late 50s. Very Good- ... $6.99
A lesser-known follow-up to Julie London's classic Julie Is Her Name album – one that actually features Julie wearing clothes on the cover, but which still comes across with a very sexy sound! The approach here is similar to the first set – with Howard Roberts backing up Julie's vocals, in a style that's quite similar to that used by Barney Kessel the first time around. Red Mitchell's bass is really the only other instrumentation – and the spareness of the set is stunning – with a nakedness that gets past even Julie's heavy turtleneck on the cover! Titles include "If I'm Lucky", "Little White Lies", "Hot Toddy", "Blue Moon", "Goody Goody", and "Spring Is Here". LP, Vinyl record album
(Black label stereo pressing, with deep groove. Cover has some wear, some seam splitting, a spot of sticker residue on the front, and some pencil and a couple of light stains on the back.)

Possible matches95
CD, LP, Vinyl record album cover art
Herbie MannDo The Bossa Nova With Herbie Mann ... LP
Atlantic, 1962. Very Good ... $9.99
A great album of bossa groovers, recorded by Herbie in the early days of the US bossa boom – and with a sound that's right on the money! The backing's very lively, and the tracks have a tight bossa sound that's quite authentic. Herbie's flute is livelier than usual, and on a set like this, you can hear why it's no wonder that he's been so respected by Latin and Brazilian players over the years. Titles include "Voce E Eu", "Bossa Velha", "Blues Walk", "One Note Samba", "Amor Em Paz", and "Deve Ser Amor". LP, Vinyl record album
(Red & purple label pressing. Cover has a large X scored in the surface on back.)

Possible matches96
CD, LP, Vinyl record album cover art
Herbie MannHerbie Mann At The Village Gate ... LP
Atlantic, 1962. Very Good ... $1.99
Herbie Mann's at the Village Gate – really wailing away in a set of extended numbers that not only set a whole new standard for live recording in jazz, but which also pushed forward the role of the flute in the music as well! There's a heck of a lot of soul in the grooves here – served up by a totally cooking rhythm section that includes basses from Ben Tucker and Ahmed Abdul-Malik, percussion from Chief Bey and Ray Mantilla, and drums from Rudy Collins – plus some especially great work on vibes from Haygood Hardy, sounding beautifully chromatic underneath Herbie's sharp-edged work on flute! The set features a key reading of "Comin Home Baby" that runs for over 8 minutes long – plus great long versions of "Summertime" and "It Ain't Necessarily So". LP, Vinyl record album
(Red & purple label pressing. Cover has a cutout hole.)
Also available Herbie Mann At The Village Gate ... CD 9.99

Possible matches97
CD, LP, Vinyl record album cover art
New Herbie MannHerbie Mann Live At Newport ... LP
Atlantic, 1963. Very Good+ ... $4.99
One of the grooviest 60s live albums from Herbie Mann – done in a style that's a bit different from the rest! Herbie cut many successful live albums for Atlantic, most of them with a hard wailing soul jazz groove – but this one's a nice batch of mellower bossa tunes, played at the Newport festival in Herbie's early love affair with the music, by a group that includes Dave Pike on vibes and Atilla Zoller on guitar. All tracks are long, and the groove is much more open-handed than on Herbie's studio bossa albums. Titles include "Garota De Ipanema", "Desafinado", "Samba De Orfeu", and the more soul jazz oriented tune "Don't You Know", written by bassist Ben Tucker. LP, Vinyl record album
(Red & purple label pressing.)

Possible matches98
CD, LP, Vinyl record album cover art
New Shelly Manne & His MenJazz Gunn ... LP
Atlantic, 1967. Very Good ... $1.99
Shelly Manne scored big with a jazz version of the Peter Gunn soundtrack in the 50s – and he does it again in this 60s version of Henry Mancini's music for the full-length Gunn movie! The style here is a bit more far-reaching and looser than before – showing not just Manne's development as an artist, but also his ear for some of the best styles of the younger generation – as evidenced by his inclusion of Frank Strozier on alto and flute, and Mike Wofford on piano – alongside more familiar faces Monte Budwig on bass and Conte Candoli on trumpet. There's a crisp jazzy edge to the whole thing – and titles include "Sweet", "A Bluish Bag", "Night Owl", and "A Quiet Happening". LP, Vinyl record album
(Red & purple label pressing. Back cover has various spots of masking tape. Cover has a cutout hole.)

Possible matches99
CD, LP, Vinyl record album cover art
Jack McDuffSoul Circle ... LP
Prestige, 1968. Very Good ... $9.99
An excellent album of long jazzy grooves by Brother Jack McDuff – and one that has him really breaking past the tighter style of early years, into the long complicated modal style that graced his best later work. The material was most likely recorded earlier than the record's 1968 release date – by 2 different groups with classic McDuff bandmates, like George Benson, Harold Vick, Red Holloway, and Joe Dukes. Includes the massive "Lew's Piece", plus versions of "More" and "Opus de Funk" that are both very nice! LP, Vinyl record album
(Blue label pressing. Cover has a stain along the top seam, with heavy edge wear, a small peeled spot on front, and initials in marker on back.)

Possible matches100
CD, LP, Vinyl record album cover art
Howard McGhee & Milt JacksonHoward McGhee & Milt Jackson ... LP
Savoy, Early 50s. Good+ ... $33.99
LP, Vinyl record album
(Heavy red label pressing. Vinyl has some light marks, and plays with a few light crackles – but nice and loud overall – pretty decently. Cover has a small bit of pen, a small split on the spine, and a small rip near one side.)
 
 
 



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