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A greatest hits two-fer – made even greater with the addition of 27 bonus tracks! First up is Invictus' Greatest Hits – heavy soul from the house of Holland-Dozier-Holland – some of the best bits from their Invictus powerhouse label of the early 70s – definitely a scene-setting imprint at the time! Invictus had some of the deepest grooves ever recorded by the trio – heavy, rumbling bottom sounds – soaring vocal passages – and production that took the Motown lessons of the late 60s to a whole new level. The package is overflowing with gems – and titles include "Crumbs Off The Table" by The Glass House, "Band Of Gold" and "Bring The Boys Home" by Freda Payne, "Give Me Just A Little More Time" and "Everything's Tuesday" by The Chairmen Of The Board, "You've Got To Crawl" and "She's Not Just Another Woman" by The 8th Day, and "I Had It All" by The Barrino Brothers. Hot Wax Greatest Hits is a great collection of some of the best numbers from the Hot Wax label of the early 70s – second generation Detroit soul that really set the standard for the 70s! The tunes here were massive back in the day – blasting out of juke boxes, car radios, and a fair bit of home stereos too – all for good reason, given the care and balance the Holland-Dozier-Holland team brought to their work in the studio, and their ears for selecting singers to handle the work. Titles include "Want Ads" and "Stick Up" by Honey Cone, "Somebody's Been Sleepin" and "Too Many Cooks" by 100 Proof Aged In Soul, "Westbound #9" and "Mind Body & Soul" by Flaming Ember, "Woman's Love Rights" by Laura Lee "Women's Love Rights", and "Frightened Girl" by Silent Majority. 2CD set also features 27 bonus tracks that include "Somebody's Gonna Hurt You" by Lee Charles, "Colors Of My Love" by The Silent Majority, "Love Machine" by The Politicians, "Touch Me" by Eloise Laws, "Hey There Lonely Girl" by Ty Hunter, "Wanting You" by Earl English, "That's Love" by The Hi-Lites, "Can't Get Enough Of You" by Tyrone Edwards, "I Need It Just As Bad As You" by Laura Lee, "VIP" by Scherrie Payne, "Guess I'm Gonna Cry" by New York Port Authority, "Something New About You" by Silent Majority, and "You Too Me From A World Outside" by Lee Charles.

The only album ever by The Barrino Brothers – a stellar early 70s harmony group, and one who could sing with the best of the east coast scene of the time! The whole set's got a feel that's very much in the best mode of groups like The Modulations, Soul Generation, and even The O'Jays – as the group's got a deeper, more solid sound than some of the more fragile outfits of their era. Production is very strong – thanks to the Holland-Dozier-Holland powerhouse sound of the time – and the group's vocals are supported on a full groove that really helps send the whole thing over the top! The title cut "Livin High Off The Goodness Of Your Love" is a stone classic – and other nice tracks include "Rain", "I Had it All", and "It Doesn't Have to Be That Way". Loads of bonus tracks too – including "Trapped In A Love", "I Had It All (single)", "I Shall Not Be Moved", "Livin High Off The Goodness Of Your Love (inst)", "Livin High Off The Goodness Of Your Love (single)", "Born On The Wild (voc)", and "Born On The Wild (inst)".

An excellent album from this sublime soul trio! The record's got a nice heavy style – similar to the funky soul that was creeping into the sound of other artists on the Invictus label – and it rumbles along with a nice fuzzy edge that adds a whole new dimension to the incredible vocals of the group. Holland-Dozier-Holland produced, but the real skill here is that of General Johnson and Greg Perry – who wrote all the songs on the album save one – and whose vocal genius really makes the whole thing soar. The album yielded no hits for the group, but still has plenty of great numbers – and with General Johnson's vocals, just about anything would sound great! Cuts include "Bittersweet", "Weary Traveler", "So Glad You're Mine", "Elmo James", "Working On A Building Of Love", and "Men Are Getting Scarce". CD featyures two bonus tracks – "Let Me Down Easy" and "Everybody's Got A Song To Sing".

A motherlode of music from the glory days of Chairmen Of The Board – tremendous tunes from that time when the group were one of the freshest things in soul music – partly for their unique vocal approach, and partly for the bold, upbeat sound of their backings! All the work here comes from the Invictus Records years of the early 70s – and the set rolls out strongly with bold production from Holland Dozier Holland – often with a heady vibe that adds a nice degree of righteousness to the mix. The set's got over 20 tracks in all – and titles include "Skin I'm In", "Feeling Alright", "Elmo James", "Finders Keepers", "I'm A Sign Of Changing Times", "Let's Have Some Fun", "So Glad You're Mine", "Everything's Tuesday", "Chairman Of The Board", "Pay To The Piper", "Give Me Just A Little More Time", and "Working On a Building Of Love".

A landmark album of 70s soul – and perhaps the most enduring full LP by this enigmatic harmony group! The vocals of General Crook alone are more than enough to win us over – some of the most distinct lead soul singing we've ever heard, pitched perfectly with the backings of the rest of the group. But the overall package is even better – righteous arrangements that really show the new Holland-Dozier-Holland energy for the 70s – more of a punch than most of Motown a few years before, and open to some headier elements that only serve to do even more with the vocals! Titles include the group's huge hit "Give Me Just A Little More Time", a totally compelling number with a scattershot beat, and some wonderful lead vocals from the always-great General Johnson – plus, their cover of Clarence Carter's "Patches" – which was a big single for them – and the tracks "Bravo Hooray", "Since The Days Of Pigtails & Fairytales", "Come Together", "You've Got Me Dangling on a String" and "Tricked & Trapped".

A killer album by the Chairmen of the Board! The record's their second – and although the "In Session" title, photos on the front, and liner notes all make it appear to be a live album, it's actually a studio session, with the same great Holland-Dozier-Holland production as the first! The album includes an amazing track called "All We Need Is Understanding", a jaunty groover with this funky organ at the beginning, and some killer vocals by General Johnson. It's one of the group's best tracks ever – and the record has plenty of other nice ones – like "Pay To The Piper", "Hanging On To A Memory", "When Will She Tell Me She Needs Me", and "Chairmen Of The Board". Plus, the record includes their great version of "Patches", which they wrote for Clarence Carter – already on their first album, but featured here again for some strange reason! Who cares, though – because we love the track! CD also features the bonus cut "Try My Love On For Size".

Probably the rarest of all albums by The Chairmen Of The Board – and also the last! The album was cut after the band re-formed briefly, and it's got a fuzzed-out heavy soul sound that's quite different from some of the group's earlier work. There's heavy guitar on many tracks – riffing away in a psychedelic mode that dominates most tracks, but which almost buries the group's vocals. The album's a great one if you dig the funk side of the Chairmen – and at times, it almost reminds us of The Politicians, who were kind of labelmates of the group. Includes the excellent two-part funk track "Life & Death" – plus "Love At First Sight", "Everybody Party All Night", "Let's Have Some Fun", "Finder's Keepers", "Skin I'm In", and "White Rose (Freedom Flower)". Lots of bonus tracks too – including "Finders Keepers (inst)", "Someone Just Like You", "Come On In & Dance", and "You've Got Extra Added Power In Your Love".

A second sublime set from Ruth Copeland – a funky female singer from the Detroit scene of the early 70s, with key ties to the P-Funk universe, and a unique groove that mixes singer/songwriter modes with the fuzzier funkier elements of artists like Betty Davis or Yvonne Fair! There's a bit more emphasis on soul here than the funk of Copeland's previous efforts – but in a way that makes for an even more impressive record overall, especially when you realize that Ruth arranged and produced the whole thing. George Clinton and Eddie Hazel both had a hand in co-writing songs with Copeland – and instrumentation features Hazel on guitar, plus Bernie Worrell on piano – so there's still a key P-Funk link. Titles include the breakbeat track "Suburban Family Lament", the fuzzy stoner funk number "Don't You Wish You Had", and covers of the Rolling Stones' "Gimme Shelter" and "Play With Fire" – plus "Crying Has Made Me Stronger", "Hare Krishna", and "The Medal". CD features bonus single versions of "Hare Krishna" and "Gimme Shelter".

A surprisingly groovy little set – one of a few outings cut by singer Ruth Copeland – kind of an enigmatic figure in the early P-Funk years! The approach here is more rock than soul, but there's definitely some funky undercurrents too – of the sort that have always made Copeland a favorite with break freaks over the years – thanks to help on the album from Dennis Coffey, Eddie Hazel, Bernie Worrell, and George Clinton! Ruth arranged, performed, and produced the core part of the album herself – but the production style is surprisingly strong – with a use of space and strings that almost shows a bit of Axelrod influence at times, although more skewed towards the Detroit soul scene that Copeland called home. Titles include the classic "Your Love Been So Good To Me", which starts with a very fuzzy electric break, and "I Got a Thing For You Daddy", which has some great spacey guitars on the intro – plus "Child of the North", "No Commitment", "A Gift of Me", and "The Music Box". CD features three bonus tracks too – single versions of "The Music Box", "A Gift Of Me", and "No Commitment".

The first album by 8th Day – a record with a bit of a complicated pedigree, but a massive amount of 70s Detroit soul as well! The set was supposedly compiled to cash in on the group's hit single "She's Not Just Another Woman" – reportedly recorded by 100 Proof Aged In Soul, but issued under the name 8th Day, so that it wouldn't compete with the group's other hits on the charts! But after that cut took off, Holland-Dozier-Holland needed a group to back it up, so they assembled some lesser-known, but strong, Detroit soul talents to record this album. Unlike the group's second album, which is a much funkier affair overall, this one sounds a lot like 100 Proof – with a raspy southern-tinged soul approach, filtered through some tighter, more full-on HDH arrangements that really give the whole thing a great sort of punch! A great album if you dig the Invictus/Hot Wax soul sound – and titles include "I'm Worried", "Enny Meeny Miny Mo", "You've Got To Crawl Before You Walk", "Just As Long", and "She's Not Just Another Woman". Features the bonus tracks "She's Not Just Another Woman (single)", "Eeny Meeny Miny Mo (inst)", "If I Could See The Light In The Window", and "If I Could See The Light In The Window (inst)".

A nicely complicated little record – and one of the funkiest albums on the legendary Invictus label! The 8th Day group was a loosely-conceived batch of Detroit soul talents designed to cash in on a concept of the Holland-Dozier-Holland team – and they weren't just a studio project, as they included some wonderful talents that could make some great music when they wanted to! One of these was the amazing Detroit organist Lyman Woodard – who contributed the fantastic track "Cheba" to the album, an incredible organ groover that's unlike anything you've ever heard, rolling on with this pinched Hammond sound over congas, all-instrumental, and completely seductive! Another was Melvin Davis, who had recorded the song "Good Book" as a solo artist – but which was released here as if it was by the group. There's also a great guitarist in the group – unnamed due to the lack of liner notes – but who really shines on the funky tracks "Anythang", "Rocks In My Head", and "Heaven Is There To Guide Us", all with a fuzzed-out Detroit 70s groove! CD features the bonus tracks "Just As Long (single)", "I'm Worried (single)", "It's Instrumental To Be Free", and "You Made Me Over".

A great album by one of lost groups on the Invictus label! Glass House were a stellar male/female vocal group with a good deep soul sound – very much in the spirit of other Invictus albums of the era, with a tremendous feel for down home, gritty soul but executed with the smooth HDH vibe – a really wonderful blend that's slightly different than other Holland-Dozier-Holland productions of the time – making The Glass House a real standout in 70s soul! Ronald Dunbar handled all of the production for Holland-Dozier-Holland, and he also wrote most of the tracks – and titles include "You Ain't Livin' Unless You're Lovin", "Crumbs Off The Table", "Heaven Is There To Guide Us", and "I Surrendered". CD features three bonus tracks too – "Bad Bill Of Goods", "He's In My Life", and "I Can't Be You".

The sublime second album from The Glass House – even rarer than the group's first, and an overlooked gem in the Holland-Dozier-Holland treasure box of the early 70s! There's a sweetness here that you don't always find on other H-D-H projects – a touch of harmony soul that really makes the album come off with a great deal of charm, even though there's plenty of Invictus Records force in the grooves – that great post-Motown sound that the label pioneered as the second generation of Detroit soul. Arrangements are by McKinley Jackson and HB Barnum – and the album's filled with great titles that include "Horse & Rider", "House Is Not A Home", "VIP", "Thanks I Needed That", "Don't Let It Rain On Me", and "Giving Up The Ring". CD features three bonus tracks – "Playing Games", "Let It Flow (single)", and the Scherrie Payne solo track "It Ain't The World".

Post-Motown magic from the team of Holland-Dozier-Holland – a killer collection of their initial work for the Invictus label, including some of Lamont Dozier's greatest solo material! The set is smoking all the way through – a real high-point in 70s soul, with cuts that have gone onto be underground classics over the years – the kind of music we started Dusty Groove just to help promote! Lamont's vocals are tremendous, and even the instrumental tracks cook brilliantly too – thanks to a sharp punch that the trio never had this well back at Motown – kind of a 70s refinement of their previous groove, with a sound that's completely sublime all the way through. Titles include "Can't Get Enough", "New Breed Kinda Woman", "I'm So Glad", "Super Woman", "Where Did We Go Wrong", "Lady By Day", "Don't Leave Me Starving For Your Love (parts 1 & 2)", and both vocal and instrumental versions of the killer "Don't Leave Me".

A great solo album by this member of Chairmen of the Board – done with some wicked Holland Dozier Holland production, at a level that almost makes Johnson sound heavier here than in his work with his more famous group! The vocals have that same sort of crazy pinched sound that he had with The Chairmen, and there's loads of great original tunes here – plus a few Chairmen numbers, thrown into the mix, in the way that things sometimes got repeated on the Invictus label – but that's OK with us, because the tunes are so great. The grooves are nice and bouncy – and cuts include "God's Gift To Man", "Every Couple's Not A Pair", "I'll Never Get Tired Of You", "Mary Lou Thomas", and "My Credit Didn't Go Through". CD also features four bonus tracks – "Only Time Will Tell" in vocal and instrumental versions, plus "Savannah Lady", and "I'm In Love Darling".

A classic deep soul set from Eloise Laws – an early album recorded for Invictus Records, and done with stellar production from Brian Holland! The title cut's a monster, one of the best tracks on the label from the 70s – with some wonderfully spacey keyboards, funky drums and bass grooving! But there's loads of other strong cuts too – all with that great Invictus blend of masterfully produced, tight dancefloor soul – yet also served up with more than enough grit in the grooves to make the album a great one for funk fans too! Tracks include "Ain't It Good Feeling Good", "Where Did We Go Wrong", "I Believe In You Baby", "Love Goes Deeper Than That", "Put A Little Love Into It", "Camouflage", and "Make It Last Forever". CD features lots of bonus tracks – including "Love Factory", "You Made Me An Offer I Can't Refuse", "Tighten Him Up", "Touch Me", "Stay With Me", "Love Goes Deeper Than That (12" version)", and "Put A Little Love Into It (12" version)".

Sublime soul from the mighty Laura Lee – one of the best deep soul singers of the 70s, even though she recorded with the mostly-northern team of Holland Dozier Holland! The set shows that the trio really knew how to change it up after leaving Motown – and although Lee had recorded for Chess in the 60s, she really finds her groove here – mixing southern soul with a dose of 70s funk – all of which really stands out from most of her contemporaries! Laura's voice is sweet and dusky, in the mode of some of the best underground singers of her day – but also rises above the rest, thanks crack arrangements by HB Barnum and Eugene Moore – who mix strings and soul into a stellar blend of styles! Titles include the breakbeat classic "Crums Off The Table", which begins with some great hard drums – plus the cuts "Every Little Bit Hurts", "I Can't Make It Alone", "Mirror Of Your Soul", and "I Need It Just As Bad As You". Features a bonus unedited version of "I Need It Just As Bad As You".

Wonderfully weird sounds from Lucifer – a record cut during the powerhouse 70s soul years of the Invictus/Hot Wax label, but done with a sound that's much more bluesy and rootsy than any other work for the company! Vocals are by Eugene Smith, who has a cool sort of Bay Area vibe – laidback, and almost folksy at points – snaking easily over the album's backings, which often have this gentle funk approach – but again with a pretty laidback style! Tony Camillo handled some of the arrangements on the record – and brings in some fuller backings that are mighty nice, yet which still suit Lucifer's style strongly – and titles include "Have You Heard", "In A Garden", "Bloodshot Eyes", and "Don't You (Think The Time's A Comin')". CD features the bonus track "What I Am".

One of the funkiest groups on the Invictus label – a tight combo who've got some wonderful energy throughout! The group may well be the same combo that recorded earlier as the Port Authority Band for the US Navy (we've never been sure of that) – and this album's definitely got the same wonderful blend of jazz and soul, served up with lots of funky rhythms underneath – upbeat and uptempo, in ways that aren't exactly club, but which aren't that far off either! There's some great tight horns on the set – almost in a Brass Construction mode, but a bit leaner too – and some cuts have these really cool moogy keyboards that we totally love. Titles include "I Got It", "I Don't Want To Work Today", "Rainbow", "Guess I'm Gonna Cry", and "Twilight Zone". Includes bonus tracks "I Got It (part 1)", "I Got It (part 2)", "I Got It (special disco version)", and "I Used To Hate It (special disco version)".

An insane bit of fuzzed-out funk! This is Parliament's rare first album – a trippy batch of tunes that come off of Clinton's experimentation in the Detroit soul scene, infused by the rock-heavy energy of the city at the time – and probably a heck of a lot of cannabis, too! The record is quite different than the slick funky sound of the group's later work for Casablanca – and has the psychedelic funk sound of the early work of Funkadelic, which was also recorded during the same period. The album's filled with funky classics – including "I Call My Baby Pussycat", "Little Ole Country Boy", "My Automobile", "Funky Woman", and "Nothing Before Me But Thang". CD features loads of bonus tracks too – 7 more numbers that include "Red Hot Mama", "Come In Out Of The Rain", "Unfinished Instrumental", "Loose Booty", "Breakdown (mono)", "Fantasy Is Reality", and "Breakdown (stereo unedited version)".

A landmark album from Freda Payne! Freda had been knocking around a bit as a more jazz-oriented singer, and had cut one album for Impulse and one for MGM before this one – but when she hooked up with the hitmaking Holland-Dozier-Holland team for this record, her career really went over the top! The team take Payne's deep soulful voice away from the sophisticated pop of earlier years, and hook it up with a mix of fuzzy Detroit soul and sweeter southern styles. The album includes loads of great cuts – most notably the sublime crossover hit "Band of Gold", but also plenty of other lesser-known gems, like "The Easiest Way to Fall", "Unhooked Generation", "Deeper and Deeper", and "This Girl Is a Woman Now". Her best by far!

It's a few years after Freda's big hit "Band of Gold", and she's recording here in a very different mode! The record is produced by Holland-Dozier-Holland, with arrangements by a number of different talents, like McKinley Jackson, Tony Camillo, and Michael Smith – and the overall sound is much more sophisticated than on some of Freda's earlier work. The vocals are especially sharp – quite mature, and almost in a mode that points towards later work by singers like Jean Carn or Marlena Shaw during the late 70s. Includes the nice midtempo groover "We've Gotta Find A Way Back To Love", worth the price of the album alone – plus "Mood For Love", "Reaching Out", "Two Wrongs Don't Make A Right", "Mother Misery's Favorite Child", and "Right Back Where I Started From".

A rare solo effort from Danny Woods – a record cut away from Chairmen Of The Board during a stretch when the group had temporarily disbanded – and an excellent showcase for Danny's strength on his own! Woods is really wonderful here – with a proud, righteous quality that really soars out away from General Johnson and Harrison Kennedy – perfect for the righteous backings arranged by HB Barnum and McKinley Jackson – whose spirits really fit some of the more progressive modes of the music. There's plenty of upbeat, positive moments throughout – and titles include "Two Can Be As Lonely As One", "Let Me Ride", "It Didn't Take Long", "Everybody's Got A Song To Sing", "Working On A Building Of Love", and "Roller Coaster". CD also features the bonus track "Everybody's Tippin".

A massive album by Lamont Dozier – probably his best ever! Every cut's a winner, and the LP shines with a sharpness and tightness that's missing from some of Lamont's other LPs from the 70s. The songwriting is impeccable – and as the album progresses, you get that eerie "deja vu" feeling you can have when discovering a landmark work for the first time. There's a hint of funk in the mix, but the strongest point is the production – which bowls over the top with a mix of strings, piano, and Lamont's wonderfully honest vocals. Includes the wonderful soul anthem "Don't Leave Me", which comes up again in a very tight instrumental version – plus the tracks "The Picture Will Never Change", "Why Can't We Be Lovers", and "Slipping Away". Great all the way through, and a stunning bit of seventies soul that will have you returning again and again! CD features a massive 10 bonus tracks too – including "Superwoman", "Lady By Day", "I'm Gonna Hijack Ya", "Don't Leave Me Starvin For Your Love (parts 1 & 2)", "Why Can't We Be Lovers (single)", "Let's Get Together", "I'm So Glad (parts 1 & 2)", and "You Took Me From A World Outside".

An amazing solo effort from Harrison Kennedy – a record that's quite different than his work with Chairmen Of The Board, and a set that's easily one of the most compelling albums ever issued on the Invictus Records label! The set's nice and funky at times – the heaviest expression of that early 70s Holland Dozier Holland groove – but there's also moments that have kind of a playful, offbeat mode that's almost folksy soul – hard to peg adequately in words, but touched with these acoustic elements that are quite different than Kennedy's work with the Chairmen. The oddity of the record almost puts it in Rodriguez territory – especially given the raspy charm of Harrison's vocals – and titles include "Night Comes Day Goes", "Gimme A Glass Of Water", "Hypnotic Music", "Closet Queen", and "Up The Organization".

A landmark album from Freda Payne! Freda had been knocking around a bit as a more jazz-oriented singer, and had cut one album for Impulse and one for MGM before this one – but when she hooked up with the hitmaking Holland-Dozier-Holland team for this record, her career really went over the top! The team take Payne's deep soulful voice away from the sophisticated pop of earlier years, and hook it up with a mix of fuzzy Detroit soul and sweeter southern styles. The album includes loads of great cuts – most notably the sublime crossover hit "Band of Gold", but also plenty of other lesser-known gems, like "The Easiest Way to Fall", "Unhooked Generation", "Deeper and Deeper", and "This Girl Is a Woman Now". Her best by far!

A totally great album from Freda Payne – a set that moves strongly past her initial early hits for the Holland Dozier Holland team, into a realm that's even more sophisticated overall! There's a full approach here that's really wonderful – almost a higher-concept version of soul music, yet still with all the punch that Payne packed on her key singles from the first album! Strings and larger arrangements really round out the sound in a very unique way – but the whole thing's still plenty soulful all the way through, with a righteous undercurrent that definitely lives up to the HDH legacy – thanks to arrangements from McKinley Jackson and HB Barnum. Freda's vocals are wonderful – even more powerful than before – and titles include "I'm Not Getting Any Better", "The Road We Didn't Take", "Odds & Ends", "I Shall Not Be Moved", "Mama's Gone", "Suddenly It's Yesterday", "You Brought The Joy", and "You've Got To Love Somebody (Let It Be Me)". CD features lots of bonus tracks – including "He's In My Life", "You Brought The Joy (single version)", "Just A Woman", "Come Back", "Band Of Gold (alt)", "Deeper & Deeper (single version)", "You're The Only Bargain I've Got", and "How Can I Live Without My Life".

Deep soul and plenty of funk – the lasting legacy of Laura Lee – a singer who was one of the hippest female soul artists of the early 70s! Laura's way more than the soul diva promised in the title – as she's got an earthy, down-home feel that's completely no-nonsense all the way through – proud, powerful, and punched-up with some wicked funky rhythms at the bottom – all produced to perfection with the heavy new 70s sound of the Holland Dozier Holland team! It's no surprise that when people think "bad sister funk", they think of Laura Lee first – as you'll hear on cuts that include "Crumbs Off The Table", "Wedlock Is A Padlock", "I'll Catch You When You Fall", "I Can't Make It Alone", "Her Picture Matches Mine", "Woman's Love Rights", "If You Can't Beat Me Rockin", "Since I Fell For You (parts 1 & 2)", and "Mirror Of Your Soul".

A classic deep soul set from Eloise Laws – an early album recorded for Invictus Records, and done with stellar production from Brian Holland! The title cut's a monster, one of the best tracks on the label from the 70s – with some wonderfully spacey keyboards, funky drums and bass grooving! But there's loads of other strong cuts too – all with that great Invictus blend of masterfully produced, tight dancefloor soul – yet also served up with more than enough grit in the grooves to make the album a great one for funk fans too! Tracks include "Ain't It Good Feeling Good", "Where Did We Go Wrong", "I Believe In You Baby", "Love Goes Deeper Than That", "Put A Little Love Into It", "Camouflage", and "Make It Last Forever". CD features lots of bonus tracks – including "Love Factory", "You Made Me An Offer I Can't Refuse", "Tighten Him Up", "Touch Me", "Stay With Me", "Love Goes Deeper Than That (12" version)", and "Put A Little Love Into It (12" version)".

A smoking little set from Flaming Ember – a rock group at the core, but one who has plenty of blue-eyed soul in the mix – thanks to great production from Greg Perry, and strong arrangements from HB Barnum and McKinley Jackson – all of whom give the record a vibe that's right up there with the best Hot Wax/Invictus soul sets of the time! There's a nice amount of fuzz in the grooves – that post-Motown style that uses lots of great bass and guitar alongside core Detroit soul modes – and although the vocals have more of a rockish approach, the instrumental undercurrent is a great mix of funk, rock, and soul! Titles include the sweet soul ballad "Sunshine", plus the cuts "Ember Blues", "1200 Miles From Heaven", "Livin High Money Low", "Gotta Get Away", "Heart On Lovin You", "Stop The World & Let Me Off", and "Ding Need Dong". CD features bonus tracks – "Robot In A Robot's World", "If It's Good To You It's Good For You", "If It's Good To You It's Good For You (inst)", "Heart On Lovin You (long version)", and "Stop The World & Let Me Off (long version)".

The cover's a bit gimmicky, but the album's a stone classic – a wicked later Motown moment from the Jackson 5 – and one that has them working with the super-grooving team of Holland-Dozier-Holland! Brian Holland handles production work for the team, and although his touches only appear on about half the record, he really helps the Jacksons hit that wickedly righteous groove that was the trademark HDH sound over that the Invictus label – a bassy, bottom-heavy Detroit sound with just a bit of psychedelic funk as well! Additional production is by Mel Larson & Jerry Marcellino – and titles include "Forever Came Today", "Moving Violation", "You Were Made Especially For Me", "Honey Love", "Body Language", "All I Do Is Think Of You", and "Breezy". CD also includes a bonus track – "Forever Came Today (disc-o-tech version)".

A standout set from the great Laura Lee – a deep soul singer with power to rival the greatness of Aretha Franklin, but one who's also got a funkier punch to her music too! The album's a great blend of late 60s female southern and tight 70s bad sister funk – a style that's a bit like that of Gwen McCrae at her early best, but handled here with a fuller vibe that's right in keeping with the best modes of the Invictus/Hot Wax scene from the Holland Dozier Holland team! Vocals are wonderful throughout – and the album features the breakbeat classic "Crumbs Off The Table" – plus "Guess Who I Saw Today", "If I'm Good Enough To Love (I'm Good Enough To Marry)", "Rip Off", "You've Got To Save Me", and "Workin & Lovin Together". CD features bonus tracks – "Crumbs Off The Table (single re-edit)", "I'll Catch You When You Fall", and "I Can't Hold Out Much Longer".

A tremendous little record from Love Peace & Happiness – a great vocal trio from the early 70s, and one who really shine with this overlooked gem for RCA! The trio were part of the New Birth/Nite Liters universe that producer Harvey Fuqua brought to the label at the time – and they've got a hip sound that's right up there with the other two groups – with whom they were very intimately involved – working here with arrangements from Fuqua that are almost his contribution to post-Motown sounds in the 70s, the way that Holland-Dozier-Holland were working at Invictus. Ann Bogan really soars with righteous leads in the group – and gets equal support from brothers Leslie and Melvin Wilson – who really help underscore some of the bolder elements of the music – especially on the funkier cuts. Titles include "I Don't Want To Do Wrong", "Lonesome Lonely & Alone", "Don't Knock My Love", "If I Owned The World", "You Can't Cheat the Cheater", "Stay", "Mind", and "You've Chosen Me". Great reissue – with excellent sound and very detailed notes!

A really compelling little set from Satisfaction Unlimited – a group we only know from this one corker of a record on the Hot Wax label! The style's a bit in some of the harmony modes of the east coast scene of the time – yet like most Hot Wax/Invictus work, there's also a bit of an odd twist too – a quality that's hard to peg in words, but which is sometimes slightly trippy, other times warmly soulful – almost a Cali indie sort of vibe – with a bit of sunshine that breaks through amidst some of the darker, heavier themes of the record. There's plenty of great numbers with a catchy vibe that could have almost gotten these guys the radio play of some of the RCA groups of the time – and titles include "Time For Us", "Think of The Children", "Bright City Lights", "Let's Change The Subject", "Come On Back", and "Why".

The title definitely gets it right – as the set's filled with post-Motown gems from Detroit – a wealth of wonderful sounds from the Hot Wax/Invictus labels – almost all of it produced by the Holland-Dozier-Holland team! The music here represents the next evolution of Detroit soul in the years after the initial wave of Motown – music that still carries a lot of the spirit of before, and some of the style (given that HDH were working for the company) – but which also pushes things forward with a prouder, more righteous sound as well! The CD features a heady 23 tracks in all – with titles that include "Trapped In A Love" by Barrino Brothers, "Something New About You" by Silent Majority, "Let's Change The Subject" by Satisfaction Unlimited, "Tighten Him Up" by Eloise Laws, "Nothing Sweeter Than Love" by 100 Proof, "Only Time Will Tell" by General Johnson, "Deeper & Deeper" by Freda Payne, "Just As Long" by The 8th Day, "You've Made Me So Very Happy" by Honey Cone, "Two Can Be As Lonely As One" by Danny Woods, and "Bright City Lights" by Satisfaction Unlimited.

Groovy soul from Westbound Records – the Detroit imprint that's best known for its heavy funk from groups like Funkadelic or The Counts, but which also cut some killer Northern numbers in their early years too! The package features loads of under-discovered Westbound nuggets, including a few unreleased tracks too – and the overall feel is almost in the same territory as the HDH/Invictus camp of the early 70s – soaring soul that's clearly informed by the Motown generation, but which comes across with a lot more righteous overtones, thanks to some heady production work! A few names here are familiar, but most of the work should be pretty darn fresh, even if you've got other collections of Westbound work – and as usual, Kent have really knocked it out of the park with a great job on the notes and overall packaging. Titles include "Third World" by Joe Matthews, "Love Love Love" by Damon Shawn, "Till Another Day (Tom Moulton 7" edit)" by Caesar Frazier, "Ain't No Telling" by Houston Outlaws, "Happy Days" by The Magictones, "Gonna Spread The News" by Unique Blend, "Ain't That Lovin" by Denise & Abe, "Lonely In A Crowd" by Superlatives, "My Baby Ain't No Plaything" by The New Holidays, "Can't Shake It Loose" by Funkadelic, "I Can't See Myself Doing Without You" by Bob & Harold, "Never My Love" by Emanuel Laskey, "I'm Slowly Moulding" by The Magictones, and "I Am So Thankful" by Eddie Hill.

A smoking little set from Flaming Ember – a rock group at the core, but one who has plenty of blue-eyed soul in the mix – thanks to great production from Greg Perry, and strong arrangements from HB Barnum and McKinley Jackson – all of whom give the record a vibe that's right up there with the best Hot Wax/Invictus soul sets of the time! There's a nice amount of fuzz in the grooves – that post-Motown style that uses lots of great bass and guitar alongside core Detroit soul modes – and although the vocals have more of a rockish approach, the instrumental undercurrent is a great mix of funk, rock, and soul! Titles include the sweet soul ballad "Sunshine", plus the cuts "Ember Blues", "1200 Miles From Heaven", "Livin High Money Low", "Gotta Get Away", "Heart On Lovin You", "Stop The World & Let Me Off", and "Ding Need Dong".