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An early masterpiece from Frank Zappa – one of those records that looks like it's going to be a big ol' mess when you first see the cover – but which turns out to be a carefully calculated act of madness in the end! The Mothers have all their freeform freaky brilliance intact here – still some of the snide edges of the early years, but also really learning their craft as well – and stretching out under Zappa's direction into a pastiche of songs that explore the anxieties and inanities of late 60s America! Frank produced the whole thing with an approach that others wouldn't reach for years – shifting styles, instrumentation, and sound sources with effortless ease – over tracks that include "Hot Poop", "The Idiot Bastard", "Lonely Little Girl", "Take Your Clothes Off When You Dance", "Harry You're A Beast", "Mom & Dad", "Who Needs The Peace Corps", and "Flower Punk". CD

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The start of a great run of live releases – with careful mastering and presentation that made most of the Zappa bootlegs on the market obsolete! CD

Recorded live in Helsinki, Finland. CD

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A double-length set that folds together two different live Yugoslavian performances from November of 1975 – a unique touring lineup that includes Norma Bell on both vocals and saxes! A number of the tracks are short, but completely intense – with that impeccable musicianship that could make a Zappa band such a marvel to see on stage – and a few stretch out in longer jams, including versions of "Zoot Allures", "Stink Foot", "Black Napkins", "Advance Romance", and "The Illinois Enema Bandit". Shorter tracks include "The Poodle Lecture", "Dirty Love", "Take Your Clothes Off When You dance", "Lonely Little Girl", and "I'm Not Satisfied". CD also features two solos by Terry Bozio – one in Zagreb, and a bonus Ljublana solo – plus another take of "Zoot Allures", and a prototype of "Workin In A Gas Station". CD

Frank Zappa live in the 70s – working with a surprisingly hip large ensemble, with all the sharp changes and unusual moments of his classic studio albums! Like some of Zappa's other concert performances, there's an approach that steps a few years back – clearly to please the group coming to hear their favorites, but in a way that also offers up a nice sharpening-up of the music too – especially given that the whole thing's happening live on stage! There's some great jazz help here – horns from The Brecker Brothers, Lou Marini, Ronnie Cuber, and Tom Malone – plus wonderful vibes from Dave Samuels and keyboards from Eddie Jobson – and even a bit of narration from Don Pardo. Titles include "I'm The Slime", "Titties & Beer", "Cruisin For Burgers", "The Illinois Enema Bandit", "Punky's Whips", "Big Leg Emma", and "Sofa". LP, Vinyl record album

Frank Zappa live in the 70s – working with a surprisingly hip large ensemble, with all the sharp changes and unusual moments of his classic studio albums! Like some of Zappa's other concert performances, there's an approach that steps a few years back – clearly to please the group coming to hear their favorites, but in a way that also offers up a nice sharpening-up of the music too – especially given that the whole thing's happening live on stage! There's some great jazz help here – horns from The Brecker Brothers, Lou Marini, Ronnie Cuber, and Tom Malone – plus wonderful vibes from Dave Samuels and keyboards from Eddie Jobson – and even a bit of narration from Don Pardo. Titles include "I'm The Slime", "Titties & Beer", "Cruisin For Burgers", "The Illinois Enema Bandit", "Punky's Whips", "Big Leg Emma", and "Sofa". LP, Vinyl record album

Frank Zappa live in the 70s – working with a surprisingly hip large ensemble, with all the sharp changes and unusual moments of his classic studio albums! Like some of Zappa's other concert performances, there's an approach that steps a few years back – clearly to please the group coming to hear their favorites, but in a way that also offers up a nice sharpening-up of the music too – especially given that the whole thing's happening live on stage! There's some great jazz help here – horns from The Brecker Brothers, Lou Marini, Ronnie Cuber, and Tom Malone – plus wonderful vibes from Dave Samuels and keyboards from Eddie Jobson – and even a bit of narration from Don Pardo. Titles include "I'm The Slime", "Titties & Beer", "Cruisin For Burgers", "The Illinois Enema Bandit", "Punky's Whips", "Big Leg Emma", and "Sofa". Box set includes the original album album, 3 hours of previously unreleased performances, and other nuggets – plus a 60 page booklet with lots of behind the scenes photos. CD

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Frank Zappa at his mid 70s best! A bit of everything we love most about Frank Zappa records comes in to play on Zoot Allures. There's the oddball, yet accessible rock tunes that are as infectious as anything he ever composed – plus some bawdy, almost sleazy humor – and plenty of scorching guitars! There's a bit of global guitar experimentation, too – but it's ultimately a driving rock 'n' roll record – albeit with Zappa's particular freewheeling impulses well in play! Includes "Wind Up Working In A Gas Station", "Black Napkins", "The Torture Never Stops", "Find Her Finer", "Friendly Little Finger", "Wonderful Wino", "Zoot Allures" and "Disco Boy". CD

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An album that has Frank Zappa really continuing to push the instrumental complexity of his music – showing the world that he's not just another long-haired casualty from the 60s, and instead an artist who just kept on getting deeper and deeper into his own really unique groove! The record's overflowing with instrumental tracks that some might argue had a huge impact on jazz fusion – especially that mid 70s moment when the door opened in jazz to some more rock-like solos and rhythms – and that link is maybe no surprise, given that the lineup includes work from older jazzmen who include Billy Byers on trombone and the great Fred Jackson on saxes – plus George Duke on keyboards and Ernie Watts on c-melody sax. As always, the drums of Aynsley Dunbar are superb – and titles include "The Grand Wazoo", "Eat That Question", "Blessed Relief", "For Calvin & His Next Two Hitch-Hikers", and "Cleatus Awreetus-Awrightus". LP, Vinyl record album

One of Frank Zappa's biggest-selling albums of the early 70s and it's also one of his best ever! Over-Nite Sensation finds Zappa's leftfield weirdness and sly social satire at play within adventurous, but accessible arrangements. It's got some early fusiony bits paired with heavy drums and muscular rock riffs – and it's a hell of a great sound! The songs themselves are sharp, too. If forced to make a list of favorite Zappa songs, it'd certainly include "Camarillo Brillo", which kicks this record off – and other titles include "I'm The Slime", "Montana", "Dinah-Moe Humm", "Zomby Woof", and "Dirty Love". Features keyboards from George Duke and violin from Jean Luc Ponty – plus horns by Ian Underwood, Sal Marquez, Tom Fowler and Bruce Fowler – plus percussion by Ruth Underwood and amazing drums by Ralph Humphrey. CD

A late 70s return to glory for the Captain – and a set that has a bit of a checkered path, in that it was originally done for Frank Zappa's Discreet label as the album Bat Chain Puller – then was held back, and mostly re-recorded for this seminal release on Warner Brothers! The set shows all the grown that Don Van Vliet had undergone during the decade – and also echoes his previous collaboration with Zappa – served up with instrumentation that is wonderfully complex, but still quite personal and earthy – a blend of composition, improvisation, and individuality that almost has Beefheart rivaling the work of Hermeto Pascoal during the decade, yet in a very different mode – given his vocal styles and occasional spoken musings! The Cap sings, plays harmonica, and blows soprano sax – alongside Jeff Moris Tepper on slide guitar and spell guitar, Bruce Lambourne Fowler on trombone, Eric Drew Friedman on Fender Rhodes and bass, Art Tripp III on marimba and percussion, Robert Arthur Williams on drums, and Richard Redus on slide guitar, bottleneck guitar, fretless bass, accordion, and guitar. Tracks include "The Floppy Boot Stomp", "Ice Rose", "Bat Chain Puller", "Candle Mambo", "Love Lies", and "Suction Prints". This 2LP version features a full bonus record of rare material – including "Love Lies (demo)", "Harry Irene (rough mix)", "Witch Doctor Life (demo)", "Brickbats (inst rough mix)", "Suction Prints (inst demo)", "You Know You're A Man (inst alt version)", and "When I See Mommy I Feel Like A Mummy (demo)". LP, Vinyl record album

A late 70s return to glory for the Captain – and a set that has a bit of a checkered path, in that it was originally done for Frank Zappa's Discreet label as the album Bat Chain Puller – then was held back, and mostly re-recorded for this seminal release on Warner Brothers! The set shows all the grown that Don Van Vliet had undergone during the decade – and also echoes his previous collaboration with Zappa – served up with instrumentation that is wonderfully complex, but still quite personal and earthy – a blend of composition, improvisation, and individuality that almost has Beefheart rivaling the work of Hermeto Pascoal during the decade, yet in a very different mode – given his vocal styles and occasional spoken musings! The Cap sings, plays harmonica, and blows soprano sax – alongside Jeff Moris Tepper on slide guitar and spell guitar, Bruce Lambourne Fowler on trombone, Eric Drew Friedman on Fender Rhodes and bass, Art Tripp III on marimba and percussion, Robert Arthur Williams on drums, and Richard Redus on slide guitar, bottleneck guitar, fretless bass, accordion, and guitar. Tracks include "The Floppy Boot Stomp", "Ice Rose", "Bat Chain Puller", "Candle Mambo", "Love Lies", and "Suction Prints". CD

A late 70s return to glory for the Captain – and a set that has a bit of a checkered path, in that it was originally done for Frank Zappa's Discreet label as the album Bat Chain Puller – then was held back, and mostly re-recorded for this seminal release on Warner Brothers! The set shows all the grown that Don Van Vliet had undergone during the decade – and also echoes his previous collaboration with Zappa – served up with instrumentation that is wonderfully complex, but still quite personal and earthy – a blend of composition, improvisation, and individuality that almost has Beefheart rivaling the work of Hermeto Pascoal during the decade, yet in a very different mode – given his vocal styles and occasional spoken musings! The Cap sings, plays harmonica, and blows soprano sax – alongside Jeff Moris Tepper on slide guitar and spell guitar, Bruce Lambourne Fowler on trombone, Eric Drew Friedman on Fender Rhodes and bass, Art Tripp III on marimba and percussion, Robert Arthur Williams on drums, and Richard Redus on slide guitar, bottleneck guitar, fretless bass, accordion, and guitar. Tracks include "The Floppy Boot Stomp", "Ice Rose", "Bat Chain Puller", "Candle Mambo", "Love Lies", and "Suction Prints". LP, Vinyl record album

A seminal moment in leftfield music – maybe the crowning achievement of Captain Beefheart, and a landmark collaboration with Frank Zappa as well! Zappa produced, and gave the group plenty of room to stretch out on this double-length set done for his Bizarre Records imprint – which allowed the Captain the kind of freedom that Frank was getting at the time – which meant there was no need for a hit, no need to tone things down, and plenty of patience for all the record's amazing instrumental twists and turns, and Beefheart's madcap sense of humor as well! The Cap sings, and plays saxes and bass clarinet – and the record's got some really incredible guitar work from Zoot Horn Rollo and Antennae Jimmy Semens – really setting the stage for countless other guitarists in years to come. Tracks include "Dachau Blues", "Hair Pie", "Moonlight On Vermont", "Sweet Sweet Bulbs", "China Pig", "My Human Gets Me Blues", and "Dali's Car". CD

A seminal moment in leftfield music – maybe the crowning achievement of Captain Beefheart, and a landmark collaboration with Frank Zappa as well! Zappa produced, and gave the group plenty of room to stretch out on this double-length set done for his Bizarre Records imprint – which allowed the Captain the kind of freedom that Frank was getting at the time – which meant there was no need for a hit, no need to tone things down, and plenty of patience for all the record's amazing instrumental twists and turns, and Beefheart's madcap sense of humor as well! The Cap sings, and plays saxes and bass clarinet – and the record's got some really incredible guitar work from Zoot Horn Rollo and Antennae Jimmy Semens – really setting the stage for countless other guitarists in years to come. Tracks include "Dachau Blues", "Hair Pie", "Moonlight On Vermont", "Sweet Sweet Bulbs", "China Pig", "My Human Gets Me Blues", and "Dali's Car". LP, Vinyl record album

Members of Frank Zappa's 'Mothers Of Invention'. LP, Vinyl record album

A wild and wooly take on the girl group genre – produced by Frank Zappa, and issued on his own label too! CD

A wild and wooly take on the girl group genre – produced by Frank Zappa, and issued on his own label too! LP, Vinyl record album

Ruben Guevara of (Frank Zappa & The Mothers) – Ruben And The Jets band. 7-inch, Vinyl record

The landmark album from Hampton Grease Band – a group who were every bit as weird and wonderful as contemporaries like Captain Beefheart and Frank Zappa – and who work here with a similar sense of wit and freeplay in their instrumentation! Given that the group originally had some blues elements in their music, there's a definite link to Beefheart – and there's a dynamism here that almost feels as if they felt like they conquered blues rock at an early age, when they were working the southern scene – then felt free to play with its elements in whatever way they wanted! Bruce Hampton's vocals are wonderful – almost as weird and skittish as sounds that would later come from the art/punk underground at the end of the decade – and titles include "Halifax", "Maria", "Evans", "Hey Old Lady & Bert's Song", and "Hendon". CD

The most polarizing of John Lennon's post Beatles ouvre – the strident, Spector-produced, sprawling mess that is Some Time In New York City – a record that has too much of every idea John & Yoko had at the time, which makes it all the more fascinating after all these years! Angry, self-righteous and quite often brilliant – feminist anthems backed by Wall Of Sound pop, an ode to John Sinclair in the mold of a country rock tune – wild stuff from a superstar! Frank Zappa and the Mothers on side four! Include "Woman Is The Ni**** Of The World", "Sister, Oh Sister", "Sunday Bloody Sunday", "Attica State", "New York City" and more. LP, Vinyl record album

One of the strongest recordings ever made of the mad mad Lord Buckley! The album was issued in the late 60s for Frank Zappa's Straight label – but it features material recorded more than a decade before – at a time when Buckley was still alive, and one of the most bad-rapping comedian's to ever hit a stage. The approach is somewhat freer than some of Buckley's earlier sides – allowing the ersatz comedian a chance to really riff on a variety of subjects – talking with almost a jazz improvisational energy, in the way that made him a big favorite for the beat generation. The overall nature of the record is kind of hard to pin down – as it's not really comedy, just more of a freewheeling spoken session that's a bit jive, a bit beatnik, and plenty darn crazy! Titles include "The Raven", "The King Of Bad Cats", "Governor Slugwell", and "The Hip Einie". CD

On Frank Zappa's Discreet label. LP, Vinyl record album

Ed Palermo and company perform songs by Frank Zappa! Titles incldue "Sleep Dirt", "Dwarf Nebula Processional March", "Moggio", "RDNZL", and "Gumbo Variations". CD

A nice little record – way different than Ponty's overblown sides from the 70s, and cut at a time when he was hanging out with George Duke and Frank Zappa! The record is a live session recorded at the hip Donte's nightclub in Hollywood at the end of the 60s – but not issued until this brief release in 1981. Ponty's on his trademark violin, grooving on long tracks with backing by George Duke on piano, John Heard on bass, and Al Cecchi on drums. Titles include "Hypomode Del Sol", "People", "California", and "Eighty One". LP, Vinyl record album

A nice little record – way different than Ponty's overblown sides from the 70s, and cut at a time when he was hanging out with George Duke and Frank Zappa! The record is a live session recorded at the hip Donte's nightclub in Hollywood at the end of the 60s – but not issued until a brief release in 1981. Ponty's on his trademark violin, grooving on long tracks with backing by George Duke on piano, John Heard on bass, and Al Cecchi on drums. Titles include "Hypomode Del Sol", "People", "California", and "Eighty One". CD also features 4 bonus tracks – including "Canteloupe Island", "Pamukkale", "Sara's Theme", and "Foosh". CD

One of our favorite Frank Zappa projects ever – an album of mixed rock and soul tracks from Ruben Guevara and his group The Jets – all done in a style that tries to recapture the sound of East LA in the 60s! Some numbers are in a rocking mode, but others hit a mellower harmony style that's even better – almost doo wop at times, but with a sweeter soul style. There's a few silly moments, but thankfully not as much as on a regular Zappa album – and titles include "Sparkie", "Dedicated To The One I Love", "All Nite Long", "Spider Woman", "Charlena", "Santa Kari", "Mah Man Flash", and "Almost Grown". CD

A great dip back into the archives of Shindig magazine – with a limited edition that brings back some of the best interviews and features the publication did in years back – all laid out with new graphics, and often re-edited and expanded as well! Shindig often covers both big names and small from the 60s and 70s – but this issue is all heavy-hitters – with coverage on Frank Zappa, The Monkees, The Who, David Bowie, Small Faces, Kinks, Rolling Stones, Donovan, Captain Beefheart, Mott The Hoople, and others – all presented with loads of great photos and images, and no ads at all! Magazine

A weird and wonderful collection from Warner Brothers – with tracks that include "War Song" by Neil Young with Graham Nash, "Strutter" by Kiss, "Vegetables" by The Beach Boys, "The 68 Nixon" by Denver Boise & Johnson, "Sweet Revenge" by Ted Nugent, "Cosmic Debris" by Frank Zappa, "A 200" by Deep Purple, "Atlantic Liner" by Chunky Novi & Ernie, "We've Been Waiting" by Graham Central Station, and "Dr Horowitz" by Terry Melcher. LP, Vinyl record album