One of the most obscure albums ever recorded by Screamin Jay Hawkins – and one of the best, as well – a rare session done down in Nashville, and with a rootsy vibe that works perfect for Jay's amazing voice! There's a bit less hoke here than Hawkins can sometimes have – and although the songs still resonate with that striking approach that got Hawkins rediscovered by a whole generation at the end of the 60s, there's also less gimmick, too – and a mode that goes for some deeper southern soul elements at all the best moments. Titles include "Portrait Of A Man", "Don't Deceive Me", "Ashes", "We Love", "I Don't Know", "Please Don't Leave Me", and "Guess Who". LP, Vinyl record album

The classic batch of instrumentals from J Dilla – one that strongly transcends the hip hop genre – and perhaps his rawest, and most adventurous listening experience ever! The loopy soul samples, rich synth/electro shine, and thumping bass and soul beats that Dilla largely made his name on are laced throughout, but he also takes things a step into stranger territory – with spacey elements that buzz as much as they groove! The cuts are never less than soulful and funky, and never really steps into his peer Madlib's brand of the weeded out style, either. We love how raw this all feels, too! It's easily identifiable as the work of Jay Dee, but at the same time, wholly unpredictable! One of the best releases that Stone's Throw ever released – instrumental or vocal! Includes "Donuts (Intro & Outro)", "Workinonit", "Waves", "Light It", "People", "Mash", "Airworks", "Lightworks", "Stepson Of The Clapper", "One Eleven", "Don't Cry", "Geek Down", "Thunder", "Gobstopper", "Walkinonit", "U-Love", "Last Donut Of The Night" and more. LP, Vinyl record album

A great overview of the work of Abner Jay – as much of a blues singer as the folk artist promised on the cover – working here in a stunning array of styles, pulled from a variety of recordings he made in the late 60s and early 70s! It's clear that Jay is one of those talents who was rising up during the initial folk revival years, but was also able to find a groove that was very much his own when that moment faded – and the tunes here feature some very unusual phrasing on vocals, supported by acoustic guitar and a bit of percussion – on titles that include "Depression", "Lord Randal", "I Wanna Job", "St James Infirmary", "I'm Georgia Bound", "Bring It With You When You Come", "The Thresher", "Cotton Fields", "Starving To Death On My Government Claim", "Shenandoah", "99 Years In Jail", and "Swing Low Sweet Chariot". LP, Vinyl record album

"This here is the victory lap," raps Hov midway through The Black Album, his supposed career-capper (for this stage, anyway), and if nothing here immediately dazzles us to the core the way the best of his past singles have done, overall this is probably the most consistent front-to-back listen of all his albums. One of the nicest things about the Black Album is the brevity. As tight as the best of his recent output has been over the last couple of years – from singles, to album tracks, to guest spots – Jay-Z's simply been TOO productive, which has diluted the overall power of his presence. That issue is addressed right off the bat here – with a very manageable 14 tracks, no guest rhymers, and a consistent overall sound and mood thanks in part to strong production by Kanye West, 9th Wonder, Neptunes, Timbaland, Eminem (who's baroque synth productions are getting dangerously close to going stale, but it fits Jay-Z's dramatic finale theme very well), Rick Rubin and DJ Quik. It's a wildly disparate cast behind the boards, but this thing flows incredibly well thanks to Jay-Z's predetermined mission to make a great album, not just a hot record. We may still have to lean towards Blueprint as his late masterpiece, but this is way up there. "December 4th", "What More Can I Say?", "Encore", "Change Clothes", "Dirt Off Your Shoulder", "Threat", "Moment Of Clarity", "99 Problems", "Justify My Thug", "Lucifer", "Allure", "My First Song", and a couple of brief interludes. LP, Vinyl record album

Jay Z's second LP, the one right before he adopted the "hot"/Swizz Beats sound. Like the first LP, there's a good mix of more hip hop tracks like "Streets Is Watching", "Friend Or Foe '98", "Rap Game/Crack Game" and even the more radio friendly are still kinda dope, like "A Million & One Questions" and "Who You Wit". Plus a few nice old school samples, like Funky 4+1's "Rockin' It" on "Always Be My Sunshine". LP, Vinyl record album

Tracks include "Hard Knock Life (Ghetto Anthem)", "Ride Or Die", "Can I Get A..." with Amil & Ja Rule, "Money, Cash, Hoes" with DMX, "It's Alright" and "Coming Of Age (The Sequel)" with Memphis Bleek, 'Money Ain't A Thing", "It's Like That", and more. 14 tracks in all. LP, Vinyl record album

Folk soul guitar player, singer, songwriter, storyteller and genuine character Abner Jay's brilliant home recordings – the first release of his "terrible comedy blues" in far too long – courtesy of the always deep digging Mississippi label! Abner takes on the topical issues of the days with a skewed sensibility that's brilliant, and his singing, the performances and the recording quality aren't really as rough and raw as you might expect, though nowhere even close to manicured and clean sound – it's just right really for the material. Great stuff! Titles include "I'm So Depressed", "Cocaine", "Vietnam", "St James Infirmary Blues", "Cleo", "Woke Up This Morning", "Don't Mess With My Baby", "I'm Georgia Bound" and "The Reason Young People Use Drugs". LP, Vinyl record album

A legendary sound library set from the 70s Italian scene – exactly the kind of record that got so many folks digging for sound library funk so many years ago! The record's a masterpiece of funky rhythms, jazzy instrumentation, and warmer touches – served up with plenty of Fender Rhodes in the mix, plus sweet flute lines, wah wah guitar, and just the right use of strings to give the whole thing almost a blacksploitation vibe at times! The set was billed to the team of Jay Richford and Gary Stevan – but it's actually the product of better-known sound library maestros Sandro Brugnolini and Stefano Torossi, who work here at a level that's at the top of their powers. There's almost a cop/crime vibe to the record at times – and although some instruments solo at points, the real groove lies in the tight vamping of the orchestra – which hits all the right notes to really send the whole thing soaring – often with a nice use of tone and color too! Titles include "Flying High", "Fearing Much", "Going Home", "Running Fast", "Walking In The Dark", and "Feeling Tense". LP, Vinyl record album

Stellar work by Jimmy Hughes – one of those southern soul talents whose name you've heard, but can't always find on record! Jimmy's best known for his classic Muscle Shoals tune "Steal Away" – and that great number, plus many other similar ones, are presented on this obscure Vee Jay release – issued at a time when both that label and Chess were licensing a number of titles from Rick Hall's Fame studios. The sound is great – a key link in the southern scene of the 60s, and one that's often lost because it wasn't recorded for a bigger label, like Atlantic. Titles include "Steal Away", "Try Me", "I Want Justice", "Shot Of Rhythm & Blues", "Neighbor Neighbor", "I'm Getting Better", and "I'm Gonna Rise Again". LP, Vinyl record album

The original mix of Ruff Draft from J Dilla – a set cut back when he was still going by the name of Jay Dee, as one of the most powerful voices to emerge from the new scene in Detroit – working here alone in the studio, and with a raw power that's really wonderful! The record is supposedly music that Dilla originally made for himself, and which saw an initial limited release – but which, thanks to various reissues and variations, has gone on to become a key part of his too-short musical legacy. Tracks include "Reckless Driving", "Nothing Like This", "Let's Take It Back", "Crushin", "The $", and "Make Em NV" – plus some key interlude tracks. LP, Vinyl record album

A set that's maybe not the first record from the great John Lee Hooker – but one that definitely helped push him over the top, and forever cement his place in the legend of 20th Century blues! The vibe here is a bit different than some of Hooker's earlier, rawer material – as he gets some soulful backing from members of The Funk Brothers – an early current of Detroit punch, yet still delivered with a sound that's nice and lean – so that Hooker's vocals and raw guitar completely dominate the set! The mix of sharp rhythms and Hooker's lead is heard to great effect on the classic cut "Boom Boom" – a number that may well have set fire to a whole generation of British and American rockers – and other tracks are equally great, and every bit as gritty – with titles that include "Process", "Blues Before Sunrise", "I Got A Letter", and "What Do You Say". LP, Vinyl record album

The legendary Betty LaVette in all her gritty glory – stepping out here in a style that's a nice change from her Anti Records material – maybe a bit more down to earth and tuned towards the vibe of an older southern soul crowd, instead of a more crossover indie market! There's plenty of sharp, bluesy guitar in the mix, which resonates strongly with LaVette's vocals – and even though the record features guest appearances from Steve Winwood and John Mayer, it's clear that Betty's a shining star who can eclipse them all. Titles include "Plan B", "Lazy", "I'm Not Gonna Waste My Love", "In The Meantime", "Sooner Or Later", "Don't Get Me Started", "Lazy", and "See Through Me". LP, Vinyl record album

Pianist Paul Bley played famously with Ornette Coleman in his earliest years – and here, he gives a nod to that special time in his career, while also working in a style that's very much his own! All tracks are famous originals penned by Ornette, but delivered in very different trio readings by Bley, along with help from Jay Anderson on bass and Jeff Hirshfield on drums – in readings that are neither the harmelodic territory of Coleman during his classic years, nor some of the airy modernism you might know from Bley either. There's a surprising amount of lyrical beauty in the performances, as Paul opens up great new currents in these tunes – titles that include "Crossroads", "Turnaround", "Compassion", "When Will The Blues Leave", and "Lorraine". LP, Vinyl record album

"I rap with the Passion of Christ, Ni**a, cross me!" BE isn't exactly a back-to-basics LP in the vein of his classic work for Relativity – but it is indeed a return to a focused, genuinely soulful, no BS approach – and it's a very welcome one at that! It seems like Com was a bit affected by some of the criticism folks had for the spacious, astral Electric Circus LP – if you ask us Common had no reason to apologize, but we'd be lyin' if we said we weren't hoping for another batch of tracks that sound like they could have been written on a front porch on the southside of Chicago. This is indeed that record – 12 tracks, few guest appearances, and a warm, consistent sound all the way through. There's a 3 track span on this album, from "Chi-City" through "Real People", that's seriously close to perfection. Welcome home, Common! Ruggedly produced by Kanye West, with a couple of stellar production contributions from Jay Dee! Other tracks include "The Corner" feat Last Poets, "Go!", "Faithful", "Testify", "Love Is. . .", "The Food (live)" (this great track has been circulating for a while since it was performed on Chappelle's Show, and we're thrilled Common and Kanye had the good sense to include it on the album), "They Say" featuring John Legend and "It's Your World (Part 1 &2)". LP, Vinyl record album

A set that's almost a back to basics effort for the Du-Rites – one that makes the best use of the massively funky drums of Jay Mumford and fast-riffing guitar of Pablo Martin – as the duo augment their groove with some additional work on bass, percussion, and keyboards too! Yet there's not much else going on here besides the drums and guitar – which is great, as that brings a focus to the funky energy that some other groups have lost along the way – almost in break record territory at times, but with a fuller feeling in the grooves – on instrumentals that include "Tioli", "Du-Bo", "Bay B MoMa", "Hole In The Wall", "The Sun", "Asbestos", and "Can I Get Intuit". LP, Vinyl record album

An album with some surprisingly soulful moments, thanks in part to some well-chosen samples from classic years of soul – including snippets of work from The Impressions, James Brown, Minnie Riperton, and The Spinners – all of whom really provide some nice balance with the more hardcore lyrics upfront! That balance is maybe Freeway showing his Philly pedigree – next to plentiful guests who include Jay Z, Beanie Sigel, Snoop, Nelly, Nate Dogg, Faith Evans, Sparks, and others. Tracks include "Free", "What We Do", "Don't Cross The Line", "Turn Out The Lights", "Victim Of The Ghetto", "Flipside", "You Got Me", "Alright", "You Don't Know", and "Life". LP, Vinyl record album

A beautifully unique take on the music of Don Cherry and Ornette Coleman – served up here by a trio that features Kirk Knuffke on cornet, Jay Anderson on bass, and Adam Nussbaum on drums! The tunes are all classic Cherry or Coleman compositions – but the performance here is very different, with a robust quality that comes not just from the deeper range of the cornet, but also from the bold work on drum and bass – which still keeps things in that rompingly rhythmic mode of the group that Cherry and Coleman had together, but maybe both a bit more open in terms of the groove – and more focused on the one lead solo instrument. Knuffke's really opened up the sound of others in the past – but this record might well be his greatest achievement so far – as you'll hear on titles that include "Roland Alphonso", "The Sphinx", "Jayne", "Song In D", "Mind & Time", "Cherryco", "Golden Heart", "Paris Ambulance Song", and "Angel Voice". LP, Vinyl record album

A definite New York groove from bassist Teuro Nakamura – and a set that really takes us back to some of the best American/Japanese fusion sessions of the late 70s! Like some of those classics, this one was recorded in the US, with a Japanese player in the lead – bassist Nakamura – and the sound is wonderfully smooth and soulful, with a wickedly spacious take on jazz funk – and this open groove set up by the basslines, which then allow plenty of room for the other musicians to take flight! The album features guitar from Joe Berger, Bill Washer, and William Spaceman Patterson – plus loads of sweet keyboards and Fender Rhodes from Ron Thompson, whose work on the record is almost worth the price of admission! The set also features a bit of soprano sax from Antoine Roney, and some tenor from Jay Rodriguez – and titles include "Bushman Song", "Sequoia Forest", "Sweet Romance", "Midnight Song", and "Certain Doubt". LP, Vinyl record album

The second Pharcyde record – and though not as blunted and playful as the first one, it's still nearly as great – with that unrivaled, wholly original, easy west coast vibe! The production is more steady-handed this time around, which alienated fans of Bizarre Ride early on, but it also laid the groundwork for the late 90s Jay Dee groove of keyboards and measured beats! The set also features production by M-Walk and Diamond D. 17 tracks including "Bullsh*t", "Pharcyde", "Groupie Therapy", the classic single "Runnin", "She Said", "Splattitorium", "Drop", "Somethin That Means Somethin", "Hey You", "Devil Music", "Emerald Butterfly", "Heart & Soul", "The Hustle", "The E.N.D." and more. LP, Vinyl record album

An important early 90s moment for Run DMC – as the set has one of the first big major hip hop acts of the 80s, retuning themselves slightly for the new decade – in part by opening the door to added guests and producers for the record! The core energy that makes the trio so great is still very firmly in place – including inventive work on the turntables from Jam Master Jay – who produces here too, alongside Pete Rock, Jermain Dupri, EPMD, and Q-Tip too. Titles include the great title track, "Down With The King" – plus "Come On Everybody", "Can I Get It Yo", "Hit Em Hard", "Big Willie", "In The House", "Wreck Shop", "Can I Get A Witness", "Get Open", "What's Next", and "3 In The Head". LP, Vinyl record album

A really great South African group from the early 80s – and one with a sound that's a lot funkier and clubbier than most of the music from their scene that was being sent out through the world music market! Instead, the vibe here is like some of the coolest club tracks of the time – both underground New York work from the electro scene, and some of the more keyboard-heavy tracks that were showing up in the more Cosmic Euro dancefloors – served up with an approach that often has vocals just egging on the instrumentation, instead of the other way around – as keyboards and basslines take the lead on titles that include "Keep On Moving", "Picnic", "Let's Go Dancing Boogie Boogie", "Starlight", "Jah Jay Love", and "Picnicing". LP, Vinyl record album

Beats, Rhymes & Life – crucial aspects of Tribe Called Quest and hip hop in general – and the fourth album by the inimitable Tribe! After a couple or three years of down time following Midnight Marauders, the Tribe returned with this extra stripped down sound, collaborating with Jay Dee and the Ummah. Titles include "Jam", the r&b crossover ready "Stressed Out" feat Faith Evans, "Motivators", the great "Phony Rappers", and "Keep It Moving", "Word Play", "The Pressure", "Word Play" and much more. LP, Vinyl record album

A classic of 70s avant spiritual jazz – issued on the tiny Sweet Earth label, which was also home to some very special records from Sun Ra and Marion Brown! Bassist David Wertman is a lot more obscure than those bigger names, but he was part of the New York loft jazz scene in those crucial mid 70s years – and had associations with Arthur Blythe, Billy Bang, Steve Reid, and other key members of the group – all heavyweights that Wertman can easily stand next to with the strength of the material on this set! The sounds here are a fantastic combination of larger ideas and more spontaneous creation – almost in an AACM mode, but a bit more spiritual overall – with David's bass at the helm of a group that includes David Swerdlove on alto and soprano sax, John Hagen on tenor and soprano, John Sprague on flutes, Greg Wall on baritone, and John Zieman on keyboards. Drummer Jay Conway really provides some great energy to keep things lively and moving – and titles include "Oh John Love Trane", "Clear Air Dancer", "Earthly Delights", and "Relations". LP, Vinyl record album

Maybe not the complete roots of African funk, but a set that does a great job of bringing together a range of different cuts that show the new sounds and styles that were really hitting the scene as the 70s moved in – work from a wide variety of sources, but which all seems to share a sound and spirit with some of the newly independent African nations! There's a few African funk cuts in the mix, but the more interesting ones are almost those from the Anglo world that show a similar sense of groove, but with a slightly different vibe – coming across here on cuts that include "Waterbed (inst)" by LTD Exchange, "African Queen" by Allez Allez, "Them Changes" by Lionel Hampton, "Sangandongo" by Niagara, "Wassahoumba" by Africa Djole, "Do The Choo Choo" by Jack Ashford, "Africa Gone Funky" by Screaming Jay Hawkins, "Super Kumba" by Manu Dibango, "Tite Rope" by Harold Alexander, "Fat City Strut" by Mandrill, and "Corey Died On The Battlefield" by Wild Magnolias. LP, Vinyl record album

Reggae takes on Beatles tunes – both from the early and later years of the Fab Four – served up with vocals from a variety of different singers! There's a soulful vibe to the record right from the start – and the rhythms move between roots and lovers rock-styled pacing – but definitely change up nicely to fit the needs of the singers, which is a nod to the production and arranging styles of Clive Hunt, who put the whole thing together! Titles include "Taxman" by Nai-Jay, "Here Comes The Sun" by Barry Biggs, "Norwegian Wood" by Little Roy, "Revolution" by Yaniss Odua, "Michell" by Pierpoljak, "Help" by Gentleman, "You Won't See Me" by The Pioneers, and "With A Little Help From My Friends" by Tarrus Riley. LP, Vinyl record album

An incredible collection – and one that fills in a crucially under-documented side of the New York dancefloor generation – the wealth of special mixes and edits that were made for that city's important DJs for their own use in clubs! The package sorts through a mountain of never-issued acetates, and goes way past conventional disco or rare club collections – to showcase the special mixing talents these DJs brought to their re-presentation of the material – which was usually done on tape, then pressed onto acetate discs for their own private use! Those rare treasures are brought forth here – in a beautiful package that's also overflowing with fantastic notes that finally give this lost history its due – all handled by Al Kent – who's a hell of a mixer himself, as well as an underground club historian. Vinyl part 1 features five different records, all with lots of space for the tunes to stretch out – and titles include "I Just Wanna Say I Love You (John Luongo rmx)" by Leon Collins, "What About Love (Tony Gioe rmx)" by Marboo, "Ten Percent (Walter Gibbons Sunshine Sound acetate edit)" by Double Exposure, "Inside America (Rick Gianatos disco queen acetate edit)" by Juggy Murray Jones, "Dancing Free (John Luongo rmx)" by Hot Ice, "Black Water Gold (Sunshine Sound acetate edit)" by The Sunshine Band, "Magic Bird Of Fire (Francois Kevorkian Sunshine Sound acetate edit)" by Salsoul Orchestra, "It's Good For The Soul (Jay Negron Sunshine Sound acetate edit)" by Salsoul Orchestra, "My Love Is Free (Walter Gibbons disco madness rmx)" by Double Exposure, "Reaching Out For Happiness (Jonathan Fearing rmx)" by Fay Hauser, "Let Me Be Your Fantasy (Tom Savarese rmx)" by Love Symphony Orchestra, "The Beat Goes On & On (Jim Burgess rmx)" by Ripple, "I Wanna Be Near You (John Morales Sunshine Sound acetate edit)" by Ruby Andrews, "I've Been Looking For Somebody (Walter Gibbons rmx)" by TC James & The Fist O Funk Orchestra, "The Disco Scene (Rick Gianatos rmx)" by Lake Shore Drive, "Bumpsie's Whipping Cream (Tom Savarese rmx)" by TC James & The Fist O Funk Orchestra, and "Janice (Bobby DJ Guttadoro rmx)" by Skip Mahoney. LP, Vinyl record album

A killer collection of work from a group who are very near and dear to our hearts – a soulful combo who emerged from the UK scene at the end of the 80s, and really helped bring back a classic sort of warmth to soul music! Brand New Heavies were a funk combo at the core, but they were also graced with two great female singers – initially Jay Ella Ruth, then the mighty N'Dea Davenport, the singer who really helped the group soar over here on the US scene! These days, well-crafted, non-programmed soul music is a common thing – but were it not for BNH, and their contemporaries Incognito, the style might have fallen out of favor altogether – especially during that early 90s era when R&B was still pretty heavy on keyboards, samples, and beats! This double-length set is filled with classics from the group – titles that include "Spend Some Time", "Don't Let It Go To Your Head", "Never Stop", "Dream Come True", "Saturday Nite", "People Get Ready", "You Are The Universe", "Midnight At The Oasis", "Mind Trips", "You Can Do It", "Brother Sister", and their great take on "Apparently Nothin" – and their hip hop cut "Bonafied Funk" with Main Source and Large Professor. LP, Vinyl record album

Butcher Brown move past their roots as a core funk combo here – opening the door to contributions from a whole host of guests, and moving even more strongly into the world of soul music than on their album with Triple Trey! There's an expansive sound here that seems to have the hardworking outfit finally getting their chance at more mainstream fame – not in a commercial way, but at a level that just opens up with the energies they've always had, given focus through contributions from Braxton Cook, Keyon Harrold, Jay Prince, Vanisha Gold, Julia Shuren, Nappy Nina, Pink Siifu, and others – on titles that include "This Side Of Sunshine", "Happy Hourrr", "Around For Awhile", "Pink Fur", "Run It Up", "Espionage", "I can Say To You", "Move (Ride)", "Turismo"- "Eye Never Knew", "Half Of It", "No Way Around It", and "DYKWYD". LP, Vinyl record album

A seminal set from Linton Kwesi Johnson – the record that maybe pushed him over the top, and really marked him as one of the strongest new voices in reggae at the end of the 70s! Linton's a poet, not a singer – but his style is also more focused and clear in comparison to some of the dee jay material of the generation, which not only helped to get his messages across very strongly, but also open ears to his music that might not have otherwise been listening to material of this nature. Of course, it also helped that the set was issued by Island Records at a time when it seemed they could do no wrong – but the record is definitely Johnson's own, as he wrote both the words and music, and produced with some great help from Dennis Bovell on mixing. Titles include "It Noh Funny", "Sonny's Lettah", "Independent Intavenshan", "Fite Dem Back", "Reality Poem" and "Forces of Vicktry", plus "Want Fi Goh Rave", and "Time Come". This set features a bonus LP of dubs and mixes, and added artwork too! LP, Vinyl record album

Pick any 10 words out of any Outkast album description on our pages at random, and you'll see how dearly we've loved these boys throughout the years – but truth be told, deep down we didn't think that they would be able to pull off the double album/solo album project(s). We were seriously wrong – Speakerboxxx/Love Below is HUGE in every way, and both halves are great all the way through! If you were worried Big Boi's Speakerboxxx half would be lazy southern hip hop without Andre's freaky presence throughout, you can put those fears to rest right now. Speakerboxxx is a deeply soulful electro hopping pounder from front to back – every bit as innovative as Andre's half! Tracks include "Ghettomusick" (which features one of just two appearances by A3000 on the whole disc), "Bowtie" with Sleepy Brown, "Bust" with Killer Mike, "Church", "Tomb Of The Boom" with Konkrete, Big Gipp and Ludacris, "Flip Flop" with Jay-Z, "The Way You Move" and more. A lot of press has been given to the assumption that Andre 3000 has largely forsaken hip hop on his half (The Love Below) and has instead dived head first into cosmic future funk. Well, the rumors are true. There's lots of straight up jazz piano and horn bits on the Love Below, with Andre's half serious, half tongue-in-cheek romantic soul cabaret croon way over the top. It's steeped in the classic Outkast party vibe, but with lots of Sign Of The Times-era Prince (complete with androgynous distorted vocals), Parliament and Cameo thrown into the mix. Sick, energetic genius! Tracks include the deliriously great "Hey Ya!" single, "She Lives In My Lap", "Love Hater", "Happy Valentine's Day", "Roses", "Good Day, Good Sir", "Behold A Lady", "Pink And Blue", "Spread", "Dracula's Lady" with Kelis, and more. Who the hell knows what they can possibly do to surprise us after this – but wherever Andre 3000 and Big Boi go from here, they each have yet another classic in the discography! LP, Vinyl record album

An instant classic from Slum Village – one of those records that kind of snuck out into the world, then became legendary as the years went on! Of course, with work from Jay Dee, there's no surprise that the album's got plenty of staying power – as he does a killer job here, throughout, really elevating the work of T3 and Baatin with a mix of influences from soul, deep funk, and mellowed-out jazzy touches! In addition to the core Slum crew the record features D'Angelo, Busta Rhymes, Q-Tip, Pete Rock, and Jazzy Jeff – on titles that include "Conant Gardens, "I Don't Know", "Jealously", "Fall In Love", "Get Dis Money", "Once Upon A Time", "Go Ladies", "Hold Tight", "What's It All About", and "Fourth & Back". Also includes the bonus tracks "Thelonious" and "Fall In Love (Remix)". LP, Vinyl record album

A posthumous album from the mighty DMX – mirroring his career in way, from rugged and raging street anthems to soulful confessions and pleas to family. Exodus is heavy on guests appearances – and under the circumstances that feels right and fitting, to give this legendary voice the stars-studded sendoff he deserves – with one time rivals Nas and Jay-Z teaming up as show of respect, and appearances by Snoop Dogg, Moneybagg Yo, Lil Wayne & Swizz Beatz, Alicia Keys, Westside Gunn and more. Includes "That's My Dog", "Bath Salts", "Dongs Out", "Hold Me Down", "Skyscrapers", "Hood Blues", "Take Control", "Letter To My Son (Call Your Father)", "Prayer" and more. LP, Vinyl record album