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A pivotal album for the group – released at a time when Black Ivory, like so many other east coast vocal groups, was making the transition away from an older sweet soul style to a more sophisticated club vocal sound. The group's producing themselves here – and we're guessing that most of the real work is being done by Leroy Burgess, although Patrick Adams still appears to be working with the group on the string and horn arrangements – giving things just the right sort of underground disco twist to make things groove! The record includes the great club track "Walking Downtown (Saturday Night)", a longtime fave around Chicago – plus "White Wind", "Making Love In My Mind", "Could This Be Magic", "Longer Ride", and "Can't You See".

An early stunner from Black Ivory – a great groover, done with kind of a bouncy lilting groove that has lots of bass, and a good mix with the group's harmony vocals! One of the funkiest from Fatback – "Goin' to See My Baby" is especially tough, and starts out with a massive breakbeat on the intro, then jumps into wicky-wacky basslines.

Two club corkers by Black Ivory – back to back on a single CD! The self-titled Black Ivory album is a pivotal set for the group – released at a time when Black Ivory, like so many other east coast vocal groups, was making the transition away from an older sweet soul style to a more sophisticated club vocal sound. The group's producing themselves here – and we're guessing that most of the real work is being done by Leroy Burgess, although Patrick Adams still appears to be working with the group on the string and horn arrangements – giving things just the right sort of underground disco twist to make things groove! The record includes the great club track "Walking Downtown (Saturday Night)", a longtime fave around Chicago – plus "White Wind", "Making Love In My Mind", "Could This Be Magic", "Longer Ride", and "Can't You See". Hangin Heavy is filled with killer grooves from Black Ivory – a trio who've really come a long way here since their roots – stepping out with proud, soulful tones that are a perfect fit for the upbeat grooves of the set! There's still a touch of fragile harmonies at times – but overall, the group have a much more mature, adult vibe – set to tight late 70s club arrangements from Patrick Adams and Leroy Burgess – both of whom stay far away from any mainstream disco cliches, and really hit a sweet underground vibe for the set! Titles include the classic club track "Mainline", plus "Peace & Harmony", "Get Down (Comin' Down)", "You Turned My Whole World Around", and "Rest Inside My Love".

A wicked little set from singer Debbie Taylor – a vocalist who really only shone brightly for this one album – but who's left more than enough of a soul legacy with its greatness! The record's an important early effort from Patrick Adams – and it's cut with a rough-edged style that's a bit like Adams' work with Black Ivory – especially on the mellower, more fragile ballads. Debbie's style is earthy and personal throughout – no soul cliches at all, and an overall mode that's really like some of the best up-and-coming east coast acts at the time – particularly those on the All Platinum label. Titles include "No Ifs Ands Or Buts", "Touchin' You", "Romance Without Finance", "Eye Doctor", and her great version of "No Deposit No Return".

Amazing grooves from a legendary pair of labels – the ultra-funky Perception and Today Records, home of some killer sounds from the New York scene at the start of the 70s! The labels had a great ear for up-and-coming soul – especially with some of the younger groups rising up at the time – and they also used their magic to refresh the sounds of some older artists, particularly jazz musicians, who took on an ultra-funky approach at Perception – one that's made their work for the label some of the most in-demand over the years! Drums are heavy, bass is nice and fuzzy, and many of the cuts have a righteous sound that really takes off from the most progressive soul, funk, and jazz of the late 60s – pushing hard with an even heavier 70s vibe. Titles include "Brother" by Adam Wade & Johnny Pate, "Too Sad To Tell" by Debbie Taylor, "Chitlins & Chuchifritos" by Joe Thomas, "Naturally Good" by Bartel, "You & I" by Black Ivory, "I Can't Get No Higher" by The Eight Minutes, "You Owe It To Yourself" by JJ Barnes, "Get Some Of This" by Madhouse, "Honey Buns" by Bobby Rydell, "Gingele" by Astrud Gilberto, "One Life" by The Albert, "Surrender" by Black Ivory, "Wishful Thinking" by JJ Barnes, "You've Just Been Bitten" by Bartel, "Every Brother Ain't A Brother" by Joe Thomas, "Submission" by Tyrone Washington, "Boogie" by Bartel, "Alligator" by Dizzy Gillespie, "Rock Steady" by Julius Brockington, "Find The One Who Loves You" by The Eight Minutes, "A Possibility" by Wanda Robinson, and "Heritage Hum" by James Moody.

A fresh serving of genius from Madlib – served up here in yet another manifestation of the Yesterday's New Quintet combo! Sound Directions have a groove that's quite similar to YNQ, but which focuses a bit more on the skittish percussion of Otis Jackson and "Sloppy" Joe Johnson – a live but spacey approach to rhythm, and one that often has the drums recorded in this gritty way that's nice and crunchy – and which is a perfect "bottom" to the tighter horns and electric keyboards of the set! Madlib's got help from guest players who vary from track to track – fleshing out his unique musical vision that includes new takes on Billy Brooks' "40 Days", Marcos Valle's "Wanda Vidal", Oliver Sain's "On The Hill", Lesiman's "Play Car", and David Axelrod's "A Divine Image" – as well as the original tunes "Theme For Ivory Black", Directions", and "Dice Game". Great stuff all around – with a groove that's as wild as Madlib's trip into the Blue Note vaults!

Amazing grooves from a legendary pair of labels – the ultra-funky Perception and Today Records, home of some killer sounds from the New York scene at the start of the 70s! The labels had a great ear for up-and-coming soul – especially with some of the younger groups rising up at the time – and they also used their magic to refresh the sounds of some older artists, particularly jazz musicians, who took on an ultra-funky approach at Perception – one that's made their work for the label some of the most in-demand over the years! Drums are heavy, bass is nice and fuzzy, and many of the cuts have a righteous sound that really takes off from the most progressive soul, funk, and jazz of the late 60s – pushing hard with an even heavier 70s vibe. Titles on this first part of the vinyl edition include "Brother" by Adam Wade & Johnny Pate, "Too Sad To Tell" by Debbie Taylor, "Chitlins & Chuchifritos" by Joe Thomas, "Naturally Good" by Bartel, "You & I" by Black Ivory, "I Can't Get No Higher" by The Eight Minutes, "You Owe It To Yourself" by JJ Barnes, "Get Some Of This" by Madhouse, "Honey Buns" by Bobby Rydell, "Gingele" by Astrud Gilberto, and "One Life" by The Albert.

Excellent lost funky work from Italy! The Barigozzi Group were one of these obscure little combos that churned out tight funky tracks for bigger outfits – very much in the style of I Gres, Marc 4, or some of the other great Italian groups that are being discovered lately. Their strength was a great keyboard sound, augmented by some wonderfully produced guitars, nicely flanged or wah-wahed, and some excellent drums, played in a nice tight stiffly rhythmic style. This package includes a whopping 21 cuts pulled from 3 lost alubms – all wrapped up in a wonderful looking cover that's one of the nicest Easy Tempo have dropped on us to date! Titles include "Tarzan Dance", "Blue Hairs", "Silver Legs", "Ivory Breast", "Black Heart", "Theme For Aretha", "Hong Kong Wind", and "Message From the Jungle". Great stuff!

Raw crackling hip hop funk beatcraft at its deepest from mighty Madlib – working in his Beat Konducta style for this third entry in the epic Madlib's Medicine Show Series! Beat Konducta In Africa is a hazy hip hop instrumental set from 'Lib (lest you thought it might be a funky compilation of rare African material) with some additional mixing from J Rocc – based on rare African vinyl. The sound is pure Madlib/Beat Konducta heady hip hop funk – recognizable as being spun from and inspired by African material, and impeccably so, with that instantly identifiable, exploratory Madlib sonic stamp. He looks far beyond Afrobeat and funk sources, with some raw funk rock beats, psych, garage and more with some trippy vocal samples – and he's building up from blueprints records originally pressed all over Africa – Zambia, Nigeria, Ethiopia, Ghana, Botswana and Ivory Coast. But too much mention of the source material risks making this sound like a compilation or a mix set, when it's Madlib all the way! Titles include "Motherland", "Raw Introduction To Afreaka", "Warrior's Theme", "Street Hustler", "Afritonic" (Pts 1 & 2), "Tradition", "Blackfire", "Obtaive", "Mtima", "African Bounce", "Freedom Play", "Natural Sound Waves", "Unika (Outro)" and many more. 37 tracks on the vinyl version.