A set that focuses on the many different styles of arranger/conductor/horn player David Amram. The best material mixes up "Near Eastern" instrumentation and funkier arrangements, and some other cuts that have kind of a groovy beatnik jazz sound to them. Most notable of these is a version of "Pull My Daisy", but other cool tracks include "Tompkins Square Park Consciousness Expander", "Brazilian Memories", "Sao Paulo", and "Going North". This version of the album features 7 tracks in total, with the remaining titles being "Waltz From After The Fall" and "Wind From The Indies". CD

Includes the tracks "Havana/New York", "Para Los Papines", "Broadway Reunion (Recorded Live At Broadway And 44th Streets NYC)", and "En Memoria De Chano Pozo". CD

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Clear, clean, and tremendous tenor work from a young Eric Alexander – working here in one of his early partnerships with pianist Harold Mabern – in a way that really helps to re-direct Mabern's energy, and take him back to the glory days of his recordings in the 60s! Alexander's tenor has a classic sound here that's wonderful – focused and very sure of itself, and able to roll out on longer numbers with a great sense of imagination that avoids any too-easy notes or hackneyed choices. Mabern follows suit strongly – sounding better than on any of his trio records from the same period, and matching Alexander's youthful energy with some soaring lines of his own – often in a modal mode that seems to bring out the best in both players. Drums are by the rock-solid Joe Farnsworth, and bass is by John Ore – on tracks that include "Up Over & Out", "Eronel", "Flying Fish", "Blues For Mabe", "I Remember Clifford", and "Bewitched". CD