Fame -- Soundtracks — CDs (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Soundtracks — CDs

XFilm noir to new wave, Italian film scores, cop movies, crime jazz, blacksploitation funk, spaghetti westerns, and more!

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Possible matches: 2
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CD, LP, Vinyl record album cover art
Chet Baker & Bud Shank/Leith StevensTheme Music From The James Dean Story ... CD
Pacific Jazz, 1956. Used ... $5.99
Although the initial release of this music was a cheap attempt to cash in on the tragic fame of the late James Dean, this 1956 session was also one of the nicest big band dates to come out of the Pacific Jazz catalog of the 1950s! Chet Baker and Bud Shank are the featured soloists of the set – and the group's conducted by Johnny Mandel and Bill Holman, both excellent arrangers with a strong feel for soundtrack-oriented material of this sort. Tommy Sands sings vocals on a version of "Let Me Be Loved", which is the only standard on the set – as the rest of the tracks are originals by the great Leith Stevens. The band's filled with other west coasters that you'll recognize – and titles include "The Movie Star", "Jimmy's Theme", "The Search", "Lost Love", and "Rebel At Work". (Jazz, Soundtracks) CD
(Out of print, small cutout through case spine.)

Possible matches2
CD, LP, Vinyl record album cover art
Ennio Morricone & OthersQuentin Tarantino's The Hateful Eight ... CD
Decca, 2015. Used ... $6.99 9.99
Director Quentin Tarantino has drawn plenty of inspiration from the music of Ennio Morricone over the years – either using short passages of older Morricone music in his films, or evoking the substance and style of the maestro in the way he uses sounds from other sources too! So it's only fitting that this time around, the pair are finally brought together fully – as Morricone turns out one of his best soundtracks in years for Tarantino's Hateful Eight – a brooding, suspenseful tale that owes plenty to the western generation that first sprung Morricone to global fame! Yet as with most of Ennio's best work, the style here is something that goes far beyond expectation – orchestrations that take on a style completely their own – with instrumental elements that have stronger focus amidst the larger charts, and a sense of mood and color here that's completely sublime. The record is mostly music from Morricone – written for the film – and features a few passages of dialogue from the movie, plus just a few additional tracks by The White Stripes, Roy Orbison, and David Hess. Yet it's more than fair to think of this as a complete score by Morricone – very different than the usual compilation-style soundtracks we've had before from Tarantino. CD
 
 
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