Nice 50's mambo material from one of the giants of the genre – and a good batch of tracks by Noro that you might not track down elsewhere. Tracks include "Mambo Away", "Humberto's Jump", "The Up & Down Mambo", "Mambo Jive", and "Ku-Kue". LP, Vinyl record album

Jazzy mambos from the Decca years of Noro Morales – titles that include "Jungle Bird", "Mambo Mono", "Shawanga Mambo", "Up & Down Mambo", "Mambo Coco", and "Que Problema". LP, Vinyl record album

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A great little record – a heck of a lot nicer than Tito's work in the 50s, with a much more hard driving mambo sound, touched by a bit of jazz. The style here's not dissimilar to Tito Puente's work at the time – and titles include "Ay No No No", "A Little Bit Of Mambo", "El Tunel", "My Reverie", "Oh My Pa Pa", "Why Do I Love You", and "Chika Ni Lambo". LP, Vinyl record album

Jimmy Rushing reprises a nice batch of blues classics from the 20s, all of which were sung by early recording artists like Bessie or Clara Smith. The group that backs him is a nice one, and features Buck Clayton on trumpet, Buster Bailey on clarinet, and Coleman Hawkins on tenor. As with many of Columbia's late 50's sessions in this style, the sound is excellent, and has an intimacy and warmth that works extremely well with the material – including titles like "Arkansas Blues", "Gulf Coast Blues", "Muddy Waters", "Squeeze Me", and "Crazy Blues". LP, Vinyl record album

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Pianist Tsuyoshi Yamamoto gave us some sublime records in the 70s on the Three Blind Mice label from Japan – and he really continues the spirit of those records here, on a set of tracks that demonstrate that, if anything, his sense of space and timing have gotten even more amazing as the years have gone on! With Yamamoto, it's never a matter of the material he chooses, which is usually common – but the way he puts the tune over while working with a trio – and the way that trio is recorded, which was always a key aspect of Tsuyoshi's records in the 70s. His classic Blues For Tee album was dedicated to his older producer back in the day – as this set is dedicated to Yoshihiko Kannari, who did a great job of capturing the magic from a trio that also features Hiroshi Kagawa on bass and Toshio Osumi on drums. Titles on this first volume include "You Go To My Head", "Misty", "Blues For K", "But Not For Me", and "I'm Glad There Is You". LP, Vinyl record album

Pianist Tsuyoshi Yamamoto gave us some sublime records in the 70s on the Three Blind Mice label from Japan – and he really continues the spirit of those records here, on a set of tracks that demonstrate that, if anything, his sense of space and timing have gotten even more amazing as the years have gone on! With Yamamoto, it's never a matter of the material he chooses, which is usually common – but the way he puts the tune over while working with a trio – and the way that trio is recorded, which was always a key aspect of Tsuyoshi's records in the 70s. His classic Blues For Tee album was dedicated to his older producer back in the day – as this set is dedicated to Yoshihiko Kannari, who did a great job of capturing the magic from a trio that also features Hiroshi Kagawa on bass and Toshio Osumi on drums. Titles on this second volume include "Love Theme From Sunflower", "Darn That Dream", "Midnight Sugar (alt take)", "Blues In The Closet", and "Gentle Blues". LP, Vinyl record album

An album with a really beautiful sound – not just from the core work of the piano trio, but also from the guy who recorded the whole thing too – the legendary engineer for the Three Blind Mice label in Japan, Yoshihiko Kaminari! It's not often that the engineer gets billed on the back cover alongside the members of a jazz combo – but that credit is very well due here, as the album does a beautiful job of capturing all the subtle brilliance of Tsuyoshi Yamamoto on the keys of the piano – stepping gently next to the bass of Hiroshi Kagawa and drums of Toshio Ohsumi – both very subtle players who let the pianist dominate the proceedings! The set features a fair bit of Erroll Garner numbers, which creates a nicely different setting for Yamamoto – and his pairing here with Kaminari reunites the same forces that gave the world Tsuyoshi's classic TBM albums Midnight Sugar and Misty. Titles include "Dreamy", "Mood Island", "Solitaire", "Night Wind", "Paris Bounce", "Garner Talk", "Sweet For K", and "When Paris Cries". LP, Vinyl record album

A really wonderful entry in this excellent series – one that initially helped identify a really special strand in postwar music – then continue to provide rare and unique examples with new volumes like this! The music isn't really mambo or Latin at all – but the rhythms here are more sophisticated and modern than more blues-oriented work of the time – and pulled from a fantastic moment when things were really mixing up in the new indie recording scene of the postwar years! Bits of jazz, early soul, and other touches make these tunes really shine – all lively numbers that include both group material and solo singers too – in a killer set list that includes "Wanda" by The Heartbreakers, "You're So Good Looking" by Otis Smith, "Heartaches & Troubles" by Mr Bo, "Song Of Sadar" by Lawrence Peel & The Filatones, "Buddha's Boogie" by Dukes Of Rhythm, "Calvalry" by Marie Knight & Sister Rosetta Tharpe, "Evil One" by The Dundees, "Love For Sale" by Helene Polite, "Oscalypso" by Oscar Pettiford, "Mambo Blues" by Effie Smith, "Big Mary's" by Titus Turner, "Caldonia" by Monchito, "Ali Baba's Boogie" by Preston Love, "Canveral Rock" by The Blasts, "I Want You To Be My Baby Mambo" by The Royals, "Girl Of My Dream" by Frank Butler, and "My Beat Is 125th Street" by Eunice Davis. LP, Vinyl record album

A nice selection of classic 60s soul numbers, focusing on women who like to exercise their pipes, and while we had remembered this set hewed close to the mainstream, there's a few nice little nuggets on here that they dug a little deeper for. 14 tracks in all: "The Nitty Gritty" by Shirley Ellis, "Tell Mama" by Etta James, "Hard To Handle" by Patti Drew, "Bold Soul Sister" by Ike & Tina Turner, "Lee Cross" and "You Send Me" by Aretha Franklin, "Heartbeat" by Gloria Jones, "Stay With Me" by Lorraine Ellison, "Wang Dang Doodle" by Koko Taylor, "I Know (You Don't Love Me No More)" by Barbara George, "Rescue Me" by Fontella Bass, "Hypnotized" by Linda Jones, "Why (Am I Treated So Bad)" by the Sweet Inspirations, and "Ask Me" by Maxine Brown. LP, Vinyl record album

Raw early work from the great Luther Allison – with the man himself on guitar and vocals, plus a bit of extra guitar from Jimmy Dawkins – and tenor on two tracks from Jim Conley too! LP, Vinyl record album

A richly-recorded album, one that really brings out the best of the bass of Yoshio Chin Suzuki and the piano of Tsuyoshi Yamamoto! The sound quality is a bit like some of those classic Three Blind Mice dates from the 70s – familiar jazz territory, but a bit different too – and opened up with a tremendous ear for the color and tone of the individual players, especially Suzuki – who gets to open up a number of tracks with solo bass passages that are really beautiful! Titles include "Last Tango In Paris", "Blues For Edith", "The Loving Touch", "Summertime", "Misty", "Cleopatra's Dream", and "Softly As In A Morning Sunrise". LP, Vinyl record album

A pretty strange one – late work by Mamie Van Doren, who seems to be trying for a comeback as a 70s sex star. More of a novelty than anything – with some pop, country, and reggae tunes. Titles include "Rub It In", "Quantanamera", "You Talk Too Much", "You & Me & Tonight", and "Alice Blue Gown". LP, Vinyl record album

With Red Callendar on bass, John "Ironman" Harris on drums, Dinky Morris on saxophones, Jimmie Noone on tenor and clarinet, Curtis Peagler on alto, Snooky Young on trumpet, and special guest Eddie "Lockjaw" Davis on tenor. Titles include "Big Fat Daddy", "Piney Brown", "Finance Company Blues", "How Long Blues", and "Reel Ya Deel Ya Dee Dee Dee". LP, Vinyl record album

An excellent batch of soulful and funky instrumental tracks – super-dope 70s work from funky arranger Monk Higgins! The album grooves in the best blacksploitation soundtrack mode – as Monk plays tenor sax and organ in the set, over slinky stepping arrangements that feature Paul Humphrey on drums, and Freddy Robinson on guitars – all coming together with Monk in a sweet LA style of early 70s funk! The groove is funky, yet laidback at the same time – and with some soulful backing vocals behind the instrumentation on a number of cuts – really the perfect sort of approach for a hip crime or action soundtrack. Tracks include "Little Mama", "If", "Highway No 101", "Walking In My Sleep", "Can't Stop", and the classic "Black Fox"! LP, Vinyl record album

A really unique album from the great Etta Jones – a session recorded down in Muscle Shoals, and not in Chicago – a setting that gives James an extra sort of deep soul power! The backing is nicely different than some of the other Chess material – killer work from the legendary Fame Studios lineup that included Barry Beckett on organ, Charles Chalmers on tenor, and Roger Hawkins on drums – all coming together with the great Rick Hall at the production helm! Etta's back in hard-belting R&B-tinged territory here – a bit more sophisticated than the 50s, with a good mix of hard soul numbers and ballads, opening up in some southern territory that really suits her well. Titles include "The Same Rope", "Watch Dog", "Tell Mama", "I'd Rather Go Blind", "Just A Little Bit", and "Don't Lose Your Good Thing". LP, Vinyl record album

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... LP, Vinyl record album

The final album from The Mamas & The Papas – and a set that really makes us wonder how great they would have sounded had they kept on recording into the 70s! There's definitely a shift here from the earlier work – vocals that still have that incredible way of coming together, but with a feel that's warmer and more layered too – maybe Mama Cass tuned down a bit in the mix, but only in a way that opens up the unity of the group overall! The songwriting is more sophisticated and interesting too – material that maybe made sure that this album never got heavy radio play – but in a way that makes the whole thing a fantastic discovery all these many years later! Titles "People Like Us", "Pacific Coast Highway", "Shooting Star", "European Blueboy", "I Wanna Be A Star", "Step Out", "Snowqueen Of Texas", "No Dough", Blueberries For Breakfast", and "Grasshopper". LP, Vinyl record album

Classic stuff by Noro – and a wonderful selection of hard to find material from the 50s! This isn't really a greatest hits album – but it is a good sampling of some of his better (and better-recorded) work during the postwar years, and almost all of the tracks have a nice hard groove to them. Titles include "Oye Negra", "Mambo Mono", "Cuban Mambo", "Bim, Bam, Bum", "Que Problema", and "Sha Wan Ga". LP, Vinyl record album

The first-known recordings of the young Aerosmith – pulled from the group's own vaults, and issued here for the first time! The sound of the group is already strongly in place, and you'll know some of these cuts from their first studio album – but the versions here have a quality that's even more raw and urgent, and a sound that's pretty darn mindblowing! The material was all recorded in October of 1971, in the group's Boston home turf – and titles include "Reefer Head Woman", "Movin Out", "Major Barbara", "Dream On", "Mama Kin", "Somebody", and "Walkin The Dog". LP, Vinyl record album

One of the most iconic rock and roll shows of all time – the late 70s farewell to The Band, captured by Martin Scorcese in a famous film of the same name – and presented on record in a package that really lives up to the majesty of the moment! In the world of 2LP live sets of the 70s, the 3LP presentation gave the group even more space to stretch out and say their goodbyes to the world – while also opening the door up for a large lineup of guests who include The Staple Singers, Muddy Waters, Ron Wood, Van Morrison, Dr John, Bob Dylan, Ronnie Hawkins, and other well-chosen artists who allow the group to show off their roots and inspirations while also wrapping things up. Robbie Robertson produced, and the whole thing is pretty darn iconic from start to finish – on titles that include "The Last Waltz", "Up On Cripple Creek", "The Shape I'm In", "Down In South New Orleans", "Forever Young", "I Shall Be Released", "Rag Mama Rag", "Further Up The Road", "Dry Your Eyes", "Evangeline", and "The Weight". LP, Vinyl record album

One of the few albums ever issued by Ronnie Barron – an artist with a long range of work on the New Orleans scene, ties to Dr John, and even a role in the Woodstock scene of the early 70s – all of which really come through on this well-done set! Barron's got all the roots in his music that you'd guess from that legacy – some Nola moments in the rhythms, and a great ability to add a lot of character to his lyrics – sometimes shifting nicely from track to track, and bringing a lot of funky charm to the whole thing! Titles include "Duke Of Crenshaw", "Happy Happy Happy", "Let It Shine", "Freeway Mama", "Louisiana Flood", and "Don't Let My Husband Catch You". LP, Vinyl record album

Frank Foster is one of our favorite talents in jazz – an excellent tenorist who spent some of his key years in the Count Basie orchestra, but a player who also had a very rich career on his own as well! This album features Frank's talents really coming to the forefront of the Basie group – in a set of all-original material penned and arranged by Foster – really fresh tunes that are a perfect fit for the soulful spirit of the reedman's collaborators in the group, and which definitely show off the growing talents of Foster as a composer. There's a lot more going on here than you might expect – some surprisingly complicated charts for the horns, yet still with that rock-solid swing you'd expect from Basie – and most tracks are longer than usual for a Roulette album, nicely open numbers that include "Brotherly Shove", "Easin It", "Blues For Daddy-O", "Four Five Six", and "Mama Dev". LP, Vinyl record album

Maybe the most ambitious album ever recorded by Blu – a cool collaboration with Nottz that takes the duo's work into even more righteous territory than before – as you might guess from the album's cover and title! The title's reference to the homeland is very well-pointed – as the songs have a thematic unity that links past greatness with contemporary struggles, all delivered with a sense of focus and cohesion that almost makes the whole record feel like a lost nugget from the glory days of the early 90s scene! Guests include G Kidd, Scienze, Ayun Bassa, Black Shakespeare, and many others – on titles that include "Mama", "Marcus Garvey", "Mungu", "Jina Langu", "Kuwakaribisha", "Baba", and "Matunda Marufuku". LP, Vinyl record album

A series of performances dedicated to the memory of Cuban singer Bola De Nieve – featuring only piano for accompaniment of the vocals, and very dynamic singing overall! Titles include ""Dejame Recordar", "No Ejes Que Te Olvide", "La Flor De La Canela", "Messie Julian", "Mama Perfecta", "Ay Amor", and "Espabilate". LP, Vinyl record album

Prince Igor is Igor Zhukovsky of the legendary funk group The Soul Surfers – and he teams up here with DJ Boora for a set of lean, funky grooves! The tunes all have plenty of funk drums at the core – layered up top with samples and all sorts of sonic elements that create a cool, spacey sort of vibe – definitely echoing the image on the cover, but with a down to earth vibe, given the drums! Given the legacy of spacey funk projects we've loved from the Funk Night label, this set fits right into their mode – with titles that include "Who Is Hiding In The Forest", "Ninja", "Dvor", "Mamont", "Nani", "Gusli", "Klass", and "Arsenalio". LP, Vinyl record album

Straight, strong, and soulful sounds from guitarist Kenny Burrell – quite possibly one of his best albums of the 60s, thanks to a really well-focused sound throughout! The groove here is nice and tight – a cooking little rhythm section that features Richard Wyands on piano, Martin Rivera on bass, and Oliver Jackson on drums – snapping away on the kit on some of the best tracks, and really helping Burrell to hit this groove that's mighty nice! Kenny seems to have a bit more bite than usual too – and even the laidback tunes have plenty going on to keep our ears happy. Titles include "La Petite Mambo", "Suzy", "The Tender Gender", "Girl Talk", "Isabella", "If Someone Had Told Me", and "Hot Bossa". LP, Vinyl record album

Beautiful vocal work from Guy Cabay – put together with a strong touch of jazz, a bit of bossa, and a swirling vibe that's mighty nice! Guy's got a breathy style of singing that works perfect with the backings – and its bits of guitar, organ, and other elements – often used as gently as Cabay's vocals, but in a style that's warm and sophisticated – like some of the hippest material on Saravah Records in the 70s, particularly work by Pierre Barouh! These tunes also often have a breezy rhythm that borrows from bossa nova, and which really suits the style of Guy's vocals – on titles that include "Julia Deus", "Pove Tiesse", "Tot Reguede", "Camamele Et Cataplame", "A M'Vwezene", "Li Robaleu", "Pax Pollinibus Bonae Voluntatis", and "Li Sabat D'Sinte Mere L'Oto". LP, Vinyl record album

One of the most obscure albums ever issued by exotica king Chaino – a set that was originally only released as a reel to reel tape, and which maybe shows an even wider sonic palette that was designed for that format! All the percussion we love on other Chaino records is firmly in place, but the orchestrations and arrangements are also richer and jazzier – almost more in an RCA Living Stereo mode, and we mean that in the best way possible – as the whole thing is really a top-shelf instrumental exotica album from the bachelor pad generation! There's a few Martin Denny elements here and there, but again the sound is wider and fuller overall – on titles that include "Mambo Italiano", "Mambo Inn", "Cuban Caper", "Caravan", "Cool Mambo", "Temptation", "Eso Es El Amor", and "An Occasional Man". LP, Vinyl record album

A wonderful set of funky Latin grooves from Chakachas – an album that was recorded around the same time as their classic Jungle Fever record, but which is much more obscure overall! The set was originally only issued in Europe, and has a groove that's very similar to Jungle Fever – a mad messed-up blend of Latin, funk, and sleazy European grooves – delivered with a style that's part soundtrack, part US Latin – and all groovy all the way through! There's plenty of heavy percussion, funky basslines, and riffing guitar – and the record is filled with funky nuggets all the way through, with titles that include "Hot Hands", "Liza & Brook", "Mamadula", "The Walking Brass", "Turtle Soup", "Bugaloo", and "Super Cat". 2LP reissue includes bonus tracks not on the original record – "Tengo Tengo", "Noche De Amor (voc)", and "Hot Hands (inst)". LP, Vinyl record album

A great little record – and a prime example of the strong Jewish/Latin crossover that was going on in the late 50s and early 60s. The record features the kind of crack cha cha sound that was bringing couples into the Palladium from Long Island, but it's also touched with occasional yiddish bits, like snaking clarinet or choppy percussion. Far from being goofy, these elements actually add a rich shade of emotion to the work, and the result is an extremely complicated Latin session that sparkles with excitement. Titles include "Merengue Mania", "Serching", "Mambo A Bisel", "Sher Cha Cha", "Dates & Figs", and "Sirocco". LP, Vinyl record album

A surprisingly charming album from Scatman Crothers – recorded during his big comeback stretch in the 70s! Although Scatman's role during this time was often reduced to being the colorful old guy in an assortment of comedies and action films, he'd actually had quite a bit of experience as a singer – a rich history drawn on for this traditionally grooved set! The album was recorded for Motown, but echoes with an older mode that belies Crothers' work on an older west coast scene – with jazzy arrangements that have a nice swing based feel that goes great with the raspy, playful lyrics. Titles include "Hay Lawdy Mama", "I'm The Melody Man", "Dead Man's Blues", "Waiting For My Baby", and "Wondering". LP, Vinyl record album

Great Joe Cuba set from the mid 60's. This one was recorded slightly before Joe hit it big with his Latin soul hit "Bang Bang", and the sound's a mix of Latin jazz and tracks that have more of a Latin soul sound. The lineup includes the classic sextet, and tracks include "Oye Bien", "Flaco's Cha", "Nina Nina", "Trip To Mamboland", and "I Need You". LP, Vinyl record album

The instant-classic debut of Iris DeMent – a record that came out in the 90s, but which has a classic country vibe that not only lives up to DeMent's hardscrabble roots, but which also really blows away any sort of retro or "alt" attempts to hit territory like this at the time! Dement doesn't need to fake anything at all, or hang her music in "authentic" trappings – as it's all there, right at the start – beautifully understated, and set to instrumentation that's a lot different than mainstream Nashville at the time – but which also isn't trying to ape any 50s or 60s modes either. The whole thing's a beautiful testament to one of the freshest new voices of her generation – with titles that include "Our Town", "When Love Was Young", "Mama's Opry", "Higher Ground", "After You've Gone", "Let The Mystery Be", and "Infamous Angel". LP, Vinyl record album

Sublime late 50s work from Martin Denny – his third album under the Exotica banner, and almost a deeper and weirder album than the other two! The sound here is extremely haunting – even more freed from conventional melody than the rest, and very fixated on the tonal possibilities that could be produced from Denny's unique grouping of percussion, piano, bass, and vibes. There's few tricks or gimmicks on the set – just a spare and other-worldly approach to music that's totally great! Titles include "Manila", "Mama Iti E Papa E", "Bamboo Lullaby", "Ringo Oiwake", "Moon Of Manakoora", "Congo Train", and "Beautiful Kahana". LP, Vinyl record album

One of Martin Denny's greatest albums – thanks to some extra special added elements! For the record, Denny's classic quartet is augmented by a wealth of odd added percussion – including gongs, cymbals, tuned logs, steel drums, chimes, and "chromatic bamboo"! All of these elements take Denny's exotica sound way further than ever before – and if that's not enough, the legendary Tak Shindo plays a bit of Koto on the record too! Titles include "M'Bira", "Burma Train", "Kalua", "M'Gambo Mambo", and "Mau Mau". LP, Vinyl record album

A group with a name that might not easily roll of the tongue, but one who've got a sublime harmony sound that's wonderfully fluid overall – a combination of nine young voices from the scene in Soweto, working without any other instrumentation at all! The combination of vocals almost takes us back to the sound of Take 6 on their first album – and as with that group, the message here is spiritual, but not entirely pointed at the church – with much more of a universal appeal that's perfect for the subtly righteous power of the harmonies! Titles include "Too Late For Mama", "Nomalizo", "My Brother", "Who Knows", "Sip", and "Baninzi". LP, Vinyl record album

The great Dr John at his freaky deaky best – working here in a mindblowing mix of New Orleans roots and late 60s psych – all served up in some heady studio space and instrumental touches! The sound's unlike anything that ever went before – and is way better here than on some of John's later, straighter material – clearly the work of years of creative genius, as the Doctor, Mac Rebennack, draws on both his heritage from the Crescent City, and his years of work in the underground rock scene in LA! Harold Batiste handled the arrangements – and the record really paves the way for so many famous LA/New Orleans albums to come in the 70s – but never with results this mindblowingly trippy. The tracks are wild, funky, and messed-up New Orleans R&B filtered through a heavy dose of psychedelics – and titles include "Mama Roux", "Croker Courtbullion", "Gris Gris Gumbo Ya Ya", and the original version of "I Walk On Guilded Splinters". LP, Vinyl record album

The great Dr John at his freaky deaky best – working here in a mindblowing mix of New Orleans roots and late 60s psych – all served up in some heady studio space and instrumental touches! The sound's unlike anything that ever went before – and is way better here than on some of John's later, straighter material – clearly the work of years of creative genius, as the Doctor, Mac Rebennack, draws on both his heritage from the Crescent City, and his years of work in the underground rock scene in LA! Harold Batiste handled the arrangements – and the record really paves the way for so many famous LA/New Orleans albums to come in the 70s – but never with results this mindblowingly trippy. The tracks are wild, funky, and messed-up New Orleans R&B filtered through a heavy dose of psychedelics – and titles include "Mama Roux", "Croker Courtbullion", "Gris Gris Gumbo Ya Ya", and the original version of "I Walk On Guilded Splinters". LP, Vinyl record album

A very cool later album from Duane Eddy – done at a time when his old wonderproducer Lee Hazlewood was having great success at Reprise – where he invited Eddy for an update of their previous style! Duane's in the lead on guitar, and tunes have a very groovy 60s vibe – with titles that include "Batman", "Monday Monday", "This Guitar Was Made For Twangin", "Mame", "A Groovy Kind Of Love", and "Where Were You When I Needed You". LP, Vinyl record album

A totally wonderful little record – a jazz set with a bit of a Latin vibe – part electric, thanks to some great Fender Rhodes – which is mixed with percussion and a really well-crafted horn section! The tracks are long, and very jazzy – put together with a style that's laidback, but tight at the same time – in a group led by trumpeter Rahdy Montero, with electric piano from Amuni Nacer, tenor from Michael Lawrence, trombone from Tim Sessions, and plenty of percussion too! Titles include a fantastic version of "Tell Me A Bedtime Story" – plus "Mambo Ajeno", "Planeta Pimienta", and "Extasis". LP, Vinyl record album

A collection of early recordings with The Jungle Band – with "Sweet Mama", "Cincinnati Daddy", "Wall Street Wail", "Cotton Club Stomp", "Mood Indigo", "Rockin' In Rhythm", and more. LP, Vinyl record album

After a disastrous attempt at recording a live show, the Fania All-Stars went in the studio with guests like Billy Cobham and Manu Dibango and created their funkiest and one of their finest albums of the seventies! A few cuts are more straight Latin sounding, some of these tracks have a nice hard funky jazz feel, and sound like they could have been recorded for Prestige. There's great versions of "Soul Makossa" and "Viva Tirado", plus a very nice track called "Smoke". Other titles include ""El Raton", "Congo Bongo", "Chanchullo", "There You Go" and "Mama Guela". LP, Vinyl record album

13 tracks of Eddie's classic Stax sides, with a range of material that runs from 60s through 70s. A handful of big hits, and a big batch of lesser known, but still great Memphis soul from Floyd. Includes "I've Never Found A Girl (To Love Me Like You Do)", "Bring It Home To Me", "Check Me Out", "Soul Street", "I've Got To Have Your Love", "Blood Is Thicker Than Water", "Don't Tell Your Mama", "Why Is The Wine Sweeter (On The Other Side)", "California Girl", "My Girl", "The Best Years Of My Life", "Yum Yum Yum (I Want Some)" and "Baby Lay Your Head Down". LP, Vinyl record album

Excellent work from this hard-blowing St Louis tenorist – a figure who started in more R&B-styled material, but also helped open the door for soul jazz modes in the 60s! The work here predates Jimmy's well-remembered records for Prestige – as the package features early material cut for United Records during the early 50s – tracks that have that amazing tenor sound of Forrest alongside work from Chauncey Locke on trumpet, Bart Dabney on trombone, and either Bunky Parker or Charles Fox on piano. A number of tracks have nice use of congas, making for a mambo jazz mode at times – and titles include Jimmy's classic version of "Night Train" – plus "Calling Dr Jazz", "Mister Goodbeat", "Bolo Blues", "Hey Mrs Jones", and "Coach 13". CD features a number of unissued bonus tracks too! LP, Vinyl record album

Titles include "Illegal Alien", "Taking It All Too Hard", "It's Gonna Get Better", "Home By The Sea", "That's All", and "Mama". LP, Vinyl record album

An incredibly groovy album from Jackie Gleason from the mid 60 – with a sound that's a lot hipper than you'd expect from the "brass" in the title! Jackie's working here with an electric bass at the bottom of the band – providing a nice bouncing rhythm that makes the tunes dance nicely, stepping out in a 60s easy mode that has a lilt at the bottom that makes for a lot more play at the top. 11 tracks in all – with titles that include "The Art Of Love", "My Love For Carmen", "A Taste Of Honey", "Mame", "La Terre", "Call Me", "Love Is Here to Stay", "It All Depends On You" and a great version of Galt MacDermot's "African Waltz"! LP, Vinyl record album

Tremendous work from an alto player with a very unique conception – a player who was unlike Charlie Parker, Sonny Stitt, or some of his precursors on the instrument – and instead really took off in bold new directions, like Lou Donaldson or fellow Chicagoan Sonny Cox in the mid 60s! Bunky's got a very sharp edge on his horn – one that's deft and skillful, but never too boppish. Instead, he really uses space and timing to carve out a new sort of groove – one that's punctuated slightly by the rhythms of the combo, but which also firmly takes its cue from Bunky's own forcefully blown horn. Players here include Cleveland Eaton on bass, Willie Pickins on piano, and Harold Jones on drums – and titles include "Playin For Keeps", "Mi Compasion", "Brazilano", "Mama Looka Boo Boo", and "What Can I Do". LP, Vinyl record album

A really fantastic record from Blue Note guitar genius Grant Green – and a set that's got a sound that goes way past his goofy look on the cover! The title's a bit right – in that there's something of a Latin vibe going on, with more percussion than usual in a small group – but the sound is also not straight New York Latin, with looser currents that are borrowed a bit from bossa nova, but also given a fluid soul jazz spin! There's maybe a slight touch of some of Cal Tjader's records from the period, but with more of the edge that we love on his guitar – served up in a combo that features the mighty Willie Bobo on drums, Johnny Acea on piano, Wendell Marshall on bass, Patato Valdez on congas, and Garvin Masseux on chekere. Together, the group makes for a very hip set of tracks that includes "Tico Tico", "Mama Inez", "Besame Mucho", and "Mambo Inn". LP, Vinyl record album

Maybe one of the first-ever rock and roll full-length albums – with Bill Haley's big title cut – plus "Shake Rattle & Roll", "Two Hound Dogs", "Razzle Dazzle", "ABC Boogie", "Burn That Candle", "Rock A Beatin Boogie", "Birth Of The Boogie", "Dim Dim The Lights", and "Mambo Rock". LP, Vinyl record album

The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a harder, heavier sound than some of his straight electric ones – and it features a larger group with soloists that include Johnny Coles on trumpet and Joe Henderson on tenor – plus some sweet basslines from Buster Williams – all led by Herbie into a tight soul jazz flurry of excellent tracks! Includes the cuts "Fat Mama" and "Wiggle Waggle", both sample favorites, plus "Tell Me A Bedtime Story" and "Lil Brother". Classic stuff, and one of his best records ever! LP, Vinyl record album

A set of unreleased duets between trumpeter Roy Hargrove and pianist Mulgrew Miller – two players who are definitely in harmony throughout the recording! Most tracks are nice and long – taken with an open, lyrical sensibility – one that's driven strongly by Miller's sense of imagination on the piano, and which seems to have Roy Hargrove maybe opening up a bit more than some of his studio recordings of the time! Titles include versions of "Triste", "Con Alma", "This Is Always", "I Remember Clifford", "Never Let Me Go", "Invitation", Ruby My Dear", "Ow", and "Just In Time" – plus a nice reading of the Blue Mitchell tune "Fungii Mama". LP, Vinyl record album

Jimi Hendrix, live in Los Angeles – just days before the release of his classic Are You Experienced album – a record that changed a generation! Jimi was actually working that night as the opening act for The Mamas & The Papas – and we're guessing that his searing solos and raw musical vision really blew the whole crowd away – so much so, we wish the set had a visual component, so we could see reaction shots of the crowd! The Experience group has the classic lineup of Noel Redding on bass and Mitch Mitchell on drums – and titles include "Purple Haze", "Wild Thing", "Fire", "Catfish Blues", "Foxy Lady", and a reading of "Sgt Pepper's Lonely Hearts Club Band". LP, Vinyl record album

A never-issued live performance from the legendary Japanese drummer Motohiko Hino – recorded live in concert, originally by the Three Blind Mice label – yet a date that's a lot more freewheeling than most of the more familiar studio material from TBM! All the tracks are long, soaring, and searching – very spiritual in nature, and kicked off with long solo work from Hino, as he builds up energy and then welcomes in the rest of the group – a killer lineup that features two tenors, one in each channel – Mabumi Yamaguchi and Yasuaki Shimizu – plus nicely raw guitar work from Kazumi Watanabe, very different than his tighter albums of later years – as well as bass from Nobuyoshi Ino and percussion from Yuji Imamura. Titles include "Olive's Step", "Flying Clouds", and "Running Water". LP, Vinyl record album

Includes a different trio per side. Hodes with Volley DeFaut and Jasper Taylor playing "Washboard Stomp", "Someday Sweetheart" and "Copenhagen". The flip side has Hodes, Darnell Howard, and Baby Dodds on "I Know That You Know", "Slow & Easy Mama Every Night", "Baby Food", and "Sweet Georgia Brown". LP, Vinyl record album

Raw genius from Smokey Hogg – a set of recordings originally issued as singles for the Modern/RPM label, brought together here to make one of the few full length documents of Hogg's talents from the time! Smokey sings here with spare acoustic guitar on most tracks, and a bit of piano added in on some others – but all with a very lean, very rootsy vibe that reflects his rural roots, and which is especially resonant with Lightning Hopkins on the piano-less tunes! Titles include "I Got Your Picture", "Goin Back To Chicago", "Coming Back Home To You Again", "You Can't Keep Your Business Straight", "Look In Your Eyes Pretty Mama", and "It's Raining Here". LP, Vinyl record album

There's no suffering here – as the record's a real delight, and one of the more unique sessions in the career of the great John Lee Hooker! The record was done for Impulse Records, mostly known for its jazz recordings at the time – and the session has the vocals and guitar of John Lee next to a trio of more jazz-based players, one that features Barry Galbraith on guitar, Milt Hinton on bass, and Panama Francis on drums – who somehow do a fantastic job of backing Hooker up! The set has a beautiful recording quality – very crisp and clear, yet never polished – and the work of the other players is incredible, as they really move into John Lee's mode, and somehow have him shining even more strongly than on some of his other albums from the time. This isn't a folk blues set done by a jazz label – and instead, the best of Impulse is used to give Hooker a fantastic showcase – on titles that include "Bottle Up & Go", "Sugar Mama", "Decoration Day", "You're Wrong", and a good cover of "Money". LP, Vinyl record album

A really well done collection of work recorded by Howlin Wolf for Chess – put together in the early 70s, but featuring sides from the 50s and 60s. The album's got a good set of notes by Pete Welding, and tracks that include "Down In The Bottom", "Forty Four', "My Country Sugar Mama", "Spoonful", "Red Rooster", "Moanin For My Baby", "I Asked For Water", "Wang Dang Doodle", "Who's Been Talkin", "Built For Comfort", "Ooh Baby Hold Me", "Baby How Long", "Three Hundred Pounds Of Joy", and "Killing Floor". LP, Vinyl record album

A stunning revival for the great Brian Jackson – an artist who's best known as the keyboardist with Gil Scott-Heron in the 70s, but a hell of a singer on his own – as you'll hear in this really wonderful set! The album's not Jackson's first solo effort – but it may well be the first to really put him in the spotlight so strongly – a record that's completely wonderful from start to finish – with elements that will definitely resonate strongly with Brian's classic recordings with Gil, but also really show him as his own artist too! The tracks are a mix of vocal numbers and a few other instrumentals – with Jackson on Rhodes and Wurlitzer electric pianos, plus some great flute too – set up in small combo backings on titles that include "Mami Wata", "Path To Macondo/Those Kind Of Blues", "Hold On", "Force Of Will", "All Talk", "Nomad", and "C'Est Cette Comete". LP, Vinyl record album

A great little album of percussion grooves – hidden under a package that looks like it's going to be a lot more rootsy, but which ends up sounding like some of the hipper conga-heavy sessions on labels like Liberty or GNP from the late 50s. Jackson plays much of the percussion, but there's other players on the set who kick in with some other percussion instruments – and some occasional piano and flute. Tracks include "Mambo Ricci", "Conga", "Jungla", "Road March", "Shango", and "Guaguanco". LP, Vinyl record album

Includes "I Want You Back", "ABC", "I'll Be There", "The Love You Save", "Mama's Pearl", "Never Can Say Goodbye", "Maybe Tomorrow", "Lookin' Through Windows", "Dancing Machine", "Got To Be There", "Rockin' Robin", "I Wanna Be Where You Are", "Ben" and "One Day In Your Life". LP, Vinyl record album

Milt Jackson's working here with his "Big 4" group – a quartet (natch) that includes Oscar Peterson on piano, Niels Henning Orsted Pedersen on bass, and Mickey Roker on drums – all opening up nicely in this laidback live environment! Despite the Montreux hype of the 70s, the record's got a surprisingly intimate feel – and offers a nicely restrained Peterson doing some very sensitive solo work – augmented by some of Jackson's most chromatic sounds on vibes. Titles include "Mack The Knife", "Night Mist Blues", "Stella By Starlight", "Speed Ball", "Nature Boy", and "Funji Mama". LP, Vinyl record album

The unusual mix of this classic album – produced originally for the Quad market, and different than the standard versions of these tunes! A testament as to how many hits the Jacksons produced in a short amount of time – this Greatest Hits was compiled only three years after the group's first record was released. It contains all the goodies you'd ever want by them, from arguably their best years. This excellent single LP contains cuts like "I Want You Back", "ABC", "The Love You Save", "Mama's Pearl", "Goin Back To Indiana", "Maybe Tomorrow", and "I Found That Girl". Beautiful stuff, never to be equaled. Michael, what happened? LP, Vinyl record album

A great underground soul moment from the online age – a set released as a free digital mixtape, but which quickly took the world by storm – and really helped establish Kehlani as a strong voice in contemporary soul! The set's a short one, but has a richness that goes beyond the number of songs – as a range of different producers help Kehlani open up some great territory, blending her voice very strongly into the mix, but never hiding the power at the core – on titles that include "FWU", "Get Away", "As I Am", "Deserve Better", "How We Do Us", "1st Position", and "Tell Your Mama". LP, Vinyl record album

A rare Decca album lead by the smoky vocals of Beverly Kenney – a really unique late 50s/early 60s jazz girl who once worked for the Dorsey brothers, the Count Basie Orchestra and others, and only ever cut a handful of albums under her own name! Sings for Playboys is an intimate, sultry batch of tunes that have a really unique feel thanks to the super spare accompaniment of just Ellis Larkins on piano and Joe Benjamin on bass. That approach does a great job of transforming your senses to the smoky, boozy after hours cabaret that must have been in mind when the recordings were conceived. The album only ever appeared briefly in the late 50s (possibly because of the unauthorized and quite obvious reference to Playboy Magazine in the title and in the cover photo) but it's sure great to see it reappear – they didn't make a lot records like this in the big band dominated recordings of the era! 12 tracks including "Do It Again", "A Woman's Intuition", "Mama, Do I Gotta?", "A Lover Like You", "A Summer Romance", "It's Magic", and more. LP, Vinyl record album

A treasure trove of work from the European scene – recordings that were unissued at the time, but which feature fantastic performance by American soloists done for Austrian radio! The core group is led by trombonist Eich Kleinschuster – a player from Vienna who never got much notice on our side of the Atlantic, but who was a fantastic host for visiting musicians in a series of broadcast concerts done by the Austrian radio – with Erich as the leader, and a fair bit of work on piano and Fender Rhodes from the mighty Fritz Pauer – a talent you'll know from some key MPS Records sessions of the period! And the vibe here is very much like MPS at its best – a great meeting of talents, at a level that rises everyone else involved – which makes these sessions superb throughout, no matter the soloist. This Volume 2 features six tracks with the great tenorist Joe Henderson joining the group – on titles that include "Mamacita", "Recorda Me", "Inner Urge", "The Kicker", "Serenity", and "Chelsea Bridge". Seven more titles feature the fantastic trumpeter Dusko Goykovich, with work from Hans Salomon on tenor and bass clarinet, and Jimmy Woode on bass – on titles that include "Formel", "As Usual", "Moustache", "Sega Se Karame", and "Tell It Like It Is". LP, Vinyl record album

Ronald Langestraat has been in more jazz-based territory in the past, but here he adds in a bit more rhythm and opens up a groove – quite a surprise for this octogenarian musician! Ronald sings on many tracks, with this cool raspy voice that slides in and out of the grooves nicely – as keyboards dance over beats, often with a spacey quality that's got a bit of an 80s vibe, which is in keeping with Langestraat's work during that decade. Titles include the long groover "Mambo Magic" – hardly a Latin track, but one that has nice keyboards over skittish beats – next to other cuts that include "Energy In Space", "Working Every Day", "Alpha Centauri", "Freedom", and "Chet Baker". LP, Vinyl record album

A wickedly cool small combo set from the 60s – featuring reedman John Lemon, who blows both tenor and flute, plus a bit of alto as well – in a combo with Jimmy Scott on organ, Ernest McLean on guitar, and Bobby Brooks on drums! The set's got a great soul jazz vibe – like a Prestige Records session, but produced with a bit more echo – and titles include the originals "Yes Baby", "Chilly Willie", and "Big Mamma" – plus versions of "Watermelon Man" and "Cute". LP, Vinyl record album

After hitting big success with Paul Simon's Graceland album in the mid 80s, Warners kind of had a little burst of renewed activity in recording the sorts of artists they paid attention to more in the glory days of the late 60s/early 70s record industry boom. Fortunately, Miriam Makeba benefitted from that surge of activity, and was able to cut this excellent album in a style that was far rootsier than any she'd used in years! The record has a pretty spare feel overall, and most tracks only feature vocals and percussion – with some occasional extra instrumentation, and production that's very much in the Ladysmith Black Mambazo mode from the time. titles include "Sabumoya", "Congo", "Icala", "Ihoyiya", and "Embahaceni". LP, Vinyl record album

One of the most brilliant moments of genius from Paul McCartney & Wings – and a set that has Paul working with the group in perfect album formation – able to craft enough songs that became hit singles, yet also fit the whole thing together in a superb sonic reality that made the whole thing even more wonderful as a full length record! The shift of moods, tones, and sounds are as varied as the choice of celebrities appearing with the group on the cover – and the interplay between Paul, Linda, and Denny Laine has really hit its stride – on titles that include one of our all-time Wings favorites, "Nineteen Hundred Eighty Five" – plus "Band On The Run", "Bluebird", "Jet", "Mrs Vanderbilt", "Let Me Roll It", "Mamunia", "No Words", and "Picasso's Last Words (Drink To Me)". LP, Vinyl record album

A great Columbia Records set from the mighty Lee Michaels – still going strong after an amazing run of albums on A&M, but with a vibe that's maybe a bit more underground overall! Lee's still a hell of a songwriter, but he's also got an approach that's maybe slightly muted – almost as if he's done trying for charming stardom, but more than happy enough to revel in his own skills as a singer! There's a nicely relaxed vibe to the record, and clearly Columbia was more than happy to let Lee do his own thing, his own way – which he does beautifully on tunes that include "So Hard", "Olson Arrives At Two Fifty Five", "Your Breath Is Bleeding", "Went Saw Mama", "Bell", and "The Other Day". LP, Vinyl record album