A perfect example of the jamming style of Quicksilver Messenger Service at their best – as side one features a 25 minute extrapolation of Bo Diddley's "Who Do You Love", stretched out by the group into these wicked long guitar lines and pulsating rhythms that shift nicely over time! Bo's a surprising inspiration for a group that's better known for their psych output – but their use of that track, and his "Mona", on the live recordings here really helps carve a link out of two different generations of guitar innovation – and suddenly helps us understand links between them both. The set continues with some great original numbers – the very long "Calvary", plus "Maiden Of The Cancer Moon" – as well as a cover of "Happy Trails". CD

A perfect example of the jamming style of Quicksilver Messenger Service at their best – as side one features a 25 minute extrapolation of Bo Diddley's "Who Do You Love", stretched out by the group into these wicked long guitar lines and pulsating rhythms that shift nicely over time! Bo's a surprising inspiration for a group that's better known for their psych output – but their use of that track, and his "Mona", on the live recordings here really helps carve a link out of two different generations of guitar innovation – and suddenly helps us understand links between them both. The set continues with some great original numbers – the very long "Calvary", plus "Maiden Of The Cancer Moon" – as well as a cover of "Happy Trails". CD

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With selections by Roger Daltrey, Fiona, Peter Frampton, Tony Banks, Ray Parker Jr, and others. CD

One of those records that really takes you by surprise – a set that doesn't look like much on the front, but which opens up immediately the minute you drop it on the turntable – with a sense of soul and swing that really hold on throughout! The group's a great one – a quintet with Jimmy Heath on tenor, Slide Hampton on trombone, Kenny Barron on piano, Ron Carter on bass, and Art Taylor on drums – all seasoned players working together here on a set of Tadd Dameron tunes, but inflected with a nice early 80s sense of soul – almost a more relaxed Muse Records vibe that really makes the album way more than just another reading of Dameron's classics. Titles include "Lady Bird", "Squirrel", "The Scene Is Clean", "Sid's Delight", and "Nearness". CD

A great live cooker from Phil Woods – long tracks with those excellent solos he could carve out in the 80s – served up in a quartet with Hal Galper on piano, Steve Gilmore on bass, and Bill Goodwin on drums! CD

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With Friesen on bass, Chick Corea on piano, Joe Henderson on tenor, Paul Horn on flute, Paul Motian on drums, and Airto on percussion! Titles include "Blue & Green", "Underlying", "Amber Skies", "Voices", and "Sitka In The Woods". CD

Features Clora Bryant on trumpet and Red Holloway on saxophone. CD

A lesser-known gem from Mal Waldron – recorded back on the American scene at the start of the 80s, with some really great help on tenor from Joe Henderson! Both players were working a bit out of the mainstream at the time, but had lost none of their powers – and instead, there's an odd edge here that really makes the album compelling – some of those great broken-down notes you'll hear in Henderson sessions of the 80s, mixed with both fragmented lines from Waldron, and some surprisingly warm moments as well. The group's completed by David Friesen on bass and Billy Higgins on drums – and although Henderson's not on every track, his presence on some of them makes for a nice balance with the trio numbers. Titles include the amazing "Herbal Syndrome", plus "Blues in 4 By 3", "Golden Golson", "One Entrance Many Exits", and "Chazz Jazz". CD

A real gem from Phil Woods' back to basics years of the 80s – a time when he seemed to be able to make magic happen anywhere – no matter the label, no matter the setting! Here, Phil's in some very familiar territory that really has him opening up with ease – not just the Village Vanguard, but a warm quartet with Hal Galper on piano, Steve Gilmore on bass, and Bill Goodwin on drums – an easygoing ensemble that really lets Woods' solo lines spin out like magic! Titles include "Very Early", "Webb City", "Prelude To A Kiss", and a sublime soulful take on "Springsville". CD

Pepper Adams never fails to blow us away in a small group setting – and here, on a killer quartet date from the early 80s, he really wins us over all over again! The album's one of those great ones from Adams – in which he's really let loose to open up and blow some extended, imaginative solos – the kind of open-ended baritone sax romps that few (if any) other players could do this well! The rhythm section kicks with just the right sort of energy for the tunes – Jimmy Rowles on piano, George Mraz on bass, and Billy Hart on drums – and titles include "Trentino", "Urban Dreams", "Three Little Words", "Dexter Rides Again", and "Time Is On My Hands". CD

Soaring, righteous sounds from Elvin Jones – an early 80s session, but one that cooks as strongly as his most soulful albums from the 70s! In fact, there's almost a focus or tightness here that could sometimes be missing from other Jones albums – a really bold, sharp use of the group's excellent quintet lineup – Dave Liebman on soprano sax and flute, Terumasa Hino on cornet, George Mraz on bass, and Kenny Kirkland on piano – all players driven on by the kind of bold, never-ending sense of flow that Jones really picked up during his post-Coltrane years! Liebman and Hino are especially great – and titles include "Three Card Molly", "The Top Of The Middle", "Earth Jones", "Never Let Me Go" and "Day & Night". CD

Arnie Lawrence on saxophones, Hilton Ruiz on piano, Mike Richmond on bass, Billy Hart on drums and percussion, and others. CD

Denny Zeitlin on piano, John Abercrombie on electric guitar, Charlie Haden on bass, and Peter Donald on drums. CD

Includes work from the films Quicksilver and Lorca & The Outlaws. CD

A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver – and featuring Clifford Brown on trumpet, just a few months before his early death – plus Lou Donaldson on alto and Curley Russell on bass. The presence of alto instead of tenor makes the sound slightly different than later incarnations of the group – and the overall approach is one that virtually defines the shift from straight bop to hardbop in the 50s – a mode that both Blakey and Silver were key in creating. Tracks include "Split Kick", "Quicksilver", "Mayreh", and "A Night In Tunisia". CD features 2 bonus tracks, and great remastering! CD

A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver – and featuring Clifford Brown on trumpet, just a few months before his early death – plus Lou Donaldson on alto and Curley Russell on bass. The presence of alto instead of tenor makes the sound slightly different than later incarnations of the group – and the overall approach is one that virtually defines the shift from straight bop to hardbop in the 50s – a mode that both Blakey and Silver were key in creating. Tracks include "Split Kick", "Quicksilver", "Mayreh", and "A Night In Tunisia". CD

25 songs from Tom Donahue, Spirit, the Chambers Brothers, the Byrds, the Youngbloods, Leon Russell, Joe Cocker, Donovan, Ten Years After, Canned Heat, Quicksilver Messenger Service & more. CD

A glorious celebration of a decade of Ninja Tune! The set's packed full of all the best bits on the label – and includes a number of out of print or hard to find tracks. Titles include "More Beats & Pieces (John McIntire & Tortoise rmx)" by Coldcut, "Channel 1 Suite (Four tet rmx)" by Cinematic Orchestra, "Bad Sex" by Amon Tobin, "Big Sea" by Funki Porcini, "I Hear The Drummer" by Luke Vibert, "The Xen To One Ratio" by Steinski, "Hip Hop Barrio" by Up Bustle & Out, "Down & To The Left" by Amon Tobin, "Quicksilver Loom" by Flanger, "Tried By 12 (Squarepusher mix)" by East Flatbush Project, "Movements (live)" by Roots Manuva, and "Drunk Trumpet (live)" by Kid Koala. 46 tracks, 3CDs, and what a nice price! CD

A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver – and featuring Clifford Brown on trumpet, just a few months before his early death – plus Lou Donaldson on alto and Curley Russell on bass. The presence of alto instead of tenor makes the sound slightly different than later incarnations of the group – and the overall approach is one that virtually defines the shift from straight bop to hardbop in the 50s – a mode that both Blakey and Silver were key in creating. Tracks include "Split Kick", "Quicksilver", "Mayreh", and "A Night In Tunisia". CD

A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver – and featuring Clifford Brown on trumpet, just a few months before his early death – plus Lou Donaldson on alto and Curley Russell on bass. The presence of alto instead of tenor makes the sound slightly different than later incarnations of the group – and the overall approach is one that virtually defines the shift from straight bop to hardbop in the 50s – a mode that both Blakey and Silver were key in creating. Tracks include "Split Kick", "Quicksilver", "Mayreh", and "A Night In Tunisia". CD features 2 bonus tracks, and great remastering! CD

A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver – and featuring Clifford Brown on trumpet, just a few months before his early death – plus Lou Donaldson on alto and Curley Russell on bass. The presence of alto instead of tenor makes the sound slightly different than later incarnations of the group – and the overall approach is one that virtually defines the shift from straight bop to hardbop in the 50s – a mode that both Blakey and Silver were key in creating. Tracks include "Wee Dot", "Quicksilver" (alternate), "Now's The Time", and "Confirmation". CD

A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver – and featuring Clifford Brown on trumpet, just a few months before his early death – plus Lou Donaldson on alto and Curley Russell on bass. The presence of alto instead of tenor makes the sound slightly different than later incarnations of the group – and the overall approach is one that virtually defines the shift from straight bop to hardbop in the 50s – a mode that both Blakey and Silver were key in creating. Tracks include "Wee-Dot", "Quicksilver", "Confirmation", and the bonus tracks "The Way You Look Tonight" and "Lou's Blues". CD

Really great sounds from the legendary Denny Zeitlin – an entry in his series of electro-acoustic improvisations with drummer George Marsh – and a record that has Zeitlin on a range of keyboards and electronics, in addition to his more familiar acoustic piano! It's that instrument which first brought Denny attention in the 60s, but over the years, he's also developed a surprisingly strong ear for electric sources – often using them in very different ways, sounding especially great in the freer setting of duo improvisations like these! George handles a bit of percussion, but mostly makes his main magic on the drum kit – and titles include "The Ascent", "Fillmore Dreams", "Hadron Collider", "Disagree To Agree", "Quicksilver", "Hatching", and "Black Hole". CD

Music from The Moody Blues, Rod Stewart, Fever Tree, Free, The Edgar Winter Group, Lou Reed, The Velvet Underground, The Zombies, Steve Miller Band, The Youngbloods, Country Joe And The Fish, Quicksilver Messenger Service, and more - 24 tracks in al. CD