All Categories — LPs




Items/page
CDs (36) new/usedLPs (16) new*/used, All (52) Search:

Jazz Convention

  (New Only)

Sort by
Partial matches: 10
Partial matches1
CD, LP, Vinyl record album cover art
BBC Radiophonic WorkshopBBC Radiophonic Workshop (180 gram pressing) ... LP
BBC/Music On Vinyl (UK), 1975. New Copy (reissue).... $29.99
Synthy, echoey soundscapes from the BBC Radiophonic Workshop! This mid 70s compilation features a range of tripped out electronic soundtrack music made by workshop veterans Dick Mills (who was responsible for quite a bit of the trippy sounds on Dr. Who), John Baker, Paddy Kingsland, Malcolm Clarke and others – who brilliantly blend jazz, pop and otherwise more conventionally melodic sounds with waves of period electronic atmosphere – with lots of spacey synth! Includes "La Grande Piece De La Fiore De La Rue Delaware" by Malcolm Clarke, "Brio" by John Baker", "Adagio", "Crazy Dazy" and "Major Bloodnok's Stomach" by Dick Mills, "The Panel Beaters" and "World Of Science" by Paddy Kingsland, "Veils And Mirrors" by Glynis Jones, "Kitten's Lullaby" by Roger Limb and more. LP, Vinyl record album

Partial matches2
CD, LP, Vinyl record album cover art
Milo Fine/Paul MetzgerConcerning The Other Condition/Spontaneous Composition Generator ... LP
Nero's Neptune, 2009. New Copy .... $14.99
A split LP – featuring a side apiece by each of the artists above! Milo Fine plays b flat clarinet on "Moosbrugger", but also steps over to a prepared piano too – or the "remains" of one – where he suddenly moves from the contemplative tones of the clarinet to some very wild musings with great ferocity on the keys! "Ulrich" then features Fine on some great free drum work on a conventional kit – a nice change. Paul Metzger sounds even more wonderful on "Spontaneous Composition Generator" on the flipside – named after the cool device used for the piece – a wooden box that contains parts of 37 music boxes, then added with other elements, and wired to a dozen pickups! The sound is amazing – very revolutionary and spontaneous – and in a compelling space between avant composition elements and free jazz. LP, Vinyl record album
(Beautiful pressing – with some cool paper inserts that appear to be hand-pressed!)

Partial matches3
CD, LP, Vinyl record album cover art
Andrew HillGrass Roots ... LP
Blue Note, 1969. New Copy (reissue).... $9.99
A real stroke of genius from pianist Andrew Hill – and a surprising one too! After an initial legacy of groundbreaking experimental sides for Blue Note, Hill returns to his "grass roots" on this excellent session of straight ahead, fairly funky, soul jazz piano tunes! In the notes, Hill claims a desire to get back to the people – and in a really unusual turn, he shakes off his previous modernist trappings and goes for territory that's much more in the mode of Lee Morgan, Horace Silver, or Hank Mobley on Blue Note! Yet despite this turn, and amidst some more conventional arrangements, Andrew's work on piano is still quite dark and moody – filled with beautiful clashing lines and haunting off-beat changes that open up the session way more than you'd expect! Booker Ervin joins in on tenor – on what would become one of his last recordings – and the rest of the group includes Lee Morgan, Ron Carter, and Freddie Waits – all plenty darn hip players who really get the unusual balance of soul jazz and modernism that Hill's going for here! Tracks include "Mira", "Bayou Red", "Venture Inward", "Grass Roots", and "Soul Special". LP, Vinyl record album
Also available Grass Roots ... LP 7.99

Partial matches4
CD, LP, Vinyl record album cover art
Gregory PorterBe Good (180 gram pressing) ... LP
Motema, 2012. New Copy 2 LP Gatefold .... $26.99 29.99
Wonderful work from Gregory Porter – easily one of the best new jazz singers to emerge in the past decade or so, and one whose approach is soulful enough to rival the greats of the 70s! There's echoes here of Bill Withers, Gil Scott-Heron, and Al Jarreau – and like all those artists, Gregory's a singer who really moves past simple styles and generic conventions – into a mode that's vivid and rich right from the start, and defiitely his own territory – a world of sound that's a delight to experience! Most backings are straight jazzy, but inflected with some soul modes – and the album's even better and more incredible than Porter's debut for Motema. Titles include "On My Way To Harlem", "When Did You Learn", "Mother's Song", "Imitation Of Life", "Our Love", "Be Good", and "Painted On Canvas". LP, Vinyl record album
Also available Be Good ... CD 11.99

Partial matches5
CD, LP, Vinyl record album cover art
Bruno SpoerriTeddy Bear/Lilith ... LP
Finders Keepers/Cache Cache (UK), 1978. New Copy .... $22.99
Two rare soundtracks from the quirky Bruno Spoerri – both of them a very cool blend of jazzy reeds and lots of electric touches! Teddy Bear is from the early 80s, and is one of the later records we've heard from Spoerri – a set that definitely bears the pedigree of its time, through cool use of Lyricon, Prophet, and Emulator keyboards! Bruno often blows his sax into the keys, then processes the reedlines in a very cool way – with a style that's more soulful than usual keyboard styles of the time, given the acoustic roots of the sounds – yet which still has a great 80s vibe overall. Things are almost in the offbeat style of some of the instrumentals from the German AtaTak scene of the time – and titles include "Too Much Smell", "The Silliest Song", "Reanimation Of A Filmmaker", "Small Talk", "The Arrest Of Groucho", and "Baby Baby". Lilith is from a few years before, and has a more conventional 70s approach – great electric piano lines over tight rhythms, with Bruno handling both tenor and Lyricon – on tunes that mix sound library funk with some of the weirder, more offbeat sounds you might know from other Spoerri soundtracks. Titles include "Singing In The Dark", "Winding Down", "The Dance", "Prepare For The Show", "Train", "Going To Work", and "Fanfare". LP, Vinyl record album

Partial matches6
CD, LP, Vinyl record album cover art
VariousLondon Is The Place For Me Vol 5 – Latin, Jazz, Calypso, & Highlife From Young Black London ... LP
Honest Jons (UK), 1950s. New Copy 2LP Gatefold .... $22.99
London's always been one of the hippest cities in the world – but back during the postwar years, there was an especially wonderful outpouring of music on the scene – a rich array of new sounds and styles pulled from around the globe – as so many residents from crumbling British empire came to live in the UK! Musicians and listeners arrived in London with plenty of cultural baggage on hand – influences from the Caribbean, West Africa, and India too – plus other smaller scenes that once fell under the British banner, all now the fuel for the cultural fire that was happening in England! The title here tells plenty about the music being made in this newly-formed scene – bits of African highlife, Jamaican calypso, American jazz, Cuban Latin, and more – all filtered into the modernism of the 50s, and given a new twist that was decidedly urban as well. The package may well be the most impressive so far in this legendary series – and is certainly the one that moves the farthest past any sort of easy expectations or cultural conventions. Titles include "Women Police In England" by Mighty Terror, "My Sorrow" by West African Swing Stars, "Cricket Umpires" by Lord Kitchener, "Jordhu" by Caribbean Swing Band, "Trumpet Highlife" by Shake Keane, "Calypso Mambo" by George Browne, "Cuban Nightingale" by Buddy Pipp's Highlifers, "Kitch" by The Quavers, "Tabu" by Mona Baptiste, and "King Jimmy Foo Foo" by Tejan Sie with The West African Rhythm Brothers. LP, Vinyl record album

Partial matches7
CD, LP, Vinyl record album cover art
VariousLondon Is The Place For Me Vol 6 – Mento, Calypso, Jazz, & Highlife From Young Black London ... LP
Honest Jons (UK), 1950s. New Copy 2LP Gateflod .... $16.99
London's always been one of the hippest cities in the world – but back during the postwar years, there was an especially wonderful outpouring of music on the scene – a rich array of new sounds and styles pulled from around the globe – as so many residents from crumbling British empire came to live in the UK! Musicians and listeners arrived in London with plenty of cultural baggage on hand – influences from the Caribbean, West Africa, and India too – plus other smaller scenes that once fell under the British banner, all now the fuel for the cultural fire that was happening in England! The title here tells plenty about the music being made in this newly-formed scene – bits of African highlife, Jamaican calypso, American jazz, Cuban Latin, and more – all filtered into the modernism of the 50s, and given a new twist that was decidedly urban as well. The package may well be the most impressive so far in this legendary series – and is certainly the one that moves the farthest past any sort of easy expectations or cultural conventions. Titles include "The Escape" by Dizzy Reece, "Mambo Contempo" by Ginger Johnson, "Life In Britain" by Mighty Terror, "Sway" by Buddy Pipp's Highlifers, "Song Of Joy" by Rupert Nurse's Calypso Band, "Joe Louis Calypso" by Lord Beginner, "Uncle Joe" by Fitzroy Coleman Quintet, "Me Donkey Want Water" by Tony Johnson, "Belly Lick" by Eric Hayden, "Nigeria Odowoyin" by West African Rhythm Brothers, and "Football Calypso" by King Timothy. LP, Vinyl record album

Partial matches8
CD, LP, Vinyl record album cover art
New Lee MorganSearch For The New Land (180 gram pressing) ... LP
Blue Note/Heavenly Sweetness (France), 1964. New Copy (reissue).... Temporarily Out Of Stock
A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For The New Land" – a beautiful 16 minute exploration of modal jazz themes, with an unusual stop/start device as a means of ushering solos by different bandmates – including Wayne Shorter on tenor, Grant Green on guitar, and Herbie Hancock on piano! The approach is unlike anything that Morgan ever did before – and unlike most of other Blue Note as well – and it also benefits from great rhythmic help from Reggie Workman on bass and Billy Higgins on drums. Other tunes are a bit more conventional, but still pretty special – like some of Morgan's inventive work on the Rajah albums – with titles that include "The Joker", "Melancholee", "Mr. Kenyatta" and "Morgan The Pirate". LP, Vinyl record album

Partial matches9
CD, LP, Vinyl record album cover art
New CortexPourquoi ... LP
Trad Vibe (France), 1978. New Copy (reissue).... Out Of Stock
A lost later slice of work from Cortex – a bit tighter than some of the group's previous albums, but equally funky overall! There's a bit less jamming here than before, the Cortex have definitely developed an ear for the dancefloor – a jazzy funk style that would be perfect in the clubs, even though it's light years from conventional disco. Vocals are a bit more upfront in the mix at times, but there's still loads of heavy keyboards – including Fender Rhodes, clavinet, micro moog, and more! Titles include "Runnin From You", "Le Visionaire", "Pourquoi", "Make Me Love You", "Matin Girls", "La Bulle", and "Pauvre Star". LP, Vinyl record album

Partial matches10
CD, LP, Vinyl record album cover art
New Barney Wilen with Caroline De BendernMoshi Too – Unreleased Tapes Recorded In Africa 1969 to 1970 ... LP
Sonorama (Germany), Late 60s. New Copy 2LP Gatefold .... Out Of Stock
Amazing music from the legendary Barney Wilen – previously unreleased African recordings, done around the same time as his classic Moshi album! Although Wilen was best known as a hardbop giant in both his later and early years, the late 60s also marked a period of really rich experimentation – when Barney, like some of his other contemporaries, was really trying to break out of any traditional formats for jazz – and really take chances with new musical hybrids! In this case, Wilen's blowing with a whole host of different musicians from various African scenes – especially Zanzibar – mixing his own incredible tenor and other reeds with regional percussion, unusual instrumentation, vocals, and even some trippier electric touches too – all served up in a blend of music and sounds that's as much an ethnographic project as it is a conventional jazz album. This special set features 80 minutes of previously-unreleased tracks that never made it onto the first Moshi album – which was issued by Saravah Records in the early 70s – rare tracks that have come from Wilen's private archives, and which are every bit as amazing as the music on the original album. Titles include "Black Locomotive", "Moshi Too","Fullys In The Bush", "Serenade For Africa", "Barka De Sala", "Fete A Tam II", "Leave Before The Gospel", "Zombizar Reloaded", "Bumba Ciagalo", and "Kira Burundi". LP, Vinyl record album
Also available Moshi Too – Unreleased Tapes Recorded In Africa 1969 to 1970 ... CD 19.99
 
 
 



Top