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With Ron Sutton Jr on alto saxophone and Tarus Mateen on bass. CD

Paul Hession on drums, Michael Bardon on double bass, and Christophe De Bezenac on tenor saxophone. CD

Great post-Mahavishnu work from guitarist John McLaughlin – the debut of his excellent Shakti combo, a group who mixed Indian music with some tighter fusion moments! The style here is a lot leaner than some of McLaughlin's previous experiments – a small group lineup with violin from L Shankar, plus tabla, percussion, ghantam, mridangam, and John's guitar – all used together in really wonderful ways. The Indian roots of the music are often quite strong, and McLaughlin plays a fair bit of acoustic guitar in a respectful way that never intrudes too much on the other players – a huge change from his jamming fusion of the early 70s. The album features 3 long tracks – "Joy", "Lotus Feet", and "What Need Have I For This". LP, Vinyl record album

Plenty of Natural Elements here – thanks to the Indian roots of the Shakti group! The group's a wonderful collaboration between guitarist John McLaughlin – often playing here on acoustic, far from his earlier fusion – and a trio of Indian musicians, including the great L Shankhar on violin! The sound is soaring, spacious, and makes almost a fusion-like use of some of the elements – but without nearly as many of the cliches as you might expect. The sound quality is excellent, and a further great aspect of the record – and titles include "Mind Ecology", "Face To Face", "The Daffodil & The Eagle", "Get Down & Sruti", and "Peace Of Mind". LP, Vinyl record album

Misako Kano on piano, Thomas Chapin on alto sax and flute, Ron McClure on bass, and Jeff Williams on drums. CD

Great work from the Don Pullen-George Adams Quartet – a great post-Mingus group that features Adams on tenor and Pullen on piano – along with Dannie Richmond on drums and Cameron Brown on bass! The sound of these sides is really wonderful – as inventive and exploratory as some of Pullen's earlier work, yet carved out with a sense of rhythm and soulfulness that all players had clearly learned from Mingus – a focus that's really wonderful, and which takes this Blue Note gem far past some of the other Pullen/Adams collaborations in other settings. Titles include "A Time For Sobriety", "Mr Smoothie", "Just Foolin Around", and "We've Been Here All The Time". CD

A Japanese disc guide, but one with a really great focus – a look at the revival of indie labels in the world of hip hop in the 90s – after surprising domination of the style by the bigger record companies by the end of the previous decade! The book traces records through the 90s to the present – looking at key releases from smaller labels in important scenes around the country, and sometimes around the globe – really genre-shifting records that changed the vibe of hip hop strongly, and which now stand as modern classics in the field. As with other Japanese disc guides, the book has multiple listings per page – with artist, title, label, and date in English, and a short review in Japanese, along with a full color replica of the album cover. And if you can't read Japanese, Google Translate has gotten very good on your phone – so you can read the Japanese text via your camera with that program. The book has hundreds of listings, is over 200 pages, and is full color throughout. Book

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Music for two marimbas composed by Ann Southam; arranged by Greg Harrison and Jonny Smith. CD

One of the last great albums that Hank Mobley ever cut! Although Mobley's 70s output was nothing compared to his 60s Blue Note work, this 1972 session for Cobblestone/Muse is a winner, and features the aging tenorist co-leading a crack quintet with Cedar Walton, and featuring Billy Higgins, Sam Jones, and Charles Davis. The set's freer than Mobley's Blue Note work, but the group's right on the money – and the record is dominated by fierce soulful solos. Walton plays both acoustic and electric piano, at times, the record feels as if it might have been issued on the Black Jazz label. Tracks include "Sabia", "Breakthrough", "Early Morning Stroll", and the beautiful "House On Maple Street". CD

Just the right sort of setting to unlock all the majestic power of David S Ware at his best – that tremendously soulful tone on tenor, and one that rivals Billy Harper when operating at a level of this nature! The performance is a live one, and features Ware in the company of guitarist Joe Morris, drummer Warren Smith, and bassist William Parker – the last of whom provides that trademark pulse that always seems to set Ware on fire – an inspiring sort of rhythm that really pushes his horn to searing, searching new heights! Tracks are all quite long, with a spiritual feel – and Ware also plays a bit of kalimba on the record, which is always a nice touch. Titles include "Nataraj", "Reflection", "Namah", "Crossing Samsara", "Shakti", and "Antidromic". CD

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Mary J Blige broke through well over a decade ago, but Breakthrough is an apt title for her eighth album – as it not only busts up the morass of mid 00s urban radio fodder – it also breaks through MJB's own creative doldrums – adding up her best work in years! It's certainly not a flawless listen (we could have lived without the U2 appearance) but the production is crisp and sparkling, leaning towards the seamless hip hop soul feel that Mary built her name upon – and remarkably consistent given the long list of contributors – including 9th Wonder, Will I Am, Raphael Saadiq, JUSTICE League, Jimmy Jam & Terry Lewis and others. Tracks include "No One Will Do", Enough Cryin'" feat Brook, "About You" feat Will I Am, "Be Without You", "Can't Hide From Luv" feat Jay-Z, "MJB Da MVP", "I Found My Everything" feat Raphael Saadiq, "Father In You", "Alone" and more. CD

British music breaking through – served up here in a set of sounds that really reflect the massive musical year of 1971! As you might guess from the "underground" in the title, the collection's a bit one-sided – as it's not out to document the hits of the time, but instead the work that was bubbling under and having such a huge impact on the world – even if some of these artists never saw the fame they deserved, or were a few years away from bigger success with the tracks on the set! The package is heavy on work from the psych-into-prog years – much of which never falls into the excesses of either – and there's also a few hard rockers, some jazzier bits, and lots more surprises along the way – served up in a set list of 52 tracks by artists who include Keef Hartley, Jade Warrior, Pink Fairies, Procol Harum, Family, Samurai, Emerson Lake & Palmer, Nucleus, Yes, Status Quo, Cressida, BB Blunder, Beggars Opera, Pretty Things, Spring, Hawkwind, Audience, Atomic Rooster, Patto, Caravan, John Martyn, Peter Hammill, and many others. CD

Third album from the Brit prog-rockers. This album is a bit funkier than their previous releases, as their Memphis soul influence is quite apparent here. Nice moments throughout, with a monster drumbreak on "The Rock". Other titles include "Breakthrough", "Decision/Indecision", "Devil's Answer", and "Black Snake". LP, Vinyl record album

A trio of solo albums from Phillip Bailey – presented here with bonus material too! First up is Continuation – an 80s soul classic from Philip Bailey – stepping out here from Earth Wind & Fire in a set that has him sparkling strongly as a solo act! The vocals still have that trademark Bailey sound – a wonderful range that's never overdone, and which seems to shine especially well on the mellow and midtempo tunes in the set! Production is by George Duke, who does a lot to preserve the jazzier warmth of Bailey's previous settings – and although there's a bit more crossover potential here, the sound is still never too commercial or aimed at the charts. Titles include "It's Our Time", "Trapped", "I Know", "I'm Waitin For Your Love", "Desire", "The Good Guy's Supposed To Get The Girls", and "Your Boyfriend's Back". Next is Chinese Wall – a big breakthrough for Philip Bailey – and a record that was kind of a second-level explosion for the Earth Wind & Fire sound in the 80s! There's a definite crossover feel to the record – a style that takes Bailey's soulful vocals, and mixes them with lots of catchy hooks – in ways that push the Kalimba aesthetic even more into mainstream modes. Yet the album's still got some solid soul grounding, too – thanks to arrangements by Tom Tom and Arif Mardin – which is a nice contrast to the production by Phil Collins, who also guests on the hit "Easy Lover". Other cuts include "Time Is A Woman", "Go", "Walking On The Chinese Wall", "Photogenic Memory", "I Go Crazy", and "Children Of The Ghetto". Last is Inside Out – a set that has Philip Bailey working with Nile Rodgers, who gives him a lean, clean sound that works perfectly with his vocals! The sound is a nice change from the direction Bailey was heading in previously – a return to the focused soul of the later Earth Wind & Fire years, with his amazing lead opening up in ways that few other singers can match. Tunes are pretty well-penned too – catchy, but never cloyingly commercial – and titles include "State Of The Heart", "Welcome To The Club", "Special Effect", "Because Of You", "Take This With You", "The Day Will Come", "Back It Up", and "Echo My Heart". 3CD set features nice bonus material – "I Know (ext dance mix)", "Love Is Alive", "Easy Lover (with Phil Collins)", "Walking On The Chinese Wall (single)", "State Of The Heart (dub mix)", "Twins (with Little Richard)", "Twins (club mix)", and "Easy Lover (ext dance mix)". CD