One of Oliver Nelson's hippest albums – a bold statement of righteous energy, and a fantastic summation of all the genius he'd created during the 60s as an arranger for other people's records! The record is almost at a Duke Ellington level – a complex yet soulful suite of tracks for the post-60s years – complete with some sound effects of rioting and urban strife at the beginning, and a mix of modern, modal, and compositional styles that bursts out with pride and power that we wouldn't have heard in Nelson's music a decade before! The soloists are great – and the album features wonderful read work from John Klemmer, Frank Strozier, and Nelson himself – on great original titles that include "Self Help Is Needed", "I Hope In Time A Change Will Come", "Requiem Afterthoughts", "Lamb Of God", and "Martin Was A Man A Real Man". LP, Vinyl record album

One of the all-time classics of early 60s mainstream jazz – and a beautiful record that showcases writing and arranging talents of Oliver Nelson! Nelson had been bumping around a variety of sessions before this one – as a leader, sideman, and arranger – but it was with this album that his true talents really unfolded – sparkling with a depth of imagination and expression that marked him as one of the greatest artists in 60s American jazz! The group on the set is an all-star sextet – featuring Paul Chambers, Eric Dolphy, Bill Evans, Roy Haynes, and Freddie Hubbard – a disparate group of players who manage to come together with Nelson and find a unique voice that's rarely been duplicated again! The album features 6 fantastic compositions by Nelson, including "Stolen Moments", "Hoe Down", and "Yearnin". A fantastic record – and one that you can't go wrong with! LP, Vinyl record album

A much-needed look at the Dutch jazz scene in the 50s and 60s – a spot in Europe that was turning out some really fantastic modern material – at a level that's every bit as great as better-known work coming from France, Germany, and Scandinavia at the time! Many of the players here quickly became giants who would dominate on the Dutch scene for years to come – and even at this early point, their work is wonderful – occasionally graced with guest work from American players, but already more than great enough on its own – and filled with a mix of sharp rhythms, new ideas, and impeccable instrumentation throughout. As with other Sdban titles, the presentation is wonderful – not just a great set list, but an overall feel that makes the package as hefty as the music inside. Titles include "Four On Six" by Kwartet Martin Verlinden, "So Why" by Kwartet Leo Meyer, "Amsterdam Blues" by Diamond Five, "Lady Elisabeth" by Tony Vos Quartet, "Blues For Eddy" by Red & Brown Brothers, "Sem" by Frans Elsen, "Relaxin With Rhythme" by The Rhythme All Stars, "Mensen Van Morgen" by Herman Schoonderwalt, "Wives & Lovers" by Rita Reys & Oliver Nelson, "Comin Home Baby" by Trio Tony Vos, "Sing Sing Sing" by Leddy Wessel with Jack Van Poll, "Blues Minor" by Boys Big Band, and "Afro Blues" by Herbie Mann with Wessel Ilcken Combo. LP, Vinyl record album

One of the funkiest records ever recorded for Impulse – and the debut set by guitarist Mel Brown! Mel has a really down-and-dirty style that's quite unusual for the label at the time – a rootsy approach to guitar that's steeped in equal parts jazz, soul, and R&B – and which comes across with a raw power and tasty feel that's perfectly summed up by titles like "Chicken Fat", "Greasy Spoon", "Home James", "Slalom", and "Shanty"! The album features some rare organ work by Gerald Wiggins, drums by Paul Humphrey, and outta-site soul arrangements by Oliver Nelson on a few tracks – but through the whole thing, Brown's the main focus – laying down some deeply funky work on guitar! LP, Vinyl record album

A tremendous lost chapter in the career of guitar genius Wes Montgomery – material recorded in Germany in the mid 60s – complete with backings by a large group who give the whole thing a vibe that's a bit like some of the charts that Oliver Nelson would score for Wes on Verve! The recording quality is great, and the tracks really stretch out beautifully – with some arrangements by Wes, and others by saxophonists Johnny Griffin and Ronnie Ross – who both play on the record as well! The setting is live, tracks are long, and Montgomery seems to have even more bite than on some of his studio recordings – on titles that include "Four On Six", "Last Of The Wine", "Leopard Walks", "Blue Grass", "Opening 2", and "West Coast Blues". LP, Vinyl record album

A different James Brown album – but a nice one! James doesn't sing soul, so much as jazz – in front of large backings by Louis Bellson, with arrangements by Oliver Nelson that are in his best 60s soul mode – and which give the album a very very groovy feel overall! The record's not funky, but James' vocals are plenty darn soulful – and the album is proof that he could be a huge talent in just about any mode that he chose – shining with a brilliance that was irrepressible! James covers a few of his older tracks on the album, and sings a few other pop standards – and titles include nice versions of "It's Magic", "The Man In The Glass", "Papa's Got A Brand New Bag", "That's My Desire", and "I Need Your Key (To Turn Me On)". LP, Vinyl record album