About as classic as you can get for Amon Duul – a double-length set that virtually defined the sound of prog rock for the 70s! Tracks are long, and mighty jamming – with a strong undercurrent of jazz alongside the heavy drums and guitars – set loose at a level that's much madder than most American work of the time – always threatening to trip itself up at various points, but incredibly on track over the length of the extended package. There's a few improvisational moments, and the whole thing has a fluid feel that even makes us swallow the vocals easily, as they fit right in with the rest of the tripped-out instrumentation. Instruments include 12 string guitar, organ, and some especially nice bongos – and titles include "Burning Sister", "Eye Shaking King", "Yeti Talks To Yogi", "Cerberus", and "Archangel Thunderbird". CD

A nice batch of modern pop sound collage. More traditional song structures are poking through the cool po-mo facade here. With "Opus 4", "Eye Of A Needle", "Backbeat", "Instruments Of Darkness", "Peter Gunn" and "Beatback". (Soul, Rock) CD

Includes bonus track "The Cape" CD

... CD

An album with a very mod-looking cover – and a set that's also overflowing with lots of mod-styled tracks to match – a cool current of soul from the 60s, but still handled with the sharper 70s vibe of young Attractions! Production is by Nick Lowe – and although The Jam were also turning towards more soul-styled sounds at the time, Elvis and Lowe may well have done them one better with this set. Titles include "Love For Tender", "Opportunity", "The Imposter", "Secondary Modern", "King Horse", "Possession", "High Fidelity", "Riot Act", "Human Touch", "Beaten To The Punch", and "I Can't Stand Up For Falling Down". Remastered with 10 bonus tracks. CD

One of those rock records that shouldn't have worked – Elvis ditched the pounding pop of his earlier post punk years for this one, replacing it with 80s synthesizer soul production and hired back up singers – but it works, thanks to Costello's pen being nearly as sharp as it ever was. Titles include the mega hit single "Everyday I Write The Book", plus "Let Them All Talk", "Love Went Mad", "Charm School", "King Of Thieves", "Pills And Soap", "The World And His Wife" and more. CD

A landmark album from the mighty Bob Dylan – a 2LP set of studio work, which was quite rare at the time – and a set that has Dylan stretching out all his creative powers in newly different directions! The album had a long genesis in the studio – some early work with The Band, then Dylan breaking off with Al Kooper and Robbie Robertson to head down to Nashville – where they interacted with key country session musicians to make this masterful blend of music – work that's not country at all, but which is also moving past Dylan's folk roots too – with a blend of music that still as mindblowing today as it was back in the mid 60s! This is definitely one of those double-length sets that makes fantastic use of all the extra space – overflowing with gems that include "Rainy Day Women # 12 & 35", "Visions Of Johanna", "Pledging My Time", "Stuck Inside Of Mobile With The Memphis Blues Again", "Leopard-Skin Pill Box Hat", and "Just Like A Woman". CD

A pivotal moment for Bob Dylan – and maybe one of THE albums of the 60s! The newly-electrified Dylan really takes off here – putting more punch and bit into his already-strong lyrical approach – and twisting things in amazing ways that still leave us breathless all these many years later! And sure, the album gave Bob a few hits – which are nestled in here next to headier tunes that work together perfectly. Titles include "Like A Rolling Stone", "Ballad Of A Thin Man", "It Takes A Lot To Laugh It Takes A Train To Cry", "From A Buick 6", "Desolation Row", "Highway 61 Revisited", and "Queen Jane Approximately". CD

(Folk/Country, Rock) CD