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A nicely done compilation of pivotal work from the great Ramsey Lewis – focusing on his work for Columbia/CBS Records from the 70s and early 80s – and very well chosen at that! Of course the title comes from Ramsey's iconic album of the same name, and this 2CD set features a few tracks from that one, but it's also got numbers from Tequila Mockingbird, Ramsey, Three Piece Suite, Love Notes and other great records, plus choice live work, his album with Nancy Wilson and other standouts. It kind of focuses on the sunny electric jazz and fusiony soul groovers, and Jazz FM does a great job with the selections! 32 tracks on 2CDs: "Spring High", "Caring For You", "Tambura, "So Much More", "Lynn (Live)", "Hot Dawgit", "Paradise", "Expansions", "Sun Goddess", "Sassy Stew (Live)", "Whisper Zone", "Camino El Bueno", "All The Way Live", "Intimacy", "I'll Always Dream About You" and more.

A warm, easygoing and sprawling 2CD set from the Expansion and Jazz FM team – the third and best yet in their Funky Sensation series – with both hits and relatively underappreciated numbers! It's wonderful stuff all the way – and well chosen by Mike Vitti & Ralph Tee – with full-length treasures by Roy Ayers, Rick James, Cameo, Rene & Angela, Willie Hutch, Dazz Band, Charles Earland, Teen Marie and The Gap Band to name but a few. What we love about the Funky Sensation series is the sort of informal, unfussy vibe. It's not so much about shining a lot on particular labels, producers or well-defined scene – and very much about simply putting together some sensationally funky, jazzy and soulful music, nearly all of it from the mid 70s to early 80s, together in a generous double-sized set! 26 tracks on 2CDs – and over 150 minutes of music. Includes "Running Away" by Roy Ayers, "Circles" by Atlantic Starr, "Now That We Found Love" by Third World, "So Fine" by Howard Johnson, "Man Power" by Lalomie Washburn, "I Believe In Miracles" by The Jackson Sisters, "I Need Your Lovin'" by Teena Marie, "I'l Be Good" by Rene & Angela, "Get It Up For Love" by Tata Vega, "Outstanding" by The Gap Band, "Let The Music Play" by Charles Earland and many more.

One of Elvin Jones' greatest records – a set that's quite different from both his work in the John Coltrane Quartet, and some of the powerhouse jazz sides he'd cut later as a solo act! The vibe here is a bit hard to describe, but it somehow comes together in the "midnight walk" of the title – as there's a pulsating rhythm to many of the numbers – one that comes partly from the record's great use of Dollar Brand on piano on some cuts. But other players are great, too – and there's some wicked electric piano work from Steve James – who really gives a few tracks a sinister edge – plus tenor from Hank Mobley, trumpet from Thad Jones, and added percussion from George Abend. Titles include "Midnight Walk", "HM On FM", "The Juggler", "All Of Us", and "Cross Purpose". A great album, and a real lost treasure from the Atlantic back catalog!

One of Elvin Jones' greatest records – a set that's quite different from both his work in the John Coltrane Quartet, and some of the powerhouse jazz sides he'd cut later as a solo act! The vibe here is a bit hard to describe, but it somehow comes together in the "midnight walk" of the title – as there's a pulsating rhythm to many of the numbers – one that comes partly from the record's great use of Dollar Brand on piano on some cuts. But other players are great, too – and there's some wicked electric piano work from Steve James – who really gives a few tracks a sinister edge – plus tenor from Hank Mobley, trumpet from Thad Jones, and added percussion from George Abend. Titles include "Midnight Walk", "HM On FM", "The Juggler", "All Of Us", and "Cross Purpose". A great album, and a real lost treasure from the Atlantic back catalog!

An eye-grabbing cover, and plenty to grab you inside, too – some great features Cymande, London's Kiss FM, UK Record Stores, Keith Mansfield, Carroll Thompson, Sticky, Mala, and hip UK labels – more than enough different slices of the British underground to get you packing up and taking the next plane east! Shook does a really great job of carrying the torch that used to burn brightly for Straight No Chaser – that unique British blend of jazz, funk, soul, world, hip hop, and more – summed up here in succinct writing, beautiful images, and even some nice record reviews and ads for new releases, too!

Features solos from Moe Koffman on soprano sax and flute, Guido Basso on trumpet, Rob McConnell on trombone, Peter Appleyard on vibes, and Phil Nimmons on clarinet.

The title sounds like an old R&B song from the 50s, but the album's a searing collaboration between three of the boldest improvisers in 70s European jazz – Peter Brotzmann on reeds, Harry Miller on bass, and Louis Moholo on drums! Although Miller and Moholo can have warmer moments when working in British Ogun modes, they're definitely well-matched here with the young Brotzmann's energy – very freewheeling on both of their instruments, and rising to Peter's challenge to find new sounds at just about every twist and turn of the record! Titles include "Long Time Service", "Kucken und Drucken", "Schnell Im Biss", and "The Nearer The Bone The Sweeter The Meat".

One of the most soul jazz-styled sets ever cut by German clarinetist Rolf Kuhn – a very groovy record that features work from tenorist Klaus Doldinger and organist Ingfried Hoffmann! On their own albums of the 60s, Doldinger and Hoffmann are quite a pair – swinging almost as perfectly as Willis Jackson and Jack McDuff on Prestige, in the US at the same time. So you can imagine the effect they have on Kuhn – a player who can sometimes be a lot more modern, but who here really takes off in an easygoing groove – swinging soulfully on a set of short and groovy tracks, with great rhythm work from Hermann Schoonderwalt on bass and Cees See on drums. Titles include "Rainbow In My Tears", "Opus 90", "Combo Swing", "Scottish", "Swing For Sale", "The Snake", and "L'Amour Sans Espoir".

One of the earliest albums on the Free Jazz Productions label – a large group session led by trumpeter Manfred Schoof, and featuring a wealth of great talents from the European avant garde of the 60s – including Peter Brotzmann on tenor, Enrico Rava on trumpet, Irene Schweizer and Alexander Von Schlippenbach on piano, Derek Bailey on guitar, Evan Parker on soprano sax, Paul Rutherford on trombone, and both Han Bennink and Pierre Favre on drums! The album features one long track – Schoof's "European Echoes" – the kind of extended, freewheeling, large group improvisation that was exemplary of the united front being expressed across nations by the free jazz movement of the late 60s. Still as powerful today as it was back then!

A really great quartet that works together beautifully here – bass from Joelle Leandre, trombone from Sebi Tramontana, violin from Carlos Zingaro, and drums from Paul Lovens – all well-trained players for open improvisations like this – coming together in ways that recall some of the best FMP live work from the 70s! The music is free, but never without consideration – sounds that come out of nowhere, yet somehow fit perfectly together – although in ways that go far beyond conventional jazz, even that of the avant variety. The set features five tracks – titled "Sudo 1", "Sudo 2", and so on!

German jazz gems from the 60s – an amazing collection of rare work from the Rhineland scene – non of which we've ever heard before! The package is even sharper than the first volume in the series – and features some of the best German jazzmen of the time, working in styles that draw heavily from hardbop and modal jazz, but which are already beginning to take off strongly in the unique modes that would flourish strongly in the MPS/Saba years to come! Things are soulful, but swinging – modern, but pretty darn groovy too – a wonderful balance that makes these years a perfect time in German jazz – a moment when the scene was really finding its own groove, yet not getting too full of themselves either. Titles include "Many's Waltz" by Manfred Welsandt Trio, "Beat Bop" by Ingfried Hoffmann Big Band, "Nica's Dream" by Albert Mangelsdorff, "St Tropez Waltz" by Modern Jazz Crew Stuttgart, "Minor Conversation" by Hans Koller Septett, "Summertime" by Fritz Harschuh, "That Double Thing" by Harald Eckstein Sextett, and "Din A Bop" by Albert Mangelsdorff Jazztett.

Bold sounds from this German quartet – a group who certainly deliver one of the most striking avant jazz sessions on the legendary Amiga label! The set's got a free frenzy that's right up there with the 70s best from FMP – played by musicians who often made key appearances on that label too – including Ernst Ludwig Petrowsky on saxes and flute, Conrad Bauer on trombone, Ulrich Gumpert on piano, and Gunter Sommer on drums and percussion! The album takes off with a machine gun-like energy at the start – a real blast of sound that shows all the revolutionary power of this generation of German jazz – but then as things progress, the players explore some wonderful tones and textures that reflect a more contemplative mode as well – still very groundbreaking, but in a more subtle way. Titles include "Traumtanzer", "Quartett Diskurs", "Holzland", "Kommit Ihr G'Spielen", and "Post Aus Vogelsang".

Gentle grooves from the KPM sound library – two great albums back to back on a single CD! First up is Girl On The Beach – soft, seductive grooves from James Clarke – delivered with a nicely mature feel, and one that really takes Easy up a few notches from conventional 60s forms! There's a subtle Brit feel here that's miles beyond American work of this nature – a way of giving things a gentle sort of funk, even when mellow – thanks to stepping electric bass in the background, really making magic behind some vibes, guitar, and jazzy horns. There's almost a Euro erotic feel to some numbers – and titles include "Little Racer", "Girl On The Beach", "Edge Of The World", "Running Away", "Feet In The Sea", and "Nocturne". Gentle Sounds is a set that definitely lives up to its title – and a record that features great KPM work from Johnny Pearson, Keith Mansfield, and Steve Gray! There's some subtle rhythms on most tracks – grooves, but gentle ones – often with some Latin or bossa percussion elements in the mix, blended with other instrumentation that includes acoustic guitar, flute, trumpet, and marimbas – all delivered with a beautifully mature style. This is grown-up late 60s Easy at its best – the kind that hit the best acoustics of the FM dial, for adults who really knew how to choose their sounds wisely. Titles include "The End Of The Day", "Please Mr Pearson", "Quiet Interlude", "Soft Sell", "Floating Bossa", and "Quiet Waltz".

Some of the most soulful jazz recorded in Europe during the 1960s – and the complete Philips recordings of German saxophonist Klaus Doldinger! Doldinger's probably best remembered for the more dynamic fusion he cut with the Passport group in the 70s, but back in his early years he was full on soul jazz player, steeped in the tradition of Gene Ammons, Lou Donaldson, Sonny Stitt, and others before him – all players that we'd easily rank Doldinger with during these years, given the ultra-high level of his work for Philips! But given his German orientation, Doldinger also picked up on some of the freer influences that were running around the European scene of the 60s – and the tracks here don't just sparkle with American soul jazz sounds, but also show a bit of Brazilian and more progressive jazz influences as well. And alongside Doldinger's tremendous tenor and soprano sax, the recordings here are equally noteworthy for the organ lines of Ingrfried Hoffmann – an ultra-cool player on the Hammond, with the mixture of rhythmic energy and playfulness you might find in the work of Jack McDuff for Prestige at the same time! Doldinger and Hoffmann cook tremendously throughout – so much so, you can easily forget their country of origin, and just put these sides on equally next to your favorites from Prestige or Cadet. 4CD package features material from 4 full albums, plus rare singles – and also includes a full CD of other rare Doldinger recordings from the same time! Tremendous stuff throughout, and easily one of the greatest discoveries in jazz you may make this year. 51 tracks in all – with titles that include "Delilah", "Signal", "Blues For George", "Solar", "Viva Brasilia", "Waltz Of The Jive Cats", "Blue Note Samba", "Negra Sin Sandalia", "Shakin The Blues", "Just A Little Bit Of Soul", "Run Baby Run", "Quartenwalzer", "Praeludium No 3", "That Bluesy Sound", "Watch It", "Pavana The Earl Of Salisbury", "Midnight Session", and "Joe's Blues".

Drummer Lenny White live – stepping out here in a sweet funky set that also features some great keyboards from Patrice Rushen and Don Blackman! The date was recorded in the late 90s, and has a back-to-basics quality that reflects the renewed love of older funk styles that players like White were picking up at the time – a quality that shakes off some of the excesses of fusion, and glitz of smooth jazz – and really lets the players stretch out in a no-nonsense setting! The whole group's pretty great – and fetaures Bennie Maupin on saxes, Victor Bailey and Foley on basses, Mark Ledford on trumpet, and the aforementioned Rushen and Blackman on keyboards – on titles that include "Whew What A Dream", "East St Louis", "Pic Pocket", "Dark", and "Wolfbane".

Afro-centric jazz from the 70s through the 90s – a real spiritual journey in music, compiled from a host of hard to find records, most of which are long out of print! The music on the collection is from three different decades, but the set's got a wonderfully unified feel – thanks to a strong spiritual current that runs through all the tunes, and a linked heritage of performance that was shared by many of the players over the years. Tracks are from a very diverse set of sources – including many American and European indie labels of the 60s and 70s – and all tunes are long, soulful, and plenty darn righteous! Titles include "Song For Mozambique" by Archie Shepp, "Africa" by Sathima B Benjamin, "The Almoravid" by Joe Chambers, "Our Roots Began In Africa" by Pharoah Sanders, "Days Gone By" by Moe Koffman, "Children" by Nation/African Liberation Arts Ensemble, "Mrafu" by Nate Morgan, "Afro Blue" by J Life, "Desert Fairy Princess" by Adele Sebastian, and "Banks Of The Nile" by Carlos Garnett.

A really cool compilation of late 50s outer space obsessive pop, rockabilly boogie, and groovy space age jazz numbers – wild numbers from the decade before we set down on the moon! The numbers are mostly from the end of the 50s – age of black & white flying saucer attack movies and cold war hysteria – and it's filled with seedy and spacey little numbers that clearly influenced a generation of cheeky rockers to come. Martian honky tonk numbers, theremin enhanced instros, early Sun Ra cosmic jazz, echoey surf rock, and so much more! 27 tracks in all: "Blast Off" by The Jimmie Haskell Orchestra, "Saturn" by Sun Ra, "In The Bible" by Flying Saucers, "Martian Band" by Wildtones, "Moon Moods" by Samuel J Hoffman, "Space Storm" by Col Frank Erhardt and more.

German jazz gems from the 60s – an amazing collection of rare work from the Rhineland scene – non of which we've ever heard before! The package is even sharper than the first volume in the series – and features some of the best German jazzmen of the time, working in styles that draw heavily from hardbop and modal jazz, but which are already beginning to take off strongly in the unique modes that would flourish strongly in the MPS/Saba years to come! Things are soulful, but swinging – modern, but pretty darn groovy too – a wonderful balance that makes these years a perfect time in German jazz – a moment when the scene was really finding its own groove, yet not getting too full of themselves either. Titles include "Many's Waltz" by Manfred Welsandt Trio, "Beat Bop" by Ingfried Hoffmann Big Band, "Nica's Dream" by Albert Mangelsdorff, "St Tropez Waltz" by Modern Jazz Crew Stuttgart, "Minor Conversation" by Hans Koller Septett, "Summertime" by Fritz Harschuh, "That Double Thing" by Harald Eckstein Sextett, and "Din A Bop" by Albert Mangelsdorff Jazztett.

A rare chapter in the career of Peter Brotzmann – and a very smoking set cut on the Finnish scene of the early 70s! The quartet features Brotzmann on tenor and alto – playing alongside the tenor and flute of Juhani Alaltonen – both of them completely all-out and unbridled, working with the same sort of ferocious free jazz style Peter used on his initial FMP recordings! Other players include Peter Kowald on bass and Edward Vesala on percussion – the last of whom can really shift between full-on intensity and quieter, more sensitive sounds. Titles include "Hot Lotta", "After Pam Pam", "For Dee Deep Finnish Forest Cymbal Governor", and "Kippis".

The grooviest organ working the other side of the Atlantic in the 60s – as mighty a talent on the Hammond as Jimmy Smith or Jack McDuff back in the US at the time, and equally groovy too! Ingfried Hoffmann's work on the keys is probably best known from his searing soul jazz sides with Klaus Doldinger in the pre-Passport years – but this package focuses even more strongly on Hoffmann's sides as a leader – all of which are tightly snapping, quickly vamping, and filled with loads of lively organ and guitar! The core part of the set is Ingfried's lost album From Twen With Love – a 1966 spy-jazz styled album, with both original numbers, and a few James Bond covers – all played by a quintet that features guitars from Volker Kriegel and Pierre Cavalli, bass by Peter Trunk, and funky drums from Rafi Luderitz. Titles include "Yeah Dr No", "Thunderball", "007 Bond Street", "Sharp Sharks", "Phantom's Walk", "Let Live & Die", "Vabanque At Casino Royale", and "James Only Lives Twice". Added to that core album are 4 more bonus tracks – 3 recorded in 1963 with Rene Thomas on guitar and Klaus Weiss on drums, including "Midnight Bossa Nova", "TV Swing", and "Soul Twist" – plus the great "Playgirl", recorded with Peter Thomas in 1966.

Brilliant work from an overlooked Swedish group of the 60s – a quintet led by tenorist Gilbert Holmstroms, a player we'd rank right up there with the best European modernists of his generation! The record's got a perfectly pitched sound that blends new overseas freedom with some of the structures still in place from the late 50s modern moments – echoes of Ornette, Harriott, and Dolphy – a wonderful balance of sounds that makes for plenty of individual expression on the record, while still moving forward with a soulful sense of swing! There's a nice degree of space in some numbers – almost painterly, with a quality that reminds us of French jazz soundtracks from a few years before – and in addition to Gilbert's great tenor and leadership, the group also features Arne Larsson on cornet, Clas Fehling on piano, Hans Lofman on bass, and Anders Soderling on drums. Titles include "Kontrast", "Ballad For Max", "Resan Till Hellas", "Disappointment", and "Modul". CD also features a great bonus track, too – a 1968 recording of "Novotec", done by a quartet that features Holmstroms on tenor and Ake Johansson on piano!