Amazing is right – as Nina Simone is really taking off here – showing the world that she's way more than just another jazz singer – able to hit some righteous currents that would only explode even more in years to come! Nina's emotion is subtle, but extremely powerful – maybe not as bold as in her late 60s recordings, but already very much part of the performance – even on some of the more standard jazz tunes. Arrangements are by Bob Mersey, and titles include "Blue Prelude", "You've Been Gone Too Long", "Chilly Winds Don't Blow", "Can't Get Out Of This Mood", and "That's Him Over There". LP, Vinyl record album

An album recorded relatively early in the career of singer Nina Simone – but a set that already shows the very unique approach that would make her a legend by the time the 60s moved on! Even the very first tune is a stunner – a haunting reworking of the favorite "Just In Time", but with Nina grunting instead of singing at the start – as the bass comes across with more power than the drums or piano – really shaping the song in moody tones! That sort of inventiveness follows on every other tune – making the familiar numbers sound very unique, and the unusual ones even more striking – as the set list also features numbers by Oscar Brown Jr, Olatunji, and Simone herself. The recording quality is great – intimate, yet lively – and the set's filled with longish readings of some great tunes that include "Bye Bye Blackbird", "Brown Baby", "Zungo", "Children Go Where I Send You", and "He Was Too Good To Me". LP, Vinyl record album

Don't let the "broadway" or the "blues" or the "ballads" in the title put you off – because this album's way more than any of those – one of those key 60s records that have Nina Simone taking familiar material and investing it with a new sort of righteous power of her own – almost transforming the songs in the process, and really opening them up past any sort of easy expectations! Arrangements include a bit of work from Nina, plus more by Horace Ott and Hal Mooney – and throughout, the singer shifts modes and moods with effortless ease, turning songs from ordinary tunes into fierce expressions of righteous soul. Titles include "The Laziest Gal In Town", "Nobody", "I Am Blessed", "Of This I'm Sure", "See Line Woman", "Last Rose Of Summer", and "How Can I". LP, Vinyl record album

A great little album cut by Nina Simone during the time she was working with Weldon Irvine – a live album that really has the lady stretching out, and showing off all the cool, complicated grooves she brought to a concert setting! Weldon did the arrangements, and they've got a very righteous feel overall – which really seems to inspire Simone in her interpretations of the tunes, as she improvises a lot and really takes off with the lyrics! The album includes a really haunting version of "My Sweet Lord", the classic "Poppies", and a great poem/song called "Today Is A Killer" that goes on for over 15 minutes! LP, Vinyl record album

A classic album from Nina Simone's early period! The tracks feature prime work from Nina, caught at the point when she was turning her style from straight jazz into more of a folk-inspired soulful sound – filled with power, anger, and sheer raw emotion – played by a small combo of piano, bass, guitar, and drums, but in a way that opens up in so many different musical directions! There's a really strong genre-crossing approach at work here – and titles include "Rags & Old Iron", "I Love To Love", "Work Song", "No Good Man", "Gin House blues", "Memphis In June" and "Forbidden Fruit". LP, Vinyl record album

A key early moment for Nina Simone – recorded live at Newport in 1960, at a time when the festival was one of the most important showcases for groundbreaking jazz – and a perfect setting for Nina to really let loose in that righteous style that would fuel her career during the 60s! Given that Simone could sometimes be turned out of the cabaret crowd with her politics, the warm welcome she gets at Newport is very fitting support – and you can really hear it in the way she approaches the material! The set's a hip batch of tunes that includes a few standards like "Trouble In Mind" and "You'd Be So Nice To Come Home To", all done with the righteous Simone flair – plus other lesser-known tracks like "Flo Me La" and "Nina's Blues", opened up in the setting with some nice small combo backing! LP, Vinyl record album

An important early live show for Nina Simone – a move from the world of small nightclubs (as mentioned in the title of her first record), to the classy Town Hall venue – working in front of an audience filled with left-leaning listeners who were the perfect crowd to get the unique bag she was working on at the time! The performance is a great one – mellow, moody, and a bit folksy – with Nina singing and playing piano with power that really rings out in the larger space – really egged on by the enthusiastic response of the audience. Titles include her classic reading of "Black Is The Color Of My True Love's Hair", plus "The Other Woman", "Under The Lowest", "Summertime", "You Can Have Him", "Wild Is The Wind", "Return Home", and "Cotton Eyed Joe". LP, Vinyl record album

Nina sings Ellington – but as always, she makes whatever she sings all her own! The album's a bit straighter than later efforts – with large backings by Stu Phillips that also feature vocals by the Malcolm Dodds Singers – but Nina also conceived the whole thing herself, as an effort to bring a new level of spiritualism to Ellington's work. The result is a masterpiece – proof that even in her early years, Nina could completely transform anything she laid her hands on – and unlock a soulful depth that even the original recordings might have missed. Titles include "I Got It Bad", "Solitude", "The Gal From Joe's", "It Don't Mean A Thing", and "I Like The Sunrise". LP, Vinyl record album

Nina selected a very nice batch of standards and hip jazzy tracks for this classic Colpix release from the early 60s – and the set's a great example of her unique skill for blending folksy material with more sophisticated stuff, in an amazingly haunting style that has endured for decades. Titles include "Memphis In June", "Cotton Eye Joe", "Work Song", "Little Liza Jane", "Forbidden Fruit", "Rags & Old Iron", and "You Can Have Him". LP, Vinyl record album

A great little album from Nina – mostly recorded live at the Westbury Music Fair, with a hip mix of jazz, soul, and folk that's stretched out in a slightly informal setting that always brings out the best of Nina's vocals. Titles include "The Backlash Blues", "Please Read Me", "Sunday In Savannah", "Why? (The King Of Love Is Dead)", and the nice jazzer "In The Morning". Plus, the album also includes one straight soul number – "Do What You Gotta Do", with some great arrangements by Horace Ott. LP, Vinyl record album

A hip set of live tracks from Nina Simone – very dark and moody, with backing by only a small combo that includes two guitars, bass, and drums by Montego Joe! Nina handles all the arrangements herself – with a quality that really shows her stepping forward from straight jazz, and finding that special, unique sound that really set her apart from all other singers of the 60s! The songs are incredibly spare, with an approach that's intimate and emotional – almost stunningly so, considering the size and scope of the venue – and titles include a 7 minute reading of "The Other Woman/Cotton Eyed Joe" – plus "Black Swan", "If You Knew", "Theme From Sayonara", and "Will I Find My Love Today". LP, Vinyl record album

Classic RCA work from the great Nina Simone – and an album that definitely shows Nina hitting more of the soul spectrum than some of her folk and jazz work of the 60s! The set's got these wonderful arrangements from Harold Wheeler – a bit electric, and done in a way that takes familiar tongs and completely recasts them for Nina's own vibe – a way of shifting the sense of spirit to unlock a special Simone-like quality you never would have expected in the tunes from anyone else! Titles include a great version of "Ooh Child", plus "Just Like A Woman", "Here Comes The Sun", "New World Coming", and "My Way". And the set also features Weldon Irvine's own composition, "How Long Must I Wander?" LP, Vinyl record album

Nina's not just singing the blues here – she's completely reinventing the sound of the format – by drawing on a long tradition of vocal expression, and infusing it with the hipper, more personally exploratory mode she forged in the 60s! The album's got a subtle brilliance that means that it's sometimes overlooked next to her more forceful work of the time – but it's every bit essential Simone as some of her other key sides of the decade. The group is a small combo featuring Eric Gale, Bernard Purdie, Buddy Lucas, and Ernest Hayes – and titles include "I Want A Little Sugar In My Bowl", "Do I Move You?", "In The Dark", "Real Real", and "Backlash Blues". LP, Vinyl record album

Nina pays tribute to an assortment of modern poets – Bob Dylan and George Harrison, as well as herself! The album collects tunes from some of Nina's other RCA albums – and features arrangements by Nina, Harold Wheeler, and Weldon Irvine – of tracks that include "I Shall Be Released", "Just Like A Woman", "To Be Young Gifted and Black", "Here Comes the Sun", and "I Want a Little Sugar in my Bowl". LP, Vinyl record album

Black Gold indeed – as the album's a real classic from Nina, one of the excellent sets she cut with the Stroud Productions imprint during the early 70s! The style here is even hipper than her late 60s work on Philips – with a mixture of open-ended jazz and soul that's best summed up in the album's extended reading of "Black is the Color of My True Love's Hair", and a great version of "To Be Young Gifted & Black", which was written by Weldon Irvine, who's probably playing piano here with Nina. Other titles include the funky "Ain't Got No I Got Life", plus "Westwind", "Who Knows Where The Time Goes", and "The Assignment Sequence" – all very hip numbers! LP, Vinyl record album

Titles include "Devil's Workshop", "Just In Time", "Life", "Gin House Blues", "When I Was A Young Girl", "Back Lash", and "See Line Woman". LP, Vinyl record album

A classic set of early jazz recordings by Nina Simone – one of her first albums ever, but already with an approach that's quite different from other singers of the time! Nina's singing a fair bit of standards here, but she brings a deeply personal approach to the material – inflecting the tunes with gospel-inspired soul, and showing some very slight folksy touches – of the sort that would come in more heavily on later records. Backing is by a small combo, and tracks include "Plain Gold Ring", "Good Bait", "He Needs Me", "Don't Smoke In Bed", and "I Loves You Porgy". LP, Vinyl record album

A rare one from Nina Simone – a set that was issued during her years on RCA, but on the smaller Stroud label – run by husband Andy Stroud! The set's what you'd guess from the title – a tribute to Billie Holiday, but one that's way more than just a copycat of Lady Day's mode – as Nina brings plenty of herself to the record, and gives a number of the tunes a relatively dark feel overall. The backing is spare and jazzy, much more traditional at times than some of Nina's other 70s recordings – but also with some great blue-hued piano parts too – creating a sense of depth that echoes out beautifully on some of the mellower numbers. Titles include an incredible version of "Strange Fruit", plus "Don't Explain", "Fine & Mellow", "Love Me Or Leave Me", and "Just In Time". LP, Vinyl record album

Only Nina could make us love a "strings" setting so much – moving past the sleepiness that usually graces such vocal albums, and using the backings to give her work an added level of majesty and power that we really really love! The feel is a bit like some of Nina's later Philips recordings – in that the larger arrangements are used to hint at larger moods and concepts that lurk behind familiar and folksy tracks. The approach is most famously heard on the album's incredible reading of "I Loves You Porgy" – but all titles are great, and other tunes include "Pigs Foot & A Bottle Of Beer", "Chain Gang", "The Man With The Horn", and "Falling In Love". LP, Vinyl record album

Wonderful material from Nina Simone – working here still with one foot in the jazzier style of early days, but with haunting elements of the later progressive style to come! The "pastel" in the title shouldn't imply any sort of softness on Nina's part, because if anything, she's really sharpening up her game a lot here – packing a punch that wasn't allowed so strongly on some of her earlier recordings. The album features an incredible 10 minute version of "Sinnerman", arranged by Nina with complicated jazzy riffing and a nice breakdown in the middle that's completely sublime – and other tracks include "Be My Husband", "End Of The Line", "Chilly Winds Don't Blow", "Strange Fruit", and "Ain't No Use". LP, Vinyl record album

We've loved the music of soul singer Ledisi since her first self-released album back in the 90s – and since that time, she's matured even more as a vocalist – to a point where she can easily take on the music of Nina Simone with all the glory it deserves! This special set features Ledisi singing with accompaniment from the Metropole Orkest and New Orleans Jazz Orchestra – each of whom bring a sense of fullness, but in different ways – as Ledisi stretches out the tunes with the kind of sophistication and richness that Nina might have done – but in a voice that's all her own. The set features guests appearances from Lizz Wright and Alice Smith – but Ledisi hardly needs them at all, as she's very firmly in the lead – on titles that include "Feeling Good", "Wild Is The Wind", "Work Song", "Four Women", "Ne Me Quitte Pas", "My Baby Just Cares For Me", and "I'm Going Back Home". LP, Vinyl record album

A great lost album from Jerry – and a key link in the hip Chicago scene that produced Terry Callier and Oscar Brown Jr! Sure, you might think of the album as a silly "cash in on the folk craze" effort – but Jerry keeps it soulful throughout, and thanks to some wonderful arrangements by Phil Moore III, the record stands out as one of the most compelling in Butler's early years. Jerry sings with a sophisticated style that turns the simple folk songs into compelling vocal numbers with a nice jazzy finish – and the backings are suitably varied from track to track, in a way that really spices up the album wonderfully. The album's got a bit of Terry Callier, a bit of Nina Simone, and a wonderfully large dose of Iceman soul! Titles include "Strawberries", "Eighteen Hammers", "Red Dress", "Who's Gonna Be Your Man", "Little Ole Lite", "When I Lost My Baby", and "Such A Feelin". LP, Vinyl record album

Maybe one of the most amazing debut records of all time – not only the record that first exposed the world to Roberta Flack, but a set that heralded so many changes to come in the following decade! Flack's genius here is almost impossible to put into words – part jazz, part soul, and completely righteous from the very first note – possessed of a sense of pride and power that belie both her understated image on the front cover, and her relatively young age – and delivered with a timelessness that still makes the record as vital today as it was so many years back. The set features Flack playing piano and singing with her trio – sometimes augmented by larger arrangements by the very hip William S Fischer, but often in a setting that's very spare yet incredibly moving – instantly putting Roberta at the same level as Nina Simone, and maybe even past the territory of Aretha Franklin at the time. Titles include her seminal reading of "Compared To What" – an instant anthem for the time – plus the tracks "Angelitos Negros", "Our Ages Or Our Hearts", and "Tryin Times". LP, Vinyl record album

A beautiful album that perfectly mixes both sides of Aretha Franklin's talents – the hard-edged soul singer who first flourished at Atlantic records in the late 60s, and the artist who was growing even more as a vocalist – really reaching out her wings to more sophisticated material! There's a balance here that makes the record one of the deepest that Franklin ever recorded for Atlantic – lots of larger Arif Mardin touches, but also some raw moments that really round things out – on titles that include Aretha's classic take on the Weldon Irvine/Nina Simone tune "Young Gifted & Black", the funky classic "Rock Steady", the wonderful mellow groover "Day Dreaming", the hit "Brand New Me", and the strangely compelling "First Snow In Kokomo" – plus other titles that include "All The King's Horses", "Oh Me Oh My", "Border Song", "Didn't I Blow Your Mind", "April Fools", "I've Been Loving You Too Long", and "The Long & Winding Road". LP, Vinyl record album

With selections by Nina Simone, Chris Norman and Suzi Quatro, Chico Hamilton, Sonny & Cher, Chuck Berry, The Doors, David Bowie, Clarence Carter, Seals & Crofts, James Gang, Blood Sweat & Tears, Taj Majal, and others. LP, Vinyl record album

Landmark early work from the legendary Weldon Irvine – recorded way back when he was first coming to fame with Nina Simone, but done as an obscure indie effort for his tiny Nodlew label! The set's a wicked batch of keyboard-heavy funk – at a level that's similar to some of the best titles on Black Jazz or Strata East at the time, but also filled with an even richer array of colors and musical ideas. Weldon's work on electric piano is worth the price of admission alone – often spare, spacious, and perfectly placed – especially on the funky classics "Homey", "Mr Clean", and "Sister Sanctified" – a tune later cut by Stanley Turrentine, but heard here in Weldon's original version! Other cuts include "Gloria", "Juggah Buggah", "Blues Wel-Don", and "Liberated Brother". LP, Vinyl record album

Amazing early work from Amanda Ambrose – recorded in a style that's easily as hip as the best live sides from Nina Simone or Roberta Flack – but years before either singer sounded this great! The style is an ultra-hip version of jazz inflected with plenty of soul – reaching back into folk and gospel roots, but fusing the sound into a leaner, cleaner groove that often has a fair bit of rhythm – kind of in the manner of Oscar Brown Jr at his best from this time. Amanda plays piano, and the rest of her group features guitar, bass, drums, and some especially great percussion that drives the best numbers along nicely! Titles include "This Can't Be Love", "Besame Mucho", "A Foggy Day", "Lullaby For Toys", "Someone To Love", and "This Little Light Of Mine". LP, Vinyl record album

A hip little album by Miriam Makeba – part South African soul, part New York hip, with arrangements that recall some of Makeba's later work, bits of Nina Simone, and touches of Uptown soul. Arrangements and backing are by Luchi De Jesus – and Sivuca's actually part of the backing, and you can hear him singing and playing accordion behind Makeba with that cool breezy sound of his. Titles include "Mr Man", "A Piece Of Ground", "Akana Nkomo", "West Wind", "Where Are You Going", and "My Love Is Young". LP, Vinyl record album